{"id":2828,"date":"2019-03-28T12:00:25","date_gmt":"2019-03-28T12:00:25","guid":{"rendered":"http:\/\/patrimoniweb.com\/erc\/?page_id=2828"},"modified":"2021-03-09T11:26:12","modified_gmt":"2021-03-09T11:26:12","slug":"jose-valenzuela","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/jose-valenzuela\/","title":{"rendered":"Jos\u00e9 Valenzuela"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0&#8243; _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Valenzuela-Jose.jpg\u00bb alt=\u00bbArsoundscapes team collaborator Jos\u00e9 Valenzuela\u00bb title_text=\u00bbArsoundscapes team collaborator Jos\u00e9 Valenzuela\u00bb _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><strong>Keywords:<\/strong> psychoacoustics; neuroscience; emotions; engineering.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/orcid.org\/0000-0003-3681-0542\" target=\"_blank\" rel=\"noopener\">ORCID<\/a><\/b><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/ub.academia.edu\/JoseValenzuela\" target=\"_blank\" rel=\"noopener\">Academia<\/a><\/b><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><b>Visit my profile in <a href=\"https:\/\/www.researchgate.net\/profile\/Jose_Valenzuela3\" target=\"_blank\" rel=\"noopener\">ResearchGate<\/a><\/b><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row _builder_version=\u00bb4.9.1&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; column_structure=\u00bb1_2,1_2&#8243; _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb sticky_enabled=\u00bb0&#8243;][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p style=\"text-align: justify;\">Jos\u00e9 Valenzuela is an Electronic and Automatics engineer.<\/p>\n<p style=\"text-align: justify;\">He has a Master\u2019s in Biomedical Engineering, an MBA, and a Master\u2019s in Literary Creation. He received his PhD degree from the University Pompeu Fabra in 2016, under the supervision of Dr. Domingo R\u00f3denas.<\/p>\n<p style=\"text-align: justify;\">He has worked as a lab engineer at the Nanomaterial and Microsystems Group (UAB), at the Cognitive Neuroscience Research Group (Brainlab, UB), as well as at the Virtual Reality and Neuroscience Group (Event Lab, UB).<\/p>\n<p style=\"text-align: justify;\">He has also worked as an Innovation Project Manager at Vall d\u2019Hebron University Hospital, and as a Creative Producer at Visyon.<\/p>\n<p>He currently writes for several cultural media, such as Jot Down Magazine, CCCB Lab, and Revista LEER.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p>During his PhD studies in Humanities, he investigated cognitive mechanisms that prompt an emotional response in readers during their transportation to narrative universes. Based on aesthetics reception theories, possible worlds theory and emotions science, he undertook a theoretical study about mechanisms that regulate disbelief suspension during the fictional transportation process.<\/p>\n<p>His research interests focus on the intersection between Humanities and Science, particularly on topics such as perception, imagination, and the way we create and perceive fictional worlds in literature, virtual environments, cinema, mental diseases, and even in interpreting the real world.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_row _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb type=\u00bb4_4&#8243;][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<h2>RELEVANT PUBLICATIONS<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><strong>Slater, M., Navarro, X.,\u00a0Valenzuela, J., Oliva, R., Beacco, A., Thorn, J., Watson, Z.<\/strong> (2018). Virtually Being Lenin Enhances Presence and Engagement in a Scene from the Russian Revolution. Frontiers in Robotics and AI.\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><strong>R\u00f3denas de Moya, D.,\u00a0Valenzuela, J.<\/strong>\u00a0(2016). Don Quixote\u2019s Response to Fiction in Maese Pedro\u2019s Puppet Show: Madman or Transported Reader?. In I. Ja\u00e9n &amp; J. Simon (Eds.), Cognitive Approaches to Early Modern Spanish Literature. Oxford: Oxford University Press.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0&#8243; _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Valenzuela-Jose.jpg\u00bb alt=\u00bbArsoundscapes team collaborator Jos\u00e9 Valenzuela\u00bb title_text=\u00bbArsoundscapes team collaborator Jos\u00e9 Valenzuela\u00bb _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] Keywords: psychoacoustics; neuroscience; emotions; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:fl-builder\/layout \/-->\r\n<p><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Valenzuela-Jose_photo-2_edited.jpg\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Valenzuela-Jose_photo-2_edited.jpg 300w, https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Valenzuela-Jose_photo-2_edited-150x150.jpg 150w\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\r\n<p style=\"text-align: justify;\">Jos\u00e9 Valenzuela is an Electronic and Automatics engineer. He has a Master\u2019s in Biomedical Engineering, an MBA, and a Master\u2019s in Literary Creation. He received his PhD degree from the University Pompeu Fabra in 2016, under the supervision of Dr. Domingo R\u00f3denas. He has worked as a lab engineer at the Nanomaterial and Microsystems Group (UAB), at the Cognitive Neuroscience Research Group (Brainlab, UB), as well as at the Virtual Reality and Neuroscience Group (Event Lab, UB). He has also worked as an Innovation Project Manager at Vall d\u2019Hebron University Hospital, and as a Creative Producer at Visyon. He currently writes for several cultural media, such as Jot Down Magazine, CCCB Lab, and Revista LEER. During his PhD studies in Humanities, he investigated cognitive mechanisms that prompt an emotional response in readers during their transportation to narrative universes. Based on aesthetics reception theories, possible worlds theory and emotions science, he undertook a theoretical study about mechanisms that regulate disbelief suspension during the fictional transportation process. His research interests focus on the intersection between Humanities and Science, particularly on topics such as perception, imagination, and the way we create and perceive fictional worlds in literature, virtual environments, cinema, mental diseases, and even in interpreting the real world.<\/p>\r\n<p><strong>Keywords:<\/strong> psychoacoustics; neuroscience; emotions; engineering.<\/p>\r\n<p><strong>Orcid:<\/strong> <a href=\"https:\/\/orcid.org\/0000-0003-3681-0542\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/orcid.org\/0000-0003-3681-0542\u00a0<\/a><br \/><strong>Academia:<\/strong> <a href=\"https:\/\/ub.academia.edu\/JoseValenzuela\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/ub.academia.edu\/JoseValenzuela<\/a><br \/><strong>ResearchGate:<\/strong> <a href=\"https:\/\/www.researchgate.net\/profile\/Jose_Valenzuela3\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.researchgate.net\/profile\/Jose_Valenzuela3<\/a><\/p>\r\n<p><strong>Relevant publications<\/strong><\/p>\r\n<p style=\"text-align: justify;\">Slater, M., Navarro, X.,\u00a0Valenzuela, J., Oliva, R., Beacco, A., Thorn, J., Watson, Z. (2018). Virtually Being Lenin Enhances Presence and Engagement in a Scene from the Russian Revolution. <em>Frontiers in Robotics and AI.\u00a0<\/em><\/p>\r\n<p style=\"text-align: justify;\">R\u00f3denas de Moya, D.,\u00a0Valenzuela, J.\u00a0(2016). Don Quixote\u2019s Response to Fiction in Maese Pedro\u2019s Puppet Show: Madman or Transported Reader?. In I. Ja\u00e9n & J. Simon (Eds.), <em>Cognitive Approaches to Early Modern Spanish Literature<\/em>. Oxford: Oxford University Press.\u00a0<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jos\u00e9 Valenzuela - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/jose-valenzuela\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jos\u00e9 Valenzuela - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. 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