{"id":9263,"date":"2023-03-13T14:29:41","date_gmt":"2023-03-13T14:29:41","guid":{"rendered":"https:\/\/www.ub.edu\/artsoundscapes\/?page_id=9263"},"modified":"2023-03-13T14:29:42","modified_gmt":"2023-03-13T14:29:42","slug":"maria-lazarich","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/artsoundscapes\/maria-lazarich\/","title":{"rendered":"Mar\u00eda Lazarich"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; link_option_url_new_window=\u00bbon\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<h1>Mar\u00eda Lazarich<\/h1>\n<p>[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/03\/Lazarich-Maria.jpg\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbLazarich Maria\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb custom_padding=\u00bb19px||4px|||\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p><strong>Keywords: <\/strong>rock art; megalithic monuments; landscape; Andaluc\u00eda; C\u00e1diz<\/p>\n<p>&nbsp;<\/p>\n<p>Visit my profile in <strong><span style=\"color: #ffffff;\"><a href=\"https:\/\/orcid.org\/0000-0001-5502-1819\" style=\"color: #ffffff;\" target=\"_blank\" rel=\"noopener\">ORCID<\/a><\/span><\/strong><\/p>\n<p>Visit my profile in <a href=\"https:\/\/www.researchgate.net\/profile\/Maria-Lazarich-2\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\"><strong>ResearchGate<\/strong><\/span><\/a><\/p>\n<p>Visit my profile in <a href=\"https:\/\/uca-es.academia.edu\/Mar%C3%ADaLazarichGonz%C3%A1lez\" style=\"color: #ffffff;\" target=\"_blank\" rel=\"noopener\">academia edu<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<p style=\"text-align: justify;\">Dr Mar\u00eda Lazarich Gonz\u00e1lez graduated at the University of C\u00e1diz with honours (1987). Her PhD dealt with the Bell Beakers of Western Andalusia, and obtained the maximum award (1998). She was an associate lecturer (profesora asociada) in Prehistory (1988-2004). Since 2004 she has been senior lecturer (profesora titular) at the University of C\u00e1diz. She is the coordinator of History Degree where archaeology is taught. She has been a full member of the Andalusian Academy of History since 2014 and received the Social Council Award in 2021. Dr Lazarch is the Head of the PAIDI Research Group (2004-). She has led the archaeological works at the cemetery of Paraje de Monte Bajo (Alcal\u00e1 de los Gazules, C\u00e1diz). She and her team have also undertaken systematic surveys on the banks of the Barbate Reservoir (2007), and has led a European project for the enhancement of archaeological sites in the Alcornocales Park, 2008 (European Union, Ministry of Agriculture, Fisheries and Food G.D.R.-CA-01). She was responsible for elaborating the documentation for the implementation of the Tajo de las Figuras BIC protection file (2009) OT1727 and of that for for its declaration as a Heritage Area (2010). She has researched on Breuil in the Celem\u00edndolmens, Benalup. 2011. Since 2013 she has also been involved in an ethnoarchaeological study fostering the empowerment of women potters in the Rif area of (Morocco). Her last project is related to the archaeological heritage of the Barbate river basin: megalithic necropolises (2018-2020). In 2013 and 2014 she and her team collaborated with Carlos Garc\u00eda Benito and Margarita D\u00edaz-Andreu in a first archaeoacoustical study of the Tajo de las Figuras and Bacinete rock art areas.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.1&#8243; _module_preset=\u00bbdefault\u00bb]<\/p>\n<h2>RELEVANT PUBLICATIONS<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01&#8243;][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;]<\/p>\n<ul>\n<li><span>Alvarez-Morales, L., Santos da Rosa, N., Ben\u00edtez-Arag\u00f3n, D., Fern\u00e1ndez Mac\u00edas, L., Lazarich, M. &amp; D\u00edaz-Andreu, M. 2023. The Bacinete main shelter: a prehistoric theatre? <em>Acoustics<\/em> 5: 299-319. <a href=\"https:\/\/doi.org\/10.3390\/acoustics5010018\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.3390\/acoustics5010018<\/a>.<\/span><\/li>\n<li><span>D\u00edaz-Andreu, M., Garc\u00eda Benito, C. &amp; Lazarich, M. 2014. The sound of rock art: the acoustics of the rock art of southern Andalusia (Spain). <em>Oxford Journal of Archaeology<\/em> 33 (1): 1-18. <a href=\"https:\/\/doi.org\/10.1111\/ojoa.12024\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1111\/ojoa.12024<\/a><\/span><\/li>\n<li><span>Lazarich, M., Ramos-Gil, A. &amp; Gonz\u00e1lez-P\u00e9rez, J. L. 2019. Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered. <em>Environmental Archaeology<\/em> 24 (4): 387-399. <a href=\"https:\/\/doi.org\/10.1080\/14614103.2018.1563372\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1080\/14614103.2018.1563372<\/a>.<\/span><\/li>\n<li><span>Lazarich, M., Ramos-Gil, A., Ruiz Trujillo, A., G\u00f3mar, A. M., Torres, F. &amp; Narv\u00e1ez Cabeza de Vaca, M. 2015. Bacinete: un escenario de arte rupestre al aire libre. In Aparicio P\u00e9rez, J. (ed.) <em>1915-2015. 100 anys. Real Academia Valenciana<\/em>\u00a0 Secci\u00f3n de Estudios Arqueol\u00f3gicos V. Serie Arqueol\u00f3gica. Varia XII: 487-534. Valencia: Diputaci\u00f3n Provincial de Valencia. <a href=\"http:\/\/www.racv.es\/sites\/default\/files\/text_llibres_pdf\/varia-xii.pdf\" target=\"_blank\" rel=\"noopener\">Go to publication<\/a>.<\/span><\/li>\n<li>Lazarich, M., Ramos, A., Brice\u00f1o, E., Cruz, M. J., Sa\u00f1udo, J. &amp; P\u00e9rez de Diego, M. d. l. A. 2013. La necr\u00f3polis megal\u00edtica del conjunto rupestre Tajo de las Figuras. In\u00a0 <em>II Congreso de Prehistoria de Andaluc\u00eda (Antequera)<\/em>: 357-363. Antequera: Junta de Andaluc\u00eda. <a href=\"https:\/\/rodin.uca.es\/handle\/10498\/27279\" target=\"_blank\" rel=\"noopener\">Go to publication<\/a>.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.9.0&#8243; background_color=\u00bb#000000&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0&#8243; link_option_url_new_window=\u00bbon\u00bb sticky_enabled=\u00bb0&#8243;] Mar\u00eda Lazarich [\/et_pb_text][et_pb_divider color=\u00bb#EA5A01&#8243; divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2023\/03\/Lazarich-Maria.jpg\u00bb alt=\u00bbArtsoundscapes collaborator C\u00e9sar Villalobos\u00bb title_text=\u00bbLazarich Maria\u00bb _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3&#8243; _builder_version=\u00bb4.9.0&#8243; _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.3&#8243; _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb custom_padding=\u00bb19px||4px|||\u00bb hover_enabled=\u00bb0&#8243; sticky_enabled=\u00bb0&#8243;] Keywords: rock [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:fl-builder\/layout \/-->\r\n<p><img class=\"alignnone size-full wp-image-6236\" src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Cesar-Villalobos.jpg\" alt=\"Artsoundscapes collaborator C\u00e9sar Villalobos\" width=\"300\" height=\"300\" \/><img src=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png\" sizes=\"(max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC.png 300w, https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/04\/Cesar-Villalobos_photo_ASC-150x150.png 150w\" alt=\"\" width=\"300\" height=\"300\" \/><\/p>\r\n<p style=\"text-align: justify;\">C\u00e9sar Villalobos Acosta is an archaeologist working at the UNAM university, Mexico City. He holds a PhD in Archaeology by Durham University, United Kingdom (2011). He has a Master\u2019s of Anthropology by the UNAM\/FFyL-IIA (2004) and a BA degree by ENAH (the Mexican National School of Anthropology and History) (2001). His main area of research is the archaeology of The\u00a0Sonoran\u00a0Desert about which he has written many articles and books. He is currently developing a project on climate change and cultural dynamics in the coast of The\u00a0Sonoran\u00a0Desert (Gulf of California), on the basis of data obtained in fieldwork. In addition to the study of material culture, he is interested in contemporary interpretive theories, such as materiality,\u00a0multivocality,\u00a0and archaeoacoustics. He is also interested in the context of archaeology with topics such as tourism, nationalism and the use of rock art in the construction of identities.\u00a0Since\u00a02012, he has\u00a0been\u00a0a researcher at\u00a0the\u00a0Instituto de Investigaciones Antropol\u00f3gicas at the Universidad Nacional Aut\u00f3noma de M\u00e9xico (UNAM).\u00a0He was responsible for designing\u00a0the first ever BA Program in Anthropology at the UNAM and he currently serves as Program Coordinator at the\u00a0Facultad\u00a0de\u00a0Ciencias\u00a0Pol\u00edticas\u00a0y\u00a0Sociales.<\/p>\r\n<p><strong>Keywords:<\/strong> climate change; cultural dynamics; multivocality; Sonoran Desert; rock art.<\/p>\r\n<p><strong>Relevant publications<\/strong><\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2018). Cambio clim\u00e1tico y arqueolog\u00eda en el desierto de Sonora. <em>Anales de Antropolog\u00eda<\/em>, 52(2), 37-53.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2016). Cambio Clim\u00e1tico y Arqueolog\u00eda: la construcci\u00f3n de un\u00a0 paradigma. <em>Bolet\u00edn de Antropolog\u00eda Americana<\/em>, 1(2), 11-38.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014) \u00bfPor qu\u00e9 en Sonora no hay arqueolog\u00eda? Nacionalismo y turismo en billetes y folletos de viaje. <em>Regi\u00f3n y Sociedad A\u00f1o<\/em>, XXVI(59), 215-253.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2014). Arqueolog\u00eda, Turismo y Sitios Patrimonio de la Humanidad en\u00a0 M\u00e9xico y Estados Unidos. In E. Villalpando & R. McGuire (Eds.), <em>Arizona State Museum Archaeological Series<\/em>, 209 (pp. 187-196). Tucson, Arizona: Arizona State University.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2013). Light Shows and Narratives of the Past. <em>International Journal of\u00a0 Historical Archaeology<\/em>, 17(2), 332-350.<\/p>\r\n<p style=\"text-align: justify;\">Villalobos Acosta, C. (2008). La Diversidad Emergente. Complejidad y Met\u00e1foras Textuales en la Investigaci\u00f3n Arqueol\u00f3gico de Sonora, M\u00e9xico. Hermosillo, Sonora: Instituto Sonorense de Cultura.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mar\u00eda Lazarich - Artsoundscapes<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/maria-lazarich\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mar\u00eda Lazarich - Artsoundscapes\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/maria-lazarich\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-13T14:29:42+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"4 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/maria-lazarich\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/maria-lazarich\/\",\"name\":\"Mar\\u00eda Lazarich - Artsoundscapes\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\"},\"datePublished\":\"2023-03-13T14:29:41+00:00\",\"dateModified\":\"2023-03-13T14:29:42+00:00\",\"description\":\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\\u00edaz-Andreu. 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