{"id":3861,"date":"2023-06-29T16:47:59","date_gmt":"2023-06-29T16:47:59","guid":{"rendered":"https:\/\/www.ub.edu\/cercles\/?p=3861"},"modified":"2023-07-10T18:08:29","modified_gmt":"2023-07-10T18:08:29","slug":"la-television-simbolo-del-desarrollismo-franquista-algunas-claves-de-interpretacion","status":"publish","type":"post","link":"https:\/\/www.ub.edu\/cercles\/?p=3861","title":{"rendered":"La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3861\" class=\"elementor elementor-3861\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4314ccef e-flex e-con-boxed e-con e-parent\" data-id=\"4314ccef\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-1f6ca430 e-con-full e-flex e-con e-parent\" data-id=\"1f6ca430\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-144df196 elementor-widget elementor-widget-heading\" data-id=\"144df196\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 26-06-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5ea43e elementor-widget elementor-widget-text-editor\" data-id=\"b5ea43e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.22.0 - 26-06-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Jos\u00e9 Carlos Rueda Laffond<\/strong><br \/>Universidad Complutense de Madrid<\/p><p><br \/><strong>DOI:<\/strong> https:\/\/doi.org\/10.1344\/cercles2018.21.1004<\/p><p><br \/><strong>Paraules clau:<\/strong> Televisi\u00f3n Espa\u00f1ola, desarrollo, socializaci\u00f3n, modernizaci\u00f3n, cultura popular, franquismo<\/p><p><br \/><strong>Resum:<\/strong> La presencia hist\u00f3rica de Televisi\u00f3n Espa\u00f1ola (TVE) abarca veinte de los cuarenta a\u00f1os del r\u00e9gimen franquista. Este art\u00edculo cuestiona diferentes problemas de interpretaci\u00f3n en relaci\u00f3n con su dise\u00f1o y expansi\u00f3n sociocultural: la conexi\u00f3n entre televisi\u00f3n y transmediaci\u00f3n; las relaciones entre proyectos desarrollistas, el autoritarismo y los discursos sobre modernidad o el estatus adquirido por el medio en Espa\u00f1a durante los a\u00f1os sesenta y sus dimensiones en los mecanismos de la dictadura. Finalmente, se aborda un ejemplo audiovisual (Televisi\u00f3n 62\/68) como emblema de la pl\u00e1stica y las met\u00e1foras del desarrollismo franquista.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1b027f0 elementor-widget elementor-widget-text-editor\" data-id=\"1b027f0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class='w3eden'><!-- WPDM Link Template: Default Template -->\n\n<div class=\"link-template-default card mb-2\">\n    <div class=\"card-body\">\n        <div class=\"media\">\n            <div class=\"mr-3 img-48\"><img decoding=\"async\" class=\"wpdm_icon\" alt=\"Icono\" src=\"https:\/\/www.ub.edu\/cercles\/wp-content\/plugins\/download-manager\/assets\/file-type-icons\/pdf.svg\" \/><\/div>\n            <div class=\"media-body\">\n                <h3 class=\"package-title\"><a href='https:\/\/www.ub.edu\/cercles\/?wpdmpro=la-television-simbolo-del-desarrollismo-franquista-algunas-claves-de-interpretacion'>La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n<\/a><\/h3>\n                <div class=\"text-muted text-small\"><i class=\"fas fa-copy\"><\/i> 1 archivo(s) <i class=\"fas fa-hdd ml-3\"><\/i> 878.02 KB<\/div>\n            <\/div>\n            <div class=\"ml-3\">\n                <a class='wpdm-download-link download-on-click btn btn-success ' rel='nofollow' href='#' data-downloadurl=\"https:\/\/www.ub.edu\/cercles\/?wpdmpro=la-television-simbolo-del-desarrollismo-franquista-algunas-claves-de-interpretacion&#038;wpdmdl=4065&#038;refresh=6a428a301c4441782745648\">PDF<\/a>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-43d3bfb8 e-con-full e-flex e-con e-parent\" data-id=\"43d3bfb8\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-61f78502 elementor-widget elementor-widget-sidebar\" data-id=\"61f78502\" data-element_type=\"widget\" data-widget_type=\"sidebar.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<aside id=\"block-46\" class=\"widget widget_block widget_search\"><form role=\"search\" method=\"get\" action=\"https:\/\/www.ub.edu\/cercles\/\" class=\"wp-block-search__button-outside wp-block-search__text-button wp-block-search\"    ><label class=\"wp-block-search__label screen-reader-text\" for=\"wp-block-search__input-1\" >Buscar<\/label><div class=\"wp-block-search__inside-wrapper\"  style=\"width: 611px\"><input class=\"wp-block-search__input\" id=\"wp-block-search__input-1\" placeholder=\"\" value=\"\" type=\"search\" name=\"s\" required \/><button aria-label=\"Buscar\" class=\"wp-block-search__button wp-element-button\" type=\"submit\" >Buscar<\/button><\/div><\/form><\/aside><aside id=\"block-33\" class=\"widget widget_block\">\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n<\/aside><aside id=\"block-45\" class=\"widget widget_block widget_media_image\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" fetchpriority=\"high\" width=\"730\" height=\"1024\" src=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-730x1024.jpg\" alt=\"\" class=\"wp-image-7134\" srcset=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-730x1024.jpg 730w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-214x300.jpg 214w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta-768x1077.jpg 768w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2025\/12\/Cercles-28_coberta.jpg 900w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/figure>\n<\/aside><aside id=\"block-37\" class=\"widget widget_block widget_text\">\n<p><strong>Revista indexada a:<\/strong>&nbsp;SCOPUS, SJR. SCImago Journal &amp; Country Rank, ESCI, DOAJ, ERIHPLUS, CIRC, CARHUS Plus, Latindex, DIALNET, RACO, MIAR, Dulcinea<\/p>\n<\/aside><aside id=\"block-38\" class=\"widget widget_block\"><!--Ve a Mega Menu > Ubicaciones del men\u00fa para activar Max Mega Menu para esta ubicaci\u00f3n.--><\/aside><aside id=\"block-39\" class=\"widget widget_block\">\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n<\/aside><aside id=\"block-40\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-44\" class=\"widget widget_block widget_media_image\">\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"359\" src=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1024x359.png\" alt=\"\" class=\"wp-image-4678\" style=\"width:200px;height:auto\" srcset=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1024x359.png 1024w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-300x105.png 300w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-768x269.png 768w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-1536x539.png 1536w, https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/09\/CC_BY-NC-ND.svg-2048x718.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Autor. Attribution-NonCommercial-NoDerivatives 4.0 <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" data-type=\"URL\" data-id=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\">International\u00a0(CC BY-NC-ND 4.0)<\/a><\/figcaption><\/figure>\n<\/aside><aside id=\"block-48\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-42\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside><aside id=\"block-47\" class=\"widget widget_block widget_text\">\n<p><\/p>\n<\/aside>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>La presencia hist\u00f3rica de Televisi\u00f3n Espa\u00f1ola (TVE) abarca<br \/>\nveinte de los cuarenta a\u00f1os del r\u00e9gimen franquista. Este art\u00edculo cuestiona<br \/>\ndiferentes problemas de interpretaci\u00f3n en relaci\u00f3n con su dise\u00f1o y expansi\u00f3n<br \/>\nsociocultural: la conexi\u00f3n entre televisi\u00f3n y transmediaci\u00f3n; las relaciones<br \/>\nentre proyectos desarrollistas, el autoritarismo y los discursos sobre modernidad<br \/>\no el estatus adquirido por el medio en Espa\u00f1a durante los a\u00f1os sesenta y<br \/>\nsus dimensiones en los mecanismos de la dictadura. Finalmente, se aborda<br \/>\nun ejemplo audiovisual (Televisi\u00f3n 62\/68) como emblema de la pl\u00e1stica y las<br \/>\nmet\u00e1foras del desarrollismo franquista.<\/p>\n","protected":false},"author":52,"featured_media":3862,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[317],"tags":[335,333,298,336,337,334],"class_list":["post-3861","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-num-21","tag-cultura-popular","tag-desarrollo","tag-franquismo","tag-modernizacion","tag-socializacion","tag-television-espanola"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n - Revista CERCLES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/cercles\/?p=3861\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n - Revista CERCLES\" \/>\n<meta property=\"og:description\" content=\"La presencia hist\u00f3rica de Televisi\u00f3n Espa\u00f1ola (TVE) abarca veinte de los cuarenta a\u00f1os del r\u00e9gimen franquista. Este art\u00edculo cuestiona diferentes problemas de interpretaci\u00f3n en relaci\u00f3n con su dise\u00f1o y expansi\u00f3n sociocultural: la conexi\u00f3n entre televisi\u00f3n y transmediaci\u00f3n; las relaciones entre proyectos desarrollistas, el autoritarismo y los discursos sobre modernidad o el estatus adquirido por el medio en Espa\u00f1a durante los a\u00f1os sesenta y sus dimensiones en los mecanismos de la dictadura. Finalmente, se aborda un ejemplo audiovisual (Televisi\u00f3n 62\/68) como emblema de la pl\u00e1stica y las met\u00e1foras del desarrollismo franquista.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/cercles\/?p=3861\" \/>\n<meta property=\"og:site_name\" content=\"Revista CERCLES\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-29T16:47:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T18:08:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/06\/C21-004.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jose Carlos Rueda Laffond\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jose Carlos Rueda Laffond\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.ub.edu\/cercles\/?p=3861#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/cercles\/?p=3861\"},\"author\":{\"name\":\"Jose Carlos Rueda Laffond\",\"@id\":\"https:\/\/www.ub.edu\/cercles\/#\/schema\/person\/475adf92246dc9fcf9a6cca929ca2f6c\"},\"headline\":\"La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n\",\"datePublished\":\"2023-06-29T16:47:59+00:00\",\"dateModified\":\"2023-07-10T18:08:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.ub.edu\/cercles\/?p=3861\"},\"wordCount\":164,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.ub.edu\/cercles\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.ub.edu\/cercles\/?p=3861#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ub.edu\/cercles\/wp-content\/uploads\/2023\/06\/C21-004.jpg\",\"keywords\":[\"cultura popular\",\"desarrollo\",\"franquismo\",\"modernizaci\u00f3n\",\"socializaci\u00f3n\",\"Televisi\u00f3n Espa\u00f1ola\"],\"articleSection\":[\"N\u00fam. 21\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/cercles\/?p=3861\",\"url\":\"https:\/\/www.ub.edu\/cercles\/?p=3861\",\"name\":\"La televisi\u00f3n, s\u00edmbolo del desarrollismo franquista: algunas claves de interpretaci\u00f3n - 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