{"id":285,"date":"2021-02-05T12:40:47","date_gmt":"2021-02-05T12:40:47","guid":{"rendered":"https:\/\/www.ub.edu\/gapp\/?page_id=285"},"modified":"2026-07-28T11:09:34","modified_gmt":"2026-07-28T11:09:34","slug":"converses","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/gapp\/activitats\/converses\/","title":{"rendered":"Converses 2024-2025"},"content":{"rendered":"

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CONVERSES 2025-2026<\/h1>\n

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CAT<\/p>\n

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Les converses son un espai obert de di\u00e0leg on una o v\u00e0ries persones comparteixen els seus coneixements amb un p\u00fablic divers.<\/p>\n

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ES<\/p>\n

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Las converses son un espacio abierto de di\u00e1logo donde una o varias personas comparten su conocimiento con un p\u00fablico diverso.<\/p>\n

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EN<\/p>\n

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Converses are an open space for dialogue where one or several people share their knowledge with a diverse audience.<\/p>\n

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Evaluar para proteger: hacia una gesti\u00f3n integral del patrimonio arqueol\u00f3gico<\/h3>\n

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Presenta: Dr. Pedro Francisco M\u00e9ndez Guerra<\/p>\n

Profesor asociado en la Universidad de Las Palmas de Gran Canaria<\/p>\n

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16 de setembre 2026 \/16 de Septiembre de 2026, 18:00 h (CEST)<\/p>\n

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CAT<\/p>\n

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El patrimoni arqueol\u00f2gic no nom\u00e9s conserva els vestigis materials del passat, sin\u00f3 que tamb\u00e9 planteja interrogants directes a les societats contempor\u00e0nies sobre la seva capacitat per investigar, protegir i transmetre l’her\u00e8ncia rebuda. En un context caracteritzat per la pressi\u00f3 urban\u00edstica, el turisme, la transformaci\u00f3 del territori i els riscos ambientals, la gesti\u00f3 dels jaciments arqueol\u00f2gics esdev\u00e9 una prioritat en els \u00e0mbits cient\u00edfic, cultural i social.<\/span><\/p>\n

En contraposici\u00f3 a una visi\u00f3 reduccionista de l’arqueologia centrada \u00fanicament en l’excavaci\u00f3, \u00e9s fonamental considerar totes les etapes posteriors a la descoberta: la documentaci\u00f3 rigorosa, la conservaci\u00f3 del b\u00e9, la seva protecci\u00f3 davant d’amenaces externes, l’elaboraci\u00f3 de discursos interpretatius s\u00f2lids i la seva obertura responsable a la ciutadania. Nom\u00e9s des d’aquesta perspectiva integral \u00e9s possible concebre el patrimoni arqueol\u00f2gic com un recurs din\u00e0mic, capa\u00e7 de generar coneixement, identitat, formaci\u00f3 i comprom\u00eds social.<\/p>\n

Mitjan\u00e7ant l’an\u00e0lisi comparativa de diversos enclavaments d’Espanya i Portugal, es proposa un model de valoraci\u00f3 patrimonial fonamentat en par\u00e0metres quantificables, que permet avaluar amb m\u00e9s objectivitat l’efic\u00e0cia de les intervencions realitzades. L’objectiu no \u00e9s reduir la complexitat del patrimoni a un valor percentual, sin\u00f3 disposar d’una eina que faciliti la identificaci\u00f3 de fortaleses, la detecci\u00f3 de mancances i l’orientaci\u00f3 de les decisions t\u00e8cniques i institucionals.<\/p>\n

La protecci\u00f3 jur\u00eddica o la simple obertura al p\u00fablic no garanteixen, per si soles, una gesti\u00f3 adequada. El principal repte consisteix a desenvolupar models integrals, sostenibles i avaluables que assegurin la conservaci\u00f3 futura dels b\u00e9ns arqueol\u00f2gics i, alhora, reforcin la seva funci\u00f3 social com a llegat compartit.<\/p>\n<\/div>\n

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ES<\/p>\n

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El patrimonio arqueol\u00f3gico no solo conserva los vestigios materiales del pasado, sino que tambi\u00e9n plantea interrogantes directos a las sociedades contempor\u00e1neas sobre su capacidad para investigar, proteger y transmitir lo heredado. En un contexto caracterizado por la presi\u00f3n urban\u00edstica, el turismo, la transformaci\u00f3n territorial y los riesgos medioambientales, la gesti\u00f3n de los yacimientos arqueol\u00f3gicos adquiere relevancia prioritaria en los \u00e1mbitos cient\u00edfico, cultural y social.<\/p>\n

En contraste con una visi\u00f3n reduccionista de la arqueolog\u00eda centrada \u00fanicamente en la excavaci\u00f3n, es fundamental considerar todas las etapas posteriores al hallazgo: la documentaci\u00f3n rigurosa, la conservaci\u00f3n del bien, su protecci\u00f3n ante amenazas externas, la elaboraci\u00f3n de discursos interpretativos s\u00f3lidos y su apertura responsable a la ciudadan\u00eda. Solo a trav\u00e9s de esta perspectiva integral es posible concebir el patrimonio arqueol\u00f3gico como un recurso din\u00e1mico, capaz de generar conocimiento, identidad, formaci\u00f3n y compromiso social.<\/p>\n

Mediante el an\u00e1lisis comparativo de diversos enclaves en Espa\u00f1a y Portugal, se propone un modelo de valoraci\u00f3n patrimonial, fundamentado en par\u00e1metros cuantificables, que permite evaluar con mayor objetividad la eficacia de las intervenciones realizadas. El objetivo no es reducir la complejidad del patrimonio a un valor porcentual, sino contar con una herramienta que facilite la identificaci\u00f3n de fortalezas, la detecci\u00f3n de carencias y la orientaci\u00f3n de las decisiones t\u00e9cnicas e institucionales.<\/p>\n

La protecci\u00f3n jur\u00eddica o la simple apertura al p\u00fablico no garantizan por s\u00ed solas una gesti\u00f3n adecuada. El principal desaf\u00edo radica en desarrollar modelos integrales, sostenibles y evaluables que aseguren la conservaci\u00f3n futura de los bienes arqueol\u00f3gicos y, simult\u00e1neamente, refuercen su funci\u00f3n social como legado compartido.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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EN<\/p>\n

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Archaeological heritage not only preserves the material remains of the past but also raises fundamental questions for contemporary societies about their ability to investigate, protect, and transmit this inherited legacy. In a context shaped by urban development pressures, tourism, landscape transformation, and environmental risks, the management of archaeological sites has become a priority in scientific, cultural, and social spheres.<\/span><\/p>\n

In contrast to a reductionist view of archaeology focused solely on excavation, it is essential to consider all the stages that follow discovery: rigorous documentation, conservation of the site, protection against external threats, the development of sound interpretative narratives, and its responsible presentation to the public. Only through this integrated perspective can archaeological heritage be understood as a dynamic resource capable of generating knowledge, fostering identity, supporting education, and encouraging social engagement.<\/p>\n

Drawing on a comparative analysis of several archaeological sites in Spain and Portugal, this presentation proposes a heritage assessment model based on quantifiable parameters that enables a more objective evaluation of the effectiveness of management interventions. The aim is not to reduce the complexity of heritage to a percentage score, but rather to provide a practical tool for identifying strengths, detecting shortcomings, and informing technical and institutional decision-making.<\/p>\n

Neither legal protection nor public access alone can guarantee effective heritage management. The main challenge lies in developing integrated, sustainable, and measurable management models that ensure the long-term conservation of archaeological assets while strengthening their social role as a shared cultural legacy.<\/p>\n<\/div>\n

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Turismo y Patrimonio Mundial: Un An\u00e1lisis del Visitante a las Obras de Antoni Gaud\u00ed<\/h3>\n

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Presenta: Valentina Valiente Arizmendi<\/p>\n

Departament d’Hist\u00f2ria i Arqueologia, Universitat de Barcelona<\/p>\n

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7 de juliol 2026 \/7 de julio de 2026, 18:00 h (CEST)<\/p>\n

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CAT<\/p>\n

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Barcelona rep milions de visitants cada any i una part important d’aquest inter\u00e8s tur\u00edstic est\u00e0 vinculada a les obres d’Antoni Gaud\u00ed. Set d’aquestes formen part de la inscripci\u00f3 col\u00b7lectiva de Patrimoni Mundial de la UNESCO\u00a0<\/span>\u00abObres d’Antoni Gaud\u00ed\u00bb<\/b>\u00a0<\/span>i es troben entre els espais m\u00e9s visitats de la ciutat. Com a part de la recerca doctoral, aquesta confer\u00e8ncia explora l’experi\u00e8ncia dels visitants en tres d’aquests espais patrimonials: la Casa Batll\u00f3, la Sagrada Fam\u00edlia i el Park G\u00fcell. L’objectiu \u00e9s comprendre qui els visita, qu\u00e8 els motiva a fer-ho i com es relacionen amb el patrimoni de Gaud\u00ed durant la seva visita. Aix\u00ed mateix, s’analitzar\u00e0 el paper que exerceixen diversos recursos de mediaci\u00f3, incloses les tecnologies digitals, en la manera com els visitants interpreten, valoren i recorden l’experi\u00e8ncia.<\/div>\n
En el context de l’Any Gaud\u00ed 2026, la presentaci\u00f3 oferir\u00e0 una reflexi\u00f3 sobre com es viu i s’ent\u00e9n avui el patrimoni des de la perspectiva de les persones que el visiten, aix\u00ed com sobre alguns dels reptes que afronten aquests espais davant el creixement del turisme i els canvis en les expectatives dels p\u00fablics.<\/div>\n

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ES<\/p>\n

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Barcelona recibe millones de visitantes cada a\u00f1o y una parte importante de este inter\u00e9s tur\u00edstico est\u00e1 vinculada a las obras de Antoni Gaud\u00ed. Siete de ellas forman parte de la inscripci\u00f3n colectiva de Patrimonio Mundial de la UNESCO \u201cObras de Antoni Gaud\u00ed\u201d y se encuentran entre los lugares m\u00e1s visitados de la ciudad. Como parte de la investigaci\u00f3n doctoral, esta charla explora la experiencia de los visitantes en tres de estos sitios patrimoniales: Casa Batll\u00f3, la Sagrada Familia y el Parc G\u00fcell. El objetivo es comprender qui\u00e9nes los visitan, qu\u00e9 los motiva a hacerlo y c\u00f3mo se relacionan con el patrimonio de Gaud\u00ed durante su recorrido. Asimismo, se analizar\u00e1 el papel que desempe\u00f1an distintos recursos de mediaci\u00f3n, incluidas las tecnolog\u00edas digitales, en la forma en que los visitantes interpretan, valoran y recuerdan la experiencia. En el contexto del A\u00f1o Gaud\u00ed 2026, la presentaci\u00f3n ofrecer\u00e1 una reflexi\u00f3n sobre c\u00f3mo se vive y se entiende hoy el patrimonio desde la perspectiva de quienes lo visitan, as\u00ed como sobre algunos de los retos que enfrentan estos sitios ante el crecimiento del turismo y los cambios en las expectativas de los p\u00fablicos.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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EN<\/p>\n

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Barcelona welcomes millions of visitors every year, and a significant share of this tourist interest is linked to the works of Antoni Gaud\u00ed. Seven of these sites are included in the UNESCO World Heritage listing\u00a0<\/span>\u00abWorks of Antoni Gaud\u00ed\u00bb<\/b>\u00a0<\/span>and rank among the city’s most visited landmarks. As part of a doctoral research project, this talk explores the visitor experience at three of these heritage sites: Casa Batll\u00f3, the Sagrada Fam\u00edlia, and Park G\u00fcell. The aim is to understand who visits these sites, what motivates them to do so, and how they engage with Gaud\u00ed’s heritage throughout their visit. It will also examine the role played by different mediation resources, including digital technologies, in shaping how visitors interpret, appreciate, and remember their experience.<\/div>\n
In the context of Gaud\u00ed Year 2026, the presentation will offer a reflection on how heritage is experienced and understood today from the perspective of those who visit it, as well as on some of the challenges these sites face in response to the growth of tourism and changing visitor expectations.<\/div>\n

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Behind Selection<\/strong>: The commercial use of the Chinese Neolithic Yangshao Culture in contemporary liquor branding<\/h3>\n

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Convidada\/Invitada: Dra. Shiting Lin<\/p>\n

Department of Archaeology, University of Cambridge<\/p>\n

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5 de Maig 2026 \/5 de Mayo de 2026, 12:00 h (CEST)<\/p>\n

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CAT<\/p>\n

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Tot i que la prehist\u00f2ria i l\u2019arqueologia poden semblar allunyades de la vida p\u00fablica contempor\u00e0nia, cada vegada es fan m\u00e9s visibles a trav\u00e9s de logotips de marques, anuncis i productes de consum, on el patrimoni interactua amb les pr\u00e0ctiques de branding. Mitjan\u00e7ant aquest proc\u00e9s, el patrimoni \u00e9s narrat, materialitzat, recontextualitzat i dif\u00f3s en la vida quotidiana, fet que pot modelar la comprensi\u00f3 p\u00fablica del passat. Aix\u00f2 planteja preguntes sobre com es seleccionen determinats elements patrimonials i quins efectes poden tenir aquestes pr\u00e0ctiques de marca. Aquesta pon\u00e8ncia examina el cas de Yangshao Liquor, una marca xinesa que recorre a la Cultura Yangshao del Neol\u00edtic (ca. 5.000\u20137.000 BP) en les seves estrat\u00e8gies de branding. Mitjan\u00e7ant l\u2019an\u00e0lisi de les connexions entre la marca i aquest patrimoni arqueol\u00f2gic, aquest treball estudia les formes estrat\u00e8giques en qu\u00e8 el patrimoni es transforma en representacions comercialitzables, aix\u00ed com la manera en qu\u00e8 aquests esfor\u00e7os de branding comuniquen informaci\u00f3 patrimonial al p\u00fablic i influeixen en la construcci\u00f3 dels valors patrimonials.<\/strong><\/span><\/o:p><\/span><\/p>\n

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ES<\/p>\n

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Aunque la prehistoria y la arqueolog\u00eda puedan parecer alejadas de la vida p\u00fablica contempor\u00e1nea, cada vez son m\u00e1s visibles a trav\u00e9s de logotipos de marcas, anuncios y productos de consumo, donde el patrimonio interact\u00faa con las pr\u00e1cticas de branding. Mediante este proceso, el patrimonio es narrado, materializado, recontextualizado y difundido en la vida cotidiana, moldeando potencialmente la comprensi\u00f3n p\u00fablica del pasado. Esto plantea preguntas sobre c\u00f3mo se seleccionan determinados elementos patrimoniales y qu\u00e9 efectos pueden tener estas pr\u00e1cticas de marca. Esta ponencia examina el caso de Yangshao Liquor, una marca china que recurre a la Cultura Yangshao del Neol\u00edtico (ca. 5.000\u20137.000 BP) en sus estrategias de branding. A trav\u00e9s del an\u00e1lisis de las conexiones entre la marca y este patrimonio arqueol\u00f3gico, el trabajo estudia las formas estrat\u00e9gicas en que el patrimonio se transforma en representaciones comercializables, as\u00ed como la manera en que estos esfuerzos de branding comunican informaci\u00f3n patrimonial al p\u00fablico e influyen en la construcci\u00f3n de valores patrimoniales.<\/p>\n

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EN<\/p>\n

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While prehistory and archaeology may appear distant from contemporary public life, they are increasing made visible through brands logos, advertisements, and consumer products, where heritage interacts with branding practices. Through this process, heritage is narrated, materialised, recontextualised, and circulated into everyday life, potentially shaping public understandings of the past. This raises questions about how particular elements of heritage are selected and what effects such branding practices may have. This talk examines the case of Yangshao Liquor, a Chinese brand that draws on the Neolithic Yangshao Culture (c. 5,000-7,000 BP) in its branding strategies. By tracing the connections between the brand and this archaeological heritage, this paper analyses the strategic ways in which heritage is transformed into marketable representations, and how such branding efforts communicate heritage information to the public and influence the construction of heritage values.<\/p>\n<\/div>\n

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El tratamiento del patrimonio mundial desde una aproximaci\u00f3n basada en personas<\/b><\/h3>\n

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Convidada\/Invitada: Dra. Alicia Castillo Mena<\/p>\n

Catedr\u00e1tica del departamento de Prehistoria, Historia Antigua y Arqueolog\u00eda de la Universidad Complutense de Madrid (UCM)<\/p>\n

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5 de Mar\u00e7 2026 \/5 de Marzo de 2026, 18:00 h (CEST)<\/p>\n

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CAT<\/p>\n

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\u00c9s ben conegut que la Convenci\u00f3 del Patrimoni Mundial ha tingut tradicionalment un enfocament predominantment material a l\u2019hora de considerar els llocs patrimonials. Tanmateix, m\u00e9s enll\u00e0 dels valors immaterials que es poden associar a aquests b\u00e9ns reconeguts per la UNESCO, \u00e9s innegable la profunda relaci\u00f3 i els efectes que aquestes declaracions internacionals generen sobre les comunitats locals i sobre les persones que els visiten.<\/p>\n

Des del discurs oficial \u2014impulsat tant per la teoria cr\u00edtica sobre els processos de patrimonialitzaci\u00f3 i les seves conseq\u00fc\u00e8ncies com per la mateixa pr\u00e0ctica de gesti\u00f3\u2014 hi ha nombroses refer\u00e8ncies a la import\u00e0ncia de vincular les persones amb aquests llocs. Aquestes consideracions s\u2019han anat accentuant amb els anys tant en la doctrina patrimonial com en les directrius pr\u00e0ctiques de la mateixa Convenci\u00f3, especialment des de 2007.<\/p>\n

Per\u00f2, com es posa en pr\u00e0ctica una aproximaci\u00f3 centrada en les persones en l\u2019\u00e0mbit del Patrimoni Mundial? Com es poden superar els desafeccionaments generats entre les declaracions i la visi\u00f3 formal dels llocs, i la societat civil o les comunitats ind\u00edgenes?<\/p>\n

A trav\u00e9s d\u2019aquesta xerrada es revisaran aportacions documentals, te\u00f2riques i normatives, i s\u2019exploraran m\u00e8todes i casos d\u2019estudi de llocs declarats en qu\u00e8 el grup de recerca Gesti\u00f3n del Patrimonio Cultural de la Universidad Complutense de Madrid compta amb experi\u00e8ncies que considera rellevant compartir i, per descomptat, sotmetre a debat i reflexi\u00f3 col\u00b7lectiva.<\/p>\n

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ES<\/p>\n

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Es bien conocido que la Convenci\u00f3n de Patrimonio Mundial ha tenido tradicionalmente un enfoque predominantemente material a la hora de considerar los sitios patrimoniales. Sin embargo, m\u00e1s all\u00e1 de los valores inmateriales que puedan asociarse a estos bienes reconocidos por la UNESCO, resulta innegable la profunda relaci\u00f3n y los efectos que estas declaraciones internacionales generan sobre las comunidades locales y sobre quienes los visitan. Desde el discurso oficial \u2014impulsado tanto por la teor\u00eda cr\u00edtica sobre los procesos de patrimonializaci\u00f3n y sus consecuencias como por la propia pr\u00e1ctica gestora\u2014 son numerosas las referencias a la importancia de vincular a las personas con estos sitios. Estas consideraciones se han ido acentuando con los a\u00f1os en la doctrina patrimonial y en las directrices pr\u00e1cticas de la propia Convenci\u00f3n, especialmente desde 2007. Pero \u00bfc\u00f3mo se lleva a la pr\u00e1ctica una aproximaci\u00f3n basada en personas en el \u00e1mbito del Patrimonio Mundial? \u00bfC\u00f3mo se pueden superar los desapegos generados entre las declaraciones y la visi\u00f3n formal de los sitios, y la sociedad civil o las comunidades ind\u00edgenas? A trav\u00e9s de esta charla se revisar\u00e1n aportaciones documentales, te\u00f3ricas y normativas, y se explorar\u00e1n m\u00e9todos y casos de estudio de sitios declarados en los que el grupo de investigaci\u00f3n Gesti\u00f3n del Patrimonio Cultural de la Universidad Complutense de Madrid cuenta con experiencias que considera relevante compartir y, por supuesto, someter a debate y reflexi\u00f3n colectiva.<\/p>\n

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EN<\/p>\n

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\n

It is well known that the World Heritage Convention has traditionally adopted a predominantly material approach when considering heritage sites. However, beyond the intangible values that may be associated with these UNESCO-recognised properties, the profound relationship and the effects that these international designations generate on local communities and on those who visit them are undeniable.<\/p>\n

From the official discourse \u2014 driven both by critical theory on heritage-making processes and their consequences, as well as by heritage management practice itself \u2014 there have been numerous references to the importance of connecting people with these sites. These considerations have become increasingly prominent over the years within heritage doctrine and in the practical guidelines of the Convention itself, especially since 2007.<\/p>\n

But how can a people-centred approach be implemented in the field of World Heritage? How can the disconnects generated between official declarations and formal visions of heritage sites, and civil society or Indigenous communities, be overcome?<\/p>\n

Through this talk, documentary, theoretical, and normative contributions will be reviewed, while exploring methods and case studies of World Heritage sites in which the Cultural Heritage Management research group at the Complutense University of Madrid has developed experiences considered valuable to share and, of course, to open up for debate and collective reflection.<\/p>\n<\/div>\n

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CONVERSES PASSADES<\/p>\n<\/h2>\n

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2022-2025<\/p>\n

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Henry Tantale\u00e1n, Nahir Meline Cantar, Malena Bedoya\u00a0<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwMTQifX0=@\u00bb button_text=\u00bbM\u00e9s Informaci\u00f3\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.16″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#C8AB37″ custom_padding=\u00bb15px|15px|15px|15px|true|true\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bb7f963102-8695-45a3-9794-759f478fc48c\u00bb custom_margin=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

2021-2022<\/p>\n

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Juliana R. Santi, Jes\u00fas Mart\u00edn Alonso, Natalia Moragas Segura, Restauradoras con Glitter, Rodrigo Covacevich<\/p>\n

 <\/p>\n

 <\/p>\n

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2020-2021<\/p>\n

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Salvador Lude\u00f1a, Agust\u00ed Vericat, Neemias Santos da Rosa, Margarita D\u00edaz-Andreu, Ana Pastor, Mathieu Picas, Apen Ruiz y autores del libro \u00ab21 Assajos al Voltant del Patrimoni Cultural\u00bb, Gabriela Eljuri, Virginia Salerno, Sandra Lozano, Ra\u00fal Asensio<\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bb@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjIwMTgifX0=@\u00bb button_text=\u00bbM\u00e9s Informaci\u00f3\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.16″ _dynamic_attributes=\u00bbbutton_url\u00bb _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ make_equal=\u00bbon\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb||||true|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#C8AB37″ custom_padding=\u00bb15px|15px|15px|15px|true|true\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bb7f963102-8695-45a3-9794-759f478fc48c\u00bb custom_margin=\u00bb||||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

2019-2020<\/p>\n

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Pablo Alonso Gonz\u00e1lez y Eva Parga Dans, Esraa Fathy Alhadad, Leslie Zubieta Calvert, Sendy Ghirardi, Marina Skarpeti, Margarita G\u00f3mez Salas, Jaime Almansa S\u00e1nchez, Montserrat Villaverde.<\/p>\n

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2018-2019<\/p>\n

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Isidre Pastor i Batalla, Isbert Sabrine, Alexander Geurds, Cristina Vidal Lorenzo, David Buxens, Diana S\u00e1nchez, Antoni Mart\u00edn i Oliveras, Camila Opazo-Sep\u00falveda.<\/p>\n

 <\/p>\n

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2017-2018<\/p>\n

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Gustavo Gonz\u00e1lez, Integrants del C.R.A.S. (Lidia Boluda Terol, Lourdes L\u00f3pez Mart\u00ednez, Jes\u00fas Mart\u00edn Alonso, Guillermo Palomero, Paloma Zarzuela), B\u00e1rbara Molina Neira, Apen Ruiz, Ana Pastor, Luz G\u00e1miz, Elba Estrada Hern\u00e1ndez.<\/p>\n

 <\/p>\n

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2015-2017<\/p>\n

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Juana M\u00aa Hu\u00e9lamo, Josep Maria Solias, Ricard Martinez, Pau Olmos, Bego\u00f1a Florida Eseberri, Santiago J. Castell\u00e0, Joan Menchon, Sergi Lozano, Paloma Gonz\u00e1lez Marc\u00e9n, GRAMPO (Roger Alc\u00e0ntara, Ricard Arnaiz, Adri\u00e0 Breu, Quim Sisa), David Gonz\u00e1lez \u00c1lvarez, Juansebasti\u00e1n Vel\u00e1squez Pel\u00e1ez, Natalia Hern\u00e1ndez Tangarife, Mireia Sabat\u00e9\u00a0<\/p>\n

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