[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n
Organitzadors<\/strong>: Margarita D\u00edaz-Andreu (ICREA, UB), Miquel L\u00f3pez Garcia (UB) i Zorana \u0110or\u0111evi\u0107 (UB), i els seus projectes Artsoundscapes (Consell Europeu de Recerca, n\u00famero d’acord de subvenci\u00f3 787842) i Cult-Aural (projecte postdoctoral Marie Sk\u0142odowska-Curie Ref. 101064323), amb el suport de l’Institut d\u2019Arqueologia de la Universitat de Barcelona (IAUB)<\/a> i del\u00a0Museu de la M\u00fasica de Barcelona<\/a><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb3.22″][et_pb_row _builder_version=\u00bb4.9.3″ _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n Museu de la M\u00fasica de Barcelona, Sala de teclats<\/p>\n Resums\/abstracts<\/strong><\/a><\/p>\n Presenters\u2019 bio<\/strong><\/a><\/p>\n Event\u2019s poster<\/strong><\/a><\/p>\n <\/p>\n 10:00 \u2013 Jordi Alomar (Museu de la M\u00fasica); Margarita D\u00edaz Andreu (ICREA, Universitat de Barcelona); Zorana \u0110or\u0111evi\u0107 (Universitat de Barcelona); Miquel L\u00f3pez Garcia (Universitat de Barcelona): Benvinguda del Museu de la M\u00fasica i dels projectes organitzadors\u00a0 <\/strong><\/p>\n \u00a0<\/strong>Veure a youtube <\/strong>\u00a0–><\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Modera: Miguel \u00c1ngel Cau Ontiveros (ICREA, Universitat de Barcelona)<\/p>\n 10:20 \u2013 Juan Jos\u00e9 Ib\u00e1\u00f1ez (CSIC-Instituci\u00f3 Mil\u00e0 i Fontanals); Jes\u00fas Salius (Universitat Aut\u00f2noma de Barcelona); Ignacio Clemente-Conte (CSIC-Instituci\u00f3 Mil\u00e0 i Fontanals); Narc\u00eds Soler (Universitat de Girona): El aer\u00f3fono paleol\u00edtico de Devan Pau (Seriny\u00e0): t\u00e9cnicas de elaboraci\u00f3n y uso\u00a0\u00a0 <\/strong><\/p>\n Veure a youtube \u00a0–><\/a><\/p>\n 10:40 \u2013 Margarita D\u00edaz-Andreu (ICREA, Universitat de Barcelona); Lidia \u00c1lvarez- Morales (Universitat de Barcelona); Neemias Santos da Rosa (Universitat de Barcelona, Universitat de Bordeus): <\/strong>Els sons del passat: possibilitats i l\u00edmits de l\u2019arqueoac\u00fastica en el context de l\u2019Art Llevant\u00ed a Catalu\u00f1a<\/span><\/strong>\u00a0 <\/strong><\/p>\n Veure a youtube \u00a0–><\/a><\/p>\n 11:00 \u2013 Miquel L\u00f3pez Garcia (Universitat de Barcelona); Margarita D\u00edaz-Andreu (ICREA, Universitat de Barcelona): Els corns marins prehist\u00f2rics a Catalunya: estudi i experimentaci\u00f3 ac\u00fastica\u00a0 <\/strong><\/p>\n Veure a youtube\u00a0 –><\/a><\/p>\n 11:20 \u2013 Marc Gu\u00e0rdia i Llorens (Museu de Granollers); Eric Sobrevia Corral (Associaci\u00f3 Laietania Arqueologia i Patrimoni); Jordi Nadal Lorenzo (Universitat de Barcelona): El corn mar\u00ed del poblat ib\u00e8ric del Puig del Castell de Samal\u00fas (Vall\u00e8s Oriental)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n Veure a youtube –><\/a><\/p>\n 11:40 \u2013 Debat\u00a0 <\/strong><\/p>\n Veure a youtube \u00a0–><\/a><\/p>\n 12:00 \u2013 Pausa – Caf\u00e9 per als participants a c\u00e0rrec del Projecte Artsoundscapes (UB-ERC)<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Modera: Gianni Ginesi (Escola Superior de M\u00fasica de Catalunya)<\/p>\n <\/p>\n 12:30 \u2013 M. Isabel Panosa (Universitat de Lleida): La m\u00fasica grega antiga. Espai funcional i dimensi\u00f3 sonora\u00a0 <\/strong><\/p>\n Veure a youtube \u00a0–><\/a> \u00a0\u00a0<\/strong><\/strong><\/a><\/span><\/p>\n 12:50 \u2013 Cristina Al\u00eds Raurich (Instituto Complutense de Ciencias Musicales): M\u00e9s que un objecte: So, est\u00e8tica i funci\u00f3 en un rar cas de reconstrucci\u00f3 d\u2019orgue portatiu del s.XIII segons l\u2019arqueologia musical<\/strong><\/p>\n Veure a youtube\u00a0 –><\/a><\/p>\n 13:10 \u2013 Teresa Soler Llobet (investigadora independent); Rafel Mitjans Berga (investigador independent): Potser cal una mirada musical, s\u00ed: Consideracions a partir de la troballa dels flabiols de Montsoriu\u00a0 <\/strong><\/p>\n Veure a youtube<\/a> –><\/a><\/p>\n \u00a0<\/strong>13:30 \u2013 Josep Borr\u00e0s (Escola Superior de M\u00fasica de Catalunya, Societat Catalana de Musicologia). Els instruments sonors de doble lleng\u00fceta: singularitat versus supeditaci\u00f3 a la veu humana. Un viatge al rol i les tipologies d’aquests instruments des de la baixa \u00e8poca medieval fins als inicis de l’edat moderna<\/strong>\u00a0 <\/strong><\/p>\n Veure a youtube <\/a>\u00a0–><\/a><\/p>\n \u00a0<\/strong>13:50 \u2013 Debat\u00a0\u00a0\u00a0 <\/strong><\/p>\n Veure a youtube<\/a> \u00a0–><\/a><\/p>\n \u00a0<\/strong>14:10 \u2013 Dinar per als participants a c\u00e0rrec del Projecte Artsoundscapes (UB-ERC)<\/strong><\/p>\n 15:40 \u2013 Visita a la instal\u00b7laci\u00f3 Esquell\u00f2rium<\/em><\/strong>, a c\u00e0rrec de N\u00faria Andorr\u00e0<\/strong>. Foyer de la Sala 1 Pau Casals de l\u2019Auditori.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Modera: Ona Ball\u00f3 Pedragosa (\u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture de Grenoble<\/span>)<\/p>\n \u00a0<\/span><\/p>\n 16:20 \u2013 Laura de Castellet (Universitat de Barcelona, Ap\u00e9mutam). Comunicaci\u00f3 sonora entre torres i Castells a l\u2019Edat Mitjana: exemples a la frontera carol\u00edngia – andalus\u00ed (ss. VIII – X)\u00a0 <\/strong><\/p>\n Veure a youtube<\/a> –><\/a><\/p>\n \u00a0<\/strong>16:40 \u2013 Zorana \u0110or\u0111evi\u0107 (Universitat de Barcelona); Xavier Costa-Badia (Universitat de Barcelona); Lidia \u00c1lvarez Morales (Universitat de Barcelona): Aural Networks of the Past: Bell Soundscapes in Medieval Pallars Sobir\u00e0<\/strong>\u00a0 <\/strong><\/p>\n Veure a youtube<\/a>\u00a0 — ><\/a><\/p>\n 17:00 \u2013 Eduardo Carrero (Universitat Aut\u00f2noma de Barcelona): El so, el temps i\u00a0l\u2019arquitectura a trav\u00e9s dels llibres lit\u00fargics de l\u2019abadia de Sant Cugat del Vall\u00e8s\u00a0 <\/strong><\/p>\n Veure a youtube \u00a0–><\/a><\/p>\n 17:20 \u2013 Tess Knighton (ICREA, Universitat Aut\u00f2noma de Barcelona); Sergi Gonz\u00e1lez (Universitat Aut\u00f2noma de Barcelona): The concept of soundspace in the analysis of musical experience of the past\u00a0 <\/strong><\/p>\n Veure a youtube<\/a>\u00a0 –><\/a><\/p>\n 17:40 – Pausa – Caf\u00e9 per als participants a c\u00e0rrec del Projecte Artsoundscapes (UB-ERC)<\/strong><\/p>\n 18:10 \u2013 Vicent Matamoros (Universitat de Barcelona); Mart\u00ed Ruiz (Universitat de Barcelona): El timbaler del Bruc, qu\u00e8 hi ha darrere el mite?<\/strong><\/p>\n 18:30 \u2013 Jordi Ravent\u00f3s Freixa (Universitat Internacional de Val\u00e8ncia): La pol\u00edtica del so i la intensitat sonora a Catalunya i a la Mediterr\u00e0nia medieval i moderna <\/strong><\/p>\n Veure a youtube<\/a>\u00a0 –><\/a><\/p>\n 18:50 \u2013 Francesc Daumal i Dom\u00e8nech (Universitat Polit\u00e9cnica de Catalunya); Sandra del R\u00edo Bonn\u00edn (Universitat de les Illes Balears): Les veus perdudes dels picaportes: An\u00e0lisi del Barri G\u00f2tic de Barcelona\u00a0 <\/strong><\/p>\n Veure a youtube<\/a> \u00a0–><\/a><\/p>\n 19:10 \u2013 Debat<\/p>\n Veure a youtube \u00a0–>\u00a0 <\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n 19:40 \u2013 Comiat i breu audici\u00f3 a c\u00e0rrec de m\u00fasics participants a l\u2019esdeveniment<\/span><\/p>\n Veure a youtube<\/a>\u00a0 –>\u00a0<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/04\/SAMIC_background-slide-for-web.png\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbSAMIC_background slide for web\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb] Resson\u00e0ncies del\u00a0Passat:\u00a0La recerca arqueomusicol\u00f2gica a Catalunya [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb] Organitzadors: Margarita D\u00edaz-Andreu (ICREA, UB), Miquel L\u00f3pez Garcia (UB) i Zorana \u0110or\u0111evi\u0107 (UB), i els seus […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n C\u00e9sar Villalobos Acosta is an archaeologist working at the UNAM university, Mexico City. He holds a PhD in Archaeology by Durham University, United Kingdom (2011). He has a Master\u2019s of Anthropology by the UNAM\/FFyL-IIA (2004) and a BA degree by ENAH (the Mexican National School of Anthropology and History) (2001). His main area of research is the archaeology of The\u00a0Sonoran\u00a0Desert about which he has written many articles and books. He is currently developing a project on climate change and cultural dynamics in the coast of The\u00a0Sonoran\u00a0Desert (Gulf of California), on the basis of data obtained in fieldwork. In addition to the study of material culture, he is interested in contemporary interpretive theories, such as materiality,\u00a0multivocality,\u00a0and archaeoacoustics. He is also interested in the context of archaeology with topics such as tourism, nationalism and the use of rock art in the construction of identities.\u00a0Since\u00a02012, he has\u00a0been\u00a0a researcher at\u00a0the\u00a0Instituto de Investigaciones Antropol\u00f3gicas at the Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM).\u00a0He was responsible for designing\u00a0the first ever BA Program in Anthropology at the UNAM and he currently serves as Program Coordinator at the\u00a0Facultad\u00a0de\u00a0Ciencias\u00a0Pol\u00edticas\u00a0y\u00a0Sociales.<\/p>\r\n Keywords:<\/strong> climate change; cultural dynamics; multivocality; Sonoran Desert; rock art.<\/p>\r\n Relevant publications<\/strong><\/p>\r\n Villalobos Acosta, C. (2018). Cambio clim\u00e1tico y arqueolog\u00eda en el desierto de Sonora. Anales de Antropolog\u00eda<\/em>, 52(2), 37-53.<\/p>\r\n Villalobos Acosta, C. (2016). Cambio Clim\u00e1tico y Arqueolog\u00eda: la construcci\u00f3n de un\u00a0 paradigma. Bolet\u00edn de Antropolog\u00eda Americana<\/em>, 1(2), 11-38.<\/p>\r\n Villalobos Acosta, C. (2014) \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. Regi\u00f3n y Sociedad A\u00f1o<\/em>, XXVI(59), 215-253.<\/p>\r\n Villalobos Acosta, C. (2014). Arqueolog\u00eda, Turismo y Sitios Patrimonio de la Humanidad en\u00a0 M\u00e9xico y Estados Unidos. In E. Villalpando & R. McGuire (Eds.), Arizona State Museum Archaeological Series<\/em>, 209 (pp. 187-196). Tucson, Arizona: Arizona State University.<\/p>\r\n Villalobos Acosta, C. (2013). Light Shows and Narratives of the Past. International Journal of\u00a0 Historical Archaeology<\/em>, 17(2), 332-350.<\/p>\r\n Villalobos Acosta, C. (2008). La Diversidad Emergente. Complejidad y Met\u00e1foras Textuales en la Investigaci\u00f3n Arqueol\u00f3gico de Sonora, M\u00e9xico. Hermosillo, Sonora: Instituto Sonorense de Cultura.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\nPROGRAMA<\/span><\/strong><\/h1>\n
Dijous, 27 de febrer de 2025<\/strong><\/h4>\n
Benvinguda<\/strong><\/span><\/h4>\n
I. Prehist\u00f2ria<\/span><\/strong><\/h5>\n
II. Objectes musicals de l\u2019antiguitat a l\u2019edat moderna<\/span><\/strong><\/h5>\n
III. Paisatges sonors de l\u2019edat mitjana a l\u2019edat moderna<\/span><\/strong><\/h5>\n
Tancament<\/span><\/strong><\/h5>\n
![\"Artsoundscapes](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\")
![\"\"](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png\")
<\/p>\r\n