{"id":3014,"date":"2025-01-13T10:50:54","date_gmt":"2025-01-13T10:50:54","guid":{"rendered":"https:\/\/www.ub.edu\/gapp\/?page_id=3014"},"modified":"2026-02-09T12:36:07","modified_gmt":"2026-02-09T12:36:07","slug":"converses-2022-2025","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/gapp\/activitats\/converses-2022-2025\/","title":{"rendered":"Converses 2022-2025"},"content":{"rendered":"

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CONVERSES 2022-2025<\/h1>\n

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CAT<\/p>\n

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Les converses son un espai obert de di\u00e0leg on una o v\u00e0ries persones comparteixen els seus coneixements amb un p\u00fablic divers.<\/p>\n

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ES<\/p>\n

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Las converses son un espacio abierto de di\u00e1logo donde una o varias personas comparten su conocimiento con un p\u00fablico diverso.<\/p>\n

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EN<\/p>\n

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Converses are an open space for dialogue where one or several people share their knowledge with a diverse audience.<\/p>\n

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Charla-taller: Temporalidades en movimiento: Reflexiones sobre coleccionismo y arqueolog\u00edas en\/del tiempo<\/span><\/strong><\/h2>\n<\/div>\n<\/div>\n
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Convidada\/Invitada: Dra. Malena Bedoya. Historiadora y curadora independiente.<\/span><\/p>\n<\/div>\n<\/div>\n

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9 de decembre 2025 \/9 de diciembre de 2025, 18:00 h (CEST)<\/p>\n<\/div>\n<\/div>\n

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CAT<\/p>\n

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En aquesta xerrada-taller abordarem el concepte de\u00a0<\/span>temporalitats<\/em>\u00a0<\/span>com una eina per repensar les pr\u00e0ctiques del col\u00b7leccionisme i les seves maneres de produir coneixement. Es tracta d\u2019entendre el col\u00b7leccionisme \u2014especialment l\u2019arqueol\u00f2gic\u2014 no com una pr\u00e0ctica estrictament disciplin\u00e0ria (pr\u00f2pia de la hist\u00f2ria, l\u2019antropologia, l\u2019arqueologia o la hist\u00f2ria de l\u2019art), sin\u00f3 com un entramat de relacions, ag\u00e8ncies i afectes que connecten diferents temps i espais.<\/p>\n

El format de xerrada-taller ser\u00e0 fonamental en aquest proc\u00e9s. En incorporar-hi eines d\u2019acci\u00f3 i reflexi\u00f3 situada, es proposa un aprenentatge basat en la pr\u00e0ctica (dient i fent) que permeti desbordar els l\u00edmits disciplinaris tradicionals. Aix\u00f2 implica tamb\u00e9 examinar cr\u00edticament les formes en qu\u00e8 hem estat educades o educats per mirar: l\u2019entrenament de la mirada, les jerarquies del veure-saber i els sup\u00f2sits que organitzen la relaci\u00f3 entre objectes, coneixements i subjectes.<\/p>\n

Explorarem com el col\u00b7leccionisme es creua amb pr\u00e0ctiques d\u2019exhibici\u00f3, educaci\u00f3 i mediaci\u00f3 cultural, i com aquestes pr\u00e0ctiques obren possibilitats per construir ponts entre disciplines i comunitats. Presentar\u00e9 alguns casos d\u2019investigaci\u00f3-creaci\u00f3 en qu\u00e8 he participat, amb la finalitat de reflexionar sobre les implicacions \u00e8tiques i pol\u00edtiques de les investigacions acad\u00e8miques sobre el col\u00b7leccionisme realitzades en el present.<\/p>\n

Reprenent debats provinents de la hist\u00f2ria p\u00fablica, la ci\u00e8ncia ciutadana i les perspectives interseccionals, proposar\u00e9 pensar el temps com un camp de disputa on es negocien mem\u00f2ries, patrimonis, sabers i formes d\u2019habitar el m\u00f3n. En aquest sentit, la dimensi\u00f3 pol\u00edtica del temps ser\u00e0 clau per comprendre com certes narratives es legitimen mentre d\u2019altres s\u00f3n silenciades \u2014conscientment o inconscientment\u2014, cosa que ens convida a un exercici continu de reflexi\u00f3 cr\u00edtica sobre les relacions entre col\u00b7leccionisme, institucions i poder.<\/p>\n

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ES<\/p>\n

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En esta charla-taller abordaremos el concepto de temporalidades como una herramienta para repensar las pr\u00e1cticas del coleccionismo y sus modos de producir conocimiento. Se trata de comprender el coleccionismo \u2014en especial el arqueol\u00f3gico\u2014 no como una pr\u00e1ctica estrictamente disciplinar (propia de la historia, la antropolog\u00eda, la arqueolog\u00eda o la historia del arte), sino como un entramado de relaciones, agencias y afectos que conectan distintos tiempos y espacios. El formato de charla-taller ser\u00e1 fundamental en este proceso. Al incorporar herramientas de acci\u00f3n y reflexi\u00f3n situada, se propone un aprendizaje basado en la pr\u00e1ctica (diciendo y haciendo) que permita desbordar los l\u00edmites disciplinarios tradicionales. Esto implica tambi\u00e9n examinar cr\u00edticamente las formas en que hemos sido educadas\/os para mirar: el entrenamiento del ojo, las jerarqu\u00edas del ver-saber y los supuestos que organizan la relaci\u00f3n entre objetos, conocimientos y sujetos. Exploraremos c\u00f3mo el coleccionismo se cruza con pr\u00e1cticas de exhibici\u00f3n, educaci\u00f3n y mediaci\u00f3n cultural, y c\u00f3mo estas pr\u00e1cticas abren posibilidades para construir puentes entre disciplinas y comunidades. Presentar\u00e9 algunos casos de investigaci\u00f3n-creaci\u00f3n en los que he participado, con el fin de reflexionar sobre las implicaciones \u00e9ticas y pol\u00edticas de las investigaciones acad\u00e9micas sobre el coleccionismo realizadas en el presente. Retomando debates provenientes de la historia p\u00fablica, la ciencia ciudadana y las perspectivas interseccionales, propondr\u00e9 pensar el tiempo como un campo de disputa donde se negocian memorias, patrimonios, saberes y formas de habitar el mundo. En este sentido, la dimensi\u00f3n pol\u00edtica del tiempo ser\u00e1 clave para comprender c\u00f3mo ciertas narrativas se legitiman mientras otras son silenciadas \u2014consciente o inconscientemente\u2014, lo que nos invita a un ejercicio continuo de reflexi\u00f3n cr\u00edtica sobre las relaciones entre coleccionismo, instituciones y poder<\/span><\/p>\n

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EN<\/p>\n

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In this conference-workshop, we will approach the concept of\u00a0<\/span>temporalities<\/em>\u00a0<\/span>as a tool to rethink collecting practices and their ways of producing knowledge. The aim is to understand collecting, especially archaeological collecting, not as a strictly disciplinary practice (belonging to history, anthropology, archaeology, or art history), but as a network of relationships, agencies, and affects that connect different times and spaces.<\/p>\n

The activity format will be fundamental in this process. By incorporating tools for situated action and reflection, we propose a practice-based learning approach (speaking and doing) that allows us to overflow traditional disciplinary boundaries. This also involves critically examining the ways in which we have been trained to see: the training of the eye, the hierarchies of seeing-knowing, and the assumptions that organize the relationship between objects, knowledge, and subjects.<\/p>\n

We will explore how collecting intersects with practices of exhibition, education, and cultural mediation, and how these practices open possibilities to build bridges between disciplines and communities. I will present some research-creation cases in which I have participated, to reflect on the ethical and political implications of academic research on collecting carried out in the present.<\/p>\n

Drawing on debates from public history, citizen science, and intersectional perspectives, I will propose thinking of time as a field of struggle where memories, heritages, knowledges, and ways of inhabiting the world are negotiated. In this sense, the political dimension of time will be key to understanding how certain narratives are legitimized while others are silenced, consciously or unconsciously, inviting us to an ongoing exercise of critical reflection on the relationships between collecting, institutions, and power.<\/p>\n<\/div>\n

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Arqueolog\u00eda, Patrimonio Cultural y Turismo en el Per\u00fa Contempor\u00e1neo<\/span><\/strong>.<\/h2>\n

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Convidat\/Invitado: Dr. Henry Tantale\u00e1n. Profesor Principal del Departamento de Arqueolog\u00eda, Universidad Nacional Mayor de San Marcos.<\/span><\/p>\n

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11 de febrer 2025 \/11 de febrero 2025, 6:30 pm (CEST)<\/p>\n

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CAT<\/p>\n

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El Per\u00fa contemporani \u00e9s (re)conegut a nivell mundial per la seva arqueologia, el patrimoni cultural i el turisme. Aquests tres elements conformen un triangle, la base del qual \u00e9s l’arqueologia. Sobre l’arqueologia s’han constru\u00eft els discursos\u00a0patrimonialistes\u00a0i tur\u00edstics m\u00e9s influents. Un proc\u00e9s que es va iniciar com la cerca d’antigues civilitzacions, transitant per la recerca cient\u00edfica, passant per la seva utilitzaci\u00f3 pol\u00edtica per l’estat naci\u00f3 peru\u00e0, fins a arribar en les \u00faltimes d\u00e8cades a una arqueologia aplicada i finan\u00e7ada com a part de les estrat\u00e8gies de l’economia pol\u00edtica local i transnacional. Les similituds d’aquest fenomen amb altres pa\u00efsos s\u00f3n evidents i rellevants, i es deuen a la globalitzaci\u00f3 del turisme en el m\u00f3n. No obstant aix\u00f2, en aquesta conversa s’aprofundeix en les particularitats i difer\u00e8ncies d’aquests tres elements (arqueologia, patrimoni cultural i turisme) al Per\u00fa; la seva g\u00e8nesi, el desenvolupament, les contradiccions i l\u2019agenda cap al futur. D’aquesta manera, aquesta xerrada oferir\u00e0 una mirada panor\u00e0mica i cr\u00edtica a una s\u00e8rie de processos vinculats que, en el context de les pr\u00e0ctiques neoliberals al Per\u00fa contemporani, han generat el sorgiment de narratives, (im)postures\u00a0intel\u00b7lectuals, institucions i infraestructura orientada a la mercantilitzaci\u00f3 dels llocs i objectes arqueol\u00f2gics.<\/p>\n

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ES<\/p>\n

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El Per\u00fa contempor\u00e1neo es (re)conocido a nivel mundial por su arqueolog\u00eda, patrimonio cultural y turismo. Estos tres elementos conforman un tri\u00e1ngulo cuya base es la arqueolog\u00eda. Sobre ella, la arqueolog\u00eda, se han construido los discursos patrimonialistas y tur\u00edsticos m\u00e1s influyentes en un proceso que se inici\u00f3 como la b\u00fasqueda de antiguas civilizaciones, transitando por la investigaci\u00f3n cient\u00edfica, pasando por su uso pol\u00edtico por el estado naci\u00f3n peruano, hasta llegar en las \u00faltimas d\u00e9cadas a una arqueolog\u00eda aplicada y financiada como parte de las estrategias de la econom\u00eda pol\u00edtica local y transnacional. Las similitudes de este fen\u00f3meno con otros pa\u00edses son evidentes y relevantes y se deben a la globalizaci\u00f3n del turismo en el mundo. No obstante, en esta conversaci\u00f3n se profundiza en las particularidades y diferencias de estos tres elementos (arqueolog\u00eda, patrimonio cultural y turismo) en el Per\u00fa, su g\u00e9nesis, desarrollo, contradicciones y agenda de cara hacia el futuro. De esta manera, esta charla ofrecer\u00e1 una mirada panor\u00e1mica y cr\u00edtica a una serie de procesos vinculados que en el contexto de las pr\u00e1cticas neoliberales en el Per\u00fa contempor\u00e1neo ha generado el surgimiento de narrativas, (im)posturas intelectuales, instituciones e infraestructura orientada a la mercantilizaci\u00f3n de los sitios y objetos arqueol\u00f3gicos.<\/p>\n

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EN<\/p>\n

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Contemporary Peru is globally (re)cognized for its archaeology, cultural heritage, and tourism. These three elements form a triangle, with archaeology as its foundation. Upon this base, archaeology, the most influential heritage, and tourism discourses have been constructed, in a process that began as a quest for ancient civilizations evolving through scientific research and that was later appropriated for political purposes by the Peruvian nation-state. In recent decades it has shifted towards applied archaeology, financed as part of local and transnational political economy strategies. The similarities of this phenomenon with other countries are evident and relevant, driven by the globalization of tourism worldwide. However, this converstation delves into the particularities and differences of these three elements (archaeology, cultural heritage, and tourism) in Peru, examining their genesis, development, contradictions, and future agenda. In this context, the talk will provide a panoramic and critical perspective on a series of interconnected processes which, in the context of neoliberal practices in contemporary Peru, have led to the emergence of narratives, intellectual (im)positions, institutions, and infrastructure aimed at the commodification of archaeological sites and objects.<\/p>\n<\/div>\n

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Patrimonio Urbano y Sustentabilidad Sociocultural. Experiencia de evaluaci\u00f3n en la ciudad de Olavarr\u00eda, Argentina<\/strong>.<\/h2>\n

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Convidada\/Invitada: Dra. Arq. Nahir Meline Cantar, Postdoctoral de Temas Estrat\u00e9gicos CONICET. Instituto del H\u00e1bitat y del Ambiente (IHAM). Universidad Nacional de Mar del Plata.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb]8 de novembre 2022 \/8 de noviembre 2022, 6 pm (CEST)[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.youtube.com\/watch?v=hl0VModM8wQ\u00bb url_new_window=\u00bbon\u00bb button_text=\u00bbVideo\u00bb _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb locked=\u00bboff\u00bb collapsed=\u00bbon\u00bb][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.9.4″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#FFFFFF\u00bb background_color=\u00bb#0B280B\u00bb text_orientation=\u00bbcenter\u00bb width=\u00bb40px\u00bb module_alignment=\u00bbleft\u00bb min_height=\u00bb40px\u00bb animation_style=\u00bbzoom\u00bb custom_css_main_element=\u00bbdisplay:flex;||flex-direction: column;||justify-content: center;\u00bb border_radii=\u00bbon|100%|100%|100%|100%\u00bb]<\/p>\n

CAT<\/p>\n

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L’aven\u00e7 desmesurat de la urbanitzaci\u00f3 i el creixement inorg\u00e0nic de les ciutats llatinoamericanes ha col\u00b7locat el patrimoni urb\u00e0 en una situaci\u00f3 d’alta vulnerabilitat. Aix\u00f2 \u00e9s conseq\u00fc\u00e8ncia, en gran manera, de les escasses intervencions de les administracions locals en el desenvolupament equilibrat del territori. Aquest escenari ha generat la preocupaci\u00f3 dels organismes internacionals especialitzats en patrimoni, entre els quals preval la proposta d’un abordatge inclusiu i hol\u00edstic, que incorpori els objectius de la sostenibilitat tant com a eix de la seva salvaguarda com per la seva aportaci\u00f3 significativa per al creixement sustentable de les ciutats. Cal admetre que, presa la decisi\u00f3 de diagnosticar o intervenir en la preservaci\u00f3 del patrimoni urb\u00e0, l’esc\u00e0s instrumental desenvolupat per a l’operacionalitzaci\u00f3 dels preceptes de la sostenibilitat.<\/span><\/p>\n

L’experi\u00e8ncia d’avaluaci\u00f3 de la sostenibilitat sociocultural del patrimoni urb\u00e0 de la ciutat d’<\/span>Olavarr\u00eda<\/span> va procurar reduir aquesta car\u00e8ncia, a partir del desenvolupament d’una eina metodol\u00f2gica d’\u00edndexs i d’indicadors.<\/span><\/p>\n

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ES<\/p>\n

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El avance desmedido de la urbanizaci\u00f3n y el crecimiento inorg\u00e1nico de las ciudades latinoamericanas ha colocado al patrimonio urbano en una situaci\u00f3n de alta vulnerabilidad. Ello es consecuencia, en gran medida, de las escasas intervenciones de las administraciones locales en el desarrollo equilibrado del territorio. Este escenario ha generado la preocupaci\u00f3n de los organismos internacionales especializados en patrimonio, entre los cuales prevalece la propuesta de un abordaje inclusivo y hol\u00edstico, que incorpore los objetivos de la sustentabilidad tanto como eje de su salvaguardia como por su aporte significativo para el crecimiento sustentable de las ciudades. Cabe admitir que, tomada la decisi\u00f3n de diagnosticar o intervenir en la preservaci\u00f3n del patrimonio urbano, es escaso el instrumental desarrollado para la operacionalizaci\u00f3n de los preceptos de la sustentabilidad.\u00a0\u00a0<\/span><\/span><\/p>\n

La experiencia de evaluaci\u00f3n de la sustentabilidad sociocultural del patrimonio urbano de la ciudad de Olavarr\u00eda procur\u00f3 reducir tal carencia, a partir del desarrollo de una herramienta metodol\u00f3gica de \u00edndices e indicadores.\u00a0<\/span><\/p>\n

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EN<\/p>\n

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The uncontrolled advance of urbanisation and the inorganic growth of Latin American cities has placed urban heritage in a highly vulnerable situation. This is largely a consequence of the scarce interventions of local administrations in the balanced development of the territory. This scenario has generated the concern of international organisations specialised in heritage, among which the prevailing proposal is for an inclusive and holistic approach that incorporates the objectives of sustainability, both as the axis of its safeguarding and as a significant contribution to the sustainable growth of cities. It must be admitted that, once the decision has been taken to diagnose or intervene in the preservation of urban heritage, the instruments developed for the operationalisation of the precepts of sustainability are scarce.<\/div>\n
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The experience of assessing the socio-cultural sustainability of the urban heritage of the city of Olavarr\u00eda sought to reduce this deficiency by developing a methodological tool of indices and indicators. <\/span><\/div>\n

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CONVERSES PASSADES<\/p>\n<\/h2>\n

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2021-2022<\/p>\n

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Juliana R. Santi, Jes\u00fas Mart\u00edn Alonso, Natalia Moragas Segura, Restauradoras con Glitter, Rodrigo Covacevich<\/p>\n

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2020-2021<\/p>\n

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Salvador Lude\u00f1a, Agust\u00ed Vericat, Neemias Santos da Rosa, Margarita D\u00edaz-Andreu, Ana Pastor, Mathieu Picas, Apen Ruiz y autores del libro \u00ab21 Assajos al Voltant del Patrimoni Cultural\u00bb, Gabriela Eljuri, Virginia Salerno, Sandra Lozano, Ra\u00fal Asensio<\/p>\n

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2019-2020<\/p>\n

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Pablo Alonso Gonz\u00e1lez y Eva Parga Dans, Esraa Fathy Alhadad, Leslie Zubieta Calvert, Sendy Ghirardi, Marina Skarpeti, Margarita G\u00f3mez Salas, Jaime Almansa S\u00e1nchez, Montserrat Villaverde.<\/p>\n

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2018-2019<\/p>\n

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Isidre Pastor i Batalla, Isbert Sabrine, Alexander Geurds, Cristina Vidal Lorenzo, David Buxens, Diana S\u00e1nchez, Antoni Mart\u00edn i Oliveras, Camila Opazo-Sep\u00falveda.<\/p>\n

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2017-2018<\/p>\n

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Gustavo Gonz\u00e1lez, Integrants del C.R.A.S. (Lidia Boluda Terol, Lourdes L\u00f3pez Mart\u00ednez, Jes\u00fas Mart\u00edn Alonso, Guillermo Palomero, Paloma Zarzuela), B\u00e1rbara Molina Neira, Apen Ruiz, Ana Pastor, Luz G\u00e1miz, Elba Estrada Hern\u00e1ndez.<\/p>\n

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2015-2017<\/p>\n

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Juana M\u00aa Hu\u00e9lamo, Josep Maria Solias, Ricard Martinez, Pau Olmos, Bego\u00f1a Florida Eseberri, Santiago J. Castell\u00e0, Joan Menchon, Sergi Lozano, Paloma Gonz\u00e1lez Marc\u00e9n, GRAMPO (Roger Alc\u00e0ntara, Ricard Arnaiz, Adri\u00e0 Breu, Quim Sisa), David Gonz\u00e1lez \u00c1lvarez, Juansebasti\u00e1n Vel\u00e1squez Pel\u00e1ez, Natalia Hern\u00e1ndez Tangarife, Mireia Sabat\u00e9\u00a0<\/p>\n

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