{"id":38201,"date":"2026-05-22T13:08:37","date_gmt":"2026-05-22T11:08:37","guid":{"rendered":"https:\/\/www.ub.edu\/InfoBBAA\/?p=38201"},"modified":"2026-05-22T13:09:19","modified_gmt":"2026-05-22T11:09:19","slug":"nous-talents-2026-escultura","status":"publish","type":"post","link":"https:\/\/www.ub.edu\/InfoBBAA\/nous-talents-2026-escultura\/","title":{"rendered":"Nous Talents 2026 – Escultura"},"content":{"rendered":"\n

Exposici\u00f3 col\u00b7lectiva del Premi Facultat de Belles Arts \u2013 Concurs d\u2019Escultura Mercat de l\u2019Abaceria Central<\/strong><\/p>\n\n\n\n

L\u2019escultura contempor\u00e0nia \u00e9s avui un camp obert i dif\u00edcil de delimitar. Ja no es restringeix a l\u2019objecte tradicional, sin\u00f3 que incorpora processos, materials i formes de pensament que responen a les inquietuds socials, pol\u00edtiques i emocionals del present. <\/p>\n\n\n\n

Nous Talents 2026 \u2013 Escultura reuneix pr\u00e0ctiques emergents que reflecteixen aquesta diversitat de llenguatges i de relacions entre cos, mat\u00e8ria, espai i identitat. Tot i les possibles coincid\u00e8ncies formals, cada proposta desenvolupa una mirada conceptual pr\u00f2pia.<\/p>\n\n\n\n

Aquesta iniciativa, desenvolupada amb la col\u00b7laboraci\u00f3 de l\u2019Associaci\u00f3 de Comerciants Mercat Abaceria i de l\u2019Associaci\u00f3 de Ve\u00efns i Amics del Passeig de Sant Joan, refor\u00e7a la voluntat de connectar la creaci\u00f3 emergent amb la realitat social i quotidiana. Obrir espais de col\u00b7laboraci\u00f3 entre la Facultat, el territori i la ciutadania permet entendre la pr\u00e0ctica art\u00edstica com una eina activa de di\u00e0leg, implicaci\u00f3 i transformaci\u00f3 cultural.<\/p>\n\n\n\n

Les obres d\u2019Ian Rodr\u00edguez Duarte (primer premi), Neus Avil\u00e9s Dom\u00ednguez (segon premi i premi Patricia Cancelo), Aleksandra Szostak (tercer premi), Elisabet Arnal Mil\u00e0, Berta Momp\u00f3 Tena i Marta Mart\u00edn Rey (acc\u00e8ssits) comparteixen una mateixa tensi\u00f3 envers les formes estables. Cossos vulnerables o fragmentats, objectes despla\u00e7ats del seu \u00fas, arquitectures fr\u00e0gils i materials en transformaci\u00f3 situen la mat\u00e8ria entre la perman\u00e8ncia i la desaparici\u00f3. Res no es presenta com a definitiu.<\/p>\n\n\n\n

M\u00e9s que objectes tancats, les peces activen estats: contenci\u00f3, acumulaci\u00f3, repetici\u00f3 o tensi\u00f3. Algunes parteixen del cos i la identitat; d\u2019altres s\u2019acosten al residu, el rastre o estructures prec\u00e0ries. La mat\u00e8ria esdev\u00e9 aix\u00ed una forma de pensament.<\/p>\n\n\n\n

En aquest context, l\u2019escultura es presenta com una eina per interrogar la realitat. Materials diversos conviuen sense jerarquies i dissolen oposicions entre all\u00f2 s\u00f2lid i fr\u00e0gil, construcci\u00f3 i col\u00b7lapse. Les obres no imposen l\u2019espai, sin\u00f3 que el tensionen i el desplacen.<\/p>\n\n\n\n

Nous Talents 2026 \u2013 Escultura no proposa una definici\u00f3 \u00fanica de l\u2019escultura, sin\u00f3 un conjunt de formes inestables que conviuen en tensi\u00f3. Un espai on la mat\u00e8ria encara pot resistir, interrogar i generar experi\u00e8ncia en un m\u00f3n accelerat i intangible.
<\/p>\n\n\n\n

Barcelona, 19 de maig del 2026
Jos\u00e9 Antonio Asensio i Enric Teixid\u00f3
Comissaris<\/p>\n","protected":false},"excerpt":{"rendered":"

Exposici\u00f3 col\u00b7lectiva del Premi Facultat de Belles Arts \u2013 Concurs d\u2019Escultura Mercat de l\u2019Abaceria Central L\u2019escultura contempor\u00e0nia \u00e9s avui un camp obert i dif\u00edcil de delimitar. Ja no es restringeix a l\u2019objecte tradicional, sin\u00f3 que incorpora processos, materials i formes de pensament que responen a les inquietuds socials, pol\u00edtiques i emocionals del present. Nous Talents … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":38202,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39,44,20,34,22,33],"tags":[],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/38201"}],"collection":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/comments?post=38201"}],"version-history":[{"count":2,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/38201\/revisions"}],"predecessor-version":[{"id":38204,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/posts\/38201\/revisions\/38204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/media\/38202"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/media?parent=38201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/categories?post=38201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ub.edu\/InfoBBAA\/wp-json\/wp\/v2\/tags?post=38201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}