{"id":8887,"date":"2022-09-26T16:21:20","date_gmt":"2022-09-26T16:21:20","guid":{"rendered":"https:\/\/www.ub.edu\/artsoundscapes\/?page_id=8887"},"modified":"2022-09-26T16:22:09","modified_gmt":"2022-09-26T16:22:09","slug":"cesar-villalobos","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/cesar-villalobos\/","title":{"rendered":"C\u00e9sar Villalobos"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<h1>C\u00e9sar Villalobos<\/h1>\n<p>[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; custom_padding=\u00bb19px||4px|||\u00bb sticky_enabled=\u00bb0&#8243;]<strong>Keywords: <\/strong>rock art; Sonora; Baja California: Climate change<\/p>\n<p>&nbsp;<\/p>\n<p>Visit my profile in <strong><span style=\"color: #ffffff;\"><a href=\"https:\/\/orcid.org\/0000-0002-7168-7095\" style=\"color: #ffffff;\">ORCID<\/a><\/span><\/strong><\/p>\n<p>Visit my profile in <a href=\"https:\/\/www.researchgate.net\/scientific-contributions\/Cesar-Villalobos-2182541129%20\"><span style=\"color: #ffffff;\"><strong>ResearchGate<\/strong><\/span><\/a><\/p>\n<p>Visit my profile in <a href=\"https:\/\/unam.academia.edu\/CesarVillalobos\"style=\"color: #ffffff;\">academia edu<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p style=\"text-align: justify;\">Dr. C\u00e9sar Villalobos Acosta obtained his PhD in Archaeology from the University of Durham, England, under Dr. D\u00edaz-Andreu\u2019s supervision, having obtained his MA in Anthropology from the Universidad Nacional Aut\u00f3noma de M\u00e9xico and his BA in Archaeology from the Escuela Nacional de Antropolog\u00eda e Historia. The focus of his fieldwork has led him to work on issues of rock art, identity, materiality, collective memory, history of archaeology and climate change, on which he has published a large number of papers. He has specialized in Northern Mexico, specifically in Sonora, where he has collaborated with various specialists. He is currently conducting his current archaeological research project on climate change and its relationship with cultural processes.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<h2>RELEVANT PUBLICATIONS<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<ul>\n<li>D\u00edaz-Andreu, M., Guti\u00e9rrez Mart\u00ednez, M. de la L., Mattioli, T., Picas, M., Villalobos, C. and Zubieta, L. F. 2021. The soundscapes of Baja California Sur: preliminary results from the Ca\u00f1\u00f3n de Santa Teresa rock art landscape. <em>Quaternary International [Special issue: Domingo, I. &amp; Gallinaro, M. (eds.) Impacts of scientific approaches on rock art research: global perspectives]<\/em> 572: 166-177. <a href=\"https:\/\/doi.org\/10.1016\/j.quaint.2020.02.026\">https:\/\/doi.org\/10.1016\/j.quaint.2020.02.026<\/a>.<\/li>\n<li>Mart\u00ednez-Pabello, P. U., Villalobos, C., Sedov, S., Solleiro-Rebolledo, E., Sol\u00e9, J., Pi-Puig, T., Ch\u00e1vez-Vergara, B., D\u00edaz-Ortega, J. and Gubin, A. 2021. Rock varnish as a natural canvas for rock art in La Proveedora, northwestern Sonoran Desert (Mexico): Integrating archaeological and geological evidences. <em>Quaternary International [Special issue: Domingo, I. &amp; Gallinaro, M. (eds.) Impacts of scientific approaches on rock art research: global perspectives]<\/em> 572: 74-87.<\/li>\n<li>Sugiura Yamamoto, Y., Villalobos Acosta, C., P\u00e9rez, M. D. C. and Zepeda, E. 2015. Una mirada hacia el proceso de identidad en el valle de Toluca precortesiano, M\u00e9xico. <em>Revista de Indias<\/em> LXXV (264): 289-322.<\/li>\n<li>Villalobos Acosta, C. 2014c. \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. <em>Regi\u00f3n y Sociedad<\/em> XXVI (59): 215-253.<\/li>\n<\/ul>\n<p style=\"font-weight: 400;\"><span>\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] C\u00e9sar Villalobos [\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0&#8243; custom_padding=\u00bb19px||4px|||\u00bb sticky_enabled=\u00bb0&#8243;]Keywords: rock [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:fl-builder\/layout \/-->\r\n<p><img class=\"alignnone size-full wp-image-6236\" src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\" alt=\"Artsoundscapes collaborator C\u00e9sar Villalobos\" width=\"300\" height=\"300\" \/><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png 300w, https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC-150x150.png 150w\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\r\n<p style=\"text-align: justify;\">C\u00e9sar Villalobos Acosta is an archaeologist working at the UNAM university, Mexico City. He holds a PhD in Archaeology by Durham University, United Kingdom (2011). He has a Master\u2019s of Anthropology by the UNAM\/FFyL-IIA (2004) and a BA degree by ENAH (the Mexican National School of Anthropology and History) (2001). His main area of research is the archaeology of The\u00a0Sonoran\u00a0Desert about which he has written many articles and books. He is currently developing a project on climate change and cultural dynamics in the coast of The\u00a0Sonoran\u00a0Desert (Gulf of California), on the basis of data obtained in fieldwork. In addition to the study of material culture, he is interested in contemporary interpretive theories, such as materiality,\u00a0multivocality,\u00a0and archaeoacoustics. He is also interested in the context of archaeology with topics such as tourism, nationalism and the use of rock art in the construction of identities.\u00a0Since\u00a02012, he has\u00a0been\u00a0a researcher at\u00a0the\u00a0Instituto de Investigaciones Antropol\u00f3gicas at the Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM).\u00a0He was responsible for designing\u00a0the first ever BA Program in Anthropology at the UNAM and he currently serves as Program Coordinator at the\u00a0Facultad\u00a0de\u00a0Ciencias\u00a0Pol\u00edticas\u00a0y\u00a0Sociales.<\/p>\r\n<p><strong>Keywords:<\/strong> climate change; cultural dynamics; multivocality; Sonoran Desert; rock art.<\/p>\r\n<p><strong>Relevant publications<\/strong><\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2018). Cambio clim\u00e1tico y arqueolog\u00eda en el desierto de Sonora. <em>Anales de Antropolog\u00eda<\/em>, 52(2), 37-53.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2016). Cambio Clim\u00e1tico y Arqueolog\u00eda: la construcci\u00f3n de un\u00a0 paradigma. <em>Bolet\u00edn de Antropolog\u00eda Americana<\/em>, 1(2), 11-38.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014) \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. <em>Regi\u00f3n y Sociedad A\u00f1o<\/em>, XXVI(59), 215-253.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014). Arqueolog\u00eda, Turismo y Sitios Patrimonio de la Humanidad en\u00a0 M\u00e9xico y Estados Unidos. In E. Villalpando & R. McGuire (Eds.), <em>Arizona State Museum Archaeological Series<\/em>, 209 (pp. 187-196). Tucson, Arizona: Arizona State University.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2013). Light Shows and Narratives of the Past. <em>International Journal of\u00a0 Historical Archaeology<\/em>, 17(2), 332-350.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2008). La Diversidad Emergente. Complejidad y Met\u00e1foras Textuales en la Investigaci\u00f3n Arqueol\u00f3gico de Sonora, M\u00e9xico. Hermosillo, Sonora: Instituto Sonorense de Cultura.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>C\u00e9sar Villalobos - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/cesar-villalobos\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e9sar Villalobos - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/cesar-villalobos\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-26T16:22:09+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"4 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/cesar-villalobos\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/cesar-villalobos\/\",\"name\":\"C\\u00e9sar Villalobos - Artsoundscapes\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\"},\"datePublished\":\"2022-09-26T16:21:20+00:00\",\"dateModified\":\"2022-09-26T16:22:09+00:00\",\"description\":\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\\u00edaz-Andreu. 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