{"id":14,"date":"2017-06-07T09:09:10","date_gmt":"2017-06-07T09:09:10","guid":{"rendered":"http:\/\/www.ub.edu\/cinaf\/?page_id=14"},"modified":"2025-11-04T16:05:03","modified_gmt":"2025-11-04T16:05:03","slug":"audiovisuals","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/cinaf\/audiovisuals\/","title":{"rendered":"AUDIOVISUALS"},"content":{"rendered":"<h3 class=\"Estilo2\"><strong>La incorporaci\u00f3 de l\u2019audiovisual a la recerca i a la seva difusi\u00f3<\/strong><\/h3>\n<p style=\"text-align: justify;\"><span class=\"Estilo2\">Un dels objectius del CINAF \u00e9s el potenciar la producci\u00f3 i la difusi\u00f3 de documents audiovisuals.<\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"Estilo2\">L\u2019\u00fas especialitzat de l\u2019audiovisual com a m\u00e8tode d\u2019obtenci\u00f3, d\u2019an\u00e0lisi\u00a0 i de presentaci\u00f3 de dades constitueix un camp emergent en les Ci\u00e8ncies Socials, de gran inter\u00e8s te\u00f2ric i pr\u00e0ctic que obre un enorme ventall de possibilitats tant en l\u2019\u00e0mbit de la recerca com en l\u2019\u00e0mbit de l\u2019ensenyament.<\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"Estilo2\">La t\u00e8cnica audiovisual \u00e9s especialment apte per l\u2019assoliment dels objectius cient\u00edfics del CINAF ja que s\u2019adequa molt b\u00e9 a les formes comunicatives dominants en grups ind\u00edgenes o afro-americans de tradici\u00f3 essencialment oral on, d\u2019altra banda, les representacions est\u00e8tiques i la <em>ritualitzaci\u00f3<\/em> acostumen a tenir una gran import\u00e0ncia. El medi audiovisual permet una difusi\u00f3 molt amplia i transversal dels resultats de les recerques.<\/span><\/p>\n<p style=\"text-align: justify;\"><span class=\"Estilo2\">Els documents audiovisuals als que es podran tenir acc\u00e9s a partir d\u2019aquesta web s\u2019han desenvolupat en el marc de les recerques del CINAF.<\/span><\/p>\n<h3 style=\"text-align: left;\" align=\"right\"><span class=\"Estilo2\"><strong>Projectes Audiovisuals<\/strong><\/span><\/h3>\n<p><strong>2025<\/strong><\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">M\u00e9moire de Loup<br \/>\n<\/span><\/i>Autor: <span style=\"font-weight: 400;\">Roger Canals<\/span><br data-start=\"91\" data-end=\"94\" \/>Edici\u00f3: <span style=\"font-weight: 400;\">Jordi Orobitg<\/span><br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">32 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: 2025<\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">Up in the Clouds: A Film on Astronomy without the Stars<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/>Imatge, recerca i so: <span style=\"font-weight: 400;\">Alkim Erol and<\/span> <span style=\"font-weight: 400;\">Roger Canals<\/span><br data-start=\"91\" data-end=\"94\" \/>Edici\u00f3: <span style=\"font-weight: 400;\">Alkim Erol<\/span><br \/>\nColor: <span style=\"font-weight: 400;\">Salva Vi\u00f1ets<\/span><br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">14 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: <span style=\"font-weight: 400;\">2025<\/span><\/p>\n<p><strong>2024<\/strong><\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">Under Jagannath\u2019s Gaze. Rata Yatra in Barcelona<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/>Direcci\u00f3: <span style=\"font-weight: 400;\">Juan Francisco Cuy\u00e1s i<\/span> <span style=\"font-weight: 400;\">Roger Canals<\/span><br \/>\nImatge i so: <span style=\"font-weight: 400;\">Roger Canals, Mihai Andrei Leaha i Juan Francisco Cuy\u00e1s<br \/>\nEdici\u00f3 i postproducci\u00f3: Mark Lindenberg<\/span>\u00a0<br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">24 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: 2024<\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">How do saints see?<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><br data-start=\"91\" data-end=\"94\" \/>Direcci\u00f3: <span style=\"font-weight: 400;\">Roger Canals, Alkim Erol and Juan Francisco Cuy\u00e1s<\/span><br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">24 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: 2024<\/p>\n<p><strong>2023<\/strong><\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">The Color of Spirits<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/>Autor: <span style=\"font-weight: 400;\">Roger Canals<\/span>\u00a0<br data-start=\"91\" data-end=\"94\" \/>Edici\u00f3: <span style=\"font-weight: 400;\">Mihai Andrei Leaha and Roger Canals<br \/>\n<\/span>Edici\u00f3 so: <span style=\"font-weight: 400;\">Ewelter Rocha<\/span><br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">10 minutes\u00a0<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: 2023<\/p>\n<p>T\u00edtol: <i><span style=\"font-weight: 400;\">The Promised Image<\/span><\/i><br data-start=\"63\" data-end=\"66\" \/>Imatge, recerca i so: <span style=\"font-weight: 400;\">Roger Canals i Mihai Andrei Leaha<\/span><br data-start=\"91\" data-end=\"94\" \/>Edici\u00f3: <span style=\"font-weight: 400;\">Mihai Andrei Leaha i Roger Canals<\/span><br data-start=\"105\" data-end=\"108\" \/>Durada: <span style=\"font-weight: 400;\">8 minutes<\/span><br data-start=\"119\" data-end=\"122\" \/>Any: <span style=\"font-weight: 400;\">2023<\/span><\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2019<\/strong><\/p>\n<p>(2019). Canals, Roger.\u00a0<i>El vent i les paraules<\/i> (Curtmetratge), University of Oxford i Jordi Orobitg Produccions.<\/p>\n<p>(2019). Canals, Roger.\u00a0<i>Els ca\u00e7adors d&#8217;ombres<\/i>, University of Oxford i Jordi Orobitg Produccions.<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2018<br \/>\n<\/strong><br \/>\n(2018). Roger Canals i Celeste Mu\u00f1oz, <i>Mm\u00eb Bisila<\/i>, Observatori del Patrimoni Etnol\u00f2gic de Catalunya, Institut Ramon Muntaner i Jordi Orobitg Producccions.<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2016<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=609\">2012-2016 Afro-Venezuelan Rituals in Barcelona<\/a><\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2010<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=570\">2009-2010<em> Bea vol saber <\/em><\/a>(Puerto Rico)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2009<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=586\">2009 <em>Tambi\u00e9n las mujeres pueden volar <\/em><\/a>(M\u00e8xic)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2008<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=574\">2004-2008<em> La sang i la gallina <\/em><\/a>(Vene\u00e7uela)<br \/>\n<a href=\"\/cinaf\/2017?page_id=578\">2004-2008 <em>Rostres d&#8217;una divinitat vene\u00e7olana<\/em><\/a> (Vene\u00e7uela)<br \/>\n<a href=\"\/cinaf\/2017?page_id=582\">2004-2008<em> Els bastidors de Sorte <\/em><\/a>(Vene\u00e7uela)<\/p>\n<p style=\"text-align: left;\" align=\"right\"><strong>2007<\/strong><\/p>\n<p><a href=\"\/cinaf\/2017?page_id=565\">2000-2007 <em>Cr\u00f3nicas Pum\u00e9\u00a0 <\/em><\/a>(Vene\u00e7uela)<\/p>\n<h3><\/h3>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La incorporaci\u00f3 de l\u2019audiovisual a la recerca i a la seva difusi\u00f3 Un dels objectius del CINAF \u00e9s el potenciar la producci\u00f3 i la difusi\u00f3 de documents audiovisuals. L\u2019\u00fas especialitzat de l\u2019audiovisual com a m\u00e8tode d\u2019obtenci\u00f3, d\u2019an\u00e0lisi\u00a0 i de presentaci\u00f3 de dades constitueix un camp emergent en les Ci\u00e8ncies Socials, de gran inter\u00e8s te\u00f2ric i &#8230; <a title=\"AUDIOVISUALS\" class=\"read-more\" href=\"https:\/\/www.ub.edu\/cinaf\/audiovisuals\/\">Llegeix-ne m\u00e9s<\/a><\/p>\n","protected":false},"author":1,"featured_media":2991,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-14","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/14"}],"collection":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":21,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":3452,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/14\/revisions\/3452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/media\/2991"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}