{"id":2329,"date":"2022-03-29T17:42:55","date_gmt":"2022-03-29T16:42:55","guid":{"rendered":"http:\/\/www.ub.edu\/avd\/?p=2329"},"modified":"2022-03-29T20:25:25","modified_gmt":"2022-03-29T19:25:25","slug":"solidsoncloud-31-de-marc","status":"publish","type":"post","link":"https:\/\/www.ub.edu\/avd\/ca\/2022\/03\/29\/solidsoncloud-31-de-marc\/","title":{"rendered":"SOLIDS(ON)CLOUD 31 de mar\u00e7"},"content":{"rendered":"
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SOLIDS(ON)CLOUD pretende generar un espacio de debate donde investigadores de diferentes pai\u0301ses reflexionara\u0301n sobre la actualidad de las tecnologi\u0301as 3D. Unas tecnologi\u0301as que nos permiten convertir la materializacio\u0301n de una obra en una nueva forma de expansio\u0301n del Arte, que a su vez condiciona y determina los procesos de creacio\u0301n y produccio\u0301n.<\/p>\n

La edicio\u0301n en tres dimensiones permite disen\u0303ar esculturas que, por el hecho de ser digitales, pueden ser compartidas en la red. Esta caracteri\u0301stica hace que cualquiera pueda materializar estos prototipos y, en consecuencia, se originen nuevas relaciones entro lo digital, lo tecnolo\u0301gico y lo material. A su vez, la audiencia se amplia y se modifica, condicionando la lectura y su recepcio\u0301n.<\/p>\n

La idea de la reproductibilidad del arte, a la cual estamos tan habituados en el a\u0301mbito audiovisual y gra\u0301fico, se expande a lo esculto\u0301rico y objetual. Este es uno de los aspectos que queremos desarrollar en nuestro Laboratorio en red, y analizar como esta propiedad condiciona y determina la pieza arti\u0301stica, tanto a nivel conceptual como formal.<\/p>\n

Join Zoom Meeting
\nhttps:\/\/ub-edu.zoom.us\/j\/94139845775?pwd=RE1uQVNUdW0rN25IUjljbFNCbjVxQT09<\/a><\/p>\n

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\"\"<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

SOLIDS(ON)CLOUD pretende generar un espacio de debate donde investigadores de diferentes pai\u0301ses reflexionara\u0301n sobre la actualidad de las tecnologi\u0301as 3D. Unas tecnologi\u0301as que nos permiten convertir la materializacio\u0301n de una obra en una nueva forma de expansio\u0301n del Arte, que a su vez condiciona y determina los procesos de creacio\u0301n y produccio\u0301n. La edicio\u0301n en […]<\/p>\n","protected":false},"author":1,"featured_media":2330,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[46],"tags":[],"class_list":["post-2329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.ub.edu\/avd\/wp-content\/uploads\/2022\/03\/solids.png?fit=796%2C324&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8A6Wh-Bz","jetpack-related-posts":[{"id":2880,"url":"https:\/\/www.ub.edu\/avd\/ca\/2024\/04\/15\/jornada-cuerpos-conectados-ii-arte-identitario-en-la-no-presencialidad-bilbao\/","url_meta":{"origin":2329,"position":0},"title":"JORNADA CUERPOS CONECTADOS II. 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Xavi Ristol","author":"AVD","date":"22 d'abril de 2024","format":false,"excerpt":"Hi ha obres que atrapen el seu autor i no en surt mai m\u00e9s. A Sebasti\u00e0 Juan Arb\u00f3 (Sant Carles de la R\u00e0pita, Montsi\u00e0, 1902 -1984) li va passar. Set vegades va reescriure el mateix llibre i s\u2019hi va perdre en dues lleng\u00fces. 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