“Draw_Raw_Graphic Interchange Format”, collective exhibition by twelve Fine Arts students

The exhibition, which can be visited until May 20, has a  selection of germinal projects by students coursing Creation Workshop I and Creation Workshop III in the Fine Arts bachelor degree.
The exhibition, which can be visited until May 20, has a selection of germinal projects by students coursing Creation Workshop I and Creation Workshop III in the Fine Arts bachelor degree.
Institutional
(18/05/2016)

The exhibition “Draw Raw Graphic Interchange Format” can be seen in the exhibition room of the Faculty of Fine Arts until Friday May 20. This is a selection of germinal projects by twelve students coursing Creation Workshop I and Creation Workshop III (Taller de Creació I and Taller de Creació III) in the Fine Arts bachelor degree, during the 2015-16 academic year. The exhibition focuses on reversal interpretation concepts related to the current art processes and society. It can be visited during working days, from 10 to 15 h, and from 16 to 20h. Entrance is free.

“The changes made in the thinking models are accompanied by new ways of working which try to rawly solve what starts at the drift of observations, reflections, actions and overlapped events”. The exhibition is presented under this premise, according to the curators Montserrat López and Lídia Górriz, teachers from the Department of Visual Arts and Design. The exhibition collects twelve works, from pencil and marker paintings to thin line animations, among others. This is a very sensitive material and it is very difficult to make. “Far from the manipulated excesses, they are kept mostly in their raw material character, raw, without excessive alterations that change them. The imaginary graphic is adapted -in any case- to the receptacle, giving it the value of the most possible tool, only to question us”, they explain.

The series of works show the assertion of the great crisis we find ourselves in. Therefore, some of the proposals appeal to the complaint about the socioeconomic system impositions (Gemma Ibañez, Emilia Ortiz and Montserrat Pena); others question beliefs (Mónica Machín, Carlos Parra) and cultural habits (Ruben Moliner, Marta Pujol, Luisa Segura), and others cover family traditions (Mich Cabou) and emotions (Isabel Boncompte, Laia Domingo and Júlia Morey).

Further information

 

The exhibition, which can be visited until May 20, has a  selection of germinal projects by students coursing Creation Workshop I and Creation Workshop III in the Fine Arts bachelor degree.
The exhibition, which can be visited until May 20, has a selection of germinal projects by students coursing Creation Workshop I and Creation Workshop III in the Fine Arts bachelor degree.
Institutional
18/05/2016

The exhibition “Draw Raw Graphic Interchange Format” can be seen in the exhibition room of the Faculty of Fine Arts until Friday May 20. This is a selection of germinal projects by twelve students coursing Creation Workshop I and Creation Workshop III (Taller de Creació I and Taller de Creació III) in the Fine Arts bachelor degree, during the 2015-16 academic year. The exhibition focuses on reversal interpretation concepts related to the current art processes and society. It can be visited during working days, from 10 to 15 h, and from 16 to 20h. Entrance is free.

“The changes made in the thinking models are accompanied by new ways of working which try to rawly solve what starts at the drift of observations, reflections, actions and overlapped events”. The exhibition is presented under this premise, according to the curators Montserrat López and Lídia Górriz, teachers from the Department of Visual Arts and Design. The exhibition collects twelve works, from pencil and marker paintings to thin line animations, among others. This is a very sensitive material and it is very difficult to make. “Far from the manipulated excesses, they are kept mostly in their raw material character, raw, without excessive alterations that change them. The imaginary graphic is adapted -in any case- to the receptacle, giving it the value of the most possible tool, only to question us”, they explain.

The series of works show the assertion of the great crisis we find ourselves in. Therefore, some of the proposals appeal to the complaint about the socioeconomic system impositions (Gemma Ibañez, Emilia Ortiz and Montserrat Pena); others question beliefs (Mónica Machín, Carlos Parra) and cultural habits (Ruben Moliner, Marta Pujol, Luisa Segura), and others cover family traditions (Mich Cabou) and emotions (Isabel Boncompte, Laia Domingo and Júlia Morey).

Further information