Team

Professora lectora de la Secció de Gravat del Departament de Pintura. Amb la tesi «La geometria del color. Lectures des de l’abstracció» (2006) explora la reciprocitat entre el color i l’abstracció geomètrica. La confluència creativa d’ambdós contextos es trasllada al seu àmbit de recerca i docència, on a través dels sistemes d’impressió abarca produccions d’obra gràfica original de diversa índole. Desenvolupa processos d’estampació examinant com a través del desplegament de la imatge editable els nous sistemes tecnològics interactuen envers els tradicionals en una progressió alternant.

Professora Titular especialista en Art i Nous Mitjans a la Facultat de Belles Arts de la Universitat de Barcelona (des de 1993). Vicedegana de Recerca, Doctorats i Postgraus des 2016. Directora del Departament de Disseny i Imatge (2012-2016).
Combina la seva experiència docent i investigadora amb la crítica, la curadoria i la realització de diversos projectes per a l'entorn web. Ha organitzat nombrosos seminaris i exposicions sobre art i nous mitjans. Entre els seus comissariats d'exposicions destaquen CTRL + [SELF]: Intimacy, Extimacy and Control in the Age of the Self 's Overexposure (2016), a Studio XX de Mont-real; Multiverso I (2016) i Multivers II (2017-2018) i Multivers III (2018-2019) a la Fundació BBVA de Madrid; Trencant les regles: joc i desafiament ètic en l'art (2015) el Centre Nacional de les Arts de Mèxic DF .; Homo Ludens Ludens (2008), a Laboral Centre d'Art i Creació Industrial de Gijón (31 artistes internacionals), i la mostra Videoarde. Vídeo crític a Llatinoamèrica i Carib (32 artistes internacionals), afavorit per la Xarxa de Centres Culturals d'AECID i Institut Cervantes, que ha circulat per diverses ciutats del món (2009: Mèxic, Montevideo, Quito, Guayaquil, Buenos Aires, Còrdova i Rosario ; 2010: Manizales, Lima, Cusco, Assumpció, Managua i Miami; 2011: Atenes, Istanbul i Casablanca. 2012: Rio de Janeiro; 2015: l'Havana i Camagüey).
Monogràfic Multiverso I i Multiverso II a Metròpolis RTVE (2016) i Monogràfic Carta blanca a comissaris en el programa Metròpolis de RTVE sobre VIDEOARDE (28/10/2012).
Ha publicat articles i assaigs sobre art i activisme a la xarxa, vídeo i game.art, i els llibres: Vídeo a Llatinoamèrica. Una història crítica (AECID i Brumaria, 2008), Net.art. Pràctiques estètiques i polítiques a la Xarxa, (amb Lourdes Cilleruelo, Edicions UB i Brumaria, 2006) i Vídeo. Primera etapa: El vídeo en el context social i artístic dels anys 60/70 (Brumaria, 2004), que va rebre el Premi a la Creació i Crítica d'Art en 2005, de la Fundació Espais de Girona. També els Manuals Universitaris El vídeo i les avantguardes històriques (UB, 1997) i Video Digital de Creació (UOC, 2004).
http://laurabaigorri.net/

Professor associat de la Universitat de Barcelona. La meva formació comprèn la recerca acadèmica, la pràctica artística i l'ofici d'impressor. Procuro integrar aquestes tres activitats. M'interessa especialment com la reproducció interfereix en el significat i la difusió de l'art, assumint que la reproducció en si és un procés creatiu. Treball gravat, pintura, vídeo i col·leccions d'imatges provinents tant de la impressió massiva del segle XIX com d'internet.

Professora Titular del Departament de Pintura de la Facultat de Belles Arts, Universitat de Barcelona. Combina la seva experiència docent amb la investigació, el comissariat i la Història de l’ art. Teoritza sobre metodologies  de treball dins l’ àmbit multimèdia internacional, en assajos que es deriven de projectes artístics comissariats per l’ autora:  “Los Excesos de la Mente”- Centro Andaluz de Arte Contemporáneo ,  Sevilla (2001), “Límits de la Percepció”-Fundació Joan Miró, Barcelona ( 2002), “Lost Sites”- Centro Huarte de Arte Contemporáneo, Pamplona ( 2012). Realitza també prospeccions individuals d´artistes estatals i estrangers, investigant sobre els seus processos interdisciplinars en assajos d´exposicions que ha comissariat,  editats pel MNCARS - Madrid / Magasin – Grenoble (1992), Museum Moderne Kunst S.L.- Viena,  (1997), MACBA-Barcelona ( 1999), Fdació. Gulbenkian-Lisboa(2004), Centre Tecla Sala- L´Hospitalet (2005), Artium-Vitoria (2006) Museo Nacional de BBAA- Santiago de Xile (2012).   Ha participat i impulsat Seminaris, Postgraus i Simpòsiums a la UB,  UPV-València, Arrabida - Portugal, UCL-Cuenca. Ha organitzat Workshops internacionals a Columbus-Ohio (Ohio Arts Council, U.S.A., 1991), “Dobles Vides” ( 15 Museus Històrics de Barcelona- ICUB, 1999), i ha estat responsable del Projecte de “Workshops internacionals” , línia ACI -Máster Oficial “ProdArt” UB (finançat per la Fd. Caixa Girona,2008 – 2011). Des de 2010 és membre del Comité Editorial de la Revista “Cuadernos de Arte”, de la Universitat Catòlica de Santiago de Xile, que es dedica a analitzar encreuaments territorials.

Art historian and critic, professor of theory and history of contemporary art and design (UB, ESDI-URL, ELISAVA-UPF, IL3-UB).She teaches undergraduate and master's degrees and seminars on the practice and history of contemporary art and design, culture urban, art criticism and curating, feminist theory, artist editions and the creativity of women mediums and visionaries of early 20th century. Since 2011 she has been working on the new readings on the visionary creativity of European women of the first half of the century XX, linked to mediumship and healing. She has participated in numerous activities related to the study on the gender stereotypes in museums, the production of women in the historical vanguards, the review of the historiographical narrative, the sexist nature of history, debates on gender and the forms of critical production in the domestic territory and laborcraft. As a public art critic in different media, she is interested in current international artistic production and the political turns of art. Member of the Catalan Association of Art Critics, ACCA, and AICA International. She gives lectures and participates in round tables on contemporary art, creativity and gender, museums and gender, artistic production processes, art and historical memory etc. Member of the management team of the Can Xalant Contemporary Thought and Production Center (Mataró), director of the Arts Coming, member of the ACM Association and president of the Josefa Tolrà Association (1880-1959).

(Barcelona 1982). Degree in Fine Art, Universitat de Barcelona. Finished her studies with an Erasmus scholarship at the Universität der Künste, Berlin, in 2004-05. Back in Barcelona, she is awarded the Guash Coranty Grant for the production of the project Still Life. At the same time, she begins the doctorate programme Art in the Digital Era. Intermediate Creation, at the Universidad de Barcelona, where she receives a pre-doctoral grant to train as a researcher. Since then she initiates a line of research on the study and experimentation of the event inside and out of the exhibition space, developing a series of specific projects in different contexts: ensayo_02, in Madrid.06/arte, Comunidad de Madrid; right cube_01, in Interpúbliques, Experimentem amb l'art, Barcelona; ensayo_04, in Exposició nº2, Sala d'Art Jove de la Generalitat, Barcelona; ensayo_06, in Interferències, Institut de Cultura de Terrassa; R=F/M/I, in La Capella de Sant Corneli, Museu Arxiu Tomàs Balvey de Cardedeu. This one series of productions are in www.luzbroto.net/2008, where is exposed the methodology of the researcha and his field of interest. At present, she develops the project Observaciones en un laboratorio at Parc Científic de Barcelona in collaboration with the group of research Binary Explorations of the Faculty of Fine arts of the Universitat de Barcelona.

Joana Blochtein Burd, Porto Alegre, Brazil, 1991. Visual artist, teacher and researcher of new media art, she explores the possibilities of interaction and tactility in sculptures and sound installations. Graduated in Visual Arts and Master in Visual Poetics (UFRGS, Brazil), she is currently doing her doctoral thesis in the Advanced Studies on Artistic Productions program at the University of Barcelona with a focus on Haptic Aesthetics. Burd recently participated in exhibitions in Aveiro (PT), Berlin (DE) and Zaragoza (SP). <www.joanaburd.com>

David Casacuberta is a philosophy of science professor in the Universitat Autónoma de Barcelona (Spain). His current research line is about the social and cognitive impacts of ICT and has published several books, book chapters and papers on the subject, both in paper and electronic format.
He is also teaching in serveral master degrees: One of Culture Managament within the Universidad of Barcelona, one on contemporary art theory in partnership between the Miró Foundation and the Universitat Autónoma de Barcelona as well as a master on Cultural Community Development in partnership between the city of Granollers and the Universitat Autonoma de Barcelona.
As as artist he is -with Marco Bellonzi- 50% of the group Santo File (www.santofile.org) and has create the following works:
1998—Mantra Mandala www.santofile.org/mm/mandala.html
1999 G.U.N. www.santofile.org/gun/ First prize net art category in Werzkleitz biennale (2000).
2000 DJ El ñino  www.santofile.org/djninho/ Presented in the festival z2000 (Berlin), financed by  the Academia der Kunste (Berlin).
2002 Noise_Inside www.santofile.org/noise_inside/
2005 X_reloaded. First prize (net art category) of Ingenio 400

M.Mercè Casanovas is a full professor of the Section of Engraving in the Faculty of Fine Arts of the University of Barcelona. Her lines of research are lithography, photolithography, digital printing and every that related with the artist book. She has imparted courses of these disciplines in England, Switzerland and Argentina. At present she is carrying out a research about the digital printing in different rigid and soft supports with the collaboration of the EGM company of Barcelona. In 2009 these results will be showed in an art gallery. From 1998 she is part of the group 13 L with which she carries out and she edits artist’s books and with whom she has set forth in and out of Catalonia.

Bachelor of Fine Arts from the University of Barcelona having completed the biennium doctoral "Arte en la Era Digital" 2006-2007. Currently working on her Phd. Her artistic work questions the use of artefacts, often appropriated to question the contemporary individual.
Some of her most recent works have been "El Globo", "L'Abocador", "Temptejos", "L'Infant Golem", "Desir" or "Les Demoiselles d'Avignon", which have been exhibited in different art institutions such as The festival LOOP (2007), France, Lithuania, Austria, Italy, and Portugal, within the project targeted young Europeans from the Centre de Cultura Metropolità Tecla Sala de l'Hospitalet (2007), as in various galleries and exhibition areas including the Gallery Senda, Fundación Privada para el Desarrollo del Arte Contemporáneo (2007), the Space of Creation OFF* AMPLE (2008) or the exhibition space Movistar (2008).

She graduated in Fine Arts at the University of Barcelona. She began a postgraduate course in Technologies of Postproduction at the Universidad Politécnica de Cataluña -UPC- Center for Image and Technology Multimedia (CITM). She then completed her studies with a postgraduate qualification in Pensar la Vanguardia and finalized the master’s program Pensar l'art d’avui and also obtained a master degree in Philosophy Filosofía Contemporánea: Tendencias y debates, from a cognitive perspective. All of this formation was at the Universidad Autonoma de Barcelona -UAB. In this same line she has participated in many academic seminaries, workshops and courses related with art, science and technology.
Some of her works was displayed at the Espai d’Arts in Granollers, Barcelona Mitomanies/en construcción, as a work of net art; at the Center of Contemporary Art, Arteleku, in San Sebastian with Thenetdreams as a work of net art; at the Festival of Maçanet with Avia explica'm un conte, installation art. She presented a photo exhibition for TV3 and Channel 33, Silence beyond Pain; Another photo exhibition, La mirada sin retorno, was held at Atendis, a private foundation for the mentally disabled; her short movie, Underground, was exhibited in the Assembly Hall of the University of Fine Arts. She also presented a video installation project Desdoblando, Esquizofrenia in the three-year period prior to the defence of her doctoral thesis.

Marta Negre (Santa Coloma de Farners, 1973) is graduated and doctor in Fine Arts from the University of Barcelona (2001).
She has been awarded a research grant by the same faculty’s Painting Department during the years 2002 to 2005. Now she is a Professor Lector of the same department and also she is the coordinator of art activities of the Guasch-Coranty Fundation.
She had been doing research at the École Supérieur des Beaux Arts of Paris (2002) and the department of Arts Plàstiques of the University of Rennes 2 Haute Bretagne (2004).
She has taken part in several exhibitions in galleries and spaces in Barcelona, including Galeria Senda-Espai 292, Galeria T4, Galeria ADN and the Barcelona Urban Property Chamber, where she presented the series PROJECCIONS IV as part of the Photographic Spring. She has also participated in various contemporary art shows, such as Sinergies Art-Disseny and the itinerant show Transart IV in the city of Imatra, Finland, Los géneros: Històrias Diferidas, curated by Teresa Blanch and organised by the Caja Madrid Social Fund at the Sala Alcalá 31 in Madrid. Her recent solo exhibitions are: Quell’ombra esser vorrei at the Sales municapsl d’exposicions in Girona and Natural at Galeria Sis in Sabadell.

Professor Lector del Departament d'Arts Visuals i Disseny de la Facultat de Belles de la Universitat de Barcelona. Combina la docència amb la producció artística. Ha realitzat exposicions de caràcter nacional i internacional, com l'exposició WAIT a la Galeria Balaguer de Barcelona o l'exposició Ni Temps Ni Geografia a l'Institut d'Estudis Catalans de París, també ha rebut diversos premis com la selecció pel Premi Internacional de Pintura Guasch Coranty. Ha sigut membre de diversos Grups de Recerca consolidats com el BRAC: Barcelona, Recerca, Art i Creació. Actualment és membre del grup IN>TRA La práctica Artística Colaborativa Como Modelo de Experiencia: Nuevas Formas y Prototipos en los Procesos de Investigación. En els últims anys la seva línia d'investigació s'ha centrat en l'anàlisi de la influència que tenen els nous ritmes temporals provocats per la digitalització sobre els ritmes biològics.

Fina Padrós Vivet (Vic, 1968) is graduate in fine arts at the Belles Arts faculty in Barcelona (2001), she has studied the doctoral biennium (2001-2003) Art en l’era digital, Afinitat i Especificitat, in the same university. In 2003 she obtained the Diploma d’Estudis Avançats (DEA). She has had a research and teach grant at the Painting Department on the BBAA faculty (UB). At the current time she is teaching at the same university and combining it with the realization of her doctoral thesis about the basic notions in her artistic creation around the temporality concepts like a tool.
She was at the research center: New York Public Library in Nova York and another museums in the same city (2005).
She has realized the following individual exhibitions: Can Xerracan in Montornès del Vallès, Mas Vilarmau in Viladrau. As well, she has showed her works of art in various contemporary art exhibitions played in art galleries and another art spaces in Barcelona, like: Espai Volart, Universitat Autonoma in Barcelona, the Escola d’Art i Superior in Vic, and the Cultural center Montehermoso Kulturunea in Vitoria. She has participated too in another contemporary art exhibitions like the Art Contemporani Català, the Honda prize, and the Centelles prize. As well she has realized some art work shops at the QUAM under the direction of Montse Badia, Jacob Fabricius, Marti Peran and Perejaume.

Professor of the Department of Painting is a Doctor of Arts and Bachelor of Philosophy and H. Art by the UB. It develops educational and creative activity in the field of contemporary art in different contexts and formats exhibition. Has participated in seminars and Graduate courses, Masters, and Ph. D. Studies. specializes in Intermedia artistic projects, coordinates exhibitions to disseminate the work for emerging artists and directs doctoral thesis. Currently coordinates the Master Official European artistic production and research. His artistic production has been present in international exhibitions and biennials in Venice (Biennale), Austria (Museums of Graz and Linz), Germany (Dusseldorf, Cologne, Bonn) England (London and Edinburgh), USA (NY, N. Jersey) Japan (Kyoto), France (Paris) Sweden (Malmoe, Stockholm) and nationals in Barcelona, Gerona, Madrid, Valencia, Bilbao and Seville. Has published several studies on visual poetry. It has recently intervened in the publication "Joan Brossa, reality and its metaphors" La Laguna (June 2008).

Artist, researcher and cultural promoter. Associate Lecturer at the Faculty of Fine Arts, Universitat de Barcelona (2018-). Phd in Fine Arts (University of Vigo), Master Degree in Design and Communication (UPF). Director and founder of Idensitat (1999-), a collective project where he is making his research practice as artist and cultural promoter. Deputy Director of EINA Center for Design and Art attached to the UAB (2019-). He has been director of ACVIC, Center for Contemporary Arts (2010-2018), and Head of Master's and Postgraduate Degrees at Elisava (UPF) (2000-2010).
His research work is defined by the intersection of artistic practices, social space, and the complexity of collective processes. In this field of research he has curated several exhibitions, participated as lecturer and coordinator in a few seminars, workshops and debate forums about art and social space, as well as he has published several articles and coordinated some publications. He has participated as coordinator and researcher in European projects (Creative Europe). Occasionally he teaches in different masters and postgraduate courses.

Cristina Pastó és Doctora en Belles Arts i professora agregada de la secció de gravat de la Facultat de Belles Arts de Barcelona. Alterna la pròpia activitat artística amb la docència. Les seves indagacions giren entorn del gravat i la impressió, dels seus processos i fronteres. Actualment, treballa en projectes on incorpora nous mitjans, explorant un territori de fusió de tècniques i materials on dialoguen art, naturalesa i tecnologia. Com a professora invitada ha impartit cursos a les Facultats de Belles Arts de Limoges-Aubusson, Toulouse, Tessalònica o Cracòvia i ha realitzat estades d’investigació a França i Japó. Membre dels grups d’investigació Metamètode: Metodologies compartides i processos artístics en la societat del coneixement I i II (I+D+i) ha col·laborat en projectes de co-creació juntament amb La Mandarina de Newton. Actualment forma part del grup d’investigació Matèria Impresa: de la virtualitat digital a la materialitat tridimensional en la investigació artística (HARD2012- 39378-CO3-02 Ministeri de Ciència i Innovació ( I+D+i) 2015-2018. Des de 1990 ha participat en diverses exposicions individuals i col·lectives al nostre país i a l’estranger. A partir de 1996 és membre del grup 13L, llibres d’artista i publica llibres d’artista, participant en diferents Fires especialitzades a Europa i als EUA.

Artist and researcher. Degree in Fine Arts (University of Seville and Winchester School of Art, United Kingdom) and Master in Artistic Production and Research (UB). She is currently a pre-doctoral researcher (FI scholarship) at the Department of Visual Arts and Design (UB).

She has had individual and group exhibitions in art centres such as the Centro Andaluz de Arte Contemporáneo (Seville), Centro José Guerrero (Granada), Fabra i Coats - Centro de Arte Contemporáneo (Barcelona) and galleries such as Galería Fran Reus (Mallorca), Espai2 Angels (Barcelona), Galería Luís Adelantado (Valencia), Galería Javier Silva (Valladolid).

She has obtained grants from institutions such as INJUVE, the Guasch Coranty Foundation, the INICIARTE Programme, or the Comunidad de Madrid - Openstudio Training Programme.

She is co-founder and coordinator of FASE - Space for creation and thought in l'Hospitalet de Llobregat.

www.mercedespimiento.com

Artist graduate in Fine Arts (UB) and photography (IEFC). She works as a freelance photographer and teacher, specialized in the creative processes that include photography as a research tool at UB, UNIBA, Instituto 8 & Alas. Since 2004 she collaborated with Photographic Social Vision Foundation, co-leading and facilitating participatory photography projects in Punt de Vista. Her personal photographic work has been exhibited in different individual and collective exhibitions such as Cidade da Cultura de Santiago, Venice Architecture Biennale or Valid Foto Gallery in Barcelona. She is currently researching through his doctoral thesis 'Art and collaborative photography for social inclusion and personal transformation' at UB.

Lluís Fernández Pons is a visual artist. He received his PhD in Fine Arts from the University of Barcelona (UB). He has a Bachelor Degree in Fine Arts (UB); and continued his studies in Germany with the degrees of Absolvent, Meisterschüler and later completed an MA in Art in Context at the UdK Berlin (Universität der Künste). He works as a visual artist collective with Jasmina Llobet since 2002, in the field of sculpture, public art and context-specific projects (www.llobetpons.com). Adjunct Professor at the Fine Arts Faculty of the UB. Guest Professor at Tunghai University in Taichung, Taiwan (2019). As part of the Llobet & Pons collective, he has realised projects in public space, including permanent sculptures in China, Germany, South Korea, Taiwan and Japan. His work has been exhibited in international venues such as Bundeskunsthalle, NGBK, Studio 1-Bethanien, Fundación Tàpies, Setouchi Triennale or the Havana Biennial. Research Grants include Barcelona Awards 2020 Scholarship, Culture Institute of Barcelona City Council (2021). He has also participated on research stays and international residency programmes at Tsung-Yeh Arts and Cultural Center. Tainan, Taiwan (2018); Asia Culture Center (ACC). Gwangju, South Korea (2017); Laznia Center for Contemporary Art, Gdansk, Poland (2013); Akiyoshidai International Art Village, Yamaguchi, Japan (2011); Seoul Art Space Geumcheon, Seoul, South Korea (2010); IMMA - Irish Museum of Modern Art, Dublin, Ireland (2009); and Platform Garanti, Istanbul (2009).

Artista i professor titular de la Facultat de Belles Arts de la Universitat de Barcelona, actualment és director del Departament d’Arts Visuals i Disseny. Doctor en Belles Arts (UB), amb la tesi "Alear: Arte procesual-aleatorio. La aleatoriedad en el Computer-Art". Especialista en computer-art  i art imprès.
Actualment IP2 del projecte IN>TRA. La pràctica artística col·laborativa com a model d’experiència: Noves formes i prototips en els processos de recerca, dins del grup de recerca IMARTE.
Centra els seus interessos en l’art imprès, en la utilització digital de l’atzar i la incorporació docent de metodologies compartides. Les seves línies de recerca actuals són els nexes entre art i ciència, i la interpretació dels conceptes de codi i traducció. Ha participat en nombroses exposicions nacionals i internacionals.
www.eloipuig.com

Montserrat Ras Mallorquí, Reus, 1974. She’s graduate in Fine Arts at the Belles Arts faculty in Barcelona (2002), she has studied the doctoral biennium (2003-05), has studied the master’s degree “Produccions Artístiques i Recerca” (2006-08), and now is realizing her doctoral thesis under the Pilar Palomer Mateos direction, at the Painting Department on the BBAA faculty (UB). She was staying at the research center IUNA Instituto Universitario Nacional de Arte, Buenos Aires, Argentina (2007). Now is researching grant holder at the Painting Department (2005-08). She has participated in contemporary art exhibitions in Tarragona and Barcelona provinces: like the Museo Salvador Vilaseca in Reus, the Museo d’Art Modern in Tarragona, Palau de la Diputació in Tarragona, the Fundación Vila-Casas in Barcelona and the Tecla Sala in Hospitalet; she has realized too individual exhibitions in art centers like the Cambra de la Propietat Urbana in Barcelona. At the current time she is combining the realization of her doctoral thesis with her teaching activity.

Degree in Graphical Design in the Sure University of Tehran (Iran), presented like project of end of studies the video " Infinit Mornings". In 2004 moved to Barcelona where realised the Masters in Production Gráfica and Packaging in the School Superior of Elisava Design, organized by the University Pompeu Fabra in Barcelona. In the 2005 registered in the program of Ph.D in the department of Image and Design at the Faculty of Fine Arts of Barcelona. From 2006 she is assistant scholarship (FI) of the Majority of Catalonia, within project I+D Binary Prospections. Her research dissertation entitled "Influence of Art, Science, and Technology on the image of the Body, and consequently, in the identity of being human". using the body as performance action and autobiography exercise in: www.capturesinstant.com (presented like final project of the first year of DEA). At the moment continuous experimentation in the field of the video performance investigation from the artistic practice in the context of the Body and relation with the Technology and Ciencia (ATC).

(1972, Berlín). 2002 Graduated in Fine Arts from the Faculty of Fine Arts, HfbK-Hamburg (Germany). Studied at the studioclass of KP Brehmer (1994 to 1997) and sculptor Pia Stadtbaeumer (1998 to 2000). In 1997 she studied one semester at the Faculty of Fine Arts in Cuenca. From 2000 to 2002 she was assistant professor of video and digital photography in the department of visual communication in HfbK (Hamburg-Germany). From 2006 to 2008 she studied the European of Master in "Artistic Productions and Investigation" at the Faculty of Fine Arts, University of Barcelona, and in january 2009 she received the catalan a research scholarship (FI) and is part of the investigation group Binary Surveys, University of Barcelona. Steidinger focus in her theoretical work is to analyze representation of a malaise and construction of subjectivity in the new paradigm of production in connected societies. She participated as an artist since 2001 with video work in several exhibitions: Get that balance in 2001 in the showroom Kampnagel 3 (Hamburg) in 2002 in the video gallery Trust your local artist (Hamburg), in the 2003 exhibition in public space Zoll-Douane, Hamburg, Havana Biennial ( Cuba - 2006), Artivistic in Montreal (Canada - 2007), at the Peacock Visual Arts Center of Aberdeen (Scotland - 2008). From 2003 to 2006 founding member of the collective FELD fuer Kunst (art field), a space for exhibitions and projects of contemporary art in Hamburg. Since 2007 part of the collective in Barcelona ENMEDIO, art, technology and politics.
www.enmedio.info
www.anja-steidinger.net

PhD in Arts, she is working as a tenure-track 1 lecturer at Fine Arts, Visual Arts and Disseny department, Universitat de Barcelona. With a PhD thesis in 2006 about Artivism her research interests are in the convergence between Art, Technology and Polítics. She is usually working, researching and teaching about new media art, vídeo and photography, but with a wide vision on Interactive Design, as a methodology for a better human-computer communication.

Professor of the Printmaking Area of the Painting Department of the Faculty of Fine Arts of the University of Barcelona. Combines teaching with the artistic production. Her experience nourishes of the thought and sensitivity surrounding the context of art, trying to make of it a shared experience. From 1979 she has participated in numerous individual and collective exhibitions in Europe, Argentina, the USA and Japan. In recent years her research has focused on studying the language of digital printing and the new media within the art form. Since the year 2000 she is main researcher for competitive projects I+D Binary Prospections, I, II (BHA2000-0734) (BHA2003-02938) and Printing Expanded (HUM2007-64757/ARTE). From these projects she has organized, along with other researchers, conferences, seminars and workshops directed to the students of doctorate and the formation of the research fellows.

Stella Veciana is manager of scientific projects in the catalan Institute of Nanotechnology, she studied experimental art in Berlin, London, New York and Barcelona. In 1995 she received the prestigious scholarship from Germany the DAAD (Deutscher Akademischer Austauschdienst) to study computer art at the School of Visual Arts in New York. She is the author of the first doctoral thesis focused on the ACT, in spanish titled Research arts: the intersection of art, science and technology as a field of knowledge and action (2004). Veciana artistic activity began in 1991 with multimedia installations and kinetic art exhibiting in various galleries and museums in Europe: Berlin Kunstwerke, Berlinische Galerie, Martin-Gropius-Bau and Akademie der Künste, Kunsthalle Nürnberg, Lichthaus, Bremen, Deutsche Bank Galerie, Madrid / Barcelona, ??Pleiades Gallery, Athens, European Capital, Thessaloniki, etc. . In 1997 she started her career as lecturer and professor in the UB and UAB for the development of models for online master programs for the Graduate Institute, Madrid. Afterwards she worked  in the management of the Office for International Relations, Faculty of Fine Arts UB and coaching the Project in the coordination of ANECA (National Agency for Assessment and Accreditation). Since 2006 Veciana directs the management of scientific projects of the Institut Nanotechnology Catalan, ICN. She is member of the European Association of Research Management EARMA.

Professor of the Printmaking Area of the Painting Department of the Faculty of Fine Arts of the University of Barcelona. Art and defined his career teaching staff in a permanent dialogue and shared. The main focus of his artistic production has been developed: The original artwork, books and installation. Since the concern investigate a perception in the abstract Recorded as a language, explore their speeches, their processes image and the borders of their limits. Has participated in international seminars and Masters in France, UK and India and has coordinated seminars, conferences and workshoops under the Ph. D. Studies  Dep. Painting. Vicedecanato and culture. Has done curated exhibition together with other groups of researchers and research projects. It has promoted the expansion of language printed in the digital environment since the Coordination of European Masters P.A & A: Printmaking, Art and Research 1995-1999 and the conduct of international postgraduate degrees. From the engraved stamp to mark the digital 1. 2, 1998-1999. He has done numerous exhibitions in Europe, Argentina, India and Japan.
Since the year 2000 she is researcher for competitive projects I+D Binary Prospections, I, II (BHA2000-0734) (BHA2003-02938) and Printing Expanded (HUM2007-64757/ARTE). Since 2002 participates in the project on the study chemical and physical characterization of materials and techniques from one part of the fund artwork on the Gala-Salvador Dalí and Figueras in agreement with the University of Barcelona.

Eva Vila Pou (Vic, 1963). Graduated in Fine arts by the University of Barcelona in Painting (1998) and in Engraving (1994). Since 1995, she is a member of teachers’ staff of the Printmaking where she practises as teacher, researcher and artist.
In the frame of the University, lately she has managed several agreements of diffusion of artistic projects with Fine Arts’ students and several Japanese institutions of art. She has exhibited her work both individually and collective.
Since 1998, she is a member of the group 13L. All the artists in the group have expertise in projects concerning Artists’ books and Bookworks and which she exhibit her work regularly.