[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n
Visit my profile in ORCID<\/a><\/b><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Visit my profile in Academia<\/a><\/b><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb link_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Visit my profile in ResearchGate<\/a><\/b><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb3.22″][et_pb_row _builder_version=\u00bb4.9.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ column_structure=\u00bb1_2,1_2″ _module_preset=\u00bb31764ba4-90e2-4e46-af3e-398a5417530b\u00bb sticky_enabled=\u00bb0″][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Dr. Leslie F. Zubieta graduated in archaeology with distinction in the National School of Anthropology and History (ENAH) of Mexico City (2002).<\/p>\n She has an MSc in rock art (2004) and a doctorate by the University of Witwatersrand in South Africa (2009).<\/p>\n She has enjoyed research stays in Austin (USA), Paris, P\u00e9rigueux and Toulouse (France).<\/p>\n Throughout her professional career she has participated in various projects in Mexico, Malawi, Zambia, Mozambique and Australia.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Her research focuses on rock art, material culture, gender and memory. One of her major contributions has been his study of the ways in which Che\u0175a women used rock art in southern central Africa, suggesting that art plays a fundamental role in the intergenerational transmission of cultural knowledge. In particular, her attention has focused on the functionality and symbolic intersection of rock art and plastic arts in the initiation ceremonies of girls in Che\u0175a society.<\/p>\n She is currently developing the Marie Sklodowska-Curie MEMORISING project funded by the European Commission.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb][et_pb_row _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb][et_pb_column _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb type=\u00bb4_4″][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Zubieta, L. F.<\/strong> (2016). Animals’ Role in Proper Behaviour: Che\u0175a Women’s Instructions in South-Central Africa. Conservation and Society, 14(4), 406-415.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Zubieta, L. F.<\/strong> (2016). Contactos antes y durante el contacto Colonial. Reflexiones sobre el arte rupestre de Chinamwali en \u00c1frica sur-central. In F. Berrojalbiz (Ed.), Proceedings of the Coloquio la Vitalidad de las Voces Ind\u00edgenas: Arte Rupestre del Contacto y en Sociedades Coloniales, Oaxaca 2010. Mexico: IIE, UNAM.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb border_color_left=\u00bb#EA5A01″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb custom_css_main_element=\u00bbpadding-left: 20px;\u00bb border_width_left=\u00bb2px\u00bb border_color_left=\u00bb#EA5A01″][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Zubieta, L. F.<\/strong> (2014). The rock art of Chinamwali and its sacred landscape. In D. L. Gillette, M. Greer, W. B. Murray & H. Hayward (Eds.), Rock Art and Sacred Landscapes (pp. 49-66). New York: Springer.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.9.0″ background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.25″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.25″ custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.0″ _dynamic_attributes=\u00bbcontent\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+In19@[\/et_pb_text][et_pb_divider color=\u00bb#EA5A01″ divider_weight=\u00bb2px\u00bb _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb width=\u00bb30%\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2021\/02\/Leslie-Zubieta.jpg\u00bb alt=\u00bbArtsondscapes collaborator Leslie Zubieta Calvert\u00bb title_text=\u00bbArtsondscapes collaborator Leslie Zubieta Calvert\u00bb _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.9.0″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.1″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″] Keywords: rock art; memory; […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Dr. Leslie F. Zubieta graduated in archaeology with distinction in the National School of Anthropology and History (ENAH) of Mexico City (2002). She has an MSc in rock art (2004) and a doctorate by the University of Witwatersrand in South Africa (2009). She has enjoyed research stays in Austin (USA), Paris, P\u00e9rigueux and Toulouse (France). Throughout her professional career she has participated in various projects in Mexico, Malawi, Zambia, Mozambique and Australia. Her research focuses on rock art, material culture, gender and memory. One of her major contributions has been his study of the ways in which Che\u0175a women used rock art in southern central Africa, suggesting that art plays a fundamental role in the intergenerational transmission of cultural knowledge. In particular, her attention has focused on the functionality and symbolic intersection of rock art and plastic arts in the initiation ceremonies of girls in Che\u0175a society. She is currently developing the Marie Sklodowska-Curie MEMORISING project funded by the European Commission.<\/p> Keywords:<\/strong> rock art; memory; ethnoarchaeology.<\/p> Orcid<\/strong>: https:\/\/orcid.org\/0000-0003-1036-9840<\/a> Relevant publications<\/strong><\/p> Zubieta, L. F. (2016). Animals' Role in Proper Behaviour: Che\u0175a Women's Instructions in South-Central Africa. Conservation and Society, 14<\/em>(4), 406-415.<\/p> Zubieta, L. F. (2016). Contactos antes y durante el contacto Colonial. Reflexiones sobre el arte rupestre de Chinamwali en \u00c1frica sur-central. In F. Berrojalbiz (Ed.), Proceedings of the Coloquio la Vitalidad de las Voces Ind\u00edgenas: Arte Rupestre del Contacto y en Sociedades Coloniales, Oaxaca 2010<\/em>. Mexico: IIE, UNAM.<\/p> Zubieta, L. F. (2014). The rock art of Chinamwali and its sacred landscape. In D. L. Gillette, M. Greer, W. B. Murray & H. Hayward (Eds.), Rock Art and Sacred Landscapes<\/em> (pp. 49-66). New York: Springer.<\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"yoast_head":"\nRELEVANT PUBLICATIONS<\/h2>\n
![\"\"](\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/02\/Leslie_Zubieta_artsoundscapes.png\")
<\/p>
Academia:<\/strong> http:\/\/ub.academia.edu\/LeslieFZubieta<\/a>
ResearchGate:<\/strong> https:\/\/www.researchgate.net\/profile\/Leslie_Zubieta<\/a><\/p>