{"id":2018,"date":"2021-10-15T16:32:59","date_gmt":"2021-10-15T16:32:59","guid":{"rendered":"https:\/\/www.ub.edu\/gapp\/?page_id=2018"},"modified":"2021-11-08T10:41:20","modified_gmt":"2021-11-08T10:41:20","slug":"converses-2020-2021","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/","title":{"rendered":"Converses 2020-2021"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_image=\u00bbhttps:\/\/www.ub.edu\/gapp\/wp-content\/uploads\/2021\/01\/cabcera-imagen-milans.jpg\u00bb background_position=\u00bbbottom_left\u00bb collapsed=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.2″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||||false|false\u00bb custom_css_main_element=\u00bbdisplay: flex;||align-items:center;\u00bb custom_css_main_element_last_edited=\u00bbon|desktop\u00bb custom_css_main_element_tablet=\u00bb \u00ab][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.2″ _module_preset=\u00bbdefault\u00bb transform_scale_linked=\u00bboff\u00bb transform_translate_tablet=\u00bb0px|0%\u00bb transform_translate_phone=\u00bb0px|0%\u00bb transform_translate_last_edited=\u00bbon|tablet\u00bb transform_translate_linked=\u00bboff\u00bb custom_margin=\u00bb||||false|false\u00bb custom_margin_tablet=\u00bb||||false|false\u00bb custom_margin_phone=\u00bb\u00bb custom_margin_last_edited=\u00bbon|tablet\u00bb custom_css_main_element=\u00bb||\u00bb]<\/p>\n

CONVERSES 2020-2021<\/h1>\n

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CA<\/p>\n

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Les converses son un espai obert de di\u00e0leg on una o v\u00e0ries persones comparteixen els seus coneixements amb un p\u00fablic divers.<\/p>\n

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ES<\/p>\n

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Las converses son un espacio abierto de di\u00e1logo donde una o varias personas comparten su conocimiento con un p\u00fablico diverso.<\/p>\n

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EN<\/p>\n

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Converses are an open space for dialogue where one or several people share their knowledge with a diverse audience.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#e0dac3″ collapsed=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/gapp\/wp-content\/uploads\/2021\/04\/Cartel-Raul-Asensio-guerra-fenicio.jpg\u00bb alt=\u00bbPresentaci\u00f3 llibre: \u201cLa Guerra del Fenicio. Arqueolog\u00eda, pol\u00edtica, y turismo en el \u00faltimo Rinc\u00f3n de Europa\u201d (JAS Arqueolog\u00eda) \u00bb title_text=\u00bbPresentaci\u00f3 llibre: \u201cLa Guerra del Fenicio. Arqueolog\u00eda, pol\u00edtica, y turismo en el \u00faltimo Rinc\u00f3n de Europa\u201d (JAS Arqueolog\u00eda) \u00bb _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb link_font=\u00bb||||on||||\u00bb header_2_text_align=\u00bbleft\u00bb header_2_font_size=\u00bb31px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb25px\u00bb header_2_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

Presentaci\u00f3 llibre: \u201cLa Guerra del Fenicio. Arqueolog\u00eda, pol\u00edtica, y turismo en el \u00faltimo Rinc\u00f3n de Europa\u201d (JAS Arqueolog\u00eda)<\/h2>\n

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\u00a020 maig\/mayo\u00a02021, 6\u00a0pm\u00a0(CEST)\u00a0<\/p>\n

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Online<\/p>\n

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Convidat\/Invitado<\/strong>: Ra\u00fal Asensio. Instituto de Estudios Peruanos.<\/p>\n

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CA<\/p>\n

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En plena crisi econ\u00f2mica (2007-2014) el passat fenici de Cadis es va convertir en l’eix d’un projecte de transformaci\u00f3 econ\u00f2mica, pol\u00edtica i cultural que va suscitar tantes adhesions com descontentaments. L’objectiu era passar d’una ciutat industrial a un model de desenvolupament urb\u00e0 basat en el turisme. Els tres mil anys d’hist\u00f2ria de la ciutat havien de ser el pilar sobre el qual es constru\u00eds el futur. En aquesta obstinaci\u00f3, pol\u00edtics, periodistes, arque\u00f2legs, intel\u00b7lectuals, empresaris i experts de tota mena es van veure embolicats en pol\u00e8miques i controv\u00e8rsies sense fi, que al\u00b7ludien al passat i al present de la ciutat.<\/p>\n

Les \u00abguerres patrimonials\u00bb gaditanes, assenyala l’autor, s\u00f3n un cas singular, per\u00f2 al mateix temps tamb\u00e9 s\u00f3n un exemple del que succeeix en m\u00faltiples ciutats de la perif\u00e8ria europea, que en temps de globalitzaci\u00f3 i deslocalitzaci\u00f3 es veuen obligades a reinventar-se a s\u00ed mateixes en un esfor\u00e7 per no perdre la seva ess\u00e8ncia.\u00a0<\/p>\n

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ES<\/p>\n

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A partir de la experiencia de un proyecto de investigaci\u00f3n dirigido a problematizar el impacto social\u202fdel En plena crisis econ\u00f3mica (2007-2014), el pasado fenicio de C\u00e1diz se convirti\u00f3 en el eje de un proyecto de transformaci\u00f3n econ\u00f3mica, pol\u00edtica y cultural que suscit\u00f3 tanto adhesiones como descontentos. El objetivo era pasar de una ciudad industrial a un modelo de desarrollo urbano basado en el turismo. Los tres mil a\u00f1os de historia de la ciudad deb\u00edan ser el pilar sobre el que se construyera el futuro. En este empe\u00f1o, pol\u00edticos, periodistas, arque\u00f3logos, intelectuales, empresarios y expertos de todo tipo se vieron envueltos en pol\u00e9micas y controversias sin fin, que alud\u00edan al pasado y al presente de la ciudad.<\/p>\n

Las \u00abguerras patrimoniales\u00bb gaditanas, se\u00f1ala el autor, son un caso singular, pero al mismo tiempo tambi\u00e9n son un ejemplo de lo que ocurre en m\u00faltiples ciudades de la periferia europea, que en tiempos de globalizaci\u00f3n y deslocalizaci\u00f3n se ven obligadas a reinventarse a s\u00ed mismas en un esfuerzo por no perder su esencia.\u00a0\u00a0<\/p>\n

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EN<\/p>\n

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From the experience of a research project aimed at problematizing the social impact in the midst of the economic crisis (2004-2014), the Phoenician past of Cadiz became the axis of a project of economic, political and cultural transformation that aroused both adhesions and dissatisfaction. The goal was to shift from an industrial city to an urban development model based on tourism. The city’s three thousand years of history were to be the pillar on which the future could be built. In this endeavor, politicians, journalists, archaeologists, intellectuals, businessmen and experts of all kinds became embroiled in endless controversies and disputes, alluding to the city’s past and present.<\/p>\n

The author points out that the \u00abheritage wars\u00bb in C\u00e1diz are a unique case, but at the same time they are also an example of what is happening in many cities on the European periphery, which in times of globalization and relocation are forced to reinvent themselves in an effort not to lose their essence.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#e0dac3″ collapsed=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/www.ub.edu\/gapp\/wp-content\/uploads\/2021\/03\/Quan-larqueologia-gastronomia-troben.jpg\u00bb alt=\u00bbConverse: Quan l\u2019 arqueologia i la gastronomia es troben: experi\u00e8ncies al voltant de l\u2019espai multidisciplinar a ElBullifoundatio\u00bb title_text=\u00bbConverse: Quan l\u2019 arqueologia i la gastronomia es troben: experi\u00e8ncies al voltant de l\u2019espai multidisciplinar a ElBullifoundatio\u00bb _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.2″ _module_preset=\u00bbdefault\u00bb link_font=\u00bb||||on||||\u00bb header_2_text_align=\u00bbleft\u00bb header_2_font_size=\u00bb31px\u00bb header_2_font_size_tablet=\u00bb\u00bb header_2_font_size_phone=\u00bb25px\u00bb header_2_font_size_last_edited=\u00bbon|desktop\u00bb]<\/p>\n

Quan l\u2019 arqueologia i la gastronomia es troben: experi\u00e8ncies al voltant de l\u2019espai multidisciplinar a ElBullifoundatio<\/a><\/h2>\n

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22\u00a0 abril 2021, 6\u00a0pm\u00a0(CET)<\/p>\n

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Online<\/p>\n

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Convidada\/Invitada<\/strong>: Sandra Lozano (ElBulliFoundation)<\/p>\n

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CA<\/p>\n

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Fa set anys vaig fer un salt de proporcions que desconeixia. Em vaig introduir en un equip de cuiners que volien apropiar-se de la seva disciplina, explicar-la a la seva manera i generar coneixement sobre ella que els fos \u00fatil en la pr\u00e0ctica de la professi\u00f3. Em van contractar com l’especialista en Hist\u00f2ria i Arqueologia que podia ajudar-los a elaborar una hist\u00f2ria de la restauraci\u00f3 gastron\u00f2mica seguint els seus criteris i prioritats. Aix\u00ed va comen\u00e7ar un projecte en el qual Gastronomia i Hist\u00f2ria es donaven la m\u00e0 per primera vegada. Durant el proc\u00e9s, tant ells com jo vam haver d’adaptar el nostre m\u00e8tode de treball per a portar la col\u00b7laboraci\u00f3 a bon port. El resultat – el m\u00e9s evident \u00e9s el llibre Els Or\u00edgens de la Cuina<\/em> – no \u00e9s ni un producte purament hist\u00f2ric, ni purament gastron\u00f2mic; \u00e9s un h\u00edbrid. A la xerrada em detindr\u00e9 a explicar com s\u2019ha viscut aquesta experi\u00e8ncia i qu\u00e8 ha suposat a nivell te\u00f2ric i metodol\u00f2gic treballar bra\u00e7 a bra\u00e7 amb gent d’un m\u00f3n ali\u00e8 a l’acad\u00e8mic.<\/p>\n

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ES<\/p>\n

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Hace siete a\u00f1os di un salto de proporciones que desconoc\u00eda de antemano. Me introduje en un equipo de cocineros que quer\u00edan apropiarse de su disciplina, contarla a su manera y generar un conocimiento sobre ella que les fuera \u00fatil en la pr\u00e1ctica de la profesi\u00f3n. Me contrataron como la especialista en Historia y Arqueolog\u00eda que pod\u00eda ayudarles a elaborar una historia de la restauraci\u00f3n gastron\u00f3mica siguiendo sus criterios y prioridades. As\u00ed comenz\u00f3 un proyecto en el que Gastronom\u00eda e Historia se daban la mano por primera vez. En el proceso, tanto ellos como yo tuvimos que adaptar nuestro m\u00e9todo de trabajo para llevar la colaboraci\u00f3n a buen puerto. El resultado – el m\u00e1s evidente es el libro Los Or\u00edgenes de la Cocina<\/em> – no es ni un producto puramente hist\u00f3rico, ni puramente gastron\u00f3mico, es un h\u00edbrido. En la charla me detendr\u00e9 a explicar c\u00f3mo ha sido esta experiencia y qu\u00e9 ha supuesto a nivel te\u00f3rico y metodol\u00f3gico trabajar codo con codo con gente de un mundo ajeno al acad\u00e9mico<\/p>\n

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EN<\/p>\n

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Seven years ago I took a leap of proportions that I did not know beforehand. I was introduced to a team of chefs who wanted to appropriate their discipline and generate knowledge about it that would be useful in the practice of the profession. They hired me as the specialist in History and Archaeology who could help them develop a history of gastronomic restoration following their criteria and priorities. Thus began a project in which Gastronomy and History were shaking hands for the first time. In the process, both they and I had to adapt our working method to bring the collaboration to fruition. The result – the most obvious is the book The Origins of Cooking<\/em> – is neither a purely historical product, nor a purely gastronomic one, it is a hybrid. In the talk I will stop to explain how this experience has been and what it has meant at a theoretical and methodological level to work side by side with people from a world outside the academic world.\u00a0<\/p>\n

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Arqueologia, alteridat i patrimoni a la prov\u00edncia de Buenos Aires, l’Argentina. Reflexions des d’una experi\u00e8ncia situada entre la recerca i la gesti\u00f3.<\/h2>\n

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16 mar\u00e7\/marzo 2021, 6 pm (CET)\u00a0<\/p>\n

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Online<\/p>\n

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Convidada\/Invitada<\/strong>: Dra. Virginia Salerno UBA-CONICET (Argentina)<\/p>\n

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CA<\/p>\n

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A partir de l\u2019experi\u00e8ncia d\u2019un projecte de recerca dirigit a\u202fproblematitzar\u202fl\u2019impacte social del treball arqueol\u00f2gic en els contextos locals on aquest es desenvolupa, Salerno reflexiona sobre els obstacles i els encerts que ens van portar a repensar els sup\u00f2sits de partida.<\/p>\n

Per aix\u00f2 s\u2019abordan els despla\u00e7aments conceptuals de les principals categories que van vertebrar l\u2019estrat\u00e8gia metodol\u00f2gica \u2013coneixement p\u00fablic de l\u2019arqueologia, patrimoni, relacions passat\/present \u2013 juntament amb els dilemes que sorgeixen a partir de una doble forma d\u2019intervenci\u00f3 dirigida tant a la recerca com a la gesti\u00f3 d\u2019all\u00f2 arqueol\u00f2gic.\u00a0<\/p>\n

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ES<\/p>\n

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A partir de la experiencia de un proyecto de investigaci\u00f3n dirigido a problematizar el impacto social\u202fdel trabajo arqueol\u00f3gico en los contextos locales donde este se desarrolla, Virginia Salerno reflexiona sobre\u202flos obst\u00e1culos y los aciertos que les han llevado a repensar los supuestos de partida.<\/p>\n

Para ello se abordan los desplazamientos conceptuales de las principales categor\u00edas que vertebraron la estrategia metodol\u00f3gica \u2013conocimiento p\u00fablico de la arqueolog\u00eda, patrimonio, relaciones pasado\/presente \u2013 junto con los dilemas que surgen a partir de una doble forma de intervenci\u00f3n dirigida tanto a la investigaci\u00f3n como a la gesti\u00f3n de lo arqueol\u00f3gico.\u00a0\u00a0<\/p>\n

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EN<\/p>\n

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In this talk Virginia Salerno reflects on the obstacles and successes that have led her and her team to rethink the starting assumptions of a research project looking at the social impact of archaeological work in local communities. The main categories that were the backbone of the methodological strategy were the public knowledge of archaeology, heritage, and the relationship between past and present.<\/p>\n

Salerno will address the conceptual displacements of these concepts together with the dilemmas that arise from the tensions between research and management of the archaeological record.\u00a0\u00a0<\/p>\n

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Possibilitats de la cartografia social en la recerca etnogr\u00e0fica<\/h2>\n

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\u00a025 febrer\/febrero\u00a02021, 6\u00a0pm\u00a0(CET)<\/p>\n

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Online<\/p>\n

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Convidada\/Invitada<\/strong>: Dra. Gabriela Eljuri. Universitat del Azuay (Ecuador).<\/p>\n

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CA<\/p>\n

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Aquesta xerrada es basa en\u00a0un parell d’exemples de recerques etnogr\u00e0fiques\u00a0en les quals es va treballar amb cartografia social; un cas correspon a l’estudi de la Pla\u00e7a San Francisco, al Centre Hist\u00f2ric de Conca, i l’altre a un registre participatiu del patrimoni cultural immaterial de\u00a0Susudel, una parr\u00f2quia rural de la prov\u00edncia de\u00a0l\u2019Azuay\u00a0(Equador).\u00a0
Aqu\u00ed s\u2019aborden\u00a0les possibilitats de la cartografia social en el registre etnogr\u00e0fic\u00a0i es veur\u00e0 com aquesta constitueix una t\u00e8cnica important de recerca qualitativa que permet recaptar evocacions, imaginaris i relacions\u00a0socio-espatials\u00a0i temporals des dels sistemes de representaci\u00f3 dels actors locals. I com, a la vegada, funciona tamb\u00e9 com una eina d’activaci\u00f3 de la mem\u00f2ria a partir de la producci\u00f3 gr\u00e0fica col\u00b7lectiva.\u00a0<\/p>\n

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ES<\/p>\n

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Esta conversa expone\u00a0un par de ejemplos de investigaciones etnogr\u00e1ficas en las que se trabaj\u00f3 con cartograf\u00eda social; un caso corresponde al estudio de la Plaza San Francisco en el Centro Hist\u00f3rico de Cuenca y, el otro, a un registro participativo del patrimonio cultural inmaterial en Susudel, una parroquia rural de la provincia del Azuay, en Ecuador.\u00a0
Se abordan\u00a0las posibilidades de la cartograf\u00eda social en el registro etnogr\u00e1fico y c\u00f3mo esta constituye una t\u00e9cnica importante de investigaci\u00f3n cualitativa, que permite recabar evocaciones, imaginarios y relaciones socio espaciales y temporales desde los sistemas de representaci\u00f3n de los actores locales, pero, a la par, tambi\u00e9n aparece como una herramienta de activaci\u00f3n de la memoria, a partir de la producci\u00f3n gr\u00e1fica colectiva.\u00a0<\/p>\n

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EN<\/p>\n

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This talk discusses a couple of examples of ethnographic research using social mapping; one case involves the study of the Plaza San Francisco in the historic centre of Cuenca, and the second is a participatory recording of intangible cultural heritage in Susudel, a rural parish in the province of Azuay, Ecuador.\u00a0 I address here the possibilities of social cartography in ethnographic recording as an important qualitative research method. A tool for the activation of memory, based on collective graphic production. This technique improves the representation systems of local actors allowing the collection of evocations,\u00a0imaginaries\u00a0and socio-spatial and temporal relations.\u00a0<\/p>\n

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Persones, patrimoni, interaccions<\/h2>\n

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17 de desembre de 2020, 18:30 hores. CET<\/p>\n

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Online<\/p>\n

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Ponentes:<\/strong> Margarita D\u00edaz-Andreu<\/a>, Ana Pastor<\/a>, Mathieu Picas<\/a> and Apen Ruiz<\/a><\/p>\n

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CA<\/p>\n

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El dia 17 de desembre de 2020 es va celebrar un debat obert titulat \u201cPersones, patrimoni, interaccions\u201d. Va consistir en un intercanvi de preguntes interactiu amb les autores i autors de l\u2019\u00faltim llibre del GAPP: \u201c21 Assajos al Voltant del Patrimoni Cultural. 21 Ensayos sobre el Patrimonio Cultural\u201d (JAS Arqueolog\u00eda).<\/p>\n

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El debat va estar dinamitzat pels coordinadors de l\u2019obra, Ana Pastor, Mathieu Picas i Apen Ruiz, i va comptar amb la pres\u00e8ncia de gaireb\u00e9 tots els col\u00b7laboradors del llibre. El v\u00eddeo de l\u2019acte est\u00e0 d sponible online, desglossat en una\u00a0introducci\u00f3<\/a>\u00a0i les tres preguntes: sobre\u00a0participaci\u00f3<\/a>, sobre escriure amb estil no acad\u00e8mic<\/a>\u00a0i sobre\u00a0l\u2019efecte de la pand\u00e8mia<\/a>\u00a0en la relaci\u00f3 que els autors han tingut amb el trinomi context-patrimoni-societat. Els participants en el debat van ser, a m\u00e9s dels organitzadors: Joan\u202fMenchon\u202fBes, Natalia Hern\u00e1ndez\u202fTangarife, Roger\u202fAlc\u00e0ntara, Andreu\u202fMonforte-Barber\u00e1n, David Gonz\u00e1lez-\u00c1lvarez, Juansebasti\u00e1n\u202fVel\u00e1squez Pel\u00e1ez, Jes\u00fas Mart\u00edn Alonso, B\u00e1rbara Molina Neira, Isidre Pastor i Batalla, Cristina Vidal Lorenzo, Camila Opazo-Sep\u00falveda, Leslie F. Zubieta, Margarita G\u00f3mez Salas, Jaime Almansa-S\u00e1nchez, Ana-Mar\u00eda Alarc\u00f3n-Jim\u00e9nez y Laura Coltofean-Arizancu.\u00a0<\/p>\n

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ES<\/p>\n

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El d\u00eda 17 de diciembre de 2020 tuvo lugar un debate abierto titulado \u201cPersones, patrimoni, interaccions\u201d. Este se trat\u00f3 de un intercambio de preguntas interactivo con las autoras y autores de \u00faltimo libro de GAPP \u201c21 Assajos al Voltant del Patrimoni Cultural. 21 Ensayos sobre el Patrimonio Cultural\u201d (JAS Arqueolog\u00eda).\u00a0<\/p>\n

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El debate estuvo dinamizado por los coordinadores de libro, Ana Pastor, Mathieu Picas y Apen Ruiz, y cont\u00f3 con la presencia de casi todos los colaboradores del libro. El video del evento est\u00e1 online desglosado en una\u00a0introducci\u00f3n<\/a>\u00a0y las tres preguntas sobre\u00a0participaci\u00f3n<\/a>, sobre\u00a0escribir con estilo no acad\u00e9mico<\/a>\u00a0y sobre\u00a0el efecto de la pandemia<\/a>\u00a0en la relaci\u00f3n que los autores han tenido con el trinomio contexto-patrimonio-sociedad. Los participantes en el debate fueron, adem\u00e1s de los organizadores: Margarita D\u00edaz-Andreu, Joan\u202fMenchon\u202fBes, Natalia Hern\u00e1ndez\u202fTangarife, Roger\u202fAlc\u00e0ntara, Andreu\u202fMonforte-Barber\u00e1n, David Gonz\u00e1lez-\u00c1lvarez, Juansebasti\u00e1n\u202fVel\u00e1squez Pel\u00e1ez, Jes\u00fas Mart\u00edn Alonso, B\u00e1rbara Molina Neira, Isidre Pastor i Batalla, Cristina Vidal Lorenzo, Camila Opazo-Sep\u00falveda, Leslie F. Zubieta, Margarita G\u00f3mez Salas, Jaime Almansa-S\u00e1nchez, Ana-Mar\u00eda Alarc\u00f3n-Jim\u00e9nez y Laura Coltofean-Arizancu.<\/p>\n

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EN<\/p>\n

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On 17 December 2020 an open debate was held entitled \u201cPeople, heritage, interactions\u201d. This was an interactive exchange of questions with the authors of GAPP\u2019s latest book \u201c21 Essays on Cultural Heritage\u201d (published by JAS Archaeology).\u00a0<\/p>\n

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The debate was led by the book\u2019s editors, Ana Pastor, Mathieu Picas and Apen Ruiz, and was attended by almost all of the book\u2019s contributors. The video of the event is now online. It has been broken down into an\u00a0introduction<\/a>\u00a0and three parts each related to a question. The questions were about\u00a0participation<\/a>;\u00a0non-academic writing<\/a>; and about\u00a0the effects of the pandemic<\/a>\u00a0on the relationship that the authors have had with the relationship between heritage and society. The participants in the debate were, in addition to the organizers: Margarita D\u00edaz-Andreu, Joan\u202fMenchon\u202fBes, Natalia Hern\u00e1ndez\u202fTangarife, Roger\u202fAlc\u00e0ntara, Andreu\u202fMonforte-Barber\u00e1n, David Gonz\u00e1lez-\u00c1lvarez, Juansebasti\u00e1n\u202fVel\u00e1squez Pel\u00e1ez, Jes\u00fas Mart\u00edn Alonso, B\u00e1rbara Molina Neira, Isidre Pastor i Batalla, Cristina Vidal Lorenzo, Camila Opazo-Sep\u00falveda, Leslie F. Zubieta, Margarita G\u00f3mez Salas, Jaime Almansa-S\u00e1nchez, Ana-Mar\u00eda Alarc\u00f3n-Jim\u00e9nez y Laura Coltofean-Arizancu.<\/p>\n

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Gesti\u00f3 i Difusi\u00f3 de l\u2019Art Rupestre a l\u2019Entorn Mediterrani<\/h2>\n

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26 november 2020<\/p>\n

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Online<\/p>\n

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Ponentes:<\/strong> Salvador Lude\u00f1a, Agust\u00ed Vericat.<\/p>\n

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Moderador<\/strong>: Neemias Santos da Rosa<\/p>\n

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CA<\/p>\n

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El passat dijous 26 de novembre de 2020 es va celebrar un \u201cDi\u00e0leg Patrimonial del GAPP\u201d en format virtual, dirigit per Neemias Santos da Rosa amb la participaci\u00f3 de Salvador Lude\u00f1a (Centre d\u2019Interpretaci\u00f3 d\u2019Art Rupestre Casa de Cristo, Moratalla) i Agust\u00ed Vericat (Centre d\u2019Interpretaci\u00f3 d\u2019Art Rupestre Abrics de l\u2019Ermita). \u00a0Aquest nou format ens permetr\u00e0 convidar a dues expertes o experts, per parlar d\u2019alguna tem\u00e0tica comuna a trav\u00e9s d\u2019una s\u00e8rie de q\u00fcestions abordades pels organitzadors. Ens agradaria que fos un di\u00e0leg obert, com ho son les nostres converses, amb interrupcions e intercanvis de saber amb el p\u00fablic.<\/p>\n

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En aquest primer di\u00e0leg, comptem amb dos convidats experts en Art Rupestre: Salvador Lude\u00f1a (Director del Centro de Arte Rupestre Casa de Cristo, Moratalla, Murcia) i Agust\u00ed Vericat (Director del Centre d\u2019Art Rupestre Abrics de l\u2019Ermita, Ulldecona, Catalunya), que van parlar sobre la Gesti\u00f3 i Difusi\u00f3 de l\u2019Art Rupestre a l\u2019entorn mediterrani. El di\u00e0leg va ser en castell\u00e0 i va estar dirigit per un membre del projecte ERC\u00a0Artsoundscapes<\/a> i el GAPP: el Dr. Neemias Santos.<\/p>\n

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ES<\/p>\n

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El jueves, 26 de noviembre 2020 tuvo lugar un \u201cDi\u00e1logo Patrimonial del GAPP\u201d virtual con el t\u00edtulo \u201cGesti\u00f3n y Difusi\u00f3n del arte rupestre en el medio mediterr\u00e1neo\u201d dirigido Neemias Santos da Rosa con la participaci\u00f3n de Salvador Lude\u00f1a (Centro de Interpretaci\u00f3n del Arte Rupestre Casa de Cristo, Moratalla) y Agust\u00ed Vericat (Centro de Interpretaci\u00f3n de Arte Rupestre Abrics de l\u2019Ermita). Este nuevo formato nos permite invitar a dos expertas o expertos, para hablar de alguna tem\u00e1tica com\u00fan a trav\u00e9s de una serie de cuestiones abordadas por los organizadores. Este nos gustar\u00eda que fuese un di\u00e1logo abierto, como lo suelen ser nuestras \u201cconverses\u201d, con interrupciones e intercambios con el p\u00fablico.<\/p>\n

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Para este primer di\u00e1logo, contamos con dos invitados expertos en Arte Rupestre: Salvador Lude\u00f1a (Director del Centro de Arte Rupestre Casa de Cristo, Moratalla, Murcia) y Agust\u00ed Vericat (Director del Centro de Arte Rupestre Abrigos de la Ermita, Ulldecona, Catalu\u00f1a). Que charlar\u00e1n sobre la Gesti\u00f3n y Difusi\u00f3n del Arte Rupestre en el Entorno Mediterr\u00e1neo. El di\u00e1logo fue en castellano y estuvo dirigido por un miembro del proyecto ERC Artsoundscapes<\/a> y del GAPP: el Dr. Neemias Santos.<\/p>\n

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EN<\/p>\n

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On Thursday, November 26, 2020, an online \u201cGAPP Heritage Dialogue\u201d took place. The \u201cManagement and Dissemination of Rock Art in the Mediterranean\u201d dialogue was led by Neemias Santos da Rosa and as speakers it counted with the participation of Salvador Lude\u00f1a (Casa de Cristo Rock Art Interpretation Center, Moratalla) and Agust\u00ed Vericat (Abrics de l\u2019Ermita Rock Art Center). This new format will allow us to invite two experts to talk about a common topic through a series of questions addressed by the organizers. We would like this to be an open dialogue, as our \u201cconverses\u201d (talks) tend to be, with interruptions and exchanges with the public.<\/p>\n

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For this first dialogue, we have two guest experts in Cave Art: Salvador Lude\u00f1a (Director of the Casa de Cristo Cave Art Center, Moratalla, Murcia) and Agust\u00ed Vericat (Director of the Abrigos de la Ermita Cave Art Center, Ulldecona, Catalonia) . They talken about the Management and Dissemination of Rock Art in the Mediterranean Environment. The dialogue was in Spanish and it was leading by a member of both the ERC Artsoundscapes<\/a> project and GAPP: Dr. Neemias Santos.<\/p>\n

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CONVERSES PASSADES<\/p>\n<\/h2>\n

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2020-2021<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb]Salvador Lude\u00f1a, Agust\u00ed Vericat, Margarita D\u00edaz-Andreu, Ana Pastor, Mathieu Picas, Apen Ruiz y autores del libro \u00ab21 Assajos al Voltant del Patrimoni Cultural\u00bb, Gabriela Eljuri, Virginia Salerno, Sandra Lozano, Ra\u00fal Asensio[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMxMyJ9fQ==@\u00bb button_text=\u00bbM\u00e9s Informaci\u00f3\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.8.2″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bbdefault\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.8.2″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||true|false\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#C8AB37″ custom_padding=\u00bb15px|15px|15px|15px|true|true\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bb7f963102-8695-45a3-9794-759f478fc48c\u00bb custom_margin=\u00bb||||false|false\u00bb]<\/p>\n

2019-2020<\/p>\n

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Pablo Alonso Gonz\u00e1lez y Eva Parga Dans, Esraa Fathy Alhadad, Leslie Zubieta Calvert, Sendy Ghirardi, Marina Skarpeti, Margarita G\u00f3mez Salas, Jaime Almansa S\u00e1nchez, Montserrat Villaverde.<\/p>\n

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2018-2019<\/p>\n

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Isidre Pastor i Batalla, Isbert Sabrine, Alexander Geurds, Cristina Vidal Lorenzo, David Buxens, Diana S\u00e1nchez, Antoni Mart\u00edn i Oliveras, Camila Opazo-Sep\u00falveda.\u00a0<\/p>\n

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2017-2018<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.8.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Gustavo Gonz\u00e1lez, Integrants del C.R.A.S. (Lidia Boluda Terol, Lourdes L\u00f3pez Mart\u00ednez, Jes\u00fas Mart\u00edn Alonso, Guillermo Palomero, Paloma Zarzuela), B\u00e1rbara Molina Neira, Apen Ruiz, Ana Pastor, Luz G\u00e1miz, Elba Estrada Hern\u00e1ndez.\u00a0<\/p>\n

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2015-2017<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.8.2″ _module_preset=\u00bbdefault\u00bb]<\/p>\n

Juana M\u00aa Hu\u00e9lamo, Josep Maria Solias, Ricard Martinez, Pau Olmos, Bego\u00f1a Florida Eseberri, Santiago J. Castell\u00e0, Joan Menchon, Sergi Lozano, Paloma Gonz\u00e1lez Marc\u00e9n, GRAMPO (Roger Alc\u00e0ntara, Ricard Arnaiz, Adri\u00e0 Breu, Quim Sisa), David Gonz\u00e1lez \u00c1lvarez, Juansebasti\u00e1n Vel\u00e1squez Pel\u00e1ez, Natalia Hern\u00e1ndez Tangarife, Mireia Sabat\u00e9\u00a0<\/p>\n

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CONVERSES 2020-2021CALes converses son un espai obert de di\u00e0leg on una o v\u00e0ries persones comparteixen els seus coneixements amb un p\u00fablic divers.ESLas converses son un espacio abierto de di\u00e1logo donde una o varias personas comparten su conocimiento con un p\u00fablico diverso.ENConverses are an open space for dialogue where one or several people share their knowledge […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":710,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2018","page","type-page","status-publish","hentry"],"yoast_head":"\nConverses 2020-2021 - GAPP<\/title>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Converses 2020-2021 - GAPP\" \/>\n<meta property=\"og:description\" content=\"CONVERSES 2020-2021CALes converses son un espai obert de di\u00e0leg on una o v\u00e0ries persones comparteixen els seus coneixements amb un p\u00fablic divers.ESLas converses son un espacio abierto de di\u00e1logo donde una o varias personas comparten su conocimiento con un p\u00fablico diverso.ENConverses are an open space for dialogue where one or several people share their knowledge […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\" \/>\n<meta property=\"og:site_name\" content=\"GAPP\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-08T10:41:20+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\">\n\t<meta name=\"twitter:data1\" content=\"18 minutos\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/#website\",\"url\":\"https:\/\/www.ub.edu\/gapp\/\",\"name\":\"GAPP\",\"description\":\"Grup d\\u2019Arqueologia P\\u00fablica i Patrimoni\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/www.ub.edu\/gapp\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/#webpage\",\"url\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\",\"name\":\"Converses 2020-2021 - GAPP\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/gapp\/#website\"},\"datePublished\":\"2021-10-15T16:32:59+00:00\",\"dateModified\":\"2021-11-08T10:41:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/\",\"url\":\"https:\/\/www.ub.edu\/gapp\/\",\"name\":\"Portada\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/activitats\/\",\"url\":\"https:\/\/www.ub.edu\/gapp\/activitats\/\",\"name\":\"Activitats\"}},{\"@type\":\"ListItem\",\"position\":3,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\",\"url\":\"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2020-2021\/\",\"name\":\"Converses 2020-2021\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/pages\/2018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/comments?post=2018"}],"version-history":[{"count":5,"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/pages\/2018\/revisions"}],"predecessor-version":[{"id":2066,"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/pages\/2018\/revisions\/2066"}],"up":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/pages\/710"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/gapp\/wp-json\/wp\/v2\/media?parent=2018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}