{"id":51,"date":"2014-07-03T11:52:33","date_gmt":"2014-07-03T11:52:33","guid":{"rendered":"http:\/\/www.ub.edu\/cbtbarcelona\/?page_id=51"},"modified":"2026-06-05T01:33:57","modified_gmt":"2026-06-04T23:33:57","slug":"research-projects","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/cbtbarcelona\/research-projects\/","title":{"rendered":"Research Projects"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row no_margin=&#8221;true&#8221; padding_top=&#8221;0px&#8221; padding_bottom=&#8221;0px&#8221; border=&#8221;none&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]\n<h5>The CBTBarcelona research group has received official recognition from the Catalan research agency AGAUR for the 2014-2016 (2014 SGR 49) and 2017-2021 (2017 SGR 40) periods.<\/h5>\n<p><span lang=\"EN-US\">The group form<\/span><span lang=\"EN-US\">ed<\/span><span lang=\"EN-US\">\u00a0part of the\u00a0<\/span><a href=\"https:\/\/leap21.es\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/leap21.es\/&amp;source=gmail&amp;ust=1681404021355000&amp;usg=AOvVaw0vLdDhZwhTwnZGhqy3p8Zi\"><span lang=\"EN-US\">Research Network \u201cAnglophone Literatures in the Twenty-First Century: Narrative and Performative Spaces (LEAP21)\u201d (RED2018-102678-T, 2020-2021)<\/span><\/a>\u00a0<span lang=\"EN-US\">and currently forms part of the Research Network \u201cAnglophone Literatures in the Twenty-First Century: Transnational Spaces (LEAP21+)\u201d (<\/span>RED2022-134586-T<span lang=\"EN-US\">, 2023-2025)<\/span><span lang=\"EN-US\">,\u00a0with Isabel Carrera Su\u00e1rez (University of Oviedo) as Principal Investigator<\/span><span lang=\"EN-US\">\u00a0in both cases<\/span><span lang=\"EN-US\">.<\/span><\/p>\n<h5><span style=\"color: #0171bb;\"><strong>&#8220;Gender, Affect and Care in Twenty-First Century British Theatre&#8221;<\/strong><\/span><\/h5>\n<p>Funded by the Spanish Ministry of Science and Innovation (PID2021-126448NA-I00), this three-year research project &#8211; the sixth one conducted by the group &#8211; has Clara Escoda as Principal Investigator and Mireia Aragay, Maria Elena Capitani, Alba Knijff, Elisabeth Massana, Albert M\u00e9ndez, Martin Middeke, Jos\u00e9 Ram\u00f3n Prado, Paola Prieto, Ver\u00f3nica Rodr\u00edguez, Mar\u00eda Isabel Seguro, Aleks Sierz, Marta Tirado, Ariane de Waal and Clare Wallace as team members. Concentrating on an understanding of gender that encompasses constructions of masculinity, work authored by cis- and transgender, LGTBI, queer and non-conforming playwrights, as well as queer dramaturgies, the project sets out to examine how contemporary British theatre and performance engage with the intersections between gender and neoliberalism, class, race, health and body, and to analyze such intersections from the perspective of affect studies and the ethics of care.<\/p>\n<h5><span style=\"color: #0171bb;\"><strong>&#8220;British Theatre in the Twenty-First Century: Crisis, Affect, Community&#8221;<\/strong><\/span><\/h5>\n<p>From January 2017 to June 2021, the team worked on this four-year research project <span lang=\"EN-GB\">funded by the Spanish Ministry of Economy and Competitiveness (MINECO) and the EU European Regional Development Fund (FFI2016-75443)<\/span>, with Mireia Aragay as Principal Investigator. The project probed how contemporary dramaturgies of affect engage with a complex historical moment of intersecting crises \u2013 financial, political, environmental, humanitarian \u2013 and re-imagined communities.<br \/>\n<span style=\"display: none;\">and Cristina Delgado-Garc\u00eda,<br \/>\nClara Escoda, Elisabeth Massana, Martin Middeke, Enric Monforte, Jos\u00e9 Ram\u00f3n Prado, Ver\u00f3nica Rodr\u00edguez, Mar\u00eda Isabel Seguro, Aleks Sierz, Marta Tirado and Clare Wallace as team members.<\/span><\/p>\n<h5><span style=\"color: #0171bb;\"><strong>&#8220;Ethical issues in contemporary British theatre since 1989: globalization, theatricality, spectatorship&#8221;<\/strong><\/span><\/h5>\n<p>Funded by the Spanish Ministry of Economy and Competitiveness (FFI2012-31842-P), this three-year research project had Mireia Aragay as Principal Investigator and Cristina Delgado-Garc\u00eda, Clara Escoda, Martin Middeke, Enric Monforte, Jos\u00e9 Ram\u00f3n Prado, Ver\u00f3nica Rodr\u00edguez, Mar\u00eda Isabel Seguro, Aleks Sierz and Marta Tirado as team members.<\/p>\n<h5><span style=\"color: #0171bb;\"><strong>\u201cRepresentations of the Precarious in Contemporary British Theatre\u201d<\/strong><\/span><\/h5>\n<p>This was a one-year (2014) research project funded by the Deutscher Akademischer Austausch Dienst (DAAD; Projekt-ID 57049392). It had Martin Middeke and Mireia Aragay as Principal Investigators, and Christian Attinger, Bettina Auerswald, Elzbieta Baraniecka, Cristina Delgado-Garc\u00eda, Clara Escoda, Eva Gil, Christoph Henke, David Kerler, Enric Monforte, Jos\u00e9 Ram\u00f3n Prado, Martin Riedelsheimer, Ver\u00f3nica Rodr\u00edguez and Adina Sorian, from the Universities of Augsburg, Barcelona, Jaume I\u00a0(Castell\u00f3 de la Plana, Spain), Manchester Metropolitan and Seville, as team members.<\/p>\n<h5><span style=\"color: #0171bb;\"><strong>&#8220;The representation of politics and the politics of representation in post-1990 British drama and theatre&#8221;<\/strong><\/span><\/h5>\n<p>Funded by the Spanish Ministry of Science and Innovation (FFI2009-07598), this was the second three-year project conducted by the group. Mireia Aragay was Principal Investigator and Clara Escoda, Hildegard Klein, Enric Monforte, Ver\u00f3nica Rodr\u00edguez, Mar\u00eda Isabel Seguro and Pilar Zozaya were on the team. The collection of essays\u00a0<em>Ethical Speculations in Contemporary British Theatre<\/em>, resulting from this project,\u00a0was published by Palgrave Macmillan in 2014.<\/p>\n<h5><span style=\"color: #0171bb;\"><strong>&#8220;Contemporary English Theatre since 1995&#8221;<\/strong><\/span><\/h5>\n<p>The first three-year project conducted by the group was financed by the Spanish Ministry of Science and Education (BFF2002-00257) and had Pilar Zozaya as Principal Investigator and Mireia Aragay, Hildegard Klein and Enric Monforte as team members. The project focused mainly on &#8216;in-yer-face&#8217; theatre produced in London from the mid-1990s onwards and led to\u00a0the publication of <em>British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics<\/em> (Basingstoke and New York:\u00a0Palgrave Macmillan, 2007).[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1624905057500{margin-top: 55px !important;}&#8221;][vc_single_image image=&#8221;1771&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.bloomsbury.com\/uk\/crisis-representation-and-resilience-9781350180857\/&#8221;][vc_single_image image=&#8221;1516&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.palgrave.com\/gp\/book\/9783030584856&#8243;][vc_single_image image=&#8221;1041&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783110548716\/html&#8221;][vc_single_image image=&#8221;511&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/link.springer.com\/book\/10.1057%2F9781137297570&#8243;][vc_single_image image=&#8221;732&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/www.degruyter.com\/journal\/key\/JCDE\/html&#8221;][vc_single_image image=&#8221;149&#8243; img_size=&#8221;&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; link=&#8221;https:\/\/link.springer.com\/book\/10.1057%2F9780230210738&#8243;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row no_margin=&#8221;true&#8221; padding_top=&#8221;0px&#8221; padding_bottom=&#8221;0px&#8221; border=&#8221;none&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;] The CBTBarcelona research group has received official recognition from the Catalan research agency &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-layout-full-width.php","meta":{"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry","no-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":134,"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":2421,"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/pages\/51\/revisions\/2421"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/cbtbarcelona\/wp-json\/wp\/v2\/media?parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}