{"id":4812,"date":"2019-05-07T15:58:11","date_gmt":"2019-05-07T15:58:11","guid":{"rendered":"https:\/\/www.ub.edu\/artsoundscapes\/?p=4812"},"modified":"2021-05-12T17:07:00","modified_gmt":"2021-05-12T17:07:00","slug":"situated-musicality-empirical-and-phenomenological-approaches","status":"publish","type":"post","link":"https:\/\/www.ub.edu\/artsoundscapes\/situated-musicality-empirical-and-phenomenological-approaches\/","title":{"rendered":"Andrea Schiavio &#8211; Situated musicality. Empirical and phenomenological approaches"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb3.22&#8243;][et_pb_row _builder_version=\u00bb3.25&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb3.25&#8243; custom_padding=\u00bb|||\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.9.2&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb]<\/p>\n<p><strong>WHO:<\/strong> Andrea Schiavio, University of Graz, Austria<\/p>\n<p><span style=\"text-align: justify;\">This talk will focus on recent empirical and theoretical approaches to music cognition, and explore lines of continuity between them. Having first considered novel \u201c4E\u201d views in the cognitive sciences (which see mind as Embodied, Embedded, Extended, and Enactive), their relevance for current theory and research on musical development is examined. This will lead to the presentation of recent experimental and phenomenological methodologies, which concern sensorimotor integration in infancy, memory for newly learned melodies in adults, and collective forms of musical making in non-musicians and experts. As such body of work emphasises the constitutive role of the situated body, and socio-material environment in driving musically relevant cognitive processes, it can stimulate important debates across a vast array of psychological, anthropological, musical, and philosophical disciplines.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>7 May 2019<\/p>\n","protected":false},"author":4,"featured_media":7817,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p><strong style=\"text-align: justify;\">ABSTRACT:<\/strong><span style=\"text-align: justify;\"> This talk will focus on recent empirical and theoretical approaches to music cognition, and explore lines of continuity between them. Having first considered novel \u201c4E\u201d views in the cognitive sciences (which see mind as Embodied, Embedded, Extended, and Enactive), their relevance for current theory and research on musical development is examined. This will lead to the presentation of recent experimental and phenomenological methodologies, which concern sensorimotor integration in infancy, memory for newly learned melodies in adults, and collective forms of musical making in non-musicians and experts. As such body of work emphasises the constitutive role of the situated body, and socio-material environment in driving musically relevant cognitive processes, it can stimulate important debates across a vast array of psychological, anthropological, musical, and philosophical disciplines.<\/span><\/p>","_et_gb_content_width":"","spay_email":"","_links_to":"","_links_to_target":""},"categories":[12],"tags":[23],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.0.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrea Schiavio - Situated musicality. Empirical and phenomenological approaches - Artsoundscapes %<\/title>\n<meta name=\"description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/artsoundscapes\/situated-musicality-empirical-and-phenomenological-approaches\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrea Schiavio - Situated musicality. Empirical and phenomenological approaches - Artsoundscapes %\" \/>\n<meta property=\"og:description\" content=\"ARTSOUNDSCAPES is an ERC Advanced grant project led by Prof. Margarita D\u00edaz-Andreu. It deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/situated-musicality-empirical-and-phenomenological-approaches\/\" \/>\n<meta property=\"og:site_name\" content=\"Artsoundscapes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-es.facebook.com\/artsoundscapes\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-07T15:58:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-12T17:07:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/05\/Situated-musicality.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"340\" \/>\n\t<meta property=\"og:image:height\" content=\"210\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"1 minuto\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\",\"name\":\"ARTSOUNDSCAPES\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"sameAs\":[\"https:\/\/es-es.facebook.com\/artsoundscapes\/\",\"https:\/\/www.youtube.com\/channel\/UCL6zi2csvGgwLBI-A5ydeng\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\",\"inLanguage\":\"es\",\"url\":\"\",\"caption\":\"ARTSOUNDSCAPES\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#website\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/\",\"name\":\"Artsoundscapes\",\"description\":\"The sound of special places: exploring rock art soundscapes and the sacred.\",\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/artsoundscapes\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.ub.edu\/artsoundscapes\/situated-musicality-empirical-and-phenomenological-approaches\/#primaryimage\",\"inLanguage\":\"es\",\"url\":\"https:\/\/www.ub.edu\/artsoundscapes\/wp-content\/uploads\/2019\/05\/Situated-musicality.jpg\",\"width\":340,\"height\":210,\"caption\":\"Andrea Schiavio - Situated musicality. 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