{"id":1312,"date":"2019-03-14T09:59:20","date_gmt":"2019-03-14T09:59:20","guid":{"rendered":"http:\/\/patrimoniweb.com\/erc\/?page_id=1312"},"modified":"2021-10-18T15:49:13","modified_gmt":"2021-10-18T15:49:13","slug":"alarcon-jimenez","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/alarcon-jimenez\/","title":{"rendered":"Ana M. Alarc\u00f3n-Jim\u00e9nez"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243; saved_tabs=\u00bball\u00bb][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0&#8243; _dynamic_attributes=\u00bbcontent\u00bb _module_preset=\u00bbdefault\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/AnaM-Alarcon.jpg\u00bb alt=\u00bbArtsoundscapes team member Ana M. Alarc\u00f3n\u00bb title_text=\u00bbArtsoundscapes team member Ana M. Alarc\u00f3n\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><strong>Junior Postdoctoral Researcher  6\/03\/2019 \u2013 5\/3\/2021<\/strong><\/p>\n<p><strong>Keywords:<\/strong> ethnomusicology, sound studies, anthropology of space and place.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_font=\u00bb||||on|||#F5EDE9|\u00bb link_text_color=\u00bb#FFFFFF\u00bb]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/orcid.org\/0000-0001-7555-257X\" target=\"_blank\" rel=\"noopener\">ORCID<\/a><\/b><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_font=\u00bb||||on|||#F5EDE9|\u00bb link_text_color=\u00bb#FFFFFF\u00bb]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/ub.academia.edu\/AnaMar\u00edaAlarc\u00f3nJim\u00e9nez\" target=\"_blank\" rel=\"noopener\">ACADEMIA<\/a><\/b><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_font=\u00bb||||on|||#F5EDE9|\u00bb link_text_color=\u00bb#FFFFFF\u00bb]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/www.researchgate.net\/profile\/Ana_Maria_Alarcon-Jimenez\" target=\"_blank\" rel=\"noopener\">ResearchGate<\/a><\/b><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row column_structure=\u00bb1_2,1_2&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n<p>Alarc\u00f3n-Jim\u00e9nez completed a PhD in Ethnomusicology at the Universidade Nova de Lisboa. Her dissertation investigated Galician musical practices in the coastal town of Ortigueira, Galicia. It specifically dealt with the social construction and social production of the International Festival of the Celtic World of Ortigueira.<\/p>\n<p>In addition to her focus on the broad research area of music, power, and space, her research interests include issues of music, aesthetics, and resistance.<\/p>\n<p>Alarc\u00f3n-Jim\u00e9nez worked as a Research Assistant at the Institute of Ethnomusicology (INET) of the Universidade Nova de Lisboa from 2011 to 2016.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>She is co-founder and coordinator of the Group of Ethnomusicology at the Catalan Institute of Anthropology (ICA).<\/p>\n<p>She currently holds a Junior Postdoctoral Researcher position at the Artsoundscapes Project, Department of History and Archaeology, University of Barcelona. Her work for the Project involves inquiring into people\u2019s music and sonic practices and beliefs in a variety of contexts, and to advance the interdisciplinary dialogue between ethnomusicology and archaeology.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<h2>RELEVANT PUBLICATIONS<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p><strong>Alarc\u00f3n Jim\u00e9nez, A. M.<\/strong> (2010). Entre lo folcl\u00f3rico y lo popular: Shima-Uta, una canci\u00f3n de inspiraci\u00f3n Okinawense en Argentina. In P. San Gin\u00e9s Aguilar (Ed.), <em>Cruce de Miradas, Relaciones e Intercambios<\/em> (pp. 113-120). Granada: Universidad de Granada.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p><strong>Alarc\u00f3n Jim\u00e9nez, A. M.<\/strong> (2006). The Sounds of Japanese Noise: First Generation of Japanese Noise-Artists. <em>Inquiry<\/em>, 7, 29-35.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243; saved_tabs=\u00bball\u00bb][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0&#8243; _dynamic_attributes=\u00bbcontent\u00bb _module_preset=\u00bbdefault\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/AnaM-Alarcon.jpg\u00bb alt=\u00bbArtsoundscapes team member Ana M. Alarc\u00f3n\u00bb title_text=\u00bbArtsoundscapes team member Ana M. Alarc\u00f3n\u00bb align_tablet=\u00bbcenter\u00bb align_phone=\u00bb\u00bb align_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] Junior Postdoctoral Researcher 6\/03\/2019 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:fl-builder\/layout \/-->\r\n<p><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/AnaM_Alarcon_artsoundscapes.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/AnaM_Alarcon_artsoundscapes.jpg 300w, https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/AnaM_Alarcon_artsoundscapes-150x150.jpg 150w\" alt=\"\" width=\"300\" height=\"300\" \/> <strong>Alarc\u00f3n-Jim\u00e9nez<\/strong> completed a PhD in Ethnomusicology at the\u00a0Universidade\u00a0Nova de\u00a0Lisboa. Her dissertation investigated Galician musical practices in the coastal town of Ortigueira, Galicia. It specifically dealt with the social construction and social production of the International Festival of the Celtic World of Ortigueira. In addition to her focus on the broad research area of music, power, and space, her research interests include issues of music, aesthetics, and resistance. Alarc\u00f3n-Jim\u00e9nez worked as a Research Assistant at the Institute of Ethnomusicology (INET) of the Universidade Nova de Lisboa from 2011 to 2016. She is co-founder and coordinator of the Group of Ethnomusicology at the Catalan Institute of Anthropology (ICA). She currently holds a Junior Postdoctoral Researcher position at the Artsoundscapes Project, Department of History and Archaeology, University of Barcelona. Her work for the Project involves inquiring into people\u2019s music and sonic practices and beliefs in a variety of contexts, and to advance the interdisciplinary dialogue between ethnomusicology and archaeology. \u00a0 <strong>Keywords:<\/strong> ethnomusicology; sound studies; anthropology of space and place. \u00a0 <strong>Orcid: <\/strong><a href=\"https:\/\/orcid.org\/0000-0001-7555-257X\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/orcid.org\/0000-0001-7555-257X<\/a> <strong>Academia:\u00a0<\/strong><a href=\"https:\/\/ub.academia.edu\/AnaMar\u00edaAlarc\u00f3nJim\u00e9nez\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/ub.academia.edu\/AnaMar\u00edaAlarc\u00f3nJim\u00e9nez\u00a0<\/a><br \/><strong>ResearchGate:\u00a0<\/strong><a href=\"https:\/\/www.researchgate.net\/profile\/Ana_Maria_Alarcon-Jimenez\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.researchgate.net\/profile\/Ana_Maria_Alarcon-Jimenez<\/a> \u00a0 <strong>Relevant publications<\/strong><\/p>\r\n<p style=\"text-align: justify;\">Alarc\u00f3n Jim\u00e9nez, A. M. (2010). Entre lo folcl\u00f3rico y lo popular: Shima-Uta, una canci\u00f3n de inspiraci\u00f3n Okinawense en Argentina. In P. San Gin\u00e9s Aguilar (Ed.), <em>Cruce de Miradas, Relaciones e Intercambios<\/em> (pp. 113-120). Granada: Universidad de Granada.<\/p>\r\n<p style=\"text-align: justify;\">Alarc\u00f3n Jim\u00e9nez, A. M. (2006). The Sounds of Japanese Noise: First Generation of Japanese Noise-Artists. <em>Inquiry<\/em>, 7, 29-35.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ana M. Alarc\u00f3n-Jim\u00e9nez - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/alarcon-jimenez\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ana M. Alarc\u00f3n-Jim\u00e9nez - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/alarcon-jimenez\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-18T15:49:13+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"4 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/alarcon-jimenez\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/alarcon-jimenez\/\",\"name\":\"Ana M. 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