{"id":1361,"date":"2017-06-07T09:09:10","date_gmt":"2017-06-07T09:09:10","guid":{"rendered":"http:\/\/www.ub.edu\/cinaf\/projectes-audiovisuals\/"},"modified":"2025-11-04T16:05:45","modified_gmt":"2025-11-04T16:05:45","slug":"audiovisuals","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/cinaf\/en\/audiovisuals\/","title":{"rendered":"AUDIOVISUALS"},"content":{"rendered":"<h3 class=\"Estilo2\"><strong>The incorporation of audiovisuals into research and its dissemination<\/strong><\/h3>\n<p style=\"text-align: justify;\">One of CINAF&#8217;s objectives is to promote the production and dissemination of audiovisual documents.<\/p>\n<p class=\"Estilo2\" style=\"text-align: justify;\">The specialised use of audiovisuals as a method of obtaining, analysing and presenting data is an emerging field in the Social Sciences, of great theoretical and practical interest, which opens up a wide range of possibilities both in the field of research and in the field of teaching.<\/p>\n<p style=\"text-align: justify;\">The audiovisual technique is particularly suitable for the scientific objectives of CINAF as it is very well adapted to the dominant communicative forms in indigenous and Afro-American groups of essentially oral tradition where, on the other hand, aesthetic representations and ritualisation tend to be of great importance. The audiovisual medium allows for a very wide and cross-cutting dissemination of research results.<\/p>\n<p class=\"Estilo2\">The audiovisual documents that can be accessed through this website have been developed within the framework of CINAF&#8217;s research.<\/p>\n<h3 style=\"text-align: left;\" align=\"right\"><span class=\"Estilo2\"><strong>Audio-visual Projects<\/strong><\/span><\/h3>\n<p><strong>2025<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">M\u00e9moire de Loup<br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Author<\/span>: <span style=\"font-weight: 400;\">Roger Canals<\/span><br data-start=\"91\" data-end=\"94\" \/><span style=\"font-weight: 400;\">Editing<\/span>: <span style=\"font-weight: 400;\">Jordi Orobitg<\/span><br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">32 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: 2025<\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">Up in the Clouds: A Film on Astronomy without the Stars<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/><span style=\"font-weight: 400;\">Image, research and sound<\/span>: <span style=\"font-weight: 400;\">Alkim Erol and<\/span> <span style=\"font-weight: 400;\">Roger Canals<\/span><br data-start=\"91\" data-end=\"94\" \/><span style=\"font-weight: 400;\">Editing<\/span>: <span style=\"font-weight: 400;\">Alkim Erol<\/span><br \/>\nColor: <span style=\"font-weight: 400;\">Salva Vi\u00f1ets<\/span><br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">14 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: <span style=\"font-weight: 400;\">2025<\/span><\/p>\n<p><strong>2024<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">Under Jagannath\u2019s Gaze. Rata Yatra in Barcelona<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/><span style=\"font-weight: 400;\">Direction<\/span>: <span style=\"font-weight: 400;\">Juan Francisco Cuy\u00e1s and<\/span> <span style=\"font-weight: 400;\">Roger Canals<\/span><br \/>\n<span style=\"font-weight: 400;\">Image and sound<\/span>: <span style=\"font-weight: 400;\">Roger Canals, Mihai Andrei Leaha and Juan Francisco Cuy\u00e1s<br \/>\nEditing and Postproduction: Mark Lindenberg<\/span>\u00a0<br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">24 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: 2024<\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">How do saints see?<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><br data-start=\"91\" data-end=\"94\" \/><span style=\"font-weight: 400;\">Direction<\/span>: <span style=\"font-weight: 400;\">Roger Canals, Alkim Erol and Juan Francisco Cuy\u00e1s<\/span><br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">24 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: 2024<\/p>\n<p><strong>2023<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">The Color of Spirits<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/><span style=\"font-weight: 400;\">Author<\/span>: <span style=\"font-weight: 400;\">Roger Canals<\/span>\u00a0<br data-start=\"91\" data-end=\"94\" \/><span style=\"font-weight: 400;\">Editing<\/span>: <span style=\"font-weight: 400;\">Mihai Andrei Leaha and Roger Canals<br \/>\n<\/span><span style=\"font-weight: 400;\">Sound editing<\/span>: <span style=\"font-weight: 400;\">Ewelter Rocha<\/span><br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">10 minutes\u00a0<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: 2023<\/p>\n<p><span style=\"font-weight: 400;\">Title<\/span>: <i><span style=\"font-weight: 400;\">The Promised Image<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/><span style=\"font-weight: 400;\">Image, research and sound<\/span>: <span style=\"font-weight: 400;\">Roger Canals and Mihai Andrei Leaha<\/span><br data-start=\"91\" data-end=\"94\" \/><span style=\"font-weight: 400;\">Editing<\/span>: <span style=\"font-weight: 400;\">Mihai Andrei Leaha and Roger Canals<\/span><br data-start=\"105\" data-end=\"108\" \/><span style=\"font-weight: 400;\">Running time<\/span>: <span style=\"font-weight: 400;\">8 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/><span style=\"font-weight: 400;\">Year<\/span>: <span style=\"font-weight: 400;\">2023<\/span><\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2019<\/strong><\/p>\n<p>(2019). Canals, Roger.\u00a0<i>El vent i les paraules<\/i> (Curtmetratge), University of Oxford i Jordi Orobitg Produccions.<\/p>\n<p>(2019). Canals, Roger.\u00a0<i>Els ca\u00e7adors d&#8217;ombres<\/i>, University of Oxford i Jordi Orobitg Produccions.<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2018<br \/>\n<\/strong><br \/>\n(2018). Roger Canals i Celeste Mu\u00f1oz, <i>Mm\u00eb Bisila<\/i>, Observatori del Patrimoni Etnol\u00f2gic de Catalunya, Institut Ramon Muntaner i Jordi Orobitg Producccions.<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2016<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=609\">2012-2016 Afro-Venezuelan Rituals in Barcelona<\/a><\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2010<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=570\">2009-2010<em> Bea vol saber <\/em><\/a>(Puerto Rico)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2009<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=586\">2009 <em>Tambi\u00e9n las mujeres pueden volar <\/em><\/a>(M\u00e8xic)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2008<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=574\">2004-2008<em> La sang i la gallina <\/em><\/a>(Vene\u00e7uela)<br \/>\n<a href=\"\/cinaf\/2017?page_id=578\">2004-2008 <em>Rostres d&#8217;una divinitat vene\u00e7olana<\/em><\/a> (Vene\u00e7uela)<br \/>\n<a href=\"\/cinaf\/2017?page_id=582\">2004-2008<em> Els bastidors de Sorte <\/em><\/a>(Vene\u00e7uela)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2007<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=565\">2000-2007 <em>Cr\u00f3nicas Pum\u00e9\u00a0 <\/em><\/a>(Vene\u00e7uela)<\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Save<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The incorporation of audiovisuals into research and its dissemination One of CINAF&#8217;s objectives is to promote the production and dissemination of audiovisual documents. The specialised use of audiovisuals as a method of obtaining, analysing and presenting data is an emerging field in the Social Sciences, of great theoretical and practical interest, which opens up a &#8230; <a title=\"AUDIOVISUALS\" class=\"read-more\" href=\"https:\/\/www.ub.edu\/cinaf\/en\/audiovisuals\/\">Llegeix-ne m\u00e9s<\/a><\/p>\n","protected":false},"author":1,"featured_media":2991,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-1361","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/pages\/1361"}],"collection":[{"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/comments?post=1361"}],"version-history":[{"count":12,"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/pages\/1361\/revisions"}],"predecessor-version":[{"id":3453,"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/pages\/1361\/revisions\/3453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/media\/2991"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/cinaf\/en\/wp-json\/wp\/v2\/media?parent=1361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}