{"id":8060,"date":"2026-05-21T07:04:32","date_gmt":"2026-05-21T07:04:32","guid":{"rendered":"https:\/\/www.ub.edu\/cercles\/?page_id=8060"},"modified":"2026-05-21T12:57:12","modified_gmt":"2026-05-21T12:57:12","slug":"algunes-perspectives-sobre-la-historia-cultural-de-la-mediterrania-al-segle-xx","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/cercles\/?page_id=8060","title":{"rendered":"Algunes perspectives sobre la hist\u00f2ria cultural de la Mediterr\u00e0nia al segle XX"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"8060\" class=\"elementor elementor-8060\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1513eb7d e-flex e-con-boxed e-con e-parent\" data-id=\"1513eb7d\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-766a156d e-con-full e-flex e-con e-child\" data-id=\"766a156d\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-461c9589 elementor-widget elementor-widget-heading\" data-id=\"461c9589\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 26-06-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Trabajo, g\u00e9nero y clase en Au Bonheur des dames de \u00c9mile Zola<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-27598a04 elementor-widget elementor-widget-text-editor\" data-id=\"27598a04\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 26-06-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>GEHCI<\/strong><br \/>Universitat de Barcelona<\/p><p>\u00a0<\/p><p>\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-69cdc86 elementor-widget elementor-widget-text-editor\" data-id=\"69cdc86\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>El lector t\u00e9 ara a les mans les principals aportacions presentades ala sessi\u00f3 de treball \u00abEl m\u00f3n mediterrani durant el segle XX. Una revisi\u00f3 cr\u00edtica\u00bb de la Xarxa mediterr\u00e0nia d\u2019hist\u00f2ria cultural realitzada els dies 17 i18 de desembre de 1999 a la Universitat de Barcelona. Aquesta xarxa \u00e9s un dels projectes que ha impulsat i desenvolupa el Grup d\u2019Estudis d\u2019Hist\u00f2ria de la Cultura i dels Intel\u00b7lectuals de la Universitat de Barcelona.<\/p><p>\u00a0<\/p><p>La hist\u00f2ria cultural \u2014un dels camps en els quals s\u2019ha produ\u00eft un replantejament m\u00e9s profund de les ci\u00e8ncies socials en els darrers temps\u2014ha assajat diversos tipus d\u2019aproximaci\u00f3 a la realitat. A la llarga, per\u00f2, ens atrevir\u00edem a afirmar que les m\u00e9s s\u00f2lides hauran estat les que hagin sabut fixar millor el seu objecte d\u2019estudi (d\u2019aqu\u00ed la revifada que han pres els estudis biogr\u00e0fics), les que s\u2019hauran mantingut m\u00e9s fidels al coneixement hist\u00f2ric general (a la progressi\u00f3 de la realitat que assenyalen els fets pol\u00edtics, socials, institucionals o fins i tot materials) i les que hauran sabut aprofundir m\u00e9s en les maneres a trav\u00e9s de les quals les diverses societats, col\u00b7lectius o individualitats s\u2019han ent\u00e8s a ells mateixos i han intentat explicar-se als altres.<\/p><p>\u00a0<\/p><p>En general (i si excloem les biografies, els estudis d\u2019institucions, portaveus, plataformes, etc.), la hist\u00f2ria cultural ha emprat dos grans vehicles expositius. D\u2019una banda, ha intentat centrar-se en les an\u00e0lisis d\u2019espais culturals concrets, amb la pretensi\u00f3 de poder utilitzar una aproximaci\u00f3 renovada (molt especialment per una nova sensibilitat interdisciplin\u00e0ria) a aquella quimera que sempre ha estat la hist\u00f2ria total. Tot i les cr\u00edtiques que ha rebut per part d\u2019alguns especialistes en el m\u00f3n germ\u00e0nic contemporani, un dels grans models que millor ens poden ajudar a entendre l\u2019abast d\u2019aquesta aproximaci\u00f3 haur\u00e0 estat l\u2019estudi de Carl E.Schorske, Fin-de-Si\u00e8cle Vienna. Politics and Culture (1961, 1981 en la versi\u00f3 castellana).<\/p><p>\u00a0<\/p><p>D\u2019altra banda, la hist\u00f2ria cultural ha utilitzat un altre m\u00e8tode: precisar una conjuntura significativa i buscar l\u2019an\u00e0lisi pluritem\u00e0tica, tot ampliant l\u2019abast territorial a estudiar, aix\u00f2 \u00e9s, sense buscar la unit attem\u00e0tica en la coher\u00e8ncia de l\u2019espai cultural homogeni. Sobre aquesta q\u00fcesti\u00f3, un dels estudis que podem considerar m\u00e9s exemplars, com a m\u00ednim per la proximitat que t\u00e9 al nostre espai de refer\u00e8ncia, \u00e9s el de C. Serrano iS. Sala\u00fcn (ed.), 1900 en Espagne. Essai d\u2019histoire culturelle (1988, 1991 en la versi\u00f3 castellana).<\/p><p>\u00a0<\/p><p>Sigui com sigui, all\u00e0 on la hist\u00f2ria cultural t\u00e9 un dels seus majors reptes \u00e9s en el camp de la hist\u00f2ria comparada. Entre l\u2019exemple de Schorske, en el qual es busca la coher\u00e8ncia d\u2019un espai cultural local, i el cas exposat per Serrano i Sala\u00fcn, en el qual l\u2019espai que es considera \u00e9s el tradicional estatal, sense que la hist\u00f2ria cultural hagi significat cap q\u00fcestionament de les fronteres de la tradicional hist\u00f2ria pol\u00edtica \u2014posem per cas\u2014, la hist\u00f2ria cultural obre seriosos problemes respecte a la idone\u00eftat d\u2019una o altra aproximaci\u00f3 espai\/temps. La hist\u00f2ria cultural comparada, en conseq\u00fc\u00e8ncia, haur\u00e0 de fixar molt b\u00e9 els par\u00e0metres de la comparaci\u00f3, si no \u00e9s que vol reincidir en la juxtaposici\u00f3 m\u00e9s eixorca.\u00a0<\/p><p>\u00a0<\/p><p>Aquest \u00e9s el repte principal que t\u00e9 plantejat la nostra xarxa mediterr\u00e0nia d\u2019hist\u00f2ria cultural. Aix\u00ed doncs, la primera q\u00fcesti\u00f3 que ens vam plantejar va ser la definici\u00f3 dels termes de la comparaci\u00f3 que vol\u00edem tirar endavant. Si el que preten\u00edem era comparar a l\u2019interior de l\u2019espai mediterrani, hav\u00edem de posar-nos d\u2019acord sobre si la comparaci\u00f3 era possible, per l\u2019exist\u00e8ncia d\u2019una pretesa coher\u00e8ncia de l\u2019espai a comparar, o per si pod\u00edem explicitar la comparaci\u00f3 en funci\u00f3 d\u2019uns trets compartits pels diferents espais pol\u00edtics i les distintes societats, els quals ens permetessin a\u00efllar un model compartit; aix\u00f2 \u00e9s, que un model \u00fanic fos el que assenyal\u00e9s una progressi\u00f3 hist\u00f2rica cultural compartida, com,\u00a0 , la incid\u00e8ncia del proc\u00e9s de modernitzaci\u00f3 dirigit pel m\u00f3n europeu occidental des de l\u2019arrencada del m\u00f3n modern.<\/p><p>\u00a0<\/p><p>El problema dels punts de refer\u00e8ncia, del model \u00fanic ordenador, ens quedava establert, aix\u00ed doncs, a l\u2019interior de cada unitat particular, en el conjunt de l\u2019espai mediterrani i, al mateix temps, en la relaci\u00f3 que existia entre una pretesa din\u00e0mica mediterr\u00e0nia de conjunt i la que determinava el model de modernitzaci\u00f3 amb centre en el m\u00f3n europeu nord-occidental. Com \u00e9s evident, els condicionants d\u2019aquest estudi d\u2019hist\u00f2ria cultural comparada eren massa significatius i evidents per endinsar-nos en aquest camp sense unes reflexions i uns treballs previs.<\/p><p>\u00a0<\/p><p>La nostra xarxa s\u2019ha centrat en dos d\u2019aquests condicionants. D\u2019una banda es proposa analitzar fins a quin punt existeixen uns ritmes compartits. Aqu\u00ed, malgrat les evidents dificultats, es proposa establir una cronologia comparada base, que permeti veure quin tipus de coses passen a cada \u00e0rea, si s\u00f3n semblants, si succeeixen en un temps similar i si signifiquen aproximadament el mateix en relaci\u00f3 amb les diferents din\u00e0miques generals de refer\u00e8ncia. Pensem que una vegada ent\u00e8s tot aix\u00f2 estarem en condicions de fer una hist\u00f2ria cultural comparada. D\u2019altra banda, la xarxa ha iniciat unes reflexions col\u00b7lectives per veure com les diferents unitats pol\u00edtiques i culturals participants entenien grans temes definitoris de l\u2019etapa contempor\u00e0nia: la utilitzaci\u00f3 del concepte de m\u00f3n mediterrani en els diferents programes d\u2019acci\u00f3 cultural i pol\u00edtica, la forma de participaci\u00f3 dels intel\u00b7lectuals (protagonistes principals de la nostra hist\u00f2ria cultural) en el poder i en l\u2019aparell de l\u2019Estat, la forma d\u2019entendre la din\u00e0mica pol\u00edtica contempor\u00e0nia (centrada en el segle XX en l\u2019alternan\u00e7a entre liberalisme, autoritarisme i democr\u00e0cia), a partir de quins elements i ritmes particulars es pot parlar de modernitzaci\u00f3 en el nostre espai, etc.<\/p><p>\u00a0<\/p><p>La reuni\u00f3 del desembre passat s\u2019emmarca en aquest segon aspecte. Ens hem plantejat, des d\u2019\u00f2ptiques diferents, el tema de si existeixen uns trets que determinen una din\u00e0mica general del segle XX, alhora particular i susceptible de relacionar-se amb el model hegem\u00f2nic determinat per l\u2019Europa del nord. Aquestes aportacions, com succeeix amb tots els treballs que discutim a les reunions de la nostra xarxa, en cap cas representen temes tancats. En el cas que ara ens ocupa, a m\u00e9s, som conscients que darrerament s\u2019han produ\u00eft multitud de reflexions sobre all\u00f2 que cada autor pensava que era el segle XX que ara s\u2019acaba. Poques d\u2019aquestes aportacions es refereixen a una din\u00e0mica particular mediterr\u00e0nia com a vertebradora d\u2019aquells eixos espacials\/temporals que m\u00e9s amunt justific\u00e0vem com els elements indispensables als quals s\u2019havia de referir la hist\u00f2ria cultural amb pretensions d\u2019explicaci\u00f3 de realitats concretes.<\/p><p>\u00a0<\/p><p>\u00c9s per aix\u00f2 que pensem que els treballs inclosos en aquest n\u00famerode CERCLES. REVISTA D\u2019HIST\u00d2RIA CULTURAL (revista que ha nascut com elportaveu del nostre grup de recerca) constitueixen una eina de reflexi\u00f3 iuna incitaci\u00f3 al debat centrat en el nostre espai de refer\u00e8ncia. Com sempre, som plenament conscients de les nostres limitacions. En aquest cas no es tracta d\u2019un argument ret\u00f2ric. Si m\u00e9s no, patim la limitaci\u00f3 que representa fixar-nos de moment gaireb\u00e9 exclusivament en la riba nord del Mare Nostrum. Un dels membres del nostre grup, el professor Francesc Espinet (Universitat Aut\u00f2noma de Barcelona), ens repeteix sovint la necessitat d\u2019encarar-la i comen\u00e7ar a incorporar altres realitats en els nostres esquemes. \u00c9s per aix\u00f2 que hem pensat en la conveni\u00e8ncia de publicar el seu Assaig interpretatiu sobre la formaci\u00f3 hist\u00f2rica de la naci\u00f3 algeriana, que va presentar a la sessi\u00f3 de treball a la qual ens estem referint. Vagi aquesta mostra breu com a prova de la nostra bona voluntat en el sentit d\u2019aquesta ampliaci\u00f3 tem\u00e0tica i cultural obligada.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7abf454c e-con-full e-flex e-con e-child\" data-id=\"7abf454c\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-53511399 elementor-widget elementor-widget-sidebar\" data-id=\"53511399\" data-element_type=\"widget\" data-widget_type=\"sidebar.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<aside id=\"block-46\" class=\"widget widget_block widget_search\"><form role=\"search\" method=\"get\" action=\"https:\/\/www.ub.edu\/cercles\/\" class=\"wp-block-search__button-outside wp-block-search__text-button wp-block-search\"    ><label class=\"wp-block-search__label screen-reader-text\" for=\"wp-block-search__input-1\" >Buscar<\/label><div class=\"wp-block-search__inside-wrapper\"  style=\"width: 611px\"><input class=\"wp-block-search__input\" id=\"wp-block-search__input-1\" placeholder=\"\" value=\"\" type=\"search\" name=\"s\" required \/><button aria-label=\"Buscar\" class=\"wp-block-search__button wp-element-button\" type=\"submit\" >Buscar<\/button><\/div><\/form><\/aside><aside id=\"block-33\" class=\"widget widget_block\">\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n<\/aside><aside id=\"block-45\" class=\"widget widget_block widget_media_image\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" fetchpriority=\"high\" width=\"730\" height=\"1024\" src=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-730x1024.jpg\" alt=\"\" class=\"wp-image-7134\" srcset=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-730x1024.jpg 730w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-214x300.jpg 214w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-768x1077.jpg 768w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta.jpg 900w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/figure>\n<\/aside><aside id=\"block-37\" class=\"widget widget_block widget_text\">\n<p><strong>Revista indexada a:<\/strong>&nbsp;SCOPUS, SJR. SCImago Journal &amp; Country Rank, ESCI, DOAJ, ERIHPLUS, CIRC, CARHUS Plus, Latindex, DIALNET, RACO, MIAR, Dulcinea<\/p>\n<\/aside><aside id=\"block-38\" class=\"widget widget_block\"><!--Ve a Mega Menu > Ubicaciones del men\u00fa para activar Max Mega Menu para esta ubicaci\u00f3n.--><\/aside><aside id=\"block-39\" class=\"widget widget_block\">\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n<\/aside><aside id=\"block-40\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-44\" class=\"widget widget_block widget_media_image\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"359\" src=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1024x359.png\" alt=\"\" class=\"wp-image-4678\" style=\"width:200px;height:auto\" srcset=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1024x359.png 1024w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-300x105.png 300w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-768x269.png 768w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1536x539.png 1536w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-2048x718.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Autor. Attribution-NonCommercial-NoDerivatives 4.0 <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" data-type=\"URL\" data-id=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\">International\u00a0(CC BY-NC-ND 4.0)<\/a><\/figcaption><\/figure>\n<\/aside><aside id=\"block-48\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-42\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-47\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Trabajo, g\u00e9nero y clase en Au Bonheur des dames de \u00c9mile Zola GEHCIUniversitat de Barcelona \u00a0 \u00a0 El lector t\u00e9 ara a les mans les principals aportacions presentades ala sessi\u00f3 de treball \u00abEl m\u00f3n mediterrani durant el segle XX. Una revisi\u00f3 cr\u00edtica\u00bb de la Xarxa mediterr\u00e0nia d\u2019hist\u00f2ria cultural realitzada els dies 17 i18 de desembre [&hellip;]<\/p>\n","protected":false},"author":157,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-8060","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Algunes perspectives sobre la hist\u00f2ria cultural de la Mediterr\u00e0nia al segle XX - Revista CERCLES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/cercles\/?page_id=8060\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Algunes perspectives sobre la hist\u00f2ria cultural de la Mediterr\u00e0nia al segle XX - Revista CERCLES\" \/>\n<meta property=\"og:description\" content=\"Trabajo, g\u00e9nero y clase en Au Bonheur des dames de \u00c9mile Zola GEHCIUniversitat de Barcelona \u00a0 \u00a0 El lector t\u00e9 ara a les mans les principals aportacions presentades ala sessi\u00f3 de treball \u00abEl m\u00f3n mediterrani durant el segle XX. 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