<\/strong><\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb3.22″][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.9.1″ _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n
Ximo Martorell (PhD University of Alicante) works as a commercial archaeologist and is a honorary research associate at the Prehistory Section of the University of Alicante. He has worked for the Valencian government (Generalitat Valenciana) at the Territorial Service for Culture and Sports of Alicante. During his doctoral years, he worked as an archaeologist in the Arq&Volta and Alebus companies, and as an intern at the Provincial Archaeological Museum of Alicante (MARQ). [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n His researched has also included issues related to cultural heritage management and museums, and has led several projects of conservation, research and management of rock art sites. In the last few years he played a major role in other projects such as the revision of the Inventory of Rock Art Sites of the Valencian Autonomous Community and also in the Management Plan of Rock Art sites in the same area..<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/11\/ximo_martorell.png\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbximo_martorell\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb] Post-palaeolithic rock art, rock art recording, survey, Valencian Autonomous Community, cultural heritage management […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n C\u00e9sar Villalobos Acosta is an archaeologist working at the UNAM university, Mexico City. He holds a PhD in Archaeology by Durham University, United Kingdom (2011). He has a Master\u2019s of Anthropology by the UNAM\/FFyL-IIA (2004) and a BA degree by ENAH (the Mexican National School of Anthropology and History) (2001). His main area of research is the archaeology of The\u00a0Sonoran\u00a0Desert about which he has written many articles and books. He is currently developing a project on climate change and cultural dynamics in the coast of The\u00a0Sonoran\u00a0Desert (Gulf of California), on the basis of data obtained in fieldwork. In addition to the study of material culture, he is interested in contemporary interpretive theories, such as materiality,\u00a0multivocality,\u00a0and archaeoacoustics. He is also interested in the context of archaeology with topics such as tourism, nationalism and the use of rock art in the construction of identities.\u00a0Since\u00a02012, he has\u00a0been\u00a0a researcher at\u00a0the\u00a0Instituto de Investigaciones Antropol\u00f3gicas at the Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM).\u00a0He was responsible for designing\u00a0the first ever BA Program in Anthropology at the UNAM and he currently serves as Program Coordinator at the\u00a0Facultad\u00a0de\u00a0Ciencias\u00a0Pol\u00edticas\u00a0y\u00a0Sociales.<\/p>\r\n Keywords:<\/strong> climate change; cultural dynamics; multivocality; Sonoran Desert; rock art.<\/p>\r\n Relevant publications<\/strong><\/p>\r\n Villalobos Acosta, C. (2018). Cambio clim\u00e1tico y arqueolog\u00eda en el desierto de Sonora. Anales de Antropolog\u00eda<\/em>, 52(2), 37-53.<\/p>\r\n Villalobos Acosta, C. (2016). Cambio Clim\u00e1tico y Arqueolog\u00eda: la construcci\u00f3n de un\u00a0 paradigma. Bolet\u00edn de Antropolog\u00eda Americana<\/em>, 1(2), 11-38.<\/p>\r\n Villalobos Acosta, C. (2014) \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. Regi\u00f3n y Sociedad A\u00f1o<\/em>, XXVI(59), 215-253.<\/p>\r\n Villalobos Acosta, C. (2014). Arqueolog\u00eda, Turismo y Sitios Patrimonio de la Humanidad en\u00a0 M\u00e9xico y Estados Unidos. In E. Villalpando & R. McGuire (Eds.), Arizona State Museum Archaeological Series<\/em>, 209 (pp. 187-196). Tucson, Arizona: Arizona State University.<\/p>\r\n Villalobos Acosta, C. (2013). Light Shows and Narratives of the Past. International Journal of\u00a0 Historical Archaeology<\/em>, 17(2), 332-350.<\/p>\r\n Villalobos Acosta, C. (2008). La Diversidad Emergente. Complejidad y Met\u00e1foras Textuales en la Investigaci\u00f3n Arqueol\u00f3gico de Sonora, M\u00e9xico. Hermosillo, Sonora: Instituto Sonorense de Cultura.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\n
\nHis research has centred on the post-Paleolithic Rock Art of the Mediterranean Basin on the Iberian Peninsula, inscribed as World Heritage in 1998, with a focus on the province of Valencia. His doctoral thesis<\/a> dealt with the Abrigo de Voro and he has profusely published <\/a>on other sites in the area. <\/p>\n![\"Artsoundscapes](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\")
![\"\"](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png\")
<\/p>\r\n