{"id":10171,"date":"2024-11-26T11:56:54","date_gmt":"2024-11-26T11:56:54","guid":{"rendered":"https:\/\/www.ub.edu\/artsoundscapes\/?page_id=10171"},"modified":"2025-10-12T18:23:07","modified_gmt":"2025-10-12T18:23:07","slug":"miquel-lopez","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/miquel-lopez\/","title":{"rendered":"Miquel Lopez"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243; collapsed=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n<h1><span class=\"x_xs1\" data-olk-copy-source=\"MessageBody\">Miquel L\u00f3pez <\/span><span>Garcia<\/span><\/h1>\n<p>[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/11\/Miquel1.jpg\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbMiquel(1)\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb custom_padding=\u00bb19px||4px|||\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Keywords: archaeomusicology, sensory archeology, musical instruments, late prehistory<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Visit my profile in <strong><span style=\"color: #ffffff;\"><a href=\"https:\/\/orcid.org\/0009-0007-5735-1468\" style=\"color: #ffffff;\" target=\"_blank\" rel=\"noopener\">ORCID<\/a><\/span><\/strong><\/p>\n<p>Visit my profile in <a href=\"https:\/\/www.researchgate.net\/profile\/Miquel-Lopez-Garcia\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\"><strong>ResearchGate<\/strong><\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n<p class=\"x_xp1\" style=\"text-align: justify;\"><span class=\"x_xs1\" data-olk-copy-source=\"MessageBody\">Miquel L\u00f3pez Garcia is a graduate in Musicology from the Escola Superior de M\u00fasica de Catalunya (ESMUC) and in Archaeology from the University of Barcelona (UB). In 2024, he completed a MA degree in Cultural managment at the Universitat Oberta de Catalunya (UOC).\u00a0<\/span><\/p>\n<p class=\"x_xp2\" aria-hidden=\"true\" style=\"text-align: justify;\"><span class=\"x_xs1\">He has been a research fellow at various institutions, including the Department of Archaeology and Prehistory at the University of Barcelona or the Institute of Heritage Sciences from the Spanish National Research Council (Incipit-CSIC), and the Archaeology and Paleonthology Service of the Government of Catalonia.<\/span><\/p>\n<p class=\"x_xp2\" aria-hidden=\"true\" style=\"text-align: justify;\"><span class=\"x_xs1\">His primary areas of interest include late Iberian Peninsula prehistory, social archaeology, popular music studies, and archaeomusicology. In the latter field, some of his work has received recognition, such as the <\/span><span class=\"x_xs2\"><i><span>Becatalaiotica<\/span><\/i><\/span><span class=\"x_xs1\"> grant from Menorca Talai\u00f2tica and a Special Mention from the Francesc Noy Humanities Award (UPF).\u00a0<\/span><\/p>\n<p class=\"x_xp2\" aria-hidden=\"true\" style=\"text-align: justify;\"><span class=\"x_xs1\">His current research in the Artsoundscapes project focuses on the identification and experimental study of prehistoric sound instruments in Catalonia.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243; collapsed=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb] Miquel L\u00f3pez Garcia [\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/11\/Miquel1.jpg\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbMiquel(1)\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text admin_label=\u00bbTexto\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb custom_padding=\u00bb19px||4px|||\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] &nbsp; Keywords: archaeomusicology, sensory [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:fl-builder\/layout \/-->\r\n<p><img class=\"alignnone size-full wp-image-6236\" src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\" alt=\"Artsoundscapes collaborator C\u00e9sar Villalobos\" width=\"300\" height=\"300\" \/><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png 300w, https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC-150x150.png 150w\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\r\n<p style=\"text-align: justify;\">C\u00e9sar Villalobos Acosta is an archaeologist working at the UNAM university, Mexico City. He holds a PhD in Archaeology by Durham University, United Kingdom (2011). He has a Master\u2019s of Anthropology by the UNAM\/FFyL-IIA (2004) and a BA degree by ENAH (the Mexican National School of Anthropology and History) (2001). His main area of research is the archaeology of The\u00a0Sonoran\u00a0Desert about which he has written many articles and books. He is currently developing a project on climate change and cultural dynamics in the coast of The\u00a0Sonoran\u00a0Desert (Gulf of California), on the basis of data obtained in fieldwork. In addition to the study of material culture, he is interested in contemporary interpretive theories, such as materiality,\u00a0multivocality,\u00a0and archaeoacoustics. He is also interested in the context of archaeology with topics such as tourism, nationalism and the use of rock art in the construction of identities.\u00a0Since\u00a02012, he has\u00a0been\u00a0a researcher at\u00a0the\u00a0Instituto de Investigaciones Antropol\u00f3gicas at the Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM).\u00a0He was responsible for designing\u00a0the first ever BA Program in Anthropology at the UNAM and he currently serves as Program Coordinator at the\u00a0Facultad\u00a0de\u00a0Ciencias\u00a0Pol\u00edticas\u00a0y\u00a0Sociales.<\/p>\r\n<p><strong>Keywords:<\/strong> climate change; cultural dynamics; multivocality; Sonoran Desert; rock art.<\/p>\r\n<p><strong>Relevant publications<\/strong><\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2018). Cambio clim\u00e1tico y arqueolog\u00eda en el desierto de Sonora. <em>Anales de Antropolog\u00eda<\/em>, 52(2), 37-53.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2016). Cambio Clim\u00e1tico y Arqueolog\u00eda: la construcci\u00f3n de un\u00a0 paradigma. <em>Bolet\u00edn de Antropolog\u00eda Americana<\/em>, 1(2), 11-38.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014) \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. <em>Regi\u00f3n y Sociedad A\u00f1o<\/em>, XXVI(59), 215-253.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014). Arqueolog\u00eda, Turismo y Sitios Patrimonio de la Humanidad en\u00a0 M\u00e9xico y Estados Unidos. In E. Villalpando & R. McGuire (Eds.), <em>Arizona State Museum Archaeological Series<\/em>, 209 (pp. 187-196). Tucson, Arizona: Arizona State University.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2013). Light Shows and Narratives of the Past. <em>International Journal of\u00a0 Historical Archaeology<\/em>, 17(2), 332-350.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2008). La Diversidad Emergente. Complejidad y Met\u00e1foras Textuales en la Investigaci\u00f3n Arqueol\u00f3gico de Sonora, M\u00e9xico. Hermosillo, Sonora: Instituto Sonorense de Cultura.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Miquel Lopez - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. 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It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/miquel-lopez\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-12T18:23:07+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"2 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/miquel-lopez\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/miquel-lopez\/\",\"name\":\"Miquel Lopez - Artsoundscapes\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\"},\"datePublished\":\"2024-11-26T11:56:54+00:00\",\"dateModified\":\"2025-10-12T18:23:07+00:00\",\"description\":\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\\u00edaz-Andreu. 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