{"id":283,"date":"2020-05-18T21:48:37","date_gmt":"2020-05-18T19:48:37","guid":{"rendered":"http:\/\/www.ub.edu\/foneria\/?page_id=283"},"modified":"2022-12-28T22:32:38","modified_gmt":"2022-12-28T20:32:38","slug":"llibres","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/foneria\/llibres\/","title":{"rendered":"Llibres \/ Publicacions"},"content":{"rendered":"\n

Procediments Normalitzats de Treball (PNT) \/ Seguretat<\/strong><\/h2>\n\n\n\n
\n

Procediments normalitzats de treball en la gesti\u00f3 integrada de la qualitat, el medi ambient i la seguretat en la doc\u00e8ncia experimental de les facultats de belles arts<\/strong><\/a><\/p>\n\n\n\n

Joan Valle Mart\u00ed (Coord.), 2011<\/p>\n<\/blockquote>\n\n\n\n

\n

La patine des m\u00e9taux: Quels sont les produits utilis\u00e9s? Quels sont les risques et les contraintes? Comment se prot\u00e9ger?<\/strong><\/a><\/p>\n\n\n\n

Institut de Formation et de Recherche pour les Artisanats des M\u00e9taux (IFRAM)<\/p>\n<\/blockquote>\n\n\n\n

\n

Bellas Artes (I) Manual de Seguridad para operaciones relacionadas con Bellas Artes<\/a><\/strong><\/p>\n\n\n\n

Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV)<\/p>\n<\/blockquote>\n\n\n\n

\n

Bellas artes (III): Entornos de trabajo universitario: riesgos higi\u00e9nicos generales en procesos de fundici\u00f3n en bellas artes, y medidas preventivas aplicables<\/a><\/strong><\/p>\n\n\n\n

Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV)<\/p>\n<\/blockquote>\n\n\n\n

\n

Bellas Artes (IV): Entornos de trabajo universitario: riesgos higi\u00e9nicos b\u00e1sicos asociados a algunas sustancias qu\u00edmicas empleadas para la aplicaci\u00f3n de p\u00e1tinas sobre metales<\/a><\/strong><\/p>\n\n\n\n

Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV)<\/p>\n<\/blockquote>\n\n\n\n

Closca Cer\u00e0mica<\/h2>\n\n\n\n
\n

Fundici\u00f3n a la cera perdida: T\u00e9cnica del Crisol Fusible<\/a><\/strong><\/p>\n\n\n\n

Juan Carlos Albaladejo, <\/span>2003<\/p>\n<\/blockquote>\n\n\n\n

Fosa<\/strong><\/h2>\n\n\n\n
\n

Tecnolog\u00eda de la Fundici\u00f3n<\/a><\/strong><\/p>\n\n\n\n

Edoardo Capello, 1974<\/span><\/p>\n<\/blockquote>\n\n\n\n

\n

Castings. The new metallurgy of cast metals<\/a><\/strong><\/p>\n\n\n\n

John Campbell, 2003<\/p>\n<\/blockquote>\n\n\n\n

\n

Castings Practice: The 10 Rules of Casting<\/a><\/strong><\/p>\n\n\n\n

John Campbell, 2004<\/p>\n<\/blockquote>\n\n\n\n

\n

Complete Casting Handbook: Metal Casting Processes, Techniques and Design<\/a><\/strong><\/p>\n\n\n\n

John Campbell, 2011<\/p>\n<\/blockquote>\n\n\n\n

\n

De la Cire au Bronze<\/strong><\/a><\/p>\n\n\n\n

Olivier O. Duhamel, 2011<\/p>\n<\/blockquote>\n\n\n\n

\n

Casting aluminum alloys<\/a><\/strong><\/p>\n\n\n\n

Vadim Semenovich Zolotorevski\u012d, N. A. Belov i Michael V. Glazoff, 2007<\/p>\n<\/blockquote>\n\n\n\n

P\u00e0tines<\/strong><\/h2>\n\n\n\n
\n

Metal-colouring and Bronzing<\/strong><\/a><\/p>\n\n\n\n

Arthur Horseman Hiorns, 1907<\/p>\n<\/blockquote>\n\n\n\n

\n

Metal coloring and finishing<\/strong><\/a><\/p>\n\n\n\n

William J. Kaup, Edmund F. Lake, William A. Painter and Chester L. Lucas, 1914<\/p>\n<\/blockquote>\n\n\n\n

\n

Les Patines Du Cuivre et de ses Alliages<\/strong><\/a><\/p>\n\n\n\n

A. Chaplet, 1936<\/p>\n<\/blockquote>\n\n\n\n

\n

The Colouring, Bronzing and Patination of Metals<\/strong><\/a><\/p>\n\n\n\n

Richard Hughes and Michael Rowe, 1991<\/p>\n<\/blockquote>\n\n\n\n

\n

Metal Plating and Patination: Cultural,Technical and Historical Developments<\/strong><\/a><\/p>\n\n\n\n

Susan La Niece and Paul Craddock (Ed.), 1993<\/p>\n<\/blockquote>\n\n\n\n

\n

Patinas for silicon bronze<\/strong><\/a><\/p>\n\n\n\n

Patrick Kipper, 1995<\/p>\n<\/blockquote>\n\n\n\n

\n

Copper and Bronze in Art: Corrosion, Colorants, Conservation<\/a><\/strong><\/p>\n\n\n\n

David A. Scott, 2002<\/p>\n<\/blockquote>\n\n\n\n

\n

Japanese Patinas<\/strong><\/a><\/p>\n\n\n\n

Eitoku Sugimori, 2004<\/p>\n<\/blockquote>\n\n\n\n

\n

Colore e luce nella statuaria antica in bronzo<\/a><\/strong><\/p>\n\n\n\n

Edilberto Formigli, 2013<\/p>\n<\/blockquote>\n\n\n\n

\n

Metal Patination Techniques for Jewelers and Metalsmiths<\/strong><\/a><\/p>\n\n\n\n

Matthew Runfola, 2014<\/p>\n<\/blockquote>\n\n\n\n

\n

P\u00e1tinas. M\u00e1s de Trescientos Efectos de Coloraci\u00f3n para Joyeros y Orfebres<\/strong><\/a><\/p>\n\n\n\n

Matthew Runfola, 2015<\/p>\n<\/blockquote>\n\n\n\n

\n

The Colour Palette of Antique Bronzes: An Experimental Archaeology Project<\/strong><\/a><\/p>\n\n\n\n

Jonathan Devogelaere, 2017<\/p>\n<\/blockquote>\n\n\n\n

Metalls en general<\/strong><\/h2>\n\n\n\n
\n

ASM Handbooks<\/a><\/strong><\/p>\n<\/blockquote>\n\n\n\n

<\/p>\n\n\n\n

Innovaci\u00f3n docent<\/strong><\/h2>\n\n\n\n
\n

Intervencions escult\u00f2riques: Experi\u00e8ncies i propostes docents<\/strong><\/a><\/p>\n\n\n\n

Pep Mata i Joan Valle (Eds.), 2010<\/p>\n<\/blockquote>\n\n\n\n

\n

Fundici\u00f3n a la cera perdida con molde de cascarilla cer\u00e1mica. Publicaci\u00f3n docente<\/strong><\/a><\/p>\n\n\n\n

M\u00aa Jos\u00e9 Zan\u00f3n Cuenca, David Vila Mosrcard\u00f3, Juan Fco. Mart\u00ednez G\u00f3mez de Albacete i Imma Mengual P\u00e9rez, 2019<\/p>\n<\/blockquote>\n\n\n\n

\n

Implementaci\u00f3n del proyecto de innovaci\u00f3n docente: \u201cLost PLA Castings; Las tecnolog\u00edas 3D en los procesos de Fundici\u00f3n Art\u00edstica con cascarilla cer\u00e1mica\u201d<\/a><\/strong><\/p>\n\n\n\n

Ithaisa P\u00e9rez Conesa, Drago D\u00edaz Alem\u00e1n, Cecile Meier, Cecile, 2020<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Procediments Normalitzats de Treball (PNT) \/ Seguretat Procediments normalitzats de treball en la gesti\u00f3 integrada de la qualitat, el medi ambient i la seguretat en la doc\u00e8ncia experimental de les facultats de belles arts Joan Valle Mart\u00ed (Coord.), 2011 La patine des m\u00e9taux: Quels sont les produits utilis\u00e9s? Quels sont les risques et les contraintes? […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-283","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/pages\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":33,"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":603,"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/pages\/283\/revisions\/603"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/foneria\/wp-json\/wp\/v2\/media?parent=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}