{"id":4192,"date":"2020-02-27T13:51:27","date_gmt":"2020-02-27T13:51:27","guid":{"rendered":"https:\/\/www.ub.edu\/artsoundscapes\/?page_id=4192"},"modified":"2025-02-03T08:57:33","modified_gmt":"2025-02-03T08:57:33","slug":"neemias-santos-da-rosa","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/neemias-santos-da-rosa\/","title":{"rendered":"Neemias Santos da Rosa"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/neemias-santos.jpg\u00bb alt=\u00bbArtsoundscapes team member Neemias Santos\u00bb title_text=\u00bbArtsoundscapes team member Neemias Santos\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb]<\/p>\n

Senior Postdoctoral Researcher<\/strong><\/p>\n

Keywords:<\/strong> experimental archaeology; post-Paleolithic rock art; cha\u00eene op\u00e9ratoire; acoustics; Iberian Peninsula.<\/p>\n

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Visit my profile in ORCID<\/a><\/b><\/p>\n

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Visit my profile in Academia<\/a><\/b><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb]<\/p>\n

Visit my profile in ResearchGate<\/a><\/b><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb3.22″][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n

Neemias Santos da Rosa is an archaeologist working on experimental archaeology and prehistoric art. Throughout his professional career, he has been researching the technological, social and symbolic aspects of post-Paleolithic rock art of the Iberian Peninsula.<\/p>\n

During his MA studies at the University of Tr\u00e1s-os-Montes e Alto Douro (Portugal), he analyzed the typological and technical aspects of the Tagus Valley’s rock art engravings (2012). Afterwards, during his PhD at the University Rovira i Virgili (Spain), he developed extensive research on the\u00a0cha\u00eene op\u00e9ratoire<\/em>\u00a0involved in the production of the Levantine rock art paintings (2019).<\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n

Santos da Rosa also worked for many years in Brazil, collaborating with university institutions and participating in numerous archaeological projects and fieldworks in all regions of the country.<\/p>\n

He had a Postdoctoral Researcher position at the ARTSOUNDSCAPES Project, working on the characterization of the acoustic properties of rock art landscapes. In 2023 he was awarded a Marie Sk\u0142odowska-Curie fellowship and moved to the University of Bordeaux<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

RELEVANT PUBLICATIONS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Santos da Rosa, N.<\/strong> (2020). Tecnolog\u00eda rupestre: una perspectiva te\u00f3rico-metodol\u00f3gica para el estudio del arte levantino. In: R. Vi\u00f1as (Coord.),\u00a0I Jornades Internacionals d\u2019Art Rupestre de l\u2019Arc Mediterrani de la Pen\u00ednsula Ib\u00e8rica. XX\u00e8 Aniversari de la Declaraci\u00f3 de Patrimoni Mundial.\u00a0Montblanc: Ajuntament de Montblanc y Museu Arque\u00f2logic de Catalunya, pp. 481-496.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Santos da Rosa, N.<\/strong> (2019). La tecnolog\u00eda del arte rupestre levantino. Cuadernos de Arte Prehist\u00f3rico 7, pp. 120-146.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Vi\u00f1as, R.; Royo, J. I.; Latorre, B; Rubio, A.; Santos da Rosa, N.<\/strong> (2019). Arte levantino en la depresi\u00f3n central del Ebro: El Abrigo de La Foz de Zafran\u00e9 I, La Puebla de Albort\u00f3n (Campo de Belchite, Zaragoza). Cuadernos de Arte Prehist\u00f3rico 7, pp. 72-119.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Vi\u00f1as, R.; Rubio, A.; Ruiz, J.; Vaquero, M.; Vallverd\u00fa, J.; Rowe, M.; Santos da Rosa, N.<\/strong> (2016). Investigaci\u00f3n cronoestratigr\u00e1fica en el conjunto rupestre de la Sierra de la Pietat: abrigos de Ermites I y IV (Ulldecona, Tarragona, Catalunya). Cuadernos de Arte Prehist\u00f3rico 2, pp. 70-85.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Rubio, A.; V\u00f1as, R.; Arroyo, J.; Quijada, C. ; Menendez, B. ;\u00a0Santos da Rosa, N. (2016)<\/strong>. A ritual space with paintings and engravings in La Calera rock art site, Carboca, Sonora (Mexico). In: E. Anati (Ed.), Intellectual and Spiritual Expression of Non-literate Peoples. Proceedings of the XVII UISPP World Congress (1\u20137 September, Burgos, Spain). Oxford: Archaeopress, pp. 273-288.<\/p>\n

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[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/neemias-santos.jpg\u00bb alt=\u00bbArtsoundscapes team member Neemias Santos\u00bb title_text=\u00bbArtsoundscapes team member Neemias Santos\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb] Senior Postdoctoral Researcher Keywords: experimental archaeology; post-Paleolithic rock […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

\"\"<\/p>

Neemias Santos da Rosa is an archaeologist working on experimental archaeology and prehistoric art. Throughout his professional career, he has been researching the technological, social and symbolic aspects of post-Paleolithic rock art of the Iberian Peninsula. During his MA studies at the University of Tr\u00e1s-os-Montes e Alto Douro (Portugal), he analyzed the typological and technical aspects of the Tagus Valley's rock art engravings (2012). Afterwards, during his PhD at the University Rovira i Virgili (Spain), he developed extensive research on the\u00a0cha\u00eene op\u00e9ratoire<\/em>\u00a0involved in the production of the Levantine rock art paintings (2019). Santos da Rosa also worked for many years in Brazil, collaborating with university institutions and participating in numerous archaeological projects and fieldworks in all regions of the country. He currently holds a Junior Postdoctoral Researcher position at the ARTSOUNDSCAPES Project, working on the characterization of the acoustic properties of rock art landscapes.\u00a0<\/p>

Keywords: <\/strong>experimental archaeology; post-Paleolithic rock art; cha\u00eene op\u00e9ratoire; acoustics; Iberian Peninsula.<\/p>

Orcid: <\/strong>https:\/\/orcid.org\/0000-0001-8800-146X<\/a>Academia:<\/strong> https:\/\/barcelona.academia.edu\/NeemiasSantosdaRosa<\/a>
ResearchGate: <\/strong>https:\/\/www.researchgate.net\/profile\/Neemias_Santos_Da_Rosa<\/a>\u00a0<\/p>

Relevant publications<\/b><\/p>

Santos da Rosa, N. (2020). Tecnolog\u00eda rupestre: una perspectiva te\u00f3rico-metodol\u00f3gica para el estudio del arte levantino. In: R. Vi\u00f1as (Coord.),\u00a0I Jornades Internacionals d\u2019Art Rupestre de l\u2019Arc Mediterrani de la Pen\u00ednsula Ib\u00e8rica. XX\u00e8 Aniversari de la Declaraci\u00f3 de Patrimoni Mundial.\u00a0<\/i>Montblanc: Ajuntament de Montblanc y Museu Arque\u00f2logic de Catalunya, pp. 481-496.<\/p>

Santos da Rosa, N. (2019). La tecnolog\u00eda del arte rupestre levantino. Cuadernos de Arte Prehist\u00f3rico <\/em>7, pp. 120-146. \u00a0<\/p>

Vi\u00f1as, R.; Royo, J. I.; Latorre, B; Rubio, A.; Santos da Rosa, N. (2019). Arte levantino en la depresi\u00f3n central del Ebro: El Abrigo de La Foz de Zafran\u00e9 I, La Puebla de Albort\u00f3n (Campo de Belchite, Zaragoza). Cuadernos de Arte Prehist\u00f3rico <\/em>7, pp. 72-119.\u00a0<\/p>

Vi\u00f1as, R.; Rubio, A.; Ruiz, J.; Vaquero, M.; Vallverd\u00fa, J.; Rowe, M.; Santos da Rosa, N. (2016). Investigaci\u00f3n cronoestratigr\u00e1fica en el conjunto rupestre de la Sierra de la Pietat: abrigos de Ermites I y IV (Ulldecona, Tarragona, Catalunya). Cuadernos de Arte Prehist\u00f3rico <\/em>2, pp. 70-85.<\/p>

Rubio, A.; V\u00f1as, R.; Arroyo, J.; Quijada, C. ; Menendez, B. ;\u00a0Santos da Rosa, N. (2016). A ritual space with paintings and engravings in La Calera rock art site, Carboca, Sonora (Mexico). In: E. Anati (Ed.), Intellectual and Spiritual Expression of Non-literate Peoples<\/em>. Proceedings of the XVII UISPP World Congress (1\u20137 September, Burgos, Spain). Oxford: Archaeopress, pp. 273-288.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\nNeemias Santos da Rosa - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. 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