[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb]Visit my profile in\u00a0 <\/b> ORCID<\/a>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Visit my profile in\u00a0ACADEMIA<\/a><\/b><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb]Visit my profile in\u00a0ResearchGate<\/a><\/b>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.3″][et_pb_row _builder_version=\u00bb4.9.3″ _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n Daniel Ben\u00edtez finished his BSc in Electrical Engineering at University of C\u00e1diz in 2015, later continuing his education with a degree in Sound Engineering (2019). For two years he worked in recording studios in the United Kingdom and Belgium (2019-20), specializing in Orchestra recordings, Post-Production and Spatial Sound (Auro3D). In 2020-21 he did an M.Sc. in Acoustic Engineering at the Polytechnic University of Valencia. For his MSc thesis he developed a genetic algorithm for multiobjective optimization processes, aiming to reduce the size of different acoustic elements. In the Artsoundscapes project he is working on the post-processing of data obtained during fieldwork and analysing the results<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2022\/02\/BenitezDaniel_FOTO-scaled.jpg\u00bb alt=\u00bbArtsoundscapes team member Raquel Jim\u00e9nez\u00bb title_text=\u00bbBen\u00edtez,Daniel_FOTO\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|700|||||||\u00bb text_text_color=\u00bb#EA5A01″ text_font_size=\u00bb24px\u00bb] Early Stage Researcher [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb] Keywords: acoustics; acoustic […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Raquel Jim\u00e9nez-Pasalodos<\/strong> is an Assistant Professor of Ethnomusicology at the Department of Musicology of the University of Valladolid. She has been researching on archaeological findings related to music found in the Iberian Peninsula. Her main research areas are music archaeology, music ethnoarchaeology, experimental music archaeology and ethnomusicology. She is an active member of the major music archaeology study groups, such as the International Study Group for Music Archaeology and the ICTM study group of music archaeology. For the latter she edited the volume Music and Ritual: Bridging material and living cultures (Berlin, 2013). She participated as researcher in the European Music Archaeology Project (2013-2018; UE Culture Programme. Multiannual cooperations projects) and the Disguise Ritual Music Project (2013-2017. MC Actions \u2013 International Research Staff Exchange Scheme. IRSES). She has curated several exhibitions on music archaeology, educational workshops and dissemination talks. She has also published and edited children educational materials and exhibition catalogues in several languages and collaborates once a month with an ancient music and sound section at the Spanish National broadcast Longitud de Onda in Radio Cl\u00e1sica. In the Artsoundscapes project her work focuses on the critical revision of ethnohistorical and ethnographic records related to music and sound among hunter-gatherers and early agriculturalists<\/p>\r\n Keywords:<\/strong>\u00a0music archaeology; ethnoarchaeology; ethnomusicology; experimental archaeology; dissemination.<\/p>\r\n Orcid:<\/strong> http:\/\/orcid.org\/0000-0001-9422-8302\u00a0<\/a> Academia<\/strong>:<\/strong> https:\/\/uva-es.academia.edu\/RaquelJim%C3%A9nezPasalodos<\/a> ResearchGate:<\/strong> https:\/\/www.researchgate.net\/profile\/Raquel_Jimenez6<\/a><\/p>\r\n Relevant publications<\/strong><\/p>\r\n DeAngeli, S., Both, A. A., Hagel, S., Holmes, P., Jim\u00e9nez Pasalodos, R., & Lund, C. S. (Eds.). (2018). Music and sound in ancient Europe. Contributions from the European Music Archaeology Project<\/em>. Roma: Regione Lazio.<\/p>\r\n Jim\u00e9nez Pasalodos, R., & Holmes, P. P. (2018). The Aulos and the Trumpet: Music, Gender and Elites in Iberian Culture (4th to 1st Centuries BCE). In A. Garcia-Ventura, C. Tavolieri & L. Verderame (Eds.), The Study of Musical Performance in Antiquity. Archaeology and Written Sources<\/em> (pp. 173-206). Newcaslte: Cambridge Scholars Publishing.<\/p>\r\n Fazenda, B., Scarre, C., Till, R., Jim\u00e9nez Pasalodos, R., Rojo Guerra, M., Tejedor, C., et al. (2017). Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response. The Journal of the Acoustical Society of America<\/em>, 142<\/em>, 1332-1349.<\/p>\r\n Jim\u00e9nez Pasalodos, R., Till, R., & Howell, M. (Eds.). (2013). Music and Ritual: Bridging Material and Living Cultures<\/em>. Berlin: Eknho Verlag.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\n![\"\"](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/01\/raquel_jimenez_450px-300x225.jpg\")
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