{"id":31427,"date":"2021-10-19T10:33:20","date_gmt":"2021-10-19T08:33:20","guid":{"rendered":"http:\/\/www.ub.edu\/InfoBBAA\/?p=31427"},"modified":"2021-10-29T14:00:18","modified_gmt":"2021-10-29T12:00:18","slug":"agony-you-can-go-whenever-you-want-an-installation-by-adversorecto","status":"publish","type":"post","link":"https:\/\/www.ub.edu\/InfoBBAA\/agony-you-can-go-whenever-you-want-an-installation-by-adversorecto\/","title":{"rendered":"Agony: You Can Go Whenever You Want – An installation by Adversorecto"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Nova exposici\u00f3<\/strong><\/p>\n\n\n\n

25.10.2021 – 29.10.2021<\/p>\n\n\n\n

Sala d’Exposicions, Facultat Belles Arts<\/strong><\/p>\n\n\n\n

a<\/p>\n\n\n\n

NOU HORARI<\/strong><\/p>\n\n\n\n

Matins: de dilluns a divendres de 11.00 h. a 13.00 h <\/strong><\/p>\n\n\n\n

Tardes: dimarts i dijous de 16.00 h. a 18.00 h. <\/p>\n\n\n\n

a<\/p>\n\n\n\n

El sentiment d’agonia comen\u00e7a sempre amb dos punts en un estrany c\u00e0lcul del temps. El primer punt assenyala el lloc des d’on t’est\u00e0s movent irremeiablement cap endavant, i el segon \u00e9s on finalment tot arribar\u00e0 a la seva fi. Afrontes el primer punt com a excessiu, un super\u00e0vit, \u2018massa\u2019; mires cap endavant al segon buit decisiu, una abs\u00e8ncia, un punt d’alleujament. Una persona caient d’un gratacel. Desconeguts enamorant-se.

Per\u00f2 mentre tu t’est\u00e0s movent cap endavant, caient de cap per avall, nom\u00e9s ho fas mirant endarrere en la teva imaginaci\u00f3 des d’un futur permanentment cec. Definitivament no pots experimentar el final que t’allibera. L’escena d’agonia s’assembla a una as\u00edmptota matem\u00e0tica: un l\u00edmit que \u00e9s infinitament accessible per\u00f2 inassolible. La caiguda lliure de l’agonia obre d’aquesta manera el seu paradoxal espai de goig.

Agony: You Ca Go Whenever You Want<\/em> \u00e9s una producci\u00f3 de Adversorecto, un col\u00b7lectiu integrat pels artistes Peter Freund i Werner Th\u00f6ni, sota el prop\u00f2sit de treballar ambd\u00f3s entre dos punts estipulats durant un per\u00edode de cinc mesos. En l’elaboraci\u00f3 dels dos components principals de l’obra, cinc panells transl\u00facids pintats i dues videoprojeccions, els artistes van col\u00b7laborar deliberadament amb solo el m\u00ednim contacte, despr\u00e9s d’acordar l’assumpte del projecte, les seves dimensions i les dates d’inici i finalitzaci\u00f3.
<\/p>\n\n\n\n

El treball resultant \u00e9s una instal\u00b7laci\u00f3 pensada perqu\u00e8 els espectadors caminin a trav\u00e9s d’ella, retrocedeixin, passegin i l’experimentin com un tot.<\/p>\n\n\n\n

a<\/p>\n\n\n\n

Bio_ Adversorecto<\/strong><\/p>\n\n\n\n


<\/a>Peter Freund<\/a><\/strong><\/p>\n\n\n\n

Neix\na Calif\u00f2rnia, EUA. Viu i treballa a Barcelona.<\/p>\n\n\n\n

Graduat en Teoria Liter\u00e0ria, University of\nCalifornia Berkeley (AB) i State University of New York Buffalo (PhD). Tesi doctoral en\npr\u00e0ctiques art\u00edstiques interdisciplin\u00e0ries sorgides de la impossibilitat del\nllenguatge.<\/p>\n\n\n\n

Exposicions\nindividuals i col\u00b7lectives en els\nEUA, Canad\u00e0, Am\u00e8rica Llatina, Europa, R\u00fassia, \u00c0sia i Orient Mitj\u00e0. Participa\nen: Les Rencontres Internationales, Berlin, Paris+ \/ Videonale, Bonn \/\nSazmanab Center for Contemporary Art, Tehran \/ Other Cinema, San Francisco \/\nBlack Maria Film Festival, New Jersey \/ Xc\u00e8ntric, CCCB, Barcelona \/ Festival of\n(In)appropriation, Los Angeles, London+ \/ Antimatter, Victoria BC \/ Sydney\nUnderground FF \/ Chicago Underground FF \/ Museo de Arte (BLAA), Bogot\u00e1 \/ SMC\nMuseum of Art, Moraga.<\/p>\n\n\n\n

Projectes\nde comissariat\/editorial recents: Xc\u00e8ntric, CCCB; A*Desk: Critical Thinking, Barcelona. <\/p>\n\n\n\n

Professor d\u2019Art, Saint Mary\u2019s\nCollege de California; Artista resident, Universidad de\nBarcelona.<\/p>\n\n\n\n

Membre\nfundador d\u2019Adversorecto.<\/p>\n\n\n\n

Werner Th\u00f6ni<\/a><\/strong><\/p>\n\n\n\n

Neix\na Thun,\nSu\u00efssa. Viu i treballa a Barcelona. <\/p>\n\n\n\n

Graduat en Magisteri i Educaci\u00f3 Especial, Lehrerseminar\nSpiez i University of Fribourg.<\/p>\n\n\n\n

Exposicions individuals i col\u00b7lectives a Su\u00efssa, Espanya\ni Jap\u00f3: Leonart Gallery, Basel \/ Aquatinta Gallery, Lenzburg \/ Kultur im Stab,\nArisdorf \/ Art-Forum Petit Pont, Lyss \/ Casa Cultural Galileo, Madrid \/ Galeria\nContrast, Barcelona \/ Facultat de Belles Arts, Universidad de Barcelona,\nBarcelona \/ Can Xalant, Centre\nde Creaci\u00f3 i Pensament Contemporani, Matar\u00f3 \/ Brocken\nGallery, Tokyo.<\/p>\n\n\n\n

Il\u00b7lustraci\u00f3\nde llibres i revistes, publicats per les Edicions La\nGalera \/ Publicacions de l\u2019Abadia de Montserrat \/ Pirene Editorial \/ Editorial\nCru\u00eflla \/ Malinka Libros \/ Associaci\u00f3 de Mestres Rosa Sensat.<\/p>\n\n\n\n

Director fundador del Werner Th\u00f6ni Artspace.<\/p>\n\n\n\n

Membre\nfundador d\u2019Adversorecto.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nova exposici\u00f3 25.10.2021 – 29.10.2021 Sala d’Exposicions, Facultat Belles Arts a NOU HORARI Matins: de dilluns a divendres de 11.00 h. a 13.00 h Tardes: dimarts i dijous de 16.00 h. a 18.00 h. a El sentiment d’agonia comen\u00e7a sempre amb dos punts en un estrany c\u00e0lcul del temps. El primer punt assenyala el lloc … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39,43,44,20,23,24,22],"tags":[63,64],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/31427"}],"collection":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/comments?post=31427"}],"version-history":[{"count":7,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/31427\/revisions"}],"predecessor-version":[{"id":31462,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/31427\/revisions\/31462"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/media?parent=31427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/categories?post=31427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/tags?post=31427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}