{"id":603,"date":"2019-02-05T21:28:25","date_gmt":"2019-02-05T21:28:25","guid":{"rendered":"http:\/\/patrimoniweb.com\/erc\/?page_id=603"},"modified":"2025-09-29T09:17:31","modified_gmt":"2025-09-29T09:17:31","slug":"scientific-conferences","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/","title":{"rendered":"Scientific conferences"},"content":{"rendered":"

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Scientific Conferences<\/h1>\n

[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb width=\u00bb75%\u00bb]<\/p>\n

The debate and the exchange of ideas are crucial for the advancement of science. Here you can learn more about our participation in sessions,\u00a0seminars\u00a0and conferences\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bbauto|auto|auto|auto|false|false\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][et_pb_button button_url=\u00bb#conferences\u00bb button_text=\u00bbArtsoundscapes conferences\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#EA5A01″ button_border_color=\u00bb#FFFFFF\u00bb button_border_radius=\u00bb20px\u00bb button_icon_color=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][et_pb_button button_url=\u00bb#papers\u00bb button_text=\u00bbArtsoundscapes papers\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#FFFFFF\u00bb button_bg_color=\u00bb#EA5A01″ button_border_color=\u00bb#FFFFFF\u00bb button_border_radius=\u00bb20px\u00bb button_icon_color=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb121px|auto||auto||\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_2_font=\u00bb|||on|||||\u00bb]<\/p>\n

Sessions, seminars and conferences organised by us<\/h2>\n

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\u00abNew approaches to archaeoacoustic studies\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/05\/Logo_HorizontalStack_Color@3x_updated_white-background.png\u00bb title_text=\u00bbLogo_HorizontalStack_Color@3x_updated_white background\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

3-6 September 2025<\/p>\n

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Session organised by Joshua Kumbani, Zorana Dordevic and Margarita D\u00edaz-Andreu. 31st\u00a0 EAA Annual Meeting<\/p>\n

31st\u00a0 European Association of Archaeologists Annual Meeting, Virtual<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/eaa2025_archaeoacoustics\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information here \u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/eaa2025_archaeoacoustics\/\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abResson\u00e0ncies del <\/strong>P<\/strong>assat: <\/strong>La recerca arqueomusicol<\/strong>\u00f2<\/strong>gica a Catalunya\u00bb<\/strong><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/01\/SAMIC_image_3-scaled.jpg\u00bb title_text=\u00bbSAMIC_image_3″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

27\u00a0February\u00a0<\/span>2025<\/p>\n

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Organized by Margarita D\u00edaz-Andreu, Miquel L\u00f3pez Garcia and Zorana Dordevic.
ERC Artsoundscapes project conference.\u00a0<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzU0In19@\u00bb button_text=\u00bbMore information here\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzU0In19@\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abXVII Symposium of the ICTMD Study Group on Music Archaeology and the ICTMD Study Group on Iconography of the Performing Arts\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2024-09-26_ICTM.jpg\u00bb title_text=\u00bb2024-09-26_ICTM\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

Valladolid, 25-27 September 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Artsoundscapes has been one of the collaborators of the XVII Symposium of the ICTMD Study Group on Music Archaeology, jointly organized with the ICTMD Study Group on Iconography of the Performing Arts<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/eventos.uva.es\/109024\/sponsors\/xvii-symposium-of-the-ictmd-study-group-on-music-archaeology-jointly-organized-with-the-ictmd-study.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information here \u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abSession: Exploring sounds and music in archaeological landscapes\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/12\/EAA_2024_Rome_SESSION_acoustics.jpg\u00bb title_text=\u00bbEAA_2024_Rome_SESSION_acoustics\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|57px||57px||\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

26-31 August 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Session organised by Margarita D\u00edaz-Andreu, Zorana \u0110or\u0111evi\u0107, Kamil Kopij and Joshua Kumbani<\/p>\n

30th European Association of Archaeologists Annual Meeting<\/a>, held in Rome (Italy).<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/submissions.e-a-a.org\/eaa2024\/sessions\/overview\/preview.php?id=76″ url_new_window=\u00bbon\u00bb button_text=\u00bbSee abstract\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abSession: Ac\u00fastica de recintos hist\u00f3ricos\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/10\/tecniacustica-logo.png\u00bb title_text=\u00bbtecniacustica-logo\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18-20 October 2023<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Session organised by Alicia Gim\u00e9nez, Lidia \u00c1lvarez-Morales, and Samuel Quintana<\/p>\n

54\u00ba Congreso Espa\u00f1ol de Ac\u00fastica -TECNIAC\u00daSTICA 2023 y XIII Encuentro Ib\u00e9rico de Ac\u00fastica, held in Cuenca (Spain).<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.tecniacustica.es\/TECNIACUSTICA2023\/programa\/programa\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the Scientific programme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00a0\u201cSession: Music archaeology in Africa\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ictm.jpg\u00bb title_text=\u00bbictm\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|57px||57px||\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

13-19 July 2023<\/p>\n

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Session organized by Raquel Jim\u00e9nez-Pasalodos; Joshua Kumbani; Neemias Santos da Rosa.<\/p>\n

47th International Council for Traditional Music (ICTM) World Conference. University of Ghana, Legon. 13-19 July 2023<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/ictmusic.org\/ictm2023\/programme\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the Scientific programme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00a0\u201cPast sounds: new perspectives in the field of archaeoacoustics\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/Logo_ARTSS_project_conf_for_image_web.jpg\u00bb title_text=\u00bbLogo_ARTSS_project_conf_for_image_web\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|57px||57px||\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

20-21 October 2022<\/p>\n

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Organized by Margarita D\u00edaz-Andreu and Neemias Santos da Rosa.
\nERC Artsoundscapes project conference. Registration on pr.artsoundscapes@ub.edu <\/a><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/past_sounds_programme\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbProgramme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/past_sounds_abstracts\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbAbstracts\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cApproaching the sounds of the past. Music, acoustics and identity\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/WAC9_2022_LOGO-1.jpg\u00bb title_text=\u00bbWAC9_2022_LOGO\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

3-8 July 2022<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Organized by Margarita D\u00edaz-Andreu, Lubo\u0161 Chroustovsk\u00fd and Neemias Santos da Rosa Rosa at the WAC-9<\/a> conference, Prague, Czech Republic, \u00a03-8 July 2022.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.wac-9.org\/programme\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the Scientific programme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00a0\u201cArchaeology of Soundscapes and Soundscapes for Archaeology\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/logo_EAA2020virtual_web.jpg\u00bb title_text=\u00bblogo_EAA2020virtual\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb min_height=\u00bb171px\u00bb custom_padding=\u00bb|49px|0px|9px||\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

24-30 August 2020<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Organized by Raquel Jim\u00e9nez Pasalodos, Margarita D\u00edaz-Andreu and Rupert Till.<\/p>\n

26th Virtual Annual Meeting of the European Association of Archaeologists, session #124.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2020virtual\/Programme.aspx?WebsiteKey=79538f04-4210-43d4-90c1-704213a00c84&hkey=e5eed11c-a2ea-404a-86f3-482344cb3829&Program=2#Program\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the Scientific programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cArqueolog\u00eda de los Espacios Sonoros\u201d [Archaeology of Soundscapes]<\/h3>\n

 <\/p>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/logo_ARTSS__ub__MAN.jpg\u00bb title_text=\u00bblogo_ARTSS_+_ub_+_MAN\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18 November 2020. Spain.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Virtual conference organized within the Artsoundscapes Project by the National Museum of Archaeology in Madrid and the University of Barcelona.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/dam\/jcr:0b2e3e73-9e77-4e23-87a9-0d1dc12d9419\/20201118-diptico-jornada-paisajes-sonoros-v1.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the Scientific Programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.man.es\/man\/actividades\/congresos-y-reuniones\/congresos-anteriores\/2020\/20201118-paisajes-sonoros\/grabaciones.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb background_color=\u00bbRGBA(0,0,0,0)\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cFrom landscape archaeology to soundscape archaeology: Themes, approaches and perspectives\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/EAA_logo_2019.png\u00bb title_text=\u00bbEAA_logo_2019″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

4-7 September 2019.\u00a0Bern, Switzerland<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Organized by Angela Bellia and Tommaso Mattioli.<\/p>\n

25th Annual Meeting of the European Association of Archaeologists, session #184.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Papers<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/09\/Logo_ARTSS_project_conf_for_image_web.jpg\u00bb title_text=\u00bbLogo_ARTSS_project_conf_for_image_web\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abCosmology, sound and forager societies. The archaeoacoustic study of site 26LN211, White River Narrows (USA) as a case study\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/05\/Logo_HorizontalStack_Color@3x_updated_white-background.png\u00bb title_text=\u00bbLogo_HorizontalStack_Color@3x_updated_white background\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

3-6 September 2025<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Paper in Session #50 \u201cNew Approaches to archaeoacoustic studies\u201d (organised by Joshua Kumbani, Margarita D\u00edaz-Andreu and Zorana Dordevic). 31st<\/sup> EAA Annual meeting, Belgrade, 3-6 Sept.<\/p>\n

Authors: Margarita D\u00edaz-Andreu, Lidia Alvarez-Morales, Daniel Ben\u00edtez Arag\u00f3n and Diego Moreno Iglesias<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2025″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abNeolithic shell trumpets in Catalonia: an archaeoacoustical approach\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/05\/Logo_HorizontalStack_Color@3x_updated_white-background.png\u00bb title_text=\u00bbLogo_HorizontalStack_Color@3x_updated_white background\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

3-6 September 2025<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Paper in Session #50 \u201cNew Approaches to archaeoacoustic studies\u201d (organised by Joshua Kumbani, Margarita D\u00edaz-Andreu and Zorana Dordevic). 31st<\/sup> EAA Annual meeting, Belgrade, 3-6 Sept<\/p>\n

Authors: Margarita D\u00edaz-Andreu, Miquel L\u00f3pez Garcia<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2025″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abLos sonidos del pasado: posibilidades y l\u00edmites de la Arqueoac\u00fastica en el contexto del arte levantino en Catalu\u00f1a\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/01\/SAMIC_image_3-scaled.jpg\u00bb title_text=\u00bbSAMIC_image_3″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

27 February 2025<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Paper at the One-day Conference \u201cResson\u00e0ncies del passat: la recerca arqueomusicol\u00f2gica a Catalunya\u201d. Museu de la M\u00fasica (Barcelona).<\/p>\n

Authors: Margarita D\u00edaz-Andreu, Lidia Alvarez-Morales and Neemias Santos da Rosa<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/ressonancies\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEls corns marins prehist\u00f2rics a Catalunya: estudi i experimentaci\u00f3 ac\u00fastica\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/01\/SAMIC_image_3-scaled.jpg\u00bb title_text=\u00bbSAMIC_image_3″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

27 February 2025<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Paper at the One-day Conference \u201cResson\u00e0ncies del passat: la recerca arqueomusicol\u00f2gica a Catalunya\u201d. Museu de la M\u00fasica (Barcelona).<\/p>\n

Authors: Miquel L\u00f3pez Garcia, Margarita D\u00edaz-Andreu<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/ressonancies\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArtsoundscapes: Connectant el so i l’art Rupestre\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/05\/IIjornades.jpg\u00bb title_text=\u00bbIIjornades\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

24 January 2025<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Paper at the \u00abII Jornades d\u2019Organologia\u00bb 23-25 de gener de 2025. Museu de la M\u00fasica (Barcelona).<\/p>\n

Authors: Lidia Alvarez-Morales, Miquel L\u00f3pez Garcia, Margarita D\u00edaz-Andreu<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/01\/MUSEU-de-LA-MUSICA___II-Jornades-dorganologia_A5_Dossier.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEl proyecto de la ERC ARTSOUNDSCAPES: el sonido y la m\u00fasica entre los cazadores-recolectores del Holoceno y en las primeras sociedades hort\u00edcolas y ganaderas\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2025\/01\/logo_IAUB.jpg\u00bb title_text=\u00bblogo_IAUB\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

11 December 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: II Jornada de Recerca de l\u2019Institut d\u2019Arqueologia de la Universitat de Barcelona<\/a>\u00a0(IAUB). Barcelona (with Lidia Alvarez-Morales, Miguel L\u00f3pez Garc\u00eda and Joshua Kumbani)<\/p>\n

Authors: Margarita D\u00edaz-Andreu, Lidia \u00c1lvarez-Morales, Miquel L\u00f3pez Garc\u00eda & Joshua Kumbani.<\/p>\n

Speaker: Margarita D\u00edaz-Andreu & Miquel L\u00f3pez Garcia<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9hdHRhY2htZW50Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTk1In19@\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArqueoac\u00fastica en la provincia de C\u00e1diz: explorando el arte rupestre con un enfoque multisensorial\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/Arqueologia_Suroeste_peninsular.jpg\u00bb title_text=\u00bbArqueologia_Suroeste_peninsular\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

26 October 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: \u00a0XIII Encuentro de Arqueolog\u00eda del Suroeste Peninsular<\/a>; 25, 26 y 27 de octubre de 2024; C\u00e1diz – Benalup Casas Viejas, Spain<\/p>\n

Authors: Lidia \u00c1lvarez-Morales,\u00a0Neemias Santos da Rosa,\u00a0Mar\u00eda Lazarich, & Margarita D\u00edaz-Andreu.<\/p>\n

Speakers: Lidia \u00c1lvarez-Morales\u00a0& Margarita D\u00edaz-Andreu<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/encuentroarqueologiasuroeste24.com\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abWhen music meets granite: musical instruments depictions in the rock art of\u00a0<\/span><\/span><\/span>Zimbabwe\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2024-09-26_ICTM.jpg\u00bb title_text=\u00bb2024-09-26_ICTM\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

27 September 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: XVII Symposium of the ICTMD Study Group on Music Archaeology, jointly organized with the ICTMD Study Group on Iconography of the Performing Arts<\/a>. Valladolid, 25-27 September.<\/p>\n

Authors: Joshua Kumbani & Margarita D\u00edaz-Andreu.<\/p>\n

More Information on programme here<\/a> and abstract books\u00a0here<\/a><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArchaeological evidence of sound and music-related artifacts from southern Africa\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2024-09-26_ICTM.jpg\u00bb title_text=\u00bb2024-09-26_ICTM\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

26 September 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: XVII Symposium of the ICTMD Study Group on Music Archaeology, jointly organized with the ICTMD Study Group on Iconography of the Performing Arts<\/a>. Valladolid, 25-27 September.<\/p>\n

Author: Joshua Kumbani.<\/p>\n

More Information on programme here<\/a> and abstract books\u00a0here<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

POSTER\u00a0<\/span><\/span><\/span>\u00ab<\/span><\/span><\/span>Unveiling the drumbeat: exploring drum motifs in South Africa and Zimbabwe\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2024-09-01_EAA.jpg\u00bb title_text=\u00bb2024-09-01_EAA\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

1 September 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: \u00a0Annual Meeting of the European Association of Archaeologists<\/u><\/a>.<\/p>\n

Session theme: The Material Record: Current Trends and Future Directions<\/p>\n

Authors: Joshua Kumbani & Margarita D\u00edaz-Andreu.<\/p>\n

More Information on programme and abstract books here<\/u><\/a>.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abBeyond the move: a systematic analysis of dance scenes in the rock art of Zimbabwe and South Africa\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2024-09-01_EAA.jpg\u00bb title_text=\u00bb2024-09-01_EAA\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

1 September 2024<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Session: Exploring sounds and music in archaeological landscapes<\/a><\/p>\n

Authors: Joshua Kumbani & Margarita D\u00edaz-Andreu.<\/p>\n

More Information on programme and abstract books here<\/u><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEl paisaje sonoro de la tradici\u00f3n Gran Mural: un an\u00e1lisis de SIG del arte rupestre en el ca\u00f1\u00f3n de Santa Teresa. Sierra de San Francisco, Baja California Sur\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/09\/2023-12-08.jpg\u00bb title_text=\u00bb2023-12-08″ align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

8 December 2023<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Authors: Natalia G\u00f3nz\u00e1lez V\u00e1zquez, Gabriel Garc\u00eda Ati\u00e9nzar, M. Luz Guti\u00e9rrez, Neemias Santos da Rosa, C\u00e9sar Villalobos & Margarita D\u00edaz-Andreu. Speakers: Natalia G\u00f3nz\u00e1lez V\u00e1zquez & Margarita D\u00edaz-Andreu.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=y5vcN8u0tak\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abAc\u00fastica de recintos prehist\u00f3ricos: estudio arqueoac\u00fastico de Palomas I\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/10\/tecniacustica-logo.png\u00bb title_text=\u00bbtecniacustica-logo\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18-20 October 2023<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: 54\u00ba Congreso Espa\u00f1ol de Ac\u00fastica y XIII Encuentro Ib\u00e9rico de Ac\u00fastica -TECNIAC\u00daSTICA 2023, Cuenca, Spain<\/p>\n

Authors: Alvarez-Morales, L., Santos da Rosa, N., Ben\u00edtez-Arag\u00f3n, D., Lazarich, M., & D\u00edaz-Andreu, M.\u00a0<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/documentacion.sea-acustica.es\/publicaciones\/Cuenca23\/Abs_95.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||10px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abPsychoacoustics of Rock Art Sites: the Case\u00a0Study of the Shelters Diosa I and Horadada\u00a0(C\u00e1diz, Spain)\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/i3da.jpg\u00bb title_text=\u00bbi3da\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin__hover_enabled=\u00bbon|desktop\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

5-7 September 2023<\/p>\n

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Conference: International Conference – Immersive and 3D Audio (I3DA 2023). Alma Mater Studiorum – University of Bologna, Bologna, Italy.<\/p>\n

Authors: L\u00f3pez-Mochales, S.*, Alvarez-Morales, L., Santos da Rosa, N., Lazarich, M., D\u00edaz-Andreu, M., Escera, C.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/I3DA-2023-cadiz.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.i3da2023.org\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abRecovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study\u00bb<\/span><\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/i3da.jpg\u00bb title_text=\u00bbi3da\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

4 September 2023<\/span><\/p>\n

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Paper given at the International Conference \u2013 Immersive and 3D Audio (I3DA 2023). Alma Mater Studiorum \u2013 University of Bologna, Bologna, Italy.September 5-7, 2023, Session: \u201cDigital Approaches to Hearing the Past\u201d.<\/p>\n

Authors: Lidia \u00c1lvarez-Morales*, Neemias Santos da Rosa, Daniel Ben\u00edtez-Arag\u00f3n, Maria Lazarich, Margarita D\u00edaz-Andreu.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.i3da2023.org\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00ab<\/span><\/span><\/span>Psychoacoustic Study of the Rock Art Sites of Cuevas de la Ara\u00f1a (Bicorp, Spain)\u00bb<\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/logo_konferencji.jpg\u00bb title_text=\u00bblogo_konferencji\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

1-3 September 2023<\/span><\/p>\n

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Conference: 2nd Conference on Sound Perception (CSP2023). Adam Mickiewicz University, Pozna\u0144, Poland.<\/span><\/p>\n

Authors: Samantha L\u00f3pez-Mochales*, Tapio Lokki, Margarita D\u00edaz-Andreu, Carles Escera.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/CSP_ARANA_F1.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ABSTRACT-BOOK-CSP-2023-\u2013-3-kor-39.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee Book of Abstract\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/csp2023.com\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArtsoundscapes: exploring sound perception and emotion in prehistoric rock art landscapes\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/EAA2023-Logo-Final-01_small_web.jpg\u00bb title_text=\u00bbEAA2023-Logo-Final-01_small_web\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

1 September <\/span>2023<\/span><\/span><\/p>\n

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Conference:\u00a0<\/span>European Association of Archaeologists Annual Meeting (EAA2023). University of Belfast, U.K.<\/p>\n

Authors: D\u00edaz-Andreu, M.*, Santos da Rosa, N.; Alvarez-Morales, L.; L\u00f3pez-Mochales, S.; Aparicio-Terr\u00e9s, R.; Escera, C<\/span>.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/EAA-2023_Abstract-Book_PAGE_1114.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee Abstract\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2023″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb0px||0px||true|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abListening to ancient images: the acoustics of San rock art sites\u00bb.<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ictm.jpg\u00bb title_text=\u00bbictm\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18 July <\/span>2023<\/span><\/span><\/p>\n

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Conference: 47th International Council for Traditional Music (ICTM) World Conference. University of Ghana, Legon. 13-19 July 2023.<\/span><\/p>\n

Authors: Santos da Rosa, N.; Alvarez-Morales, L; Moreno Iglesias, D. & D\u00edaz-Andreu, M.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/Paper_Ghana.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttp:\/\/ictmusic.org\/ictm2023\/programme\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb0px||0px||true|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abIntroduction to the session.\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ictm.jpg\u00bb title_text=\u00bbictm\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18 July <\/span>2023<\/span><\/span><\/p>\n

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Conference: 47th International Council for Traditional Music (ICTM) World Conference. University of Ghana, Legon. 13-19 July 2023.<\/span><\/p>\n

Authors: <\/span>Jim\u00e9nez Pasalodos, R.; Kumbani, J.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/Abstract_presentacion.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttp:\/\/ictmusic.org\/ictm2023\/programme\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb0px||0px||true|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abA snapshot of music and sound-related archaeological artefacts from Southern Africa<\/span><\/span><\/span>.\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ictm.jpg\u00bb title_text=\u00bbictm\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

18 July 2023<\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: 47th International Council for Traditional Music (ICTM) World Conference. University of Ghana, Legon. 13-19 July 2023.<\/span><\/p>\n

Authors: Kumbani, J.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/Abstract_Joshua.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttp:\/\/ictmusic.org\/ictm2023\/programme\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abAcoustic Perception and Emotion Evocation by Rock Art Soundscapes of Altai (Russia).\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/sepneca.jpg\u00bb title_text=\u00bbsepneca\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

19-21 July <\/span>2023<\/span><\/span><\/p>\n

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Conference: SEPNECA (XIII Congreso de la Sociedad Espa\u00f1ola de Psicofisiolog\u00eda y Neurociencia Cognitiva y Afectiva). Universidad de Santiago de Compostela (USC). Santiago de Compostela.<\/span><\/p>\n

Authors:\u00a0<\/span>L\u00f3pez-Mochales, S.*; Aparicio-Terr\u00e9s, R.; D\u00edaz-Andreu, M.; Escera, C.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/sepneca_2023_siberia-1_updated\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee presentation\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/congresocompostela2023.sepneca.es\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abExploring the link between neural entrainment and altered states of consciousness through electronic music\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/sepneca.jpg\u00bb title_text=\u00bbsepneca\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

19-21 July <\/span>2023<\/span><\/span><\/p>\n

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Conference: SEPNECA (XIII Congreso de la Sociedad Espa\u00f1ola de Psicofisiolog\u00eda y Neurociencia Cognitiva y Afectiva). Universidad de Santiago de Compostela (USC). Santiago de Compostela.<\/span><\/p>\n

Authors: Aparicio-Terr\u00e9s, R*; L\u00f3pez-Mochales, S.; D\u00edaz-Andreu, M.; Escera, C.\u00a0<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/07\/19-21_7_2023_SEPNECA.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee poster\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/congresocompostela2023.sepneca.es\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abExploring the link between entrainment and altered states of consciousness by modulating the rhythmicity of long periods of drumming stimulation\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/nicis.jpg\u00bb title_text=\u00bbnicis\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||10px||false|false\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

26-27 June <\/span>2023<\/span><\/span><\/p>\n

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Conference: NICIS (Neurosciences in intensive Care International Symposium). Paris, 26-27 June. Institut Pasteur. Paris. <\/span><\/p>\n

Authors: Aparicio-Terr\u00e9s, R*; L\u00f3pez-Mochales, S.; D\u00edaz-Andreu, M.; Escera, C.\u00a0<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/07\/26-27_6_2023_NICIS.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee poster\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/nicis.fr\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abSounding the Past: Levantine art and the acoustics of rock art sites\u00bb<\/span><\/span><\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/EUROPA.jpg\u00bb title_text=\u00bbEUROPA\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

2 – 4 June 2023<\/p>\n

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Poster presented at the \u201cPrehistoric Society Europa Conference 2023 \u00abPeopling the Past: Reflecting on Prehistoric Europe\u00bb, organized by the Prehistoric Society to honour the achievements of Prof Marie Louise Stig S\u00f8rensen, University of Cambridge, in the field of European Prehistory.<\/p>\n

Authors: D\u00edaz-Andreu, M.*; Alvarez Morales, L; Ben\u00edtez, D.; Santos da Rosa, S.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.prehistoricsociety.org\/events\/2023-06-02″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cAn archaeology of the invisible? Exploring the acoustics of rock art landscapes through a multidisciplinary approach\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/baixa.jpg\u00bb title_text=\u00bbbaixa\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

15-17 December 2022<\/p>\n

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Speaker: Neemias Santos da Rosa. Other author: Margarita D\u00edaz-Andreu
Paper at the session:\u00a0 \u00abRethinking Rock Art: biographies of research, new theoretical explorations and multidisciplinary approaches\u00bb organized by Joana Valdez-Tullett, Sofia Figueiredo-Persson & Andreia Silva. 43th Theoretical Archaeology Group (TAG) 2022. Edinburgh, Scotland, UK<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/tagedinburgh2022.wordpress.com\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cAssessing the relationship between neural entrainment and altered states of consciousness induced by electronic music<\/span><\/span>\u201d<\/span><\/span>\u00a0<\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/multi-brain.jpg\u00bb title_text=\u00bbmulti-brain\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||10px||false|false\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||10px||false|false\u00bb]<\/p>\n

9-10 November<\/span> 2022<\/span><\/span><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb]<\/p>\n

Conference: International Multi-Brain Barcelona Congress – Healthy, Pathological and Artificial Brain. Universitat de Barcelona (UB). Barcelona.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Authors: Aparicio-Terr\u00e9s, R*; L\u00f3pez-Mochales, S.; D\u00edaz-Andreu, M.; Escera, C<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/07\/9-10_11_2022_MultiBrainBarcelonaCongress.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee poster\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/UBneuroCongress2022\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb0px||0px||true|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201c<\/span><\/span>Hearing the Past<\/span>. T<\/span><\/span>he <\/span>archaeoacoustics<\/span> of rock art landscapes<\/span><\/span>\u201d<\/span><\/span>\u00a0<\/span><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ug.jpg\u00bb title_text=\u00bbug\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

4 November<\/span> 2022<\/span><\/span><\/p>\n

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Speaker: Margarita D\u00edaz-Andreu<\/span><\/span>\u00a0<\/span>
<\/span>Felix <\/span>Neubergh<\/span> lecture 202<\/span>2. <\/span>Gothenburg, Sweden.<\/span><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.gu.se\/en\/news\/welcome-to-the-2022-felix-neubergh-lecture-in-archaeology\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abDanzando sobre las rocas: la identificaci\u00f3n de una pr\u00e1ctica cultural inmaterial en la zona meridional del Arte Levantino\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/mccb.jpg\u00bb title_text=\u00bbmccb\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

28-30 October 2022<\/p>\n

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Speaker: Margarita D\u00edaz-Andreu & Neemias Santos da Rosa. Other author: Laura Fern\u00e1ndez Mac\u00edas.<\/p>\n

Paper at the \u00abII Jornades Internacionals d\u2019Art Prehist\u00f2ric de l\u2019Arc Mediterrani de la Peninsula Ib\u00e8rica\u00bb. Montblanc, 28-30 October 2022<\/p>\n

[\/et_pb_text][et_pb_button url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cPerceptual and emotional responses to rock art soundscapes in Altai (Russia)\u201d<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/ica.jpg\u00bb title_text=\u00bbica\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

24-28 October 2022<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Samantha L\u00f3pez. Other authors: Carles Escera, Raquel Aparicio, Margarita D\u00edaz-Andreu
Paper at the \u201cReconstruction\/restoration of sound in historic buildings, structures, and cultural landscapes\u201d session, the Virtual acoustics group of sessions, 24th International Conference on Acoustics (ICA 2022). Gyeongiu, South Korea<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/ica2022korea.org\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abMusic and storytelling in rock art sites? The archaeoacoustics of the Urkosh area\u00bb<\/h3>\n

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21 October 2022, 9.40h<\/p>\n

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Speakers: Margarita D\u00edaz-Andreu and Lidia Alvarez Morales. Other authors: Andrzej Rozwadowski; Raquel Jim\u00e9nez Pasalodos; Neemias Santos da Rosa; Daniel Ben\u00edtez-Arag\u00f3n
Paper at the \u00abPast sounds: new perspectives in the field of archaeoacoustics\u00bb. Artsoundscapes conference, 20-21 October 2022<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/2022-10-2021_past_sounds_conference-programme-2\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abThe materiality of the immaterial: A theoretical approach to the study of archaeological musical instruments\u00bb<\/h3>\n

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20 October 2022, 15.40h<\/p>\n

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Speaker: Raquel Jim\u00e9nez Pasalodos
Paper at the \u00abPast sounds: new perspectives in the field of archaeoacoustics\u00bb. Artsoundscapes conference, 20-21 October 2022<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/2022-10-2021_past_sounds_conference-programme-2\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abMethods for perceptual and emotional evaluation of soundscapes in immersive auditory environments\u00bb<\/h3>\n

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20 October 2022, 11.50h<\/p>\n

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Speaker: Samantha L\u00f3pez. Other authors: Jos\u00e9 Valenzuela; Raquel Aparicio-Terr\u00e9s; Carles Escera
Paper at the \u00abPast sounds: new perspectives in the field of archaeoacoustics\u00bb. Artsoundscapes conference, 20-21 October 2022<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/2022-10-2021_past_sounds_conference-programme-2\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abA first approach to the study of neural mechanisms that make acoustics a phenomenon to be considered in ancient human experience\u00bb<\/h3>\n

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20 October 2022, 10.50h<\/p>\n

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Speaker: Raquel Aparicio-Terr\u00e9s. Other authors: Samantha L\u00f3pez; Carles Escera.<\/p>\n

Paper at the \u00abPast sounds: new perspectives in the field of archaeoacoustics\u00bb. Artsoundscapes conference, 20-21 October 2022<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/2022-10-2021_past_sounds_conference-programme-2\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abWelcome to the Past Sounds Conference: new perspectives in the field of archaeoacoustics\u00bb<\/h3>\n

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20 October 2022, 9.30h<\/p>\n

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Speaker: Margarita D\u00edaz-Andreu
Paper at the \u00abPast sounds: new perspectives in the field of archaeoacoustics\u00bb. Artsoundscapes conference, 20-21 October 2022<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/2022-10-2021_past_sounds_conference-programme-2\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abThe sonorous dimension of San rock art: an archaeoacoustic approach to Game Pass shelter\u00bb<\/h3>\n

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17 Septemper 2022<\/p>\n

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Speaker: Neemias Santos da Rosa. Other authors: Margarita D\u00edaz-Andreu; Lidia Alvarez Morales; <\/span> Diego Moreno; Ghilraen Laue
Paper at the \u00abGame Pass Symposium 14-17 September 2022. Kwazulu-Natal Museum, Pietermaritzburg, South Africa<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.nmsa.org.za\/index.php\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb background_color=\u00bb#FFFFFF\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abCathedral acoustics through experimental measurements and simulation techniques\u00bb<\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/rau.jpg\u00bb title_text=\u00bbrau\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

16 September 2022<\/p>\n

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Speaker: Lidia Alvarez-Morales
Seminar – Akusttik Blog, University of Aachen (Germany)<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/blog.rwth-aachen.de\/akustik\/event\/alvarez-morales-cathedral-acoustics-through-experimental-measurements-and-simulation-techniques\/).%20″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb||0px||false|false\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArqueoac\u00fastica<\/b>: <\/b>una inmersi\u00f3n en el mundo de los sonidos de la prehistoria\u00bb<\/b><\/h3>\n

[\/et_pb_text][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/09\/uimp.jpg\u00bb title_text=\u00bbuimp\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

10 August 2022<\/p>\n

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Speaker: Margarita D\u00edaz-Andreu
Keynote at the Aula Cabrera Course, Universidad Internacional Men\u00e9ndez Pelayo, 8-12 August 2022. Palacio de la Magdalena, Santander<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.uimp.es\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00ab<\/strong>How relevant is the acoustics of an aggregation site? Cuevas de la Ara\u00f1a as a case study\u00bb<\/b><\/h3>\n

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5 July 2022<\/p>\n

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Speaker: Neemias Santos da Rosa. Other authors: Lidia Alvarez Morales: Laura Fern\u00e1ndez Mac\u00edas: Ximo Martorell Briz; Margarita D\u00edaz-Andreu<\/p>\n

Session: F15-14. Approaching the sounds of the past. Music, acoustics and identity. Organised by Lubo\u0161 Chroustovsk\u00fd, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu. World Archaeological Congress, Prague<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/worldarchaeologicalcongress.com\/wac9\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abSearching for acoustics in Altai\u2019s rock art landscapes\u00bb<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb custom_padding=\u00bb||0px|||\u00bb]<\/p>\n

5 July 2022<\/p>\n

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Speaker: Margarita Diaz-Andreu. Other authors: Raquel Jim\u00e9nez Pasalodos, Andrzej Rozwadowski, Daniel Ben\u00edtez, Lidia Alvarez Morales, Elena Miklashevich and Neemias Santos da Rosa<\/p>\n

Session: F15-14. Approaching the sounds of the past. Music, acoustics and identity. Organised by Lubo\u0161 Chroustovsk\u00fd, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu. World Archaeological Congress, Prague<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/worldarchaeologicalcongress.com\/wac9\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArte rupestre y Arqueoac\u00fastica\u00bb<\/strong><\/h3>\n

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25 May 2022<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Margarita D\u00edaz-Andreu<\/p>\n

Seminar series: Conversatorio Virtual Presente y Presencia del Arte Rupestre. Nuevas Aproximaciones \u00bfEn los L\u00edmites de la Ciencia? Organised by Francisco Mendiola (Centro INAH Puebla).\n<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9hdHRhY2htZW50Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2NzQifX0=@\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEmotional Enhancement by Renaissance Music and the Acoustics of Christian Temples in the United Kingdom\u00bb<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

21-22 May 2022. CCRMA, Stanford University and online<\/p>\n

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Speaker: Samantha L\u00f3pez-Mochales<\/p>\n

Conference: Sound, Space and the Aesthetics of the Sublime.\n<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/ccrma.stanford.edu\/matb22\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abTesting the relationship between altered states of consciousness and neural entrainment to the beat of trance music\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

8 April 2022<\/p>\n

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Speaker: Raquel Aparicio<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Invited speaker at the laboratory of Cognitive and Computational Neuroscience (Complutense University of Madrid, Spain)<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/meg.ucm.es\/es\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abExploring sound in rock art landscapes: the ERC Artsoundscapes Project\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

6 April 2022<\/p>\n

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Speakers: Margarita D\u00edaz-Andreu & Neemias Santos da Rosa.\n<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Conference: \u201cNouvelles approaches: art rupestre & acoustique\u00bb Research Seminar organised by L\u00e9a Jobard and Camille Bourdier (equipe SMP3C et Pole Afrique), Universit\u00e9 de Toulouse-Jean Jaur\u00e8s.\n<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9hdHRhY2htZW50Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2NzMifX0=@\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abPaisajes vivos y ontolog\u00edas sonoras: el proyecto europeo Artsoundscapes (ERC ref. 787842) ante el reto del contexto intangible del arte rupestre\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

\u00a01 February 2022. Madrid, 18h<\/p>\n

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Organized by: Museo Arqueol\u00f3gico Nacional (MAN), Actividad Arqueol\u00f3gica IV Seminar Series\n<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/actividades\/cursos-y-conferencias\/20211005-actualidad-arqueologica-4\/20220201-artsoundscapes.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abSounding rock art landscapes: some results of the Artsoundscapes project\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

\u00a029 November 2021. Edinburgh (UK)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Organized by: SCRAP project, in the SCRAP webminar II series\n<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.rockart.scot\/events\/scrap-webinars\/scrap-webinar-11\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=cUaD4-fRujE\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArchaeoacoustics: a new way of analysing rock art landscapes\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

25 November 2021<\/p>\n

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Organized by: Acoustical Society of Nigeria<\/p>\n

Speakers: Neemias Santos da Rosa, Lidia Alvarez and Margarita D\u00edaz-Andreu<\/p>\n

Acoustics Workshop on Acoustics in the Humanities and Sciences (virtual)<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/acousticsnigeria.org.ng\/#:~:text=Acoustical%20Society%20of%20Nigeria&text=The%20Acoustical%20Society%20of%20Nigeria,transmission%20and%20perception%20of%20sound\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abAcoustics and the cha\u00eene op\u00e9ratoire of rock art production: Levantine rock art as a case study\u00bb<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

8-11 September 2021. Kiel (Germany)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Margarita D\u00edaz-Andreu, Neemias Santos da Rosa and Samantha L\u00f3pez.<\/p>\n

EAA SESSION: \u201cRock Art Technology: Theoretical and Methodological Approaches\u201d.Organized by: Neemias Santos da Rosa and Lydia Zotkina \u2013 27th European Association of Archaeologists Annual Meeting.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/eaa2021″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.3″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cRock Art Technology: Theoretical and Methodological Approaches\u201c<\/h3>\n

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8-11 September 2021. Kiel (Germany)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Organized by: Neemias Santos da Rosa and Lydia Zotkina.<\/p>\n

27th European Association of Archaeologists Annual Meeting.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/eaa2021″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abExperimental Enhancement of Feelings of Transcendence, Tenderness and Expressiveness by Music in Christian Liturgical Spaces\u00bb<\/strong><\/h3>\n

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\u00a08-10 September 2021. C\u00e1diz (Spain)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Poster presentation (Presenter: Samantha L\u00f3pez-Mochales)<\/p>\n

Conference: XII Conference of the Spanish Society of Psychophysiology and Cognitive and Affective Neuroscience (SEPNECA).<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/congresocadiz2021.sepneca.es\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cSound, ritual and archaeological ontologies: exploring the symbolic dimensions of rock art production and use in prehistory\u201c<\/h3>\n

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8-11 September 2021. Kiel (Germany)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Neemias Santos da Rosa, Raquel Jim\u00e9nez Pasalodos and Margarita D\u00edaz-Andreu.<\/p>\n

EAA SESSION: \u201cRock Art Technology: Theoretical and Methodological Approaches\u201d.Organized by: Neemias Santos da Rosa and Lydia Zotkina \u2013 27th European Association of Archaeologists Annual Meeting.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/eaa2021″ url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cThe acoustics of sacred places: from cathedrals to rock art sites\u201d<\/h3>\n

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31 August 2021. Albarrac\u00edn (Spain)<\/p>\n

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Speaker: Lidia Alvarez Moralesu<\/p>\n

Sonotomia Residency 2.0.<\/p>\n

Organized by SONOTOMIA \u2013 Sound Anatomy of Unique Places<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/the-acoustics-of-sacred-places-from-cathedrals-to-rock-art-sites\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cLa dimensi\u00f3n sonora. Investigaciones en Arqueoac\u00fastica del arte prehist\u00f3rico\u201d [\u201cThe sound dimension. Research in the archaeoacoustics of prehistoric art.\u201d]<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

22 July 2021.\u00a0 UIMP (Santander)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Margarita D\u00edaz-Andreu<\/p>\n

Course. 10th Marcelino Sanz de Sautuola School of Art and Heritage [X Escuela de Arte y Patrimonio Marcelino Sanz de Sautuola] in the course \u201cSymbols of another time. Art, ritual and communication during the Palaeolithic\u201d [S\u00edmbolos de otro tiempo. Arte, ritual y comunicaci\u00f3n en el Paleol\u00edtico], organized by Pilar Fat\u00e1s Monforte and Pablo Arias Cabal.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.uimp.es\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abExperimental Enhancement of Feelings of Transcendence, Tenderness and Expressiveness by Music in Christian Liturgical Spaces\u00bb<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

20 July 2021. Newcastle University (UK)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Samantha L\u00f3pez-Mochales<\/p>\n

Symposium on Scholarly Reconstruction<\/p>\n

Organized by Carmela Barbaro and Gianluca Foschi<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/experimental-enhancement-of-feelings-of-transcendence\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cArqueoac\u00fastica y arte levantino: nuevas perspectivas para el estudio de un arte silenciado\u201d [Archaeoacoustics and Levantine rock art: new perspectives for the study of a silenced art]<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]16 June 2021. National Museum of Archaeology, Madrid (Spain). [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]Speaker: Margarita D\u00edaz-Andreu<\/p>\n

Lecture Series: Prehistoric Art, from the Rock to the Museum.[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/actividades\/cursos-y-conferencias\/20210525-ciclo-arte-prehistorico.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=BYreEsXoIvA\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb]<\/p>\n

\u201cL’arch\u00e9ologie de genre dans la pr\u00e9histoire m\u00e9diterran\u00e9enne: l’\u00e9tat actuel de la discussion sur les femmes dans l’art rupestre Levantin (Espagne)\u201d<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb locked=\u00bboff\u00bb]<\/p>\n

31 May 2021. Toulouse (France)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb]<\/p>\n

Speakers: Neemias Santos da Rosa, Laura Fern\u00e1ndez and Margarita D\u00edaz-Andreu.<\/p>\n

Session: \u00abWhere are women? Gender archeology in Prehistory and Protohistory: France on the sidelines of gender studies? (Session E1)\u00bb<\/strong>, organised by Anne Augereau (Inrap, UMR Pr\u00e9Tech); Sophie Archambault de Beaune (University of Lyon 3, UMR ArScAn); and Caroline Tr\u00e9meaud (Cellule arch\u00e9ologique des Ardennes, UMR Trajectoires). 29e Congr\u00e8s Pr\u00e9historique de la France.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/cpf2021.sciencesconf.org\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

Participation in Early career roundtable with \u201cEntraining the brain\u201d SCAN speakers Jessica Grahn, Molly Henry, and Jonathan Simon. Organizers: Lori L. Holt, Barbara Shinn-Cunningham, Bharath Chandrasekaran, Maria Chait, Frederic Dick<\/strong><\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

28 May 2021. Virtual<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Participant: Raquel Aparicio<\/p>\n

Symposium for Cognitive Auditory Neuroscience (SCAN).<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb]<\/p>\n

\u00abLa investigaci\u00f3n reciente en arqueolog\u00eda musical\u00bb [Recent research in musical archaeology]<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb custom_padding=\u00bb0px||1px|||\u00bb locked=\u00bboff\u00bb]<\/p>\n

4 May 2021. National Museum of Archaeology, Madrid (Spain).<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb]<\/p>\n

Speaker: Raquel Jim\u00e9nez Pasalodos<\/p>\n

Lecture Series: News of Archaeological Research in Spain.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/actividades\/cursos-y-conferencias\/20201006-actualidad-arqueologica-3\/20210504-arqueologia-musical.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cOrigen de la m\u00fasica. Los primeros instrumentos sonoros\u201d.<\/h3>\n

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20\u00a0April\u00a02021.\u00a0Museu\u00a0de\u00a0Prehist\u00f2ria\u00a0de Valencia,\u00a0Spain.\u00a0<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker:\u00a0\u00a0Raquel Jim\u00e9nez Pasalodos.<\/p>\n

World Creativity and Innovation Day.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9hdHRhY2htZW50Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5NDQifX0=@\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cAl\u00e9m da imagem: a arte rupestre como produto de rela\u00e7\u00f5es sociais, estruturas simb\u00f3licas e processos tecnol\u00f3gicos\u201d<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

3 December 2020. Universidade Estadual de Campinas, Campinas (Brasil)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Neemias Santos da Rosa.<\/p>\n

I Encontro Interno de Hist\u00f3ria da Arte da Unicamp.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEspacios sonoros en la Prehistoria\u00bb<\/h3>\n

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18 Nov 2020. National Museum of Archaeology, Madrid (Spain)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Margarita D\u00edaz-Andreu.<\/p>\n

Arqueolog\u00eda de los Espacios Sonoros [Archaeology of Soundscapes], National Museum of Archaeology.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/dam\/jcr:0b2e3e73-9e77-4e23-87a9-0d1dc12d9419\/20201118-diptico-jornada-paisajes-sonoros-v1.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=9fLhASuudl4″ url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abRepresentaciones de danzas en el Arte Levantino\u00bb<\/h3>\n

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18 Nov 2020. National Museum of Archaeology, Madrid (Spain)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Neemias Santos da Rosa.<\/p>\n

Arqueolog\u00eda de los Espacios Sonoros<\/strong> [Archaeology of Soundscapes]<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/dam\/jcr:0b2e3e73-9e77-4e23-87a9-0d1dc12d9419\/20201118-diptico-jornada-paisajes-sonoros-v1.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=NTwB0tiHCKo\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abLas trompas cer\u00e1micas numantinas y su estudio a trav\u00e9s de la arqueometr\u00eda y la arqueolog\u00eda experimental\u00bb<\/h3>\n

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18 Nov 2020. National Museum of Archaeology, Madrid (Spain)<\/p>\n

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Speaker: Raquel Jimenez Pasalodos, Juan J\u00e9sus Padilla, Manuel Garcia Heras and Estefan\u00eda Garc\u00eda Barraj\u00f3n.<\/p>\n

Arqueolog\u00eda de los Espacios Sonoros [Archaeology of Soundscapes].<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.man.es\/man\/dam\/jcr:0b2e3e73-9e77-4e23-87a9-0d1dc12d9419\/20201118-diptico-jornada-paisajes-sonoros-v1.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=Z-yKk7dbtfU\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee video\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abCeltiberian perforated bones in the Numantine Museum of Soria (Spain).\u00bb<\/h3>\n

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28 Aug 2020<\/p>\n

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Speaker: Raquel Jim\u00e9nez Pasalodos.\u00a0<\/p>\n

26th Virtual Annual Meeting of the European Association of Archaeologists, 24-30 August 2020.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2020virtual\/Programme.aspx?WebsiteKey=79538f04-4210-43d4-90c1-704213a00c84&hkey=e5eed11c-a2ea-404a-86f3-482344cb3829&Program=2#Program\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abRitual music and the configuration of liminal spaces: Examples from archaeology and ethnography.\u00bb<\/h3>\n

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27 Aug 2020<\/p>\n

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Speaker: Raquel Jim\u00e9nez Pasalodos and Margarita D\u00edaz-Andreu.\u00a0<\/p>\n

26th Virtual Annual Meeting of the European Association of Archaeologists, 24-30 August 2020.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2020virtual\/Programme.aspx?WebsiteKey=79538f04-4210-43d4-90c1-704213a00c84&hkey=e5eed11c-a2ea-404a-86f3-482344cb3829&Program=2#Program\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArchaeoacoustics and alternative perspectives on religion and ritual in archaeology\u00bb<\/h3>\n

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28 Feb 2020. University of Gent (Belgium)<\/p>\n

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Speaker: Margarita D\u00edaz-Andreu.<\/p>\n

Alumni Gentse Archeologen.<\/p>\n

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\u00abDigitalizing the Sounds of the Past\u00bb<\/h3>\n

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28 Feb 2020. University of Gent (Belgium)<\/p>\n

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Speaker: Tommaso Mattioli.<\/p>\n

Alumni Gentse Archeologen.<\/p>\n

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\u00abUniversals in Music? Perspectives from Ethnomusicology and Music Archaeology\u00bb<\/h3>\n

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28 Jan 2020. University of Barcelona (Faculty of Psychology), Barcelona (Spain)<\/p>\n

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Speaker: Raquel Jim\u00e9nez Pasalodos.<\/p>\n

8th Barcelona Lecture Series in Brain, Cognition and Behavior.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wb3N0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjQ0MTcifX0=@\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abPreliminary results of the acoustic analysis of the Great Mural Rock Art in the Ca\u00f1on de Santa Teresa, Baja California Sur (Mexico)\u00bb<\/h3>\n

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23 Nov 2019. University of London, London (United Kingdom)<\/p>\n

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Speaker: Leslie F. Zubieta, M\u00aa de la Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, Mathieu Picas, C\u00e9sar Villalobos, Margarita D\u00edaz-Andreu.<\/p>\n

Music Archaeology of Latin America, 22-23 November 2019.<\/p>\n

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\u00abDreaming music in water: representing Yokuts songs in the early 20th century\u00bb.<\/h3>\n

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22 Nov 2019. University of London, London (United Kingdom)<\/p>\n

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Speakers: Ana Maria Alarc\u00f3n-Jim\u00e9nez, Raquel Jim\u00e9nez and Margarita D\u00edaz-Andreu.<\/p>\n

Music Archaeology of Latin America, 22-23 November 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2024\/05\/PROGRAMMEabstracts_2019-11-2-23_MusicArchaeologyofLatinAmerica_.pdf\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEscuchar con los ojos: la aplicaci\u00f3n del GIS al estudio del campo visual y sonoro en los paisajes de arte rupestre de la monta\u00f1a alicantina\u00bb<\/h3>\n

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8 Nov 2019. Universidad de Alicante, Alicante\u00a0 (Spain)<\/p>\n

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Speakers: Tommaso Mattioli, Gabriel Garc\u00eda Ati\u00e9nzar, Margarita D\u00edaz-Andreu and Virginia Barciela Gonz\u00e1lez.<\/p>\n

VI Congreso Internacional de Doctorandos y Postdoctorandos \u00abEl arte en las sociedades prehist\u00f3ricas\u00bb [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019<\/p>\n

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\u00abLos paralelos etnogr\u00e1ficos sobre chamanismo y ac\u00fastica entre los yokuts: una reflexi\u00f3n hist\u00f3rica sobre la (ausencia de) interacci\u00f3n entre la antropolog\u00eda y el estudio del arte rupestre\u00bb.<\/h3>\n

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8 Nov 2019. Universidad de Alicante, Alicante (Spain)<\/p>\n

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Speakers: Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Margarita D\u00edaz-Andreu.<\/p>\n

VI Congreso Internacional de Doctorandos y Postdoctorandos \u00abEl arte en las sociedades prehist\u00f3ricas\u00bb [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019.<\/p>\n

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\u00abArqueolog\u00eda; psicoac\u00fastica y arte rupestre: escuchando el pasado con ayuda del m\u00e9todo cient\u00edfico\u00bb<\/h3>\n

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8 Nov 2019. Universidad de Alicante, Alicante\u00a0 (Spain)<\/p>\n

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Speakers: Jos\u00e9 Valenzuela, Carles Escera and Margarita D\u00edaz-Andreu.<\/p>\n

VI Congreso Internacional de Doctorandos y Postdoctorandos \u00abEl arte en las sociedades prehist\u00f3ricas\u00bb [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019<\/p>\n

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\u00abArte rupestre postpaleol\u00edtico al sur de los Alpes: el registro art\u00edstico de la pen\u00ednsula italiana\u00bb<\/h3>\n

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7 Nov 2019. Universidad de Alicante, Alicante (Spain)<\/p>\n

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Speakers: Tommaso Mattioli.<\/p>\n

Keynote lecture. VI Congreso Internacional de Doctorandos y Postdoctorandos \u00abEl arte en las sociedades prehist\u00f3ricas\u00bb [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/web.ua.es\/es\/asp-alicante-2019\/programa-del-congreso.html\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientific programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abLos paisajes sonoros de Baja California Sur: resultados preliminares del an\u00e1lisis ac\u00fastico del arte rupestre del Gran Mural en el Ca\u00f1\u00f3n de Santa Teresa\u00bb<\/h3>\n

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26 Sep 2019. Universidad de Los Andes, Bogot\u00e1 (Colombia)<\/p>\n

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Speakers: Margarita D\u00edaz-Andreu, M\u00aa Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, Laura Coltofean, Mathieu Picas, C\u00e9sar Villalobos and Leslie Zubieta.\u00a0<\/p>\n

Segundo Encuentro de Arqueomusicolog\u00eda de las Am\u00e9ricas – ‘Artes, paisajes y objetos sonoros del pasado’ [Second archaeomusicological meeting of the Americas – ‘Sonourous art, landscapes and objects of the past’], 25-27 September 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/proyectos\/simposio\/ix\/programacion\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abArte rupestre, m\u00fasica y esquizofon\u00eda: representaciones inter-disciplinares de las pr\u00e1cticas sonoras de los Yokuts (Valle de San Joaqu\u00edn, California, EEUU).\u00bb<\/h3>\n

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26 Sep 2019. Universidad de Los Andes, Bogot\u00e1 (Colombia)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez, Raquel Jim\u00e9nez Pasalodos, Tommaso Mattioli and Margarita D\u00edaz-Andreu.<\/p>\n

Segundo Encuentro de Arqueomusicolog\u00eda de las Am\u00e9ricas – ‘Artes, paisajes y objetos sonoros del pasado’ [Second archaeomusicological meeting of the Americas – ‘Sonourous art, landscapes and objects of the past’], 25-27 September 2019<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/proyectos\/simposio\/ix\/programacion\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientific programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abAcoustic effects at prehistoric landscapes: an archaeoacoustic analysis of rock art sites from Western Mediterranean\u00bb<\/h3>\n

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9 Sep 2019. Aachen (Germany)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Margarita D\u00edaz-Andreu, Angelo Farina, Enrico Armelloni, Laura Coltofean, Mathieu Picas and Tommaso Mattioli.<\/p>\n

23rd International Congress on Acoustics (ICA), 9-13 September 2019<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.ica2019.org\/technical-program\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abDigitalizing the sounds of the past: the soundscapes of World Heritage rock art landscapes from Spain and Mexico\u00bb<\/h3>\n

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9 Sep 2019. Aachen (Germany)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Angelo Farina, Margarita D\u00edaz-Andreu, Enrico Armelloni, Mathieu Picas, Leslie Zubieta and Tommaso Mattioli.<\/p>\n

23rd International Congress on Acoustics (ICA), 9-13 September 2019.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abEchoes from the present, echoes from the past: Experiencing ancient soundscapes through ethnography and ethnohistory.\u00bb<\/h3>\n

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5 Sep 2019. Bern (Switzerland)<\/p>\n

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Speakers: Doerte Weig, Raquel Jim\u00e9nez Pasalodos and Tommaso Mattioli. \u00a0<\/p>\n

25th Annual Meeting of the European Association of Archaeologists, 4-7 September 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2019\/Programme.aspx?WebsiteKey=92bb0c7f-79c0-4998-9804-b5db83f9a8b9&hkey=48f0a584-1ae8-4680-bcef-572c6fe82598&Program=3#Program\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00abCalifornian \u00abRock Music\u00bb: Ancient soundscapes from a transnational and multidisciplinary perspective.\u00bb<\/h3>\n

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5 Sep 2019. Bern (Switzerland)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Mathieu Picas, Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Laura Coltofean.<\/p>\n

25th Annual Meeting of the European Association of Archaeologists, 4-7 September 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.e-a-a.org\/EAA2019\/Programme.aspx?WebsiteKey=92bb0c7f-79c0-4998-9804-b5db83f9a8b9&hkey=48f0a584-1ae8-4680-bcef-572c6fe82598&Program=3#Program\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientific programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u00a0\u00abL\u2019arte rupestre schematica post-paleolitica del promontorio del Gargano (Puglia, Italia)\u00bb<\/h3>\n

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7 Jun 2019. Museo Nazionale della Montagna, Torino (Italy)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Tommaso Mattioli and Armando Gravina.<\/p>\n

Invited talk. VII IAPP \u2013 Incontro Annuale di Preistoria e Protostoria \u2013 \u2018Preistoria e protostoria in ambiente montano: scoperte e ricerca territoriale, tutela e valorizzazione\u2019,\u00a0<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.iipp.it\/category\/pubblicazioni\/incontri-annuali-di-preistoria-e-protostoria\/\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientifc programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cThe soundscapes of Baja California: preliminary results of the Arroyo de San Pablo rock art canyon\u201d<\/h3>\n

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10-14 Apr 2019. Albuquerque, New Mexico (USA)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Margarita D\u00edaz-Andreu, Mar\u00eda de la Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, C\u00e9sar Villalobos and Leslie Zubieta.<\/p>\n

84th SAA Annual Meeting, 10-14 April 2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/documents.saa.org\/container\/docs\/default-source\/doc-annualmeeting\/final-program\/final-program-2019-with-covers44003265c93544a9837d5d71b2746aa6.pdf?sfvrsn=122d522f_4″ url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientific programme\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cSounds and The Sacred in Rock Art Soundscapes\u201d<\/h3>\n

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16 Jan 2019. Newton Park Campus (Commons 226), Bath Spa University (UK).<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Margarita D\u00edaz-Andreu.<\/p>\n

Her talk centred on the acoustics of landscapes, especially of those marked by past communities with prehistoric rock art as a way of providing them with a special meaning.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wb3N0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjQ0NjQifX0=@\u00bb button_text=\u00bbMore information\u00bb _builder_version=\u00bb4.9.2″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cArt rupestre i paisatges sonors\u201d (\u201cRock art and soundscapes\u201d).<\/h3>\n

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22 Nov 2018. Museu d\u2019Arqueologia de Catalunya (Spain)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speaker: Tommaso Mattioli.<\/p>\n

Workshop \u2018Rock art and neolithization\u2019.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.macbarcelona.cat\/Agenda\/Obsoletes\/Workshop-Art-rupestre-i-neolititzacio\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbSee the scientific programme\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bb556bf290-e10e-4328-a582-69cbdb9b1cf0″ locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bb_initial\u00bb custom_margin=\u00bb||-25px||false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb custom_css_main_element_last_edited=\u00bbon|tablet\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_3_font_size=\u00bb20px\u00bb custom_padding=\u00bb2px|||||\u00bb header_3_font_size_tablet=\u00bb\u00bb header_3_font_size_phone=\u00bb18px\u00bb header_3_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

\u201cThe acoustics of rock art landscapes: new perspectives\u201d<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#A54002″ text_font_size=\u00bb14px\u00bb]<\/p>\n

17 Nov 2018. National Museum of Archaeology, Lisbon (Portugal)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Speakers: Margarita D\u00edaz-Andreu and Tommaso Mattioli.<\/p>\n

Conference \u201cArqueologia, Arqueoac\u00fastica e Neuroci\u00eancia: Que rela\u00e7\u00e3o?\u201d (Archaeology, Archaeoacoustics and Neuroscience \u2013 What is the connection?)<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbd8fe81af-9b7e-4c89-bc65-1d1bd066214e\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb header_font=\u00bb|||on|||||\u00bb] Scientific Conferences [\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb width=\u00bb75%\u00bb] The debate and the exchange of ideas are crucial for the advancement of science. Here you can learn more about our participation in sessions,\u00a0seminars\u00a0and conferences\u00a0 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Sessions, seminars and conferences<\/h2>

14-18 April 2021. SAA SESSION \u201cArchaeoacoustics: Sound, Hearing, and Experience in Archaeology\u201d<\/strong>.\u00a0Organized by:\u00a0 Kristy E. Primeau, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu \u2013Society for American Archaeology 86th Annual Meeting.
More information\u00a0here<\/a>.<\/p>

18 November 2020, Spain.\u00a0\u201cArqueolog\u00eda de los Espacios Sonoros<\/strong>\u201d [Archaeology of Soundscapes], virtual conference organized within the Artsoundscapes Project by the National Museum of Archaeology in Madrid and the University of Barcelona.\u00a0
See the scientific programme here<\/a>.
See video here<\/a>.<\/p>

24-30 August 2020.\u00a0\u201cArchaeology of Soundscapes and Soundscapes for Archaeology\u201d<\/b> organized by Raquel Jim\u00e9nez Pasalodos, Margarita D\u00edaz-Andreu and Rupert Till. 26th Virtual Annual Meeting of the European Association of Archaeologists<\/strong>, session #124. See the scientific programme here<\/a>.<\/p>

4-7 September 2019, Bern, Switzerland.\u00a0\u201cFrom landscape archaeology to soundscape archaeology: Themes, approaches and perspectives\u201d<\/b> organized by Angela Bellia and Tommaso Mattioli. 25th Annual Meeting of the European Association of Archaeologists<\/strong>, session #184. See the scientific programme here<\/a>.<\/p>

Papers<\/h2>

29 Nov 2021. \"Sounding rock art landscapes: some results of the Artsoundscapes project\u201d<\/strong> by Margarita D\u00edaz-Andreu. Seminar presentation at the webinar series organized on the occasion of the final year of the Scotland's Rock Art Project (ScRAP project) in 2021.
See information here<\/a>.<\/p>

1-5 November 2021.\u00a0\u201cRock art soundscapes as material culture:\u00a0archaeoacoustical\u00a0experiments undertaken in the ERC\u00a0Artsoundscapes\u00a0project\u201d<\/strong> Margarita D\u00edaz-Andreu and Neemias Santos da Rosa.\u00a0Conference \u201cArchaeology and Ethno-Archaeology\u201d<\/b> organized by Lars-Christian Koch, Stefan Hagel, Dahlia\u00a0Shehata. 11. Symposium of the International Study Group on Music Archaeology.\u00a0November 1-5, 2021,\u00a0Humboldt Forum, Berlin (Germany).
See information here<\/a>.<\/p>

14-19 September\u00a02021\u00a0\u00a0\u201cBodies of Water as Music Archives: Revisiting Landscape Transformation in late 19th Century Native (South-Central) California\u201d<\/strong> by Ana-Mar\u00eda Alarc\u00f3n-Jim\u00e9nez and Margarita D\u00edaz-Andreu.\u00a0Valladolid, 14-19 September 2021\u00a0-\u00a0 Conference: XXXV European Seminar in Ethnomusicology: \u201cEthnomusicology and Intangible Cultural Heritage in the 21st Century\u201d<\/b>.
See information\u00a0here<\/a>.<\/p>

31 May 2021. Neemias Santos da Rosa, Laura Fern\u00e1ndez and Margarita D\u00edaz-Andreu. \u201cL'arch\u00e9ologie de genre dans la pr\u00e9histoire m\u00e9diterran\u00e9enne: l'\u00e9tat actuel de la discussion sur les femmes dans l'art rupestre Levantin (Espagne)\u201d<\/strong>. Session: \"Where are women? Gender archeology in Prehistory and Protohistory: France on the sidelines of gender studies? (Session E1)\"<\/strong>, organised by Anne Augereau (Inrap, UMR Pr\u00e9Tech); Sophie Archambault de Beaune (University of Lyon 3, UMR ArScAn); and Caroline Tr\u00e9meaud (Cellule arch\u00e9ologique des Ardennes, UMR Trajectoires). 29e Congr\u00e8s Pr\u00e9historique de la France. Toulouse. 31 May - 4 June 2021.
See information here<\/a>.<\/p>

14-18 April 2021.\u00a0\u201cMultiple-input Multiple-output (MIMO) Impulse Response: an advanced acoustic measurement technique for analyzing rock art landscapes\u201d<\/strong>. Adriano Farina; Tommaso Mattioli; Angelo Farina; Elena Miklashevisch; Margarita D\u00edaz-Andreu. 2021 SAA SESSION \u201cArchaeoacoustics: Sound, Hearing, and Experience in Archaeology\u201d<\/b>. Organized by:\u00a0 Kristy E. Primeau, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu \u2013Society for American Archaeology 86th Annual Meeting.
See information here<\/a>.<\/p>

14-18 April 2021.\u00a0\u201cThe spirits listen: Ethnographical accounts of South Siberian soundscapes\u201d<\/strong> Raquel Jim\u00e9nez Pasalodos ; Tommaso Mattioli; Laura Coltofean-Arizancu; Andrzej Rozwadowski; Margarita D\u00edaz-Andreu. 2021 SAA SESSION \u201cArchaeoacoustics: Sound, Hearing, and Experience in Archaeology\u201d.<\/b> Organized by:\u00a0 Kristy E. Primeau, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu \u2013Society for American Archaeology 86th Annual Meeting.
See information here<\/a>.<\/p>

14-18 April 2021. \u201cRock art and GIS: Bridging the gap between audibility, visibility, and landscape\u201d.<\/strong> \u202fMargarita D\u00edaz-Andreu; Tommaso Mattioli; Gabriel Garc\u00eda Ati\u00e9nzar; Neemias Santos da Rosa. 2021 SAA SESSION \u201cArchaeoacoustics: Sound, Hearing, and Experience in Archaeology\u201d<\/strong>. Organized by:\u00a0 Kristy E. Primeau, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu \u2013Society for American Archaeology 86th Annual Meeting.
See information here<\/a>.<\/p>

14-18 April 2021.\u00a0\u00a0\u201cDancing on the wall: a systematic approach to prehistoric dance through the study of Levantine rock art\u201d<\/strong>. Neemias Santos da Rosa; Laura Fern\u00e1ndez Mac\u00edas; Tommaso Mattioli; Margarita D\u00edaz-Andreu. 2021 SAA SESSION \u201cArchaeoacoustics: Sound, Hearing, and Experience in Archaeology\u201d.<\/strong> Organized by:\u00a0 Kristy E. Primeau, Neemias Santos da Rosa and Margarita D\u00edaz-Andreu \u2013Society for American Archaeology 86th Annual Meeting.
See information here<\/a>.<\/p>

3\u00a0December\u00a02020.\u202fSantos da Rosa,\u00a0Neem\u00edas\u00a02020\u00a0\u201cAl\u00e9m da imagem: a arte rupestre como produto de rela\u00e7\u00f5es sociais, estruturas simb\u00f3licas e processos tecnol\u00f3gicos\u201d<\/strong>. I Encontro Interno de Hist\u00f3ria da Arte da Unicamp. Universidade Estadual de Campinas, Campinas (Brasil).\u00a0\u00a0<\/p>

18 Nov 2020. Margarita D\u00edaz-Andreu. \"Espacios sonoros en la Prehistoria\". Arqueolog\u00eda de los Espacios Sonoros<\/strong> [Archaeology of Soundscapes], National Museum of Archaeology, Madrid.
See the scientific programme here<\/a>.
See video\u00a0here<\/a>.<\/p>

18 Nov 2020. Neemias Santos da Rosa. \"Representaciones de danzas en el Arte Levantino\". Arqueolog\u00eda de los Espacios Sonoros<\/strong> [Archaeology of Soundscapes], National Museum of Archaeology, Madrid.\u00a0
See the scientific programme here<\/a>.
See video\u00a0here<\/a>.<\/p>

18 Nov 2020. Raquel Jimenez Pasalodos, Juan J\u00e9sus Padilla, Manuel Garcia Heras and Estefan\u00eda Garc\u00eda Barraj\u00f3n. \"Las trompas cer\u00e1micas numantinas y su
estudio a trav\u00e9s de la arqueometr\u00eda y la arqueolog\u00eda experimental\". Arqueolog\u00eda de los Espacios Sonoros<\/strong> [Archaeology of Soundscapes], National Museum of Archaeology, Madrid.
See the scientific programme here<\/a>.
See video\u00a0here<\/a>.<\/p>

28 Aug 2020. Raquel Jim\u00e9nez Pasalodos. \"Celtiberian perforated bones in the Numantine Museum of Soria (Spain).\" 26th Virtual Annual Meeting of the European Association of Archaeologists<\/strong>, 24-30 August 2020. See the scientific programme here<\/a>.<\/p>

27 Aug 2020. Raquel Jim\u00e9nez Pasalodos and Margarita D\u00edaz-Andreu. \"Ritual music and the configuration of liminal spaces: Examples from archaeology and ethnography.\" 26th Virtual Annual Meeting of the European Association of Archaeologists<\/strong>, 24-30 August 2020. See the scientific programme here<\/a>.<\/p>

28 Feb 2020. Margarita D\u00edaz-Andreu. \"Archaeoacoustics and alternative perspectives on religion and ritual in archaeology\". Alumni Gentse Archeologen<\/strong>, University of Gent, Belgium.<\/p>

28 Feb 2020. Tommaso Mattioli. \"Digitalizing the Sounds of the Past\". Alumni Gentse Archeologen<\/strong>, University of Gent, Belgium.<\/p>

28 Jan 2020. Raquel Jim\u00e9nez Pasalodos. \"Universals in Music? Perspectives from Ethnomusicology and Music Archaeology\". 8th Barcelona Lecture Series in Brain, Cognition and Behavior<\/strong>. University of Barcelona (Faculty of Psychology), Barcelona, Spain. Read more about this event here<\/a>.<\/p>

23 Nov 2019. Leslie F. Zubieta, M\u00aa de la Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, Mathieu Picas, C\u00e9sar Villalobos, Margarita D\u00edaz-Andreu. \"Preliminary results of the acoustic analysis of the Great Mural Rock Art in the Ca\u00f1on de Santa Teresa, Baja California Sur (Mexico)\". Music Archaeology of Latin America<\/strong>, 22-23 November 2019, University of London, London, United Kingdom. See the scientific programme here<\/a>.<\/p>

22 Nov 2019. Ana Maria Alarc\u00f3n-Jim\u00e9nez, Raquel Jim\u00e9nez and Margarita D\u00edaz-Andreu. \"Dreaming music in water: representing Yokuts songs in the early 20th century\". Music Archaeology of Latin America<\/strong>, 22-23 November 2019, University of London, London, United Kingdom. See the scientific programme here<\/a>.<\/p>

8 Nov 2019. Tommaso Mattioli, Gabriel Garc\u00eda Ati\u00e9nzar, Margarita D\u00edaz-Andreu and Virginia Barciela Gonz\u00e1lez. \"Escuchar con los ojos: la aplicaci\u00f3n del GIS al estudio del campo visual y sonoro en los paisajes de arte rupestre de la monta\u00f1a alicantina\". VI Congreso Internacional de Doctorandos y Postdoctorandos \"El arte en las sociedades prehist\u00f3ricas\"<\/strong> [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019, Universidad de Alicante, Alicante, Spain. See the scientific programme here<\/a>.<\/p>

8 Nov 2019. Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Margarita D\u00edaz-Andreu. \"Los paralelos etnogr\u00e1ficos sobre chamanismo y ac\u00fastica entre los yokuts: una reflexi\u00f3n hist\u00f3rica sobre la (ausencia de) interacci\u00f3n entre la antropolog\u00eda y el estudio del arte rupestre\". VI Congreso Internacional de Doctorandos y Postdoctorandos \"El arte en las sociedades prehist\u00f3ricas\"<\/strong> [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019, Universidad de Alicante, Alicante, Spain. See the scientific programme here<\/a>.<\/p>

8 Nov 2019. Jos\u00e9 Valenzuela, Carles Escera and Margarita D\u00edaz-Andreu. \"Arqueolog\u00eda; psicoac\u00fastica y arte rupestre: escuchando el pasado con ayuda del m\u00e9todo cient\u00edfico\". VI Congreso Internacional de Doctorandos y Postdoctorandos \"El arte en las sociedades prehist\u00f3ricas\"<\/strong> [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019, Universidad de Alicante, Alicante, Spain. See the scientific programme here<\/a>.<\/p>

7 Nov 2019. Tommaso Mattioli. \"Arte rupestre postpaleol\u00edtico al sur de los Alpes: el registro art\u00edstico de la pen\u00ednsula italiana\". Keynote lecture. VI Congreso Internacional de Doctorandos y Postdoctorandos \"El arte en las sociedades prehist\u00f3ricas\"<\/strong> [6th International Congress of Doctoral and Postdoctoral Researchers \u201cThe Art of Prehistoric Societies\u201d], 6-9 November 2019, Universidad de Alicante, Alicante, Spain. See the scientific programme here<\/a>.<\/p>

26 Sep 2019. Margarita D\u00edaz-Andreu, M\u00aa Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, Laura Coltofean, Mathieu Picas, C\u00e9sar Villalobos and Leslie Zubieta. \"Los paisajes sonoros de Baja California Sur: resultados preliminares del an\u00e1lisis ac\u00fastico del arte rupestre del Gran Mural en el Ca\u00f1\u00f3n de Santa Teresa.\" Segundo Encuentro de Arqueomusicolog\u00eda de las Am\u00e9ricas - 'Artes, paisajes y objetos sonoros del pasado'<\/strong> [Second archaeomusicological meeting of the Americas - 'Sonourous art, landscapes and objects of the past'], 25-27 September 2019, Universidad de Los Andes, Bogot\u00e1, Colombia. See the scientific programme here<\/a>.<\/p>

26 Sep 2019. Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez, Raquel Jim\u00e9nez Pasalodos, Tommaso Mattioli and Margarita D\u00edaz-Andreu. \"Arte rupestre, m\u00fasica y esquizofon\u00eda: representaciones inter-disciplinares de las pr\u00e1cticas sonoras de los Yokuts (Valle de San Joaqu\u00edn, California, EEUU).\" Segundo Encuentro de Arqueomusicolog\u00eda de las Am\u00e9ricas - 'Artes, paisajes y objetos sonoros del pasado'<\/strong> [Second archaeomusicological meeting of the Americas - 'Sonourous art, landscapes and objects of the past'], 25-27 September 2019, Universidad de Los Andes, Bogot\u00e1, Colombia. See the scientific programme here<\/a>.<\/p>

9 Sep 2019. Margarita D\u00edaz-Andreu, Angelo Farina, Enrico Armelloni, Laura Coltofean, Mathieu Picas and Tommaso Mattioli. \"Acoustic effects at prehistoric landscapes: an archaeoacoustic analysis of rock art sites from Western Mediterranean\". 23rd International Congress on Acoustics (ICA)<\/strong>, 9-13 September 2019, Aachen, Germany. See the scientific programme here<\/a>.<\/p>

9 Sep 2019. Angelo Farina, Margarita D\u00edaz-Andreu, Enrico Armelloni, Mathieu Picas, Leslie Zubieta and Tommaso Mattioli. \"Digitalizing the sounds of the past: the soundscapes of World Heritage rock art landscapes from Spain and Mexico\".\u00a023rd International Congress on Acoustics (ICA)<\/strong>, 9-13 September 2019, Aachen, Germany. See the scientific programme here<\/a>.<\/p>

5 Sep 2019. Doerte Weig, Raquel Jim\u00e9nez Pasalodos and Tommaso Mattioli. \"Echoes from the present, echoes from the past: Experiencing ancient soundscapes through ethnography and ethnohistory.\" 25th Annual Meeting of the European Association of Archaeologists<\/strong>, 4-7 September 2019, Bern, Switzerland. See the scientific programme here<\/a>.<\/p>

5 Sep 2019. Mathieu Picas, Ana Mar\u00eda Alarc\u00f3n Jim\u00e9nez and Laura Coltofean. \"Californian \"Rock Music\": Ancient soundscapes from a transnational and multidisciplinary perspective.\" 25th Annual Meeting of the European Association of Archaeologists<\/strong>, 4-7 September 2019, Bern, Switzerland. See the scientific programme here<\/a>.<\/p>

7 Jun 2019. Tommaso Mattioli and Armando Gravina. \"L\u2019arte rupestre schematica post-paleolitica del promontorio del Gargano (Puglia, Italia)\". Invited talk. VII IAPP - Incontro Annuale di Preistoria e Protostoria - 'Preistoria e protostoria in ambiente montano: scoperte e ricerca territoriale, tutela e valorizzazione'<\/strong>, Museo Nazionale della Montagna, Torino, Italy. Read more about the event here<\/a>.<\/p>

10-14 Apr 2019.\u00a0Margarita D\u00edaz-Andreu, Mar\u00eda de la Luz Guti\u00e9rrez Mart\u00ednez, Tommaso Mattioli, C\u00e9sar Villalobos and Leslie Zubieta. \"The soundscapes of Baja California: preliminary results of the Arroyo de San Pablo rock art canyon\". 84th SAA Annual Meeting<\/strong>, 10-14 April 2019, Albuquerque, New Mexico, USA. See the scientific programme here<\/a>.<\/p>

16 Jan 2019. Margarita D\u00edaz-Andreu. \u201cSounds and The Sacred in Rock Art Soundscapes\u201d, Bath Spa University<\/strong>. Her talk centred on the acoustics of landscapes, especially of those marked by past communities with prehistoric rock art as a way of providing them with a special meaning. Newton Park Campus (Commons 226). Read more about the event\u00a0here<\/a>.<\/p>

22 Nov 2018. Tommaso Mattioli. \u201cArt rupestre i paisatges sonors\u201d (\u201cRock art and soundscapes\u201d). Workshop 'Rock art and neolithization'<\/strong>, Museu d'Arqueologia de Catalunya. See the scientific programme here<\/a>.<\/p>

17 Nov 2018. Margarita D\u00edaz-Andreu and Tommaso Mattioli. \u201cThe acoustics of rock art landscapes: new perspectives\u201d. Conference \u201cArqueologia, Arqueoac\u00fastica e Neuroci\u00eancia: Que rela\u00e7\u00e3o?\u201d<\/strong> (Archaeology, Archaeoacoustics and Neuroscience \u2013 What is the connection?), National Museum of Archaeology, Lisbon.<\/p>

Talks for the general public<\/h2>

30 Oct 2019. Margarita D\u00edaz-Andreu. \u201cM\u00e1s all\u00e1 del sonido \u2013 Una mirada alternativa desde la arqueoac\u00fastica a los mitos y creencias religiosas de las sociedades prehist\u00f3ricas\u201d [Beyond sound: The myths and religious beliefs of prehistoric societies from the perspective of archaeoacoustics\u201d]. Conference series \u201cLas ciencias suenan\u201d<\/strong> [The sciences sound], organized by the Jakiunde Academy of Sciences, Arts and Letters at the Museum of Navarre in Pamplona, Spain. Read more about the event here<\/a> and here<\/a>.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\nScientific conferences - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"See all the information about scientific conferences related with Artsoundscapes project.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scientific conferences - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"See all the information about scientific conferences related with Artsoundscapes project.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-29T09:17:31+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"13 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\",\"name\":\"Scientific conferences - Artsoundscapes\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\"},\"datePublished\":\"2019-02-05T21:28:25+00:00\",\"dateModified\":\"2025-09-29T09:17:31+00:00\",\"description\":\"See all the information about scientific conferences related with Artsoundscapes project.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/scientific-conferences\/\",\"name\":\"Scientific conferences\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/603"}],"collection":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/comments?post=603"}],"version-history":[{"count":197,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/603\/revisions"}],"predecessor-version":[{"id":10569,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/603\/revisions\/10569"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/media?parent=603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

Conference: \u00a0XXIII Encuentro binacional Balances y Perspectivas<\/a>. Virtual meeting.<\/p>\n

Conference: \u00a0Annual Meeting of the European Association of Archaeologists<\/u><\/a>.<\/p>\n