KwaZulu-Natal Museum<\/a>. She did her undergraduate and postgraduate studies in archaeology at the University of the Witwatersrand, focusing on rock art from Honours level onwards. She joined the museum in August 2016 where she completed her PhD, submitting in July 2018. Her current research considers regionality in rock art from the Western Cape, through the Eastern Cape to KwaZulu-Natal.<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
RELEVANT PUBLICATIONS<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
Blundell, G., Laue, G., Rademayer, R., Thomson, B. S. and Waters, M.<\/strong> 2016. A ‘Rock Gong’ in the Magaliesburg, Gauteng. The Digging Stick (formerly South African Archaeological Society Newsletter)<\/em> 33 (1): 17-20.<\/span><\/p>\n\u00a0<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
Laue, G.<\/strong> 2021. Birds and Blurred Boundaries: Communities of Practice and the Problem of Regions in San Rock Art. In Gjerde, J. M. and Arntzen, M. S. (eds.) Perspectives on Differences in Rock Art<\/em>: 266-283. London: Equinox.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
Laue, G., Challis, S. and Mullen, A<\/strong>. 2018. Concerning heritage: lessons from rock art management in the Maloti-Drakensberg Park World Heritage Site. In Makuvaza, S. (ed.) Aspects of management planning for cultural world heritage sites<\/em>: 119-130. Cham: Springer.<\/span><\/p>\n\u00a0<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
Laue, G. and Dean, C.<\/strong> forthcoming. Rock art conservation with a Focus on Southern Africa. In Chirikure, S. (ed.) Oxford Research Encyclopedia of Anthropology<\/em> New York: Oxford University Press.<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb]<\/p>\n
Laue, G., Turkington, T. and Smith, B. W<\/strong>. 2001. Presenting South African rock art to the world: two major new public rock art site developments for 2002. The Digging Stick<\/em> 18: 5-7.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#000000″ saved_tabs=\u00bball\u00bb][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb _module_preset=\u00bbdefault\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/02\/GL-1_PEQ.jpg\u00bb _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb title_text=\u00bbGL-1_PEQ\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb] Keywords: heritage; South African rock art; regionality; rock art production. [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.3″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_font=\u00bb||||on|||#F5EDE9|\u00bb link_text_color=\u00bb#FFFFFF\u00bb link_option_url=\u00bbhttps:\/\/orcid.org\/0000-0002-0710-0878″] Visit […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\n
Ghilraen Laue - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ghilraen Laue - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-26T10:41:01+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"5 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\",\"name\":\"Ghilraen Laue - Artsoundscapes\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\"},\"datePublished\":\"2022-09-27T10:10:01+00:00\",\"dateModified\":\"2023-02-26T10:41:01+00:00\",\"description\":\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/ghilraen-laue\/\",\"name\":\"Ghilraen Laue\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/8922"}],"collection":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/comments?post=8922"}],"version-history":[{"count":8,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/8922\/revisions"}],"predecessor-version":[{"id":9208,"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/pages\/8922\/revisions\/9208"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/artsoundscapes\/wp-json\/wp\/v2\/media?parent=8922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}