{"id":3088,"date":"2019-04-08T11:43:25","date_gmt":"2019-04-08T11:43:25","guid":{"rendered":"http:\/\/patrimoniweb.com\/erc\/?page_id=3088"},"modified":"2023-07-04T13:48:53","modified_gmt":"2023-07-04T13:48:53","slug":"reading-workshops","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/reading-workshops\/","title":{"rendered":"Workshops"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.2&#8243; _dynamic_attributes=\u00bbcontent\u00bb _module_preset=\u00bbdefault\u00bb header_font=\u00bb|||on|||||\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider divider_weight=\u00bb3px\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbc804b354-b096-41bf-b555-7df7da57c14d\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb width=\u00bb75%\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p>An Artsoundcapes workshop is an open space for debate and learning, where team members and\/or visitors present the current state of the art about a particular topic related to one of our research lines<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/rw-altered-states-consciousness.jpg\u00bb alt=\u00bbThe connection between altered states of consciousness and repetitive auditory stimulation: A bibliographical review\u00bb title_text=\u00bbThe connection between altered states of consciousness and repetitive auditory stimulation: A bibliographical review\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>16 February, 2021<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Online<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>The connection between altered states of consciousness and repetitive auditory stimulation: A bibliographical review.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Raquel Aparicio Terr\u00e9s<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/taller-lectura-critica.jpg\u00bb alt=\u00bbUniversality and Diversity in Human Song\u00bb title_text=\u00bbUniversality and Diversity in Human Song\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>3 March, 2020<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Online<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Tres revisiones cr\u00edticas de Mehr et al. \u201cUniversality and Diversity in Human Song\u201d (Science 22, 2019)<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Raquel Jim\u00e9nez Pasalodos,\u00a0Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez\u00a0and\u00a0Jos\u00e9 Valenzuela<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/los-espiritus-cantan.jpg\u00bb alt=\u00bbLos esp\u00edritus cantan y escuchan: mitolog\u00edas del sonido en las monta\u00f1as de Altai\u00bb title_text=\u00bbLos esp\u00edritus cantan y escuchan: mitolog\u00edas del sonido en las monta\u00f1as de Altai\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>25 February, 2020<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Los esp\u00edritus cantan y escuchan: mitolog\u00edas del sonido en las monta\u00f1as de Altai.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Raquel Jim\u00e9nez Pasalodos<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/A-Soundtrack-for-Rocky-Hill.jpg\u00bb alt=\u00bbA Soundtrack for Rocky Hill: Ethnohistorical Sources and Music in a Yokuts Rock Art Site\u00bb title_text=\u00bbA Soundtrack for Rocky Hill: Ethnohistorical Sources and Music in a Yokuts Rock Art Site\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>18 February, 2021<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>A Soundtrack for Rocky Hill: Ethnohistorical Sources and Music in a Yokuts Rock Art Site.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/artes-paisajes-objetos-sonoros.jpg\u00bb alt=\u00bbArqueomusicolog\u00eda: reflexiones en torno al simposio Artes, paisajes y objetos sonoros del pasado en Bogot\u00e1\u00bb title_text=\u00bbArqueomusicolog\u00eda: reflexiones en torno al simposio Artes, paisajes y objetos sonoros del pasado en Bogot\u00e1\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>5 November, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Arqueomusicolog\u00eda: reflexiones en torno al simposio \u2018Artes, paisajes y objetos sonoros del pasado\u2019 en Bogot\u00e1.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Margarita D\u00edaz-Andreu\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Sounds-of-the-Daureb.jpg\u00bb alt=\u00bbSounds of the Daureb and San socio-spatial perception\u00bb title_text=\u00bbSounds of the Daureb and San socio-spatial perception\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>5 November, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Sounds of the Daureb and San socio-spatial perception.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Doerte Weig<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/seminar_2019_04_30.jpg\u00bb alt=\u00bbShamanism and rock art: a critical review\u00bb title_text=\u00bbShamanism and rock art: a critical review\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>30 April, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Shamanism and rock art: a critical review.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Margarita D\u00edaz-Andreu<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/California-vs-California.jpg\u00bb alt=\u00bbCalifornia vs. California: Different realities of acoustic landscapes and ethnographies\u00bb title_text=\u00bbCalifornia vs. California: Different realities of acoustic landscapes and ethnographies\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>2 April, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>California vs. California: Different realities of acoustic landscapes and ethnographies.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Margarita D\u00edaz-Andreu and Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Recent-developments.jpg\u00bb alt=\u00bbRecent developments on archaeoacoustics in California\u00bb title_text=\u00bbRecent developments on archaeoacoustics in California\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>26 March, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Recent developments on archaeoacoustics in California.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Shamanism.jpg\u00bb alt=\u00bb\u201cShamanism\u201d by Piers Vitebsky (2001)\u00bb title_text=\u00bb\u201cShamanism\u201d by Piers Vitebsky (2001)\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>12 March, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2 class=\"entry-title\">\u201cShamanism\u201d by Piers Vitebsky (2001).<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Laura Coltofean<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/When-rivers-and-mountains-sing.jpg\u00bb alt=\u00bb\u201cWhen rivers and mountains sing\u201d\u00bb title_text=\u00bb\u201cWhen rivers and mountains sing\u201d\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>19 February, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>\u201cWhen rivers and mountains sing\u201d by T. Levin and V. S\u00fcz\u00fckey (eds.) (2011).<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Raquel Jim\u00e9nez Pasalodos<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Acoustic-measurements.jpg\u00bb alt=\u00bbAcoustic measurements in archaeological contexts\u00bb title_text=\u00bbAcoustic measurements in archaeological contexts\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>12 February, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Acoustic measurements in archaeological contexts.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Tommaso Mattioli<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Baka.jpg\u00bb alt=\u00bbBaka, San and the origins of sounding\u00bb title_text=\u00bbBaka, San and the origins of sounding\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>22 January, 2019<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2 class=\"entry-title\">Baka, San and the origins of sounding.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Doerte Weig<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Animism-and-Rainforest-in-Tundra.jpg\u00bb alt=\u00bbAnimism and Rainforest in Tundra\u00bb title_text=\u00bbAnimism and Rainforest in Tundra\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>18 December, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2 class=\"entry-title\">\u201cAnimism and Rainforest in Tundra\u201d by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012).<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Laura Coltofean presenting \/ Ana Mar\u00eda Alarc\u00f3n \u2013 Live Sound: Music, bodies, and mediation on a large music stage<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Ethnomusicology.jpg\u00bb alt=\u00bbEthnomusicology, acoustemology and acoustic ecology\u00bb title_text=\u00bbEthnomusicology, acoustemology and acoustic ecology\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>11 December, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Ethnomusicology, acoustemology and acoustic ecology. Different approaches to the cultural study of sound.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Raquel Jim\u00e9nez Pasalodos<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Ancient-sacralization.jpg\u00bb alt=\u00bbAncient sacralization of landscapes: An interdisciplinary approach to Baja California Rock Art\u00bb title_text=\u00bbAncient sacralization of landscapes: An interdisciplinary approach to Baja California Rock Art\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>4 December, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Ancient sacralization of landscapes: An interdisciplinary approach to Baja California Rock Art.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By Mathieu Picas\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_4,1_4,1_4,1_4&#8243; use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2&#8243; make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/An-introduction-to-the-history.jpg\u00bb alt=\u00bbAn introduction to the history of ethnomusicology\u00bb title_text=\u00bbAn introduction to the history of ethnomusicology\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243; custom_padding=\u00bb||0px|||\u00bb]<\/p>\n<p>\u00a06 November, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2 class=\"entry-title\">An introduction to the history of ethnomusicology \/ Reflections on Dance, Ritual and Multisensory Experience.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By\u00a0Raquel Jim\u00e9nez Pasalodos \u2013 An introduction to the history of ethnomusicology and\u00a0Doerte Weig \u2013 Reflections on Dance, Ritual and Multisensory Experience<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Acoustic-measurements.jpg\u00bb alt=\u00bbHearing rock art landscapes\u00bb title_text=\u00bbHearing rock art landscapes\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>30 October, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2 class=\"entry-title\">\u201cHearing rock art landscapes\u201d.\u00a0<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By\u00a0Margarita D\u00edaz-Andreu presenting \u201cHearing rock art landscapes\u201d by T. Mattioli and M. D\u00edaz-Andreu (2017) and\u00a0Tommaso Mattioli presenting \u201cEchoing landscapes\u201d by T. Mattioli et alii (2017)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Shamanistic.jpg\u00bb alt=\u00bb\u201cShamanistic aspects of California Rock Art\u201d\u00bb title_text=\u00bb\u201cShamanistic aspects of California Rock Art\u201d\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243; custom_padding=\u00bb||4px|||\u00bb]<\/p>\n<p>23 October, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>\u201cShamanistic aspects of California Rock Art\u201d.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By\u00a0Mathieu Picas presenting \u201cShamanistic aspects of California Rock Art\u201d by K. Hedges (1992) and \u00a0Laura Coltofean presenting \u201cAnimism and Rainforest in Tundra\u201d by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4&#8243; _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/03\/Music-archaeology.jpg\u00bb alt=\u00bbMusic archaeology, ICTM, ISGMA and archaeoacoustics\u00bb title_text=\u00bbMusic archaeology, ICTM, ISGMA and archaeoacoustics\u00bb align=\u00bbcenter\u00bb force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002&#8243;]<\/p>\n<p>16 October, 2018<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>Universitat de Barcelona<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb header_2_font_size=\u00bb20px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb18px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb]<\/p>\n<h2>Music archaeology, ICTM, ISGMA and archaeoacoustics \/ \u201cArchaeoacoustics\u201d.<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<p>By\u00a0Margarita D\u00edaz-Andreu \u2013 Music archaeology, ICTM, ISGMA and archaeoacoustics and\u00a0Tommaso Mattioli presenting \u201cArchaeoacoustics\u201d by C. Scarre &amp; G. Lawson (eds.) (2006)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.2&#8243; _dynamic_attributes=\u00bbcontent\u00bb _module_preset=\u00bbdefault\u00bb header_font=\u00bb|||on|||||\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider divider_weight=\u00bb3px\u00bb _builder_version=\u00bb4.9.2&#8243; _module_preset=\u00bbc804b354-b096-41bf-b555-7df7da57c14d\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb width=\u00bb75%\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] An Artsoundcapes workshop is an open space for debate and learning, where team members and\/or visitors present the current state of the art about a particular topic related to one of our [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p align=\"justify\">3 March 2020<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #19<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2020\/05\/ARTSS_reading-workshop-2020_Jimenez-Alarcon-Valenzuela-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Raquel Jim\u00e9nez Pasalodos, Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Jos\u00e9 Valenzuela - Tres revisiones cr\u00edticas de Mehr et al. \"Universality and Diversity in Human Song\" (Science 22, 2019)<\/p><p align=\"justify\">25 February 2020<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #18<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2020\/02\/ARTSS_reading-workshop-2020_Raquel-Jimenez-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Raquel Jim\u00e9nez Pasalodos - Los esp\u00edritus cantan y escuchan: mitolog\u00edas del sonido en las monta\u00f1as de Altai<\/p><p align=\"justify\">18 February 2020<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #17<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2020\/02\/ARTSS_reading-workshop-2020_Ana-Maria-Alarcon-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez - A Soundtrack for Rocky Hill: Ethnohistorical Sources and Music in a Yokuts Rock Art Site<\/p><p align=\"justify\">11 February 2020<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #16<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2020\/02\/ARTSS_v2-reading-workshop-poster-2020_Doerte-Weig_11-02-2020-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Doerte Weig \u2013 Sounds of the Daureb and San socio-spatial perception<\/p><p align=\"justify\">5 November 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #15<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/11\/2019-11-05_taller_lectura_critica_v5-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Margarita D\u00edaz-Andreu \u2013 Arqueomusicolog\u00eda: reflexiones en torno al simposio \u2018Artes, paisajes y objetos sonoros del pasado\u2019 en Bogot\u00e1<\/p><p align=\"justify\">30 April 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #14<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/06\/Marga_shamanism-208x300-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/p><p style=\"text-align: center;\">Margarita D\u00edaz-Andreu \u2013 Shamanism and rock art: a critical review<\/p><p align=\"justify\">2 April 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #13<\/strong><\/p><p align=\"justify\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/2019-04-2_Artsoundscapes-reading-workshop-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/p><p style=\"text-align: center;\" align=\"justify\">Margarita D\u00edaz-Andreu and Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez \u2013 California vs. California: Different realities of acoustic landscapes and ethnographies<\/p><p align=\"justify\">26 March 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #12<\/strong><\/p><p align=\"justify\"><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-03-26_Artsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-03-26_Artsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez \u2013 Recent developments on archaeoacoustics in California<\/p><p align=\"justify\">12 March 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #11<\/strong><\/p><p align=\"justify\"><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-03-12_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-03-12_Arsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Laura Coltofean presenting \u201cShamanism\u201d by Piers Vitebsky (2001)<\/p><p align=\"justify\">19 February 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #10<\/strong><\/p><p align=\"justify\"><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-02-19_Arsoundscapes-reading-workshop-1.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-02-19_Arsoundscapes-reading-workshop-1-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Raquel Jim\u00e9nez Pasalodos presenting \u201cWhen rivers and mountains sing\u201d by T. Levin and V. S\u00fcz\u00fckey (eds.) (2011)<\/p><p align=\"justify\">12 February 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #9<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-02-12_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-02-12_Arsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Tommaso Mattioli \u2013 Acoustic measurements in archaeological contexts<\/p><p align=\"justify\">22 January 2019<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #8<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-01-22_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2019-01-22_Arsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p align=\"justify\">Doerte Weig \u2013 Baka, San and the origins of sounding<\/p><p align=\"justify\">18 December 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #7<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-18_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-18_Arsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Laura Coltofean presenting \u201cAnimism and Rainforest in Tundra\u201d by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012)<\/p><p style=\"text-align: center;\" align=\"justify\">Ana Mar\u00eda Alarc\u00f3n \u2013 Live Sound: Music, bodies, and mediation on a large music stage<\/p><p align=\"justify\">11 December 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #6<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-11_Arsoundscapes-reading-workshop-1.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-11_Arsoundscapes-reading-workshop-1-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Raquel Jim\u00e9nez Pasalodos \u2013 Ethnomusicology, acoustemology and acoustic ecology. Different approaches to the cultural study of sound<\/p><p align=\"justify\">4 December 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #5<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-4_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-12-4_Arsoundscapes-reading-workshop-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Mathieu Picas \u2013 Ancient sacralization of landscapes: An interdisciplinary approach to Baja California Rock Art<\/p><p align=\"justify\">6 November 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #4<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-11-6_Arsoundscapes-reading-workshop.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/03\/2018-11-6_Arsoundscapes-reading-workshop-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Raquel Jim\u00e9nez Pasalodos \u2013 An introduction to the history of ethnomusicology<\/p><p style=\"text-align: center;\" align=\"justify\">Doerte Weig \u2013 Reflections on Dance, Ritual and Multisensory Experience<\/p><p align=\"justify\">30 October 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #3<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_002.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_002-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Margarita D\u00edaz-Andreu presenting \u201cHearing rock art landscapes\u201d by T. Mattioli and M. D\u00edaz-Andreu (2017)<\/p><p style=\"text-align: center;\" align=\"justify\">Tommaso Mattioli presenting \u201cEchoing landscapes\u201d by T. Mattioli et alii (2017)<\/p><p align=\"justify\">23 October 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #2<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_002a.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_002a-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\">Mathieu Picas presenting \u201cShamanistic aspects of California Rock Art\u201d by K. Hedges (1992)<\/p><p style=\"text-align: center;\" align=\"justify\">Laura Coltofean presenting \u201cAnimism and Rainforest in Tundra\u201d by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012)<\/p><p align=\"justify\">16 October 2018<\/p><p style=\"text-align: left;\" align=\"justify\"><strong>Artsoundscapes reading workshop #1<\/strong><a href=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_001.jpg\"><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/workshop_001-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/a><\/p><p style=\"text-align: center;\" align=\"justify\">Margarita D\u00edaz-Andreu \u2013 Music archaeology, ICTM, ISGMA and archaeoacoustics<\/p><p style=\"text-align: center;\" align=\"justify\">Tommaso Mattioli presenting \u201cArchaeoacoustics\u201d by C. Scarre & G. Lawson (eds.) (2006)<\/p><p style=\"text-align: center;\">\u00a0<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Workshops - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"A reading workshop is an open space for debate and learning, where team members present the current state of the art about a particular topic related to one of our research lines.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/reading-workshops\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Workshops - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"A reading workshop is an open space for debate and learning, where team members present the current state of the art about a particular topic related to one of our research lines.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/reading-workshops\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-04T13:48:53+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"3 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/reading-workshops\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/reading-workshops\/\",\"name\":\"Workshops - 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