{"id":578,"date":"2017-07-03T09:32:04","date_gmt":"2017-07-03T09:32:04","guid":{"rendered":"http:\/\/www.ub.edu\/cinaf\/?page_id=578"},"modified":"2017-07-31T14:31:42","modified_gmt":"2017-07-31T14:31:42","slug":"rostres-duna-divinitat-venecolana","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/cinaf\/audiovisuals\/rostres-duna-divinitat-venecolana\/","title":{"rendered":"Rostres d&#8217;una divinitat vene\u00e7olana"},"content":{"rendered":"<p><strong>ROSTRES D\u2019UNA DIVINITAT VENE\u00c7OLANA<\/strong><\/p>\n<p><strong>T\u00edtol del Projecte:<\/strong> Les representacions de la deessa Mar\u00eda Lionza a Vene\u00e7uela<br \/>\n<strong>T\u00edtol de la pel.l\u00edcula: <\/strong>Rostres d\u2019una divinitat vene\u00e7olana (<em>Rostres de una divnidad venezolana, Visages d\u2019une d\u00e9esse v\u00e9n\u00e9zu\u00e9lienne, The many faces of a venezuelan goddess<\/em>)<br \/>\n<strong>Investigadors\/Realitzadors:<\/strong> Roger Canals Vilageliu<br \/>\n<strong>Edici\u00f3:<\/strong> Marc-Fran\u00e7ois Deligne<br \/>\n<strong>Producci\u00f3:<\/strong> CNRS-Images, EHESS<br \/>\n<strong>Duraci\u00f3:<\/strong> 54\u2019<br \/>\n<strong>Color, 4:3<\/strong><br \/>\n<strong>Per\u00edode de recerca i filmaci\u00f3:<\/strong> 2004-2008<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-579\" src=\"http:\/\/www.ub.edu\/cinaf\/wp-content\/uploads\/2017\/07\/av4.jpg\" alt=\"\" width=\"600\" height=\"151\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Sinopsi de la pel.l\u00edcula<\/strong><br \/>\nMar\u00eda Lionza \u00e9s una de les divinitats m\u00e9s populars de Vene\u00e7uela. Des del punt de vista mitol\u00f2gic, aquesta deessa representa un cas excepcional, ja que se la representa com una dona \u00edndia, mestissa, blanca o negra, de vegades com una entitat ben\u00e8fica i, d\u2019altres, com una entitat mal\u00e8fica. El film mostra una s\u00e8rie d\u2019individus que pertanyen a \u00e0mbits molt diferents de la societat vene\u00e7olana i que mantenen lla\u00e7os amb l\u2019imatge de Mar\u00eda Lionza. Hi trobem m\u00e8diums, professors, artesans, artistes, actors, botiguers i creients. Al final de la pel.l\u00edcula, i en motiu l\u2019obertura d&#8217;una exposici\u00f3 sobre Maria Lionza, totes les imatges que es mostren en la pel l\u00edcula coincideixen en un mateix espai. Mitjan\u00e7ant un muntatge fragmentat i una c\u00e0mera dial\u00f2gica i participativa, aquest documental ofereix un retrat de la riquesa simb\u00f2lica de Maria Lionza, tot posant de relleu algunes de les funcions que la seva imatge juga en la societat vene\u00e7olana contempor\u00e0nia.<\/p>\n<p style=\"text-align: justify;\"><strong>Film seleccionat pels seg\u00fcents festivals<\/strong><br \/>\n<em>-Festival International Jean Rouch 2010 (Par\u00eds, Fran\u00e7a).<\/em><br \/>\n<em>-Festival du Film Ethnographique du Qu\u00e9bec 2009 <\/em><br \/>\n<em>-Days of ethnographic film in Rovinj 2009 (Cro\u00e0cia)<\/em><br \/>\n<em>-Reflets du cin\u00e9ma ib\u00e9rique et latino-am\u00e9ricain 2009 (Li\u00f3, Fran\u00e7a)<\/em><br \/>\n<em>-International Showcase of Ethnographic and Documentary Cinema in Puerto Rico 2009.<\/em><br \/>\n<em>-Regard Bleu #5 (Zurich, Su\u00efssa).<\/em><br \/>\n<em>-14th Rio International Ethnographic Film Festival. Rio de Janeiro 2008. Brasil.<\/em><br \/>\n<em>-Festival International Jean Rouch 2008 (Par\u00eds, Fran\u00e7a).<\/em><br \/>\n<em>-Festival of Visual Culture. Viscult 2008. (Joensuu, Finl\u00e0ndia). <\/em><br \/>\n<em>-XVII International Festival of Ethnological Film 2008 (Belgrad, S\u00e8rbia).<\/em><br \/>\n<em>-Delhi International Ethnographic Film Festival 2008 (\u00cdndia).<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Descripci\u00f3 del Projecte<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Rostres d\u2019una divinitat vene\u00e7olana<\/em> \u00e9s un llargmetratge rodat just despr\u00e9s d\u2019<em>Els bastidors de Sorte<\/em> i constitueix el principal documental dels tres que conformen la tesis <em>Imatges<\/em><em> del culte a Mar\u00eda Lionza. Un assaig d\u2019antropologia visual<\/em>, feta en cotutela entre l\u2019<em>Ecole des Hautes Etudes en Sciences Sociales <\/em>de Par\u00eds (EHESS) i la Universitat de Barcelona (UB) entre el 2004 i el 2008\u00a0 <a href=\"\/cinaf\/2017?page_id=574\" target=\"_blank\" rel=\"noopener\">(+ informaci\u00f3)<\/a><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c  no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Save<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ROSTRES D\u2019UNA DIVINITAT VENE\u00c7OLANA T\u00edtol del Projecte: Les representacions de la deessa Mar\u00eda Lionza a Vene\u00e7uela T\u00edtol de la pel.l\u00edcula: Rostres d\u2019una divinitat vene\u00e7olana (Rostres de una divnidad venezolana, Visages d\u2019une d\u00e9esse v\u00e9n\u00e9zu\u00e9lienne, The many faces of a venezuelan goddess) Investigadors\/Realitzadors: Roger Canals Vilageliu Edici\u00f3: Marc-Fran\u00e7ois Deligne Producci\u00f3: CNRS-Images, EHESS Duraci\u00f3: 54\u2019 Color, 4:3 Per\u00edode &#8230; <a title=\"Rostres d&#8217;una divinitat vene\u00e7olana\" class=\"read-more\" href=\"https:\/\/www.ub.edu\/cinaf\/audiovisuals\/rostres-duna-divinitat-venecolana\/\">Llegeix-ne m\u00e9s<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":14,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-578","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/578"}],"collection":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/comments?post=578"}],"version-history":[{"count":1,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/578\/revisions"}],"predecessor-version":[{"id":843,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/578\/revisions\/843"}],"up":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/pages\/14"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/cinaf\/wp-json\/wp\/v2\/media?parent=578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}