{"id":5266,"date":"2018-02-13T11:01:51","date_gmt":"2018-02-13T10:01:13","guid":{"rendered":"http:\/\/www.ub.edu\/imarte\/investigacions\/publicacions\/"},"modified":"2025-12-15T12:34:15","modified_gmt":"2025-12-15T11:34:15","slug":"publicacions","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"<div id=\"pl-5266\"  class=\"panel-layout\" ><div id=\"pg-5266-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-5266-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-5266-0-0-0\" class=\"so-panel widget widget_imartew_page_title panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_page_title so-widget-imartew_page_title-default-0785d86991c3-5266\"\n\t\t\t\n\t\t><h1 class='page-title'>Publicaciones<\/h1><\/div><\/div><div id=\"panel-5266-0-0-1\" class=\"so-panel widget widget_imartew_separator\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-2\" class=\"so-panel widget widget_imartew_sectitle\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_sectitle so-widget-imartew_sectitle-default-86f23edb7f83-5266\"\n\t\t\t\n\t\t><h2 class='imarte-section-title'>Publicaciones del equipo de investigaci\u00f3n<\/h2><\/div><\/div><div id=\"panel-5266-0-0-3\" class=\"so-panel widget widget_sow-editor\" data-index=\"3\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtulo: <\/strong><a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2025\/12\/2025_Catalogo-imarte_UB.pdf\">Irradiaciones, dobles rendijas y celdas cristalinasdobles<\/a><br \/>\n<strong>Editores: <\/strong>Museu de la Universitat d\u2019Alacant. MUA<br \/>\n<strong>Autorias: <\/strong>E. Agust\u00ed, A. Alcoz, M. Angl\u00e8s, L. Baigorri, J. Burd, J. Cantalozella, T. Coll, M. Carre\u00f1o I R. Mu\u00f1oz, A. Del R\u00edo, M. Feliu I J. Milne, E. Fraj I M.A. Ramos, Idensitat (R. Parramon, G. Maza I A. L\u00f3pez), E. Irusta, J. Lozano, D. Marchante, E. Mar\u00edn, J. Morell, L. Moret\u00f3 I S. S., M. Negre, \u00d2. Padilla, M. Plans, C. Past\u00f3, Eloi Puig, A. Urroz-Os\u00e9s, \u00c0. Viladomiu.<br \/>\nTextos: Txuma S\u00e1nchez<br \/>\n<strong>Publicado por: <\/strong>Grupo de Investigaci\u00f3n Consolidado: IMARTE. Investigaci\u00f3n en procesos art\u00edsticos y nuevas tecnolog\u00edas (2021 SGR 01090).<br \/>\n<strong>Coordinaci\u00f3n<\/strong>: Sof\u00eda Mart\u00edn. MUA; Eloi Puig. UB. <strong>Dise\u00f1o: <\/strong>Bernab\u00e9 G\u00f3mez. MUA<br \/>\n<strong><b>P\u00e0gs: <\/b><\/strong>175 <strong>ISBN:\u00a0<\/strong>979-13-990194-2-1 <strong>DL: <\/strong>A-641-2025<br \/>\n<strong>A\u00f1o:<\/strong> 2025 <strong>Clave:<\/strong> Libro (Cat\u00e1logo)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-4\" class=\"so-panel widget widget_imartew_separator\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-5\" class=\"so-panel widget widget_sow-editor\" data-index=\"5\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtulo:\u00a0<\/strong> <a href=\"https:\/\/www.dykinson.com\/libros\/arte-identitario-en-la-no-presencialidad\/9788410707429\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dykinson.com\/libros\/arte-identitario-en-la-no-presencialidad\/9788410707429\/&amp;source=gmail&amp;ust=1734424397710000&amp;usg=AOvVaw0uv2MnzVngF9f3yJweutap\">Arte identitario en la no-presencialidad<\/a><br \/>\n<strong>Editores: <\/strong>Baigorri i Ortu\u00f1o.<br \/>\n<strong>Autorias: <\/strong>Laura Baigorri, Joana Burd, Diego Marchante.<br \/>\n<strong>Publicado por: <\/strong> <a href=\"https:\/\/www.ub.edu\/cuerposconectados\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.ub.edu\/cuerposconectados\/&amp;source=gmail&amp;ust=1734424397710000&amp;usg=AOvVaw2Ic1wcwlE2BTkhE0chxHbl\">CUERPOS CONECTADOS II<\/a> \u00a0Nuevos procesos de creaci\u00f3n y difusi\u00f3n de las pr\u00e1cticas art\u00edsticas identitarias en la no-presencialidad (PID2020-116999RB-I00).<br \/>\n<strong>Colabora<\/strong>: MICIU. <strong>Editorial:<\/strong> Dykinson<br \/>\n<strong><b>P\u00e1gs: <\/b><\/strong>305 <strong>ISBN:\u00a0<\/strong>9788410707429 <strong>DL: <\/strong>M-23719-2024<br \/>\n<strong>A\u00f1o:<\/strong> 2024 <strong>Clave:<\/strong> Libro<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-6\" class=\"so-panel widget widget_imartew_separator\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-8e67ce3ea29b-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-7\" class=\"so-panel widget widget_sow-editor\" data-index=\"7\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtulo: <\/strong><a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2024\/01\/llibre-mares-ok-2-plecs-RGB-72.pdf\">Que res es llenci ni es perdi per inu\u0301til : una relectura del Gabinet del Col\u00b7leccionista (versi\u00f3n pdf 6,6 Mb)<\/a><br \/>\n<strong>Coordinaci\u00f3n: <\/strong>A\u0300ngels Viladomiu (IP) i Albert Valera (IP).<br \/>\n<strong>Autorias:<\/strong> Cantalozella, J.; Casanovas, M.;Coll, A.; Garcia, M.; Grau, M.; Lozano, J.; Morell, J.; Negre, M.; Past\u00f3, C.; Valera, A.; Viladomiu, A.<br \/>\n<strong>Publicado por: <\/strong>Mate\u0300ria Impresa i Edicions UB. <strong>Traduccio\u0301n y revisio\u0301n:<\/strong> Cristina Pasto\u0301, A\u0300ngels Marti\u0301nez Salom, Serveis Lingu\u0308i\u0301stics UB.<br \/>\n<strong>Colaboran<\/strong>: Museu Mares. UB, MICIN, Fondos FEDER. <strong>Dise\u00f1o y maquetacio\u0301n:<\/strong> Pilar Anglarill. <strong>Impressio\u0301n:<\/strong> Anfigraf, SA.<br \/>\n<strong><b>P\u00e1gs: <\/b><\/strong>51 <strong>ISBN: <\/strong>978-84-9168-975-1 <strong>DL: <\/strong>B-14.419-2023<br \/>\n<strong>A\u00f1o:<\/strong> 2023 <strong>Clave:<\/strong> Libro (Cat\u00e1lego)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-8\" class=\"so-panel widget widget_imartew_separator\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-8e67ce3ea29b-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-9\" class=\"so-panel widget widget_sow-editor\" data-index=\"9\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtol: <\/strong><a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2023\/03\/intra2_14_12_22_compressed.pdf\">IN&gt;TRA2. \u00a0La lectura como pr\u00e1ctica art\u00edstica. Nuevos modelos de decodificaci\u00f3n creativa (versi\u00f3 pdf_20 Mb)<\/a><br \/>\n<strong>Coordinaci\u00f3n:<\/strong> Eug\u00e8nia Agust\u00ed, Eloi Puig.<br \/>\n<strong>Autorias:<\/strong> Agust\u00ed, E.; Barcia, I.; Barri\u00e8re, L.; Bonet. P.; Cantalozella; Coll, A.; Garcia, M.; Milne, J.; .; Lozano, J.; Marin, E.; Mo\u00f1ivas, E.; Morell, J.; Moret\u00f3, L.; Negre, M.; Freund, P.; Padilla, O.; Parram\u00f3n, R.; Past\u00f3, C.; Pimiento, M.; Puig, E.; Trigo, R. ; Viladomiu, A.<br \/>\n<strong>Publicado por: <\/strong>Hipatia. <strong>Traducci\u00f3:<\/strong> Anna Recasens. <strong>Correcci\u00f3:<\/strong> Maria Massot. Colaboren UB, MICIN, Fondos FEDER<br \/>\n<strong><b>P\u00e0gs: <\/b><\/strong>231 <strong>ISBN:<\/strong> 978-84-125758-0-4 <strong>DL:<\/strong> B 22803-2022.<br \/>\n<strong>Any:<\/strong> 2022 <strong>Clau:<\/strong> Llibre (Catalogo)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-10\" class=\"so-panel widget widget_imartew_separator\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-11\" class=\"so-panel widget widget_sow-editor\" data-index=\"11\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><strong>Autor\u00eda: VVAA<\/strong><br \/>\n<strong>T\u00edtulo: <\/strong><a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2022\/11\/art_espai_social_opt.pdf\">Arte y espacio social en tiempos de control, descontrol y aislamiento \/ <span dir=\"ltr\" role=\"presentation\">Art and Social Spaces in Controlled, <\/span><span dir=\"ltr\" role=\"presentation\">Uncontrolled and Isolated Times<\/span> (versi\u00f3n pdf)<\/a><\/p>\n<p><strong>Edici\u00f3n: <\/strong>Ramon Parramon, Eug\u00e8nia Agust\u00ed, Eloi Puig.<br \/>\n<strong>Coordinaci\u00f3n: <\/strong>Irati Irulegi, Laia Moret\u00f3, Mercedes Pimiento<br \/>\n<strong>Publicado por: <\/strong>Idensitat. <strong>Traducci\u00f3n: <\/strong>Anna Recasens. <strong>Correcci\u00f3n: <\/strong>Francisco Rodr\u00edguez Criado. Colaboran: Euroregi\u00f3, La Escocesa, Casa Planas, Idensitat, Le BBB centre d\u2019art, In&gt;tra2, Uinversitat de Barcelona, Ministerio de Ciencia, Innovaci\u00f3n y Universidades<br \/>\n<strong><b>P\u00e1gs: <\/b><\/strong>186 <strong>ISBN:<\/strong> 978-84-09-43330-8 <strong>DL:<\/strong> B 16118-2022<br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Cat\u00e1logo (libro)<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-12\" class=\"so-panel widget widget_imartew_separator\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-13\" class=\"so-panel widget widget_sow-editor\" data-index=\"13\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><strong>T\u00edtulo: <\/strong><a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2021\/01\/intra_llibre-1.pdf\" target=\"_blank\" rel=\"noopener\">IN&gt;TRA. La pr\u00e1ctica art\u00edstica como modelo de experiencia \/ Artistic practice as a model of experience (versi\u00f3n pdf)<\/a><br \/>\n<strong>Autor\u00eda:<\/strong> Agust\u00ed, E.; Barri\u00e8re, L.; Bonet. P.; Casanovas, M.; Cantalozella, J.; Coderch, L; L\u00f3pez, A; Lozano, J.; Magalhaes, V.; Mo\u00f1ivas, E.; Negre, M.; Freund, P.; Padilla, O.; Past\u00f3, C.; Puig, E.; Regueira, B.; Valera, A.; Vela, A.; Vil\u00e0, A.; Viladomiu, A.<br \/>\n<strong>Publicado por: <\/strong>Col\u00b7lecci\u00f3 Co-Edicions. El cep i la nansa, Vilanova i la Geltr\u00fa.<br \/>\n<strong>P\u00e1gs: <\/strong>244 <strong>ISBN:<\/strong> 978-84-17756-13-0 <strong>DL:<\/strong> B 23284-2019.<br \/>\n<strong>A\u00f1o:<\/strong> 2019 <strong>Clave: <\/strong>Cat\u00e1logo (libro)<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-14\" class=\"so-panel widget widget_imartew_separator\" data-index=\"14\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-15\" class=\"so-panel widget widget_sow-editor\" data-index=\"15\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtulo:<\/strong> <a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2020\/05\/MetametodoLLIBREFINAL.pdf\">MetaM\u00e9todo. Metodolog\u00edas compartidas en procesos art\u00edsticos \/ MetaMethod. Shared methodologies in artistic processes (versi\u00f3n pdf)<\/a><br \/>\n<strong>Autor\u00eda: <\/strong>Vela, A.; Casacuberta, D.; Agust\u00ed, E.; Vil\u00e0, A.; Bielsa, J.; Broto, L.; Casanovas, M.; L\u00f3pez, J.; Puig. E.; Molet, A.; Past\u00f3, C.; Steidinger, A.; Baigorri, L; Ameller, C.; Blanch, T.<br \/>\n<strong><b>Publicado por: <\/b><\/strong>COMANEGRA. Barcelona, Espa\u00f1a<b><br \/>\n<strong>P\u00e1gs: <\/strong><\/b>208 <b>ISBN:\u00a0<\/b>978-84-16033-27-0 <strong>DL:<\/strong> B 17876-2014<br \/>\n<strong>A\u00f1o:<\/strong> 2014\u00a0<strong>Clave:<\/strong> Cat\u00e1logo (libro)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-16\" class=\"so-panel widget widget_imartew_separator\" data-index=\"16\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-17\" class=\"so-panel widget widget_sow-editor\" data-index=\"17\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"panel-1099-0-0-2\" class=\"so-panel widget widget_sow-editor\" data-index=\"2\">\n<div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-1099-0-0-2\">\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><strong>T\u00edtulo:<\/strong> <a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2020\/05\/Impresion-expandida_tripaFin2.pdf\">Impresi\u00f3n expandida \/ Expanded print (versi\u00f3n pdf)<\/a><br \/>\n<strong>Autor\u00eda:<\/strong> Vela, A.; Vil\u00e0, A.; Puig, E.; Casacuberta, D.; Baigorri, L.; Broto, L.<br \/>\nEnsayo sobre las conferencias y debates llevadas a cabo en el Simposio Internacional: <em>Impresi\u00f3n Expandida\/Expanded Print<\/em>.<br \/>\n<strong>Publicado por:<\/strong> Eloi Puig, Alicia Vela, Antonia Vil\u00e0. Barcelona, Espanya. Colaboran UB, MICIN, Fondos FEDER<br \/>\n<strong>P\u00e1gs:<\/strong> 207\u00a0<strong>ISBN:<\/strong> 978-84-614-8786-8 <strong>DL:<\/strong> B 140290-2011<br \/>\n<strong>A\u00f1o:<\/strong> 2011\u00a0<strong>Clave: <\/strong>Cat\u00e1logo (libro)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-18\" class=\"so-panel widget widget_imartew_separator\" data-index=\"18\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-19\" class=\"so-panel widget widget_imartew_sectitle\" data-index=\"19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_sectitle so-widget-imartew_sectitle-default-86f23edb7f83-5266\"\n\t\t\t\n\t\t><h2 class='imarte-section-title'>Publicaciones individuales<\/h2><\/div><\/div><div id=\"panel-5266-0-0-20\" class=\"so-panel widget widget_imartew_single_page_menu\" data-index=\"20\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_single_page_menu so-widget-imartew_single_page_menu-default-d75171398898-5266\"\n\t\t\t\n\t\t><nav class='imarte-page-menu imarte-page-menu--single imarte-page-menu--buttons'><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2023'>2023<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2022'>2022<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2021'>2021<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2020'>2020<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2019'>2019<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2018'>2018<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2017'>2017<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2016'>2016<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2015'>2015<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2014'>2014<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2013'>2013<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2012'>2012<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2011'>2011<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2010'>2010<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2009'>2009<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2008'>2008<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2007'>2007<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2006'>2006<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='#2005'>2005<\/a><\/nav><\/div><\/div><div id=\"panel-5266-0-0-21\" class=\"so-panel widget widget_imartew_separator\" data-index=\"21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-22\" class=\"so-panel widget widget_sow-editor\" data-index=\"22\" ><div id=\"2022\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-22\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<h2><strong style=\"font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2023<\/span><\/strong><\/h2>\n<\/div>\n<p><strong>Autoria: <\/strong>Agust\u00ed, Eug\u00e8nia; Puig, Eloi; Parramon, Ramon; Milne, Jo.<br \/>\n<strong>T\u00edtulo:<\/strong> \u201cProduction artistique bas\u00e9e sur des processus qui cohabitent temporairement dans un m\u00eame contexte\u201d en<br \/>\n<strong>Publicado en: <\/strong>L\u2019art en partage citoyen.<br \/>\n<strong>ISBN<\/strong> 978-2-36783-300-2. \u00c9ditions Orbis Tertius. Universit\u00e9 de Pau et des Pays de l\u2019Adour. \u00c9ditions Orbis tertius. Fran\u00e7a.<br \/>\n<strong>A\u00f1o<\/strong>: 2023 <strong>Clave:<\/strong> Capitulo de libro.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-23\" class=\"so-panel widget widget_imartew_separator\" data-index=\"23\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-24\" class=\"so-panel widget widget_sow-editor\" data-index=\"24\" ><div id=\"2022\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-24\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\"><\/div>\n<div id=\"c2829\" class=\"csc-default\">\n<h2><strong style=\"font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2022<\/span><\/strong><\/h2>\n<p><strong>Autor\u00eda: <\/strong>Agust\u00ed, Eug\u00e8nia; Puig, Eloi; Parramon, Ramon; Milne, Jo.<br \/>\n<strong>T\u00edtulo:<\/strong> La producci\u00f3n art\u00edstica basada en procesos que cohabitan temporalmente los contextos<br \/>\n<strong>Publicado en: <\/strong>Revista: 008739 \u2013 Artnodes<br \/>\n<strong>ISSN:<\/strong> 1695-5951 <strong>DOI:<\/strong> 10.7238\/d.v0i29.393066\u00a0 N\u00famero: 29 P\u00e1ginas, inicial: 1 final: 11 Publicaci\u00f3n indexada en JCR:-\u00cdndice de impacto (SCI\/SSCI\/AHCI): 9.8:-Otros indicios de Calidad: (Emerging Sources Citation Index, Scopus) = +3.5 Est\u00e1 en dos o m\u00e1s bases datos de indizaci\u00f3n y resumen o en DOAJ (Fuente Academica Plus, Art Source, DOAJ) = 3+2 = 5 Antig\u00fcedad = 20 a\u00f1os (fecha inicio: 2001) Pervivencia: log10(20) = +1.3 ICDS = 9.8<br \/>\n<strong>A\u00f1o<\/strong>: 2022 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda: <\/strong>Agust\u00ed, Eug\u00e8nia; Barri\u00e8re, Lali.<br \/>\n<strong>T\u00edtulo:<\/strong> \u201cCurva, conversaci\u00f3n, cursiva. Curve, conversation, cursive\u201d en <em>IN&gt;TRA. <\/em><br \/>\n<strong>Publicado en: <\/strong><em>La lectura como pr\u00e1ctica art\u00edstica: nuevos modelos de decodificaci\u00f3n creativa. Lecture as an artistic practice: new creative decodification models <\/em>Editorial Hipatia Press <strong>pp<\/strong> 14-31<br \/>\n<strong>ISBN<\/strong>: 978-84-125758-0-4 DL: B 23284-201 <strong>A\u00f1o:<\/strong> 2022\u00a0 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/p>\n<p><strong>Autor\u00eda: <\/strong>Agust\u00ed, Eug\u00e8nia; Barri\u00e8re Figueroa, Lali; Past\u00f3 Aguil\u00e0, Cristina.<br \/>\n<strong>T\u00edtulo:<\/strong> <em>CEL\u2019,<\/em> <em>conversaciones en cursiva<\/em>.<br \/>\n<strong>Publicado en:<\/strong> AusArt 10 (1) pp 209-217.<br \/>\n<strong>ISNN:<\/strong> 2340-8510. e-ISSN: 2340-9134 <strong>DOI:<\/strong> 10.1387\/AusArt.23582<br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave: <\/strong>Art\u00edculo<\/p>\n<p><strong>Autor\u00eda: <\/strong>Bonet Julve, Pilar.<br \/>\n<strong>T\u00edtulo:<\/strong>\u201cCau la pluja d\u2019Estels, Passa el Temps en les Roses\u201d.<br \/>\n<strong><b>Publicado en: <\/b><\/strong><em>Cat\u00e1logo Carme Garolera<\/em> <strong>Publicado por:<\/strong> Ca l'Arenas Centre d\u2019Art. Matar\u00f3: Museu de Matar\u00f3<br \/>\n<strong>A\u00f1o:<\/strong>\u00a0 2022-2023 <strong>Clave:<\/strong> Cap\u00edtulo de libro.<\/p>\n<p><strong>Autor\u00eda: <\/strong>Bonet, Pilar.<br \/>\n<strong> T\u00edtulo: <\/strong>\u201cEsoterismo y feminismo. Hilma af Klint y la danza de los planetas\u201d . Lopez Arnaiz, Irene y L\u00f3pez Fern\u00e1ndez, Raquel (eds.).<br \/>\n<strong><b>Publicado en: <\/b><\/strong><em>Coregrafiar lo invisible. Danza, arte y esoterismo en los albores del siglo XX. <\/em><strong>Publicado por:<\/strong> Sans Soleil Ediciones <strong>pp.<\/strong>131-156.<br \/>\n<strong>Lugar de publicaci\u00f3n<\/strong>: Vitoria-Gasteiz <strong>ISBN<\/strong> 978-84-124039-9-2<br \/>\n<strong>A\u00f1o:<\/strong>\u00a0 2022-2023 <strong>Clave<\/strong>: Cap\u00edtulo de libro.<\/p>\n<p><strong>Autor\u00eda:<\/strong> Bonet , Pilar.<br \/>\n<strong>T\u00edtulo: <\/strong>Procesos de creatividad en la relaci\u00f3n madres, hija, hermana y amiga. Artistas visionarias a principios del XX en Europa.Mercader Amig\u00f3, Laura (ed.): Ser Madre es un Placer. Historia de la libertad femenina en Europa<em>. <\/em><br \/>\n<strong>ISBN:<\/strong> 9788418826511<br \/>\n<strong>Publicado por:<\/strong> Editorial Icaria.<br \/>\n<strong>Lugar de publicaci\u00f3n<\/strong>: Barcelona <strong>pp.<\/strong>139-166<br \/>\n<strong>A\u00f1o:<\/strong>\u00a0 2022 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/p>\n<p><strong>Autor\u00eda: <\/strong>Bonet, Pilar.<br \/>\n<strong> T\u00edtulo: <\/strong>\u201cEsoterismo y feminismo. Hilma af Klint y la danza de los planetas\u201d . Lopez Arnaiz, Irene y L\u00f3pez Fern\u00e1ndez, Raquel (eds.).<em> Coregrafiar lo invisible. Danza, arte y esoterismo en los albores del siglo XX.<\/em><br \/>\n<strong>Publicado por:<\/strong> Sans Soleil <strong>Lugar de publicaci\u00f3n<\/strong>: Vitoria-Gasteiz.\u00a0<strong> pp.<\/strong>131-156.\u00a0<strong> ISBN<\/strong> 978-84-124039-9-2<br \/>\n<strong>A\u00f1o:<\/strong>\u00a0 2022-2023 <strong>Clave:<\/strong> Cap\u00edtulo de libro.<\/p>\n<\/div>\n<p><strong>Autor\u00eda: <\/strong>Coll, T\u00f3nia<strong><br \/>\nT\u00edtulo del cap\u00edtulo: <\/strong>7 elefants<strong><br \/>\n<b>Publicado en: <\/b><\/strong>Cortiella, M.Merc\u00e8; Farr\u00e8s, P., Empordoneses. Despertar els cl\u00e0ssics<strong>\u00a0 P\u00e1g.: <\/strong>42<strong><br \/>\nPublicado por: <\/strong>Museu de l\u2019Empord\u00e0 i Ajuntament de Figueres\u00a0<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Figueres<strong><br \/>\nISBN: <\/strong>978-84-124239-5-2<strong>\u00a0DL: \u00a0<\/strong>GI 1311-2022<strong><br \/>\nA\u00f1o: <\/strong>2022<strong> Clave: <\/strong>Cap\u00edtulo de libro (Obra en exposici\u00f3n colectiva y cat\u00e1logo)<\/p>\n<p><strong>Autor\u00eda: <\/strong>Coll, T\u00f3nia<br \/>\n<strong>T\u00edtulo: <\/strong>VERS LA PROSA, un projecte de Jaume Geli<br \/>\n<strong>Lugar de publicaci\u00f3n:\u00a0 <\/strong><a href=\"https:\/\/www.instagram.com\/explore\/tags\/verslaprosa\/\">https:\/\/www.instagram.com\/explore\/tags\/verslaprosa\/<\/a><br \/>\n<strong>web:\u00a0 <\/strong>vers-la-prosa.pdf<br \/>\n<strong>Clave: <\/strong>Obra gr\u00e1fica (publicaci\u00f3n digital)<\/p>\n<p><strong>Autor\u00eda:<\/strong> Marchante, D. \u201cGenderhacker\u201d<br \/>\n<strong>T\u00edtulo: <\/strong>Queering the future<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Parram\u00f3n, R.; Agust\u00ed, E.; Puig, E. (Eds.) Arte y espacio social en tiempos de control, descontrol y aislamiento \/ Art and Social Spaces in Controlled, Uncontrolled and Isolated Times.<strong><br \/>\nPublicado por: <\/strong>IDENSITAT, Universitat de Barcelona<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Barcelona <strong>P\u00e1gs: <\/strong>108-109<br \/>\n<strong>ISBN: <\/strong>978-84-09-43330-8<strong> DL: <\/strong>B 16118-2022<br \/>\n<strong>A\u00f1o: <\/strong>2022\u00a0<strong>Clave: <\/strong>Libro (Cat\u00e1logo)<\/p>\n<p><b>Autor\u00eda<\/b><span style=\"font-weight: 400;\">: Mo\u00f1ivas, Esther<\/span><br \/>\n<b>T\u00edtulo:<\/b><span style=\"font-weight: 400;\"> La Lengua (Malleus Feminarum) \/ Tongue (Malleus Feminarum)<\/span><br \/>\n<b>Publicado en: <\/b><span style=\"font-weight: 400;\">La lectura como pr\u00e1ctica art\u00edstica: nuevos modelos de decodificaci\u00f3n creativa \/ Reading as an artistic practice: new models of creative decodification. Publicado por: Hipatia Press<\/span><br \/>\n<b>Lugar de publicaci\u00f3n:<\/b><span style=\"font-weight: 400;\"> Barcelona<\/span><b> P\u00e1gs.:<\/b><span style=\"font-weight: 400;\"> 200-2003. <\/span><b>ISBN: <\/b><span style=\"font-weight: 400;\">978-84-125758-0-4. <\/span><b>DL<\/b><span style=\"font-weight: 400;\">: 22803-2022<\/span><br \/>\n<b>A\u00f1o:<\/b><span style=\"font-weight: 400;\"> 2022 <\/span><b>Clave: <\/b><span style=\"font-weight: 400;\">Cap\u00edtulo de libro<\/span><\/p>\n<p><strong>Autor\u00eda:<\/strong> Moret\u00f3, Laia<br \/>\n<strong>T\u00edtulo del cap\u00edtulo:<\/strong> Prison and Co-creation: An Experimental Creative Method<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Histories and Philosophies of Carceral Education <strong>P\u00e1gs.<\/strong>: 145-160<strong><br \/>\nPublicado por: <\/strong>Palgrave Macmillan<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Australia-Anglaterra<br \/>\n<strong>ISBN: <\/strong>978-3-030-86829-1 (print)|978-3-030-86830-7 (ebook) <strong>DOI<\/strong>:<a href=\"https:\/\/doi.org\/10.1007\/978-3-030-86830-7\">https:\/\/doi.org\/10.1007\/978-3-030-86830-7<\/a><br \/>\n<strong>A\u00f1o: <\/strong>2022\u00a0<strong>Clave: <\/strong>Libro (Cap\u00edtulo)<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Parramon, R.; Agust\u00ed, E.; Milne, J.; Puig, E.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0La producci\u00f3n art\u00edstica basada en procesos que cohabitan temporalmente los contextos<br \/>\n<strong>Revista:<\/strong>\u00a0008739 - Artnodes<br \/>\n<strong>ISSN:<\/strong>\u00a01695-5951<br \/>\n<strong>DOI:<\/strong>\u00a010.7238\/d.v0i29.393066<br \/>\n<strong>Volumen:<\/strong> --- <strong>N\u00famero:<\/strong> 29 <strong>P\u00e1ginas, inicial:<\/strong> 1 <strong>final:<\/strong>\u00a011<br \/>\n<strong>Publicaci\u00f3n indexada en JCR (S\u00ed \/ No):<\/strong><br \/>\n<strong>\u00cdndice<\/strong><strong> de impacto (SCI\/SSCI\/AHCI):<\/strong> 9.8<strong> N\u00famero de citaciones (SCI\/SSCI\/AHCI):<\/strong><br \/>\n<strong>Cuartil y \u00e1rea tem\u00e1tica (SCI\/SSCI\/AHCI):<\/strong><br \/>\n<strong>Otros indicios de Calidad (consignar base de datos e \u00edndice de impacto):<\/strong>\u00a0(Emerging Sources Citation Index, Scopus) = +3.5 Est\u00e1 en dos o m\u00e1s bases datos de indizaci\u00f3n y resumen o en DOAJ (Fuente Academica Plus, Art Source, DOAJ) = 3+2 = 5 Antig\u00fcedad = 20 a\u00f1os (fecha inicio: 2001) Pervivencia: log10(20) = +1.3 ICDS = 9.8<br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Ramon Parramon; Eug\u00e8nia Agust\u00ed; Jo Milne; Eloi Puig<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0\u00bfSon necesarias las residencias art\u00edsticas?<br \/>\n<strong>Libro de actas o revista:<\/strong>\u00a0Radar. Congreso internacional de investigaci\u00f3n transversal desde las artes. Libro de res\u00famenes<br \/>\n<strong>Volumen:<\/strong> ---<strong>N\u00famero:<\/strong> ---<strong>P\u00e1ginas, inicial:<\/strong> 181 <strong>final:<\/strong> 186 <strong>ISBN\/ISSN:<\/strong>\u00a0---<br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Publicaci\u00f3n con avaluaci\u00f3n externa resultante de congresos<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Parramon, R.; Costa, T.; Maza, G.; Vilar, G.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Asymmetries in the urban space<br \/>\n<strong>Libro:<\/strong>\u00a0SAR conference - Presentation archive. Presentations from the SAR 2021 conference<br \/>\n<strong>Editorial:<\/strong>\u00a0Research Catalogue<br \/>\n<strong>P\u00e1ginas, inicial:<\/strong> --- <strong>final:<\/strong> --- <strong>ISBN:<\/strong> --- <strong>Dep\u00f3sito legal:<\/strong>\u00a0---<br \/>\n<strong>Enlace electr\u00f3nico:<\/strong><a href=\"https:\/\/www.researchcatalogue.net\/view\/1579346\/1579329\">https:\/\/www.researchcatalogue.net\/view\/1579346\/1579329<\/a><br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Ramon Parramon<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Entre m\u00e1rgenes, l\u00edmites y acciones creativas<br \/>\n<strong>Libro:<\/strong>\u00a0Notas al margen<br \/>\n<strong>Editorial:<\/strong>\u00a0Arquine<br \/>\n<strong>P\u00e1ginas, inicial:<\/strong> 35<strong>final:<\/strong> 41<strong>ISBN:<\/strong> 978-607-8880-02-7 <strong>Dep\u00f3sito legal:<\/strong>\u00a0---<br \/>\n<strong>Enlace electr\u00f3nico:<\/strong><a href=\"https:\/\/arquine.com\/product\/notas-al-margen\/\">https:\/\/arquine.com\/product\/notas-al-margen\/<\/a><br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Ramon Parramon; Eloi Puig; Jo Milne; Eug\u00e8nia Agust\u00ed; Marc Angl\u00e8s; Runze Feng; Natalia Morales; Miriam Hamel; Laia Moret\u00f3 Alvarado; Gabriel G\u00f3mez; Paolo Gruni; Margarita Certeza Garcia; Mercedes Pimiento; Martin Dagois<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Espais Temporalment Clausurats \/ Boarded-up Spaces<br \/>\n<strong>Libro:<\/strong>\u00a0Espais Temporalment Clausurats \/ Boarded-up Spaces<br \/>\n<strong>Editorial:<\/strong>\u00a0IDENSITAT. Associaci\u00f3 d'Art Contemporani<br \/>\n<strong>P\u00e1ginas, inicial:<\/strong> 1 <strong>final:<\/strong> 24\u00a0 <strong>ISBN:<\/strong> 978-84-09-45896-7 <strong>Dep\u00f3sito legal:<\/strong>\u00a0B 21793-2022<br \/>\n<strong>Enlace electr\u00f3nico:<\/strong><a href=\"https:\/\/www.idensitat.net\/en\/current-projects\/nexes-2017-2021\/1735-etc-boarded-up-spaces\">https:\/\/www.idensitat.net\/en\/current-projects\/nexes-2017-2021\/1735-etc-boarded-up-spaces<\/a><br \/>\n<strong>A\u00f1o:<\/strong> 2022 <strong>Clave:<\/strong> Libro<\/p>\n<p><strong>Autor\u00eda:<\/strong> Urroz, A. &amp; Candil Gil-Ortega D.<br \/>\n<strong>T\u00edtulo del cap\u00edtulo:<\/strong> Conocer el pasado para escribir el futuro. Causas, motivos y desenlaces del fracaso de experiencias tecnol\u00f3gicas vinculadas a la realidad virtual<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Narrativas y usuarios de la sociedad transmedia: videojuegos, publicidad e identidad online.<strong><br \/>\nPublicado por: <\/strong>Dykinson<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Barcelona<br \/>\n<strong>ISBN: <\/strong>978-84-1122-368-3<br \/>\n<strong>A\u00f1o: <\/strong>2022\u00a0<strong>Clave: <\/strong>Libro (Cap\u00edtulo)<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-25\" class=\"so-panel widget widget_imartew_separator\" data-index=\"25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-26\" class=\"so-panel widget widget_sow-editor\" data-index=\"26\" ><div id=\"2021\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-26\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\"><\/div>\n<div id=\"c2829\" class=\"csc-default\">\n<h2><strong style=\"font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2021<\/span><\/strong><\/h2>\n<p><strong>Autor\u00eda: <\/strong>Agust\u00ed, Eug\u00e8nia.<br \/>\n<strong>T\u00edtulo:<\/strong> El libro como presente continuo<br \/>\n<strong>Publicado en: <\/strong>Revista: 215458 - BRAC-Barcelona, Research, Art, Creation <strong>DL:<\/strong> B.34282-2012 Volumen: 9 N\u00famero: 2 P\u00e1ginas, inicial: 222 final: 231<br \/>\n<strong>A\u00f1o:<\/strong> 2021 <strong>Clave:<\/strong> Art\u00edculo de revista<\/p>\n<p><strong>Autor\u00eda:<\/strong> Baigorri, L.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Non pi\u00f9 arte, solo vita. 4.0. Dall'artivismo simulativo alle tattiche di soppiantamento nella rete<br \/>\n<strong><b>Publicado en: <\/b><\/strong>Revista Connessioni remote. Artivismo_Teatro_Tecnologia \u2013 Vol. 2 n. 2 <strong>pp:<\/strong> 370-384<strong><br \/>\nPublicado por: <\/strong>Universit\u00e0 degli studi di Milano<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Mil\u00e1n<br \/>\n<strong>ISSN:<\/strong> 2724-2722 <strong>DOI:<\/strong> <a href=\"https:\/\/doi.org\/10.13130\/connessioni\/15261\">https:\/\/doi.org\/10.13130\/connessioni\/15261<\/a><strong>URL:<\/strong> <a href=\"https:\/\/riviste.unimi.it\/index.php\/connessioniremote\/article\/view\/15261\">https:\/\/riviste.unimi.it\/index.php\/connessioniremote\/article\/view\/15261<\/a><br \/>\n<strong>A\u00f1o: <\/strong>2021 <strong>Clave: <\/strong>Revista indexada<\/p>\n<p><strong>Autor\u00eda:<\/strong> Baigorri, L. <strong>Edici\u00f3n<\/strong>: Baigorri, L. &amp; Ortu\u00f1o, P.<br \/>\n<strong>T\u00edtulo: <\/strong>New (EGO) Cuerpos Conectados. Nuevas formas de construcci\u00f3n identitaria en la sociedad transmedia. Texto comisarial.<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Cuerpos Conectados. Arte, identidad y autorrepresentaci\u00f3n en la sociedad transmedia. <strong>pp: <\/strong>17-34<strong><br \/>\nPublicado por: <\/strong>Editorial Dykinson. ICEE 20.763 . <strong>Posici\u00f3n<\/strong> 14 de 272. <strong>N\u00ba. de pp.<\/strong>:200<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Madrid<strong> \u00a0<\/strong><br \/>\n<strong>ISBN: <\/strong>978-84-1377-441-1<br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clave: <\/strong>Libro (Texto comisarial)<\/p>\n<p><strong>Autor\u00eda:<\/strong> Baigorri, L. &amp; Ortu\u00f1o, P. <strong>Edici\u00f3n<\/strong>: Baigorri, L. &amp; Ortu\u00f1o, P.<br \/>\n<strong>T\u00edtulo: <\/strong>ArchID (Archivo de Identidad Digital) iberoamericano. Proyectos art\u00edsticos en torno al cuerpo, la autorrepresentaci\u00f3n y la construcci\u00f3n identitaria.<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Cuerpos Conectados. Arte, identidad y autorrepresentaci\u00f3n en la sociedad transmedia. <strong>pp: <\/strong>107-124<strong><br \/>\nPublicado por: <\/strong>Editorial Dykinson. ICEE 20.763 .<strong> Posici\u00f3n<\/strong> 14 de 272 <strong>N\u00ba. de pp.<\/strong>:200<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Madrid<strong> \u00a0<\/strong><br \/>\n<strong>ISBN: <\/strong>978-84-1377-441-1<br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clau: <\/strong>Libro (Edici\u00f3n y cap\u00edtulo)<\/p>\n<p><b>Autor\u00eda:<\/b><span style=\"font-weight: 400;\"> Lali Barri\u00e8re <\/span><br \/>\n<b>T\u00edtulo:<\/b><span style=\"font-weight: 400;\"> Combinatorial artists: counting, permutations, and other discrete structures in art <\/span><br \/>\n<b>Publicado en:<\/b><span style=\"font-weight: 400;\"> Handbook of the mathematics of the arts and sciences Publicado por: Springer Cham <\/span><b>P\u00e1ginas:<\/b><span style=\"font-weight: 400;\"> 1925-1963\u00a0<\/span><br \/>\n<b>ISBN:<\/b><span style=\"font-weight: 400;\"> 978-3-319-57072-3\u00a0<\/span><br \/>\n<b>A\u00f1o<\/b><span style=\"font-weight: 400;\">: 2021 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/span><\/p>\n<p><b>Autor\u00eda: <\/b><span style=\"font-weight: 400;\">Joana Burd<\/span><b> <\/b><br \/>\n<b>T\u00edtulo: <\/b><span style=\"font-weight: 400;\">Modo Silencioso 2.0: Cuerpos en la experiencia vibrat\u00f3ria de la tactilidad<\/span><b> <\/b><br \/>\n<b>Publicado en:<\/b><span style=\"font-weight: 400;\"> NEW(EGO) <\/span><b>Cuerpos Conectados Publicado por: <\/b><span style=\"font-weight: 400;\">Dykinson <\/span><br \/>\n<b>Lugar de publicaci\u00f3n: <\/b><span style=\"font-weight: 400;\">Madrid, Espa\u00f1a<\/span><b> P\u00e1ginas: <\/b><span style=\"font-weight: 400;\">200\u00a0 <\/span><b>\u00a0ISBN:<\/b><span style=\"font-weight: 400;\"> 978-84-1377-441-1 <\/span><br \/>\n<b>Enlace<\/b><span style=\"font-weight: 400;\">:<\/span><a href=\"https:\/\/www.dykinson.com\/libros\/cuerpos-conectados\/9788413774411\/\"><span style=\"font-weight: 400;\">https:\/\/www.dykinson.com\/libros\/cuerpos-conectados\/9788413774411\/ <\/span><\/a><br \/>\n<b>A\u00f1o: <\/b><span style=\"font-weight: 400;\">2021<\/span><b> Clave: <\/b><span style=\"font-weight: 400;\">Cap\u00edtulo de libro<\/span><\/p>\n<p><strong>Autor\u00eda:<\/strong> Coll, T.<br \/>\n<strong>T\u00edtulo: <\/strong>Lliure i salvatge<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Grarc\u00eda-Duran, S. (Coord.)<b>\u00a0<\/b>Pep Montoya, en funci\u00f3 d'un dir.\u00a0<strong><br \/>\nPublicado por:<\/strong> Edicions Paper d\u2019Estrassa\u00a0<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Olesa de Montserrat <strong>P\u00e1gs: <\/strong>21<br \/>\n<strong>ISBN: <\/strong>978-84-940323-3-2\u00a0<strong><b>DL<\/b>:\u00a0<\/strong>B4383-2021<br \/>\n<strong>A\u00f1o: <\/strong>2021 <strong>Clave:<\/strong> Cap\u00edtulo de libro<\/p>\n<p><strong>Autor\u00eda:<\/strong> Marchante, D. \u201cGenderhacker\u201d<br \/>\n<strong>T\u00edtulo: <\/strong>Transformers<br \/>\n<strong><b>Publicado en:<\/b><\/strong> TSQ: Transgender Studies Quarterly \u201cThe Transsexual\/Transvestite Issue\u201d.<strong><br \/>\nPublicado por: <\/strong>Duke University Press<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Durham (EE.UU.)<strong>\u00a0 Vol. <\/strong>8<strong> N\u00fam. <\/strong>4<strong> pp: <\/strong>550-552<br \/>\n<strong>Cuartil y \u00e1rea <em>(SCI\/SSCI)<\/em><em>: <\/em><em>Q4. SPI Rankings 2018: 66<\/em><em> Non-Spanish Publishers<\/em><\/strong><br \/>\n<strong>ISNN: <\/strong>2328-9252<strong> DOI:<\/strong> https:\/\/doi.org\/10.1215\/23289252-9311200<em>\u00a0 \u00a0<\/em><br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clave: <\/strong>Art\u00edculo<\/p>\n<p><strong>Autor\u00eda:<\/strong> Marchante, D. \u201cGenderhacker\u201d<br \/>\n<strong>T\u00edtulo: <\/strong>Diego Marchante - Genderhacker<br \/>\n<strong><b>Publicado en:<\/b><\/strong> VV.AA. Pluri.identitats. II Convocat\u00f2ria Biennal d\u2019Arts Visuals. <strong>pp: <\/strong>84-89<strong><br \/>\nPublicat per: <\/strong>Museu de la Universitat d\u2019Alacant MUA, Universitat d\u2019Alacant.<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Alicante<strong>\u00a0<\/strong><br \/>\n<strong>ISBN: <\/strong>978-84-122554-8-4<br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clave: <\/strong>Libro(Cat\u00e1logo)<\/p>\n<p><strong>Autor\u00eda:<\/strong> Marchante, D. \u201cGenderhacker\u201d<br \/>\n<strong>T\u00edtulo: <\/strong>Gendernaut. Queering the future<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Cuerpos conectados. Arte, identidad y autorepresentaci\u00f3n en la sociedad transmedia. <strong>pp: <\/strong>97-105<strong><br \/>\nPublicado por: <\/strong>Editorial Dykinson<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Madrid<strong> \u00a0<\/strong><br \/>\n<strong>ISBN: <\/strong>978-84-1377441-1<br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clave: <\/strong>Libro (Cat\u00e1logo)<\/p>\n<p><b>Autor\u00eda: <\/b><span style=\"font-weight: 400;\">Mo\u00f1ivas, Esther; Soto, Alba; D\u00edaz Gonz\u00e1lez, Elisa Mar\u00eda; Cuevas Ria\u00f1o, Mar\u00eda.<\/span><b> <\/b><br \/>\n<b>T\u00edtulo: <\/b><span style=\"font-weight: 400;\">Entrevistas a artistas y conservaci\u00f3n del arte actual. Una perspectiva experimental en torno a procesos educativos interdisciplinares y documentaci\u00f3n de patrimonio intangible <\/span><br \/>\n<b>Publicado en el libro: <\/b><span style=\"font-weight: 400;\">Castro Le\u00f3n, Elke (Coord.)<\/span> <span style=\"font-weight: 400;\">Oportunidades y retos para la ense\u00f1anza de las artes, la educaci\u00f3n medi\u00e1tica y la \u00e9tica en la era postdigital<\/span> <b>Publicado por: <\/b><span style=\"font-weight: 400;\">\u00a0Dykinson Lugar de publicaci\u00f3n:<\/span> <span style=\"font-weight: 400;\">\u00a0Madrid <\/span><br \/>\n<b>P\u00e1gs: <\/b>476-504 <b>ISBN: <\/b><span style=\"font-weight: 400;\">\u00a0978-84-1377-594-4<\/span><b> <\/b><br \/>\n<b>A\u00f1o: <\/b><span style=\"font-weight: 400;\">2021 <\/span><b>Clave<\/b><b>: <\/b><span style=\"font-weight: 400;\">Cap\u00edtulo de libro<\/span><\/p>\n<p><b>Autor\u00eda:<\/b><span style=\"font-weight: 400;\"> Mo\u00f1ivas, Esther; Soto, Alba; D\u00edaz Gonz\u00e1lez, Elisa Mar\u00eda; Cuevas Ria\u00f1o, Mar\u00eda. <\/span><br \/>\n<b>T\u00edtulo: <\/b><span style=\"font-weight: 400;\">Entrevistas a artistas y conservaci\u00f3n del arte actual. Una perspectiva experimental en torno a procesos educativos interdisciplinares y documentaci\u00f3n de patrimonio intangible.<\/span><b> <\/b><br \/>\n<b>Publicado en:<\/b><span style=\"font-weight: 400;\"> Castro Le\u00f3n, Elke (Coord.) Oportunidades y retos para la ense\u00f1anza de las artes, la educaci\u00f3n medi\u00e1tica y la \u00e9tica en la era postdigital. <b>Publicado por:<\/b> Dykinson<\/span><br \/>\n<span style=\"font-weight: 400;\"> <b>Lugar de publicaci\u00f3n:<\/b> Madrid <\/span><br \/>\n<b>Enlace de acceso: <\/b><a href=\"https:\/\/www.dykinson.com\/libros\/oportunidades-y-retos-para-la-ensenanza-de-las-artes-la-educacion-mediatica-y-la-etica-en-la-era-postdigital\/9788413775944\/\"><span style=\"font-weight: 400;\">https:\/\/www.dykinson.com\/libros\/oportunidades-y-retos-para-la-ensenanza-de-las-artes-la-educacion-mediatica-y-la-etica-en-la-era-postdigital\/9788413775944\/ <\/span><\/a><br \/>\n<b>P\u00e1gs.:<\/b><span style=\"font-weight: 400;\"> 476-504.<\/span><b> ISBN:<\/b><span style=\"font-weight: 400;\"> 978-84-1377-594-4<\/span><br \/>\n<b>A\u00f1o:<\/b><span style=\"font-weight: 400;\"> 2021 <\/span><b>Clave:<\/b><span style=\"font-weight: 400;\"> Publicaci\u00f3n online<\/span><\/p>\n<p><strong>Autor\u00eda:<\/strong> Moret\u00f3, L.<br \/>\n<strong>T\u00edtulo: <\/strong>Iluminaci\u00f3n<br \/>\n<strong><b>Publicado por:<\/b><\/strong> Fundaci\u00f3n Iberoamericana Universitaria<strong><br \/>\n<\/strong><strong>N\u00fam. de p\u00e0g.<\/strong>:126<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Espa\u00f1a-Italia-Argentina-USA-Senegal (VP)<br \/>\n<strong>ISBN: <\/strong>978-84-9079-875-1<br \/>\n<strong>A\u00f1o: <\/strong>2021<strong> Clave: <\/strong>Libro<\/p>\n<p><strong>Autor\u00eda:<\/strong>\u00a0Parramon, R.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0L\u00edmites y conexiones entre arte, educaci\u00f3n y espacios institucionales. Caso de estudio: Caminos Ilustrados. Explorar, narrar, visualizar.<br \/>\n<strong>Volumen:<\/strong> V \u00a0<strong>N\u00famero:<\/strong> Abril 2021 <strong>P\u00e1ginas, inicial:<\/strong> 151 \u00a0<strong>final:<\/strong>\u00a0165<br \/>\n<strong>Revista:<\/strong>\u00a0013647 - Tercio Creciente. Revista de Estudios en Sociedad, Artes y Gesti\u00f3n Cultural Monogr\u00e1fico Extraordinario V<br \/>\n<strong>ISSN:<\/strong> 2340-9096<br \/>\n<strong>A\u00f1o:<\/strong> 2021 \u00a0<strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda:<\/strong>\u00a0Parramon, R.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Protoespacios<br \/>\n<strong>Revista:<\/strong>\u00a0014640 - CCKreanta CCK Revista 12. Arte y espacio p\u00fablico urbano (Abril-Junio 2021)<br \/>\n<strong>Volumen:<\/strong> --- <strong>N\u00famero:<\/strong> 12 <strong>P\u00e1ginas, inicial:<\/strong> 23 <strong>final:<\/strong> 30 <strong>ISSN:<\/strong>\u00a02696-5488<br \/>\n<strong>A\u00f1o:<\/strong>\u00a02021\u00a0<strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda(p.o. de firma):<\/strong>\u00a0Bagan, P.; Costa, T.; Maza, G.; Parramon, R.; Vilar, G.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0An Artistic Research Project Dealing with the Lack of Equality or Equivalence in Urban Spaces in Transition in Barcelona: Asymetries-Horts de Sant Pau del Camp, Up &amp; Down<br \/>\n<strong>Libro:<\/strong>\u00a03. Crisis Collective - contributions to a lost conference<br \/>\n<strong>Editorial:<\/strong>\u00a0Research Catalogue<br \/>\n<strong>P\u00e1ginas, inicial:<\/strong> --- <strong>final:<\/strong> ---\u00a0 \u00a0<strong>ISBN:<\/strong> --- <strong>Dep\u00f3sito legal:<\/strong> ---<strong>Enlace:<\/strong><a href=\"https:\/\/www.researchcatalogue.net\/view\/1190403\/1190404\">https:\/\/www.researchcatalogue.net\/view\/1190403\/1190404<\/a><br \/>\n<strong>A\u00f1o:<\/strong> 2021 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda:<\/strong> Urroz, A.<br \/>\n<strong>T\u00edtulo del cap\u00edtulo:<\/strong> Metodolog\u00edas de dise\u00f1o en el proceso de ense\u00f1anza aprendizaje en aulas universitarias. La experiencia de utilizar D<em>esign Thinking<\/em> con estudiantes de fisioterapia.<br \/>\n<strong><b>Publicado en:<\/b><\/strong> Docencia, ciencia y humanidades: hacia un ense\u00f1anza integral en la universidad del siglo XXI <strong>pp:<\/strong> 1388-1404\u00a0<strong><br \/>\nPublicado por: <\/strong>Dykinson<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Barcelona<br \/>\n<strong>ISBN: <\/strong>978-84-1377-320-9 <strong>URL:<\/strong> <a href=\"https:\/\/www.dykinson.com\/libros\/docencia-ciencia-y-humanidades-hacia-un-ensenanza-integral-en-la-universidad-del-siglo-xxi\/9788413773209\/\">https:\/\/www.dykinson.com\/libros\/docencia-ciencia-y-humanidades-hacia-un-ensenanza-integral-en-la-universidad-del-siglo-xxi\/9788413773209\/<\/a><br \/>\n<strong>A\u00f1o: <\/strong>2021 <strong>Clave: <\/strong>Libro (Cap\u00edtulo)<\/p>\n<p><strong>Autor\u00eda:<\/strong> Urroz, A. &amp; Candil Gil-Ortega, D.<br \/>\n<strong>T\u00edtulo del cap\u00edtulo:<\/strong> Metodolog\u00edas de dise\u00f1o en el proceso de ense\u00f1anza aprendizaje en aulas universitarias. La experiencia de utilizar D<em>esign Thinking<\/em> con estudiantes de fisioterapia.<br \/>\n<strong><b>Publicado en:<\/b><\/strong> El devenir de las civilizaciones: interacciones entre el entorno humano, natural y cultural. <strong>pp:<\/strong> 1789- 1806\u00a0<strong><br \/>\nPublicado por: <\/strong>Dykinson<strong><br \/>\nLugar de publicaci\u00f3n: <\/strong>Barcelona<br \/>\n<strong>ISBN: <\/strong>978-84-1377-324-7\u00a0\u00a0<strong>URL: <\/strong><a href=\"https:\/\/www.dykinson.com\/libros\/el-devenir-de-las-civilizaciones-interacciones-entre-el-entorno-humano-natural-y-cultural\/9788413773247\/\">https:\/\/www.dykinson.com\/libros\/el-devenir-de-las-civilizaciones-interacciones-entre-el-entorno-humano-natural-y-cultural\/9788413773247\/<\/a><br \/>\n<strong>A\u00f1o: <\/strong>2021 <strong>Clave: <\/strong>Libro (Cap\u00edtulo)<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-27\" class=\"so-panel widget widget_imartew_separator\" data-index=\"27\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-28\" class=\"so-panel widget widget_sow-editor\" data-index=\"28\" ><div id=\"2020\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-28\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<h2><strong style=\"font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2020<\/span><\/strong><\/h2>\n<p><strong><b>Autor\u00eda: <\/b><\/strong>Bonet, Pilar.<br \/>\n<strong>T\u00edtulo:<\/strong> La M\u00e8dium i el Poeta. Una conversa astral entre Josefa Tolr\u00e0 y Joan Brossa<strong>.<\/strong><br \/>\n<b>Publicado por<\/b>: Ajuntament de Barcelona-Fundaci\u00f3 Joan Brossa <strong>Lugar de publicaci\u00f3n:<\/strong> Barcelona<br \/>\n<strong>ISBN:<\/strong> 978-84-9156-277-1 N\u00famero de p\u00e1ginas: 192<br \/>\n<strong>A\u00f1o:\u00a0<\/strong> 2020. <strong>Clave:<\/strong> Libro.<\/p>\n<p><b>Autor\u00eda:<\/b><span style=\"font-weight: 400;\"> Joana Burd <\/span><br \/>\n<b>T\u00edtulo:<\/b><span style=\"font-weight: 400;\">\u00a0 Tactilidades Conectivas de In\u00eas Norton <\/span><br \/>\n<b>Publicado en<\/b><span style=\"font-weight: 400;\">: Revista Est\u00fadio <\/span><b>Publicado por<\/b><span style=\"font-weight: 400;\">: Centro de Investiga\u00e7\u00e3o e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes Lugar de publicaci\u00f3n:\u00a0 Lisboa, Portugal ISSN: 1647-6158 e-ISSN 1647-7316\u00a0 <\/span><br \/>\n<b>A\u00f1o:<\/b><span style=\"font-weight: 400;\"> 2020\u00a0<strong> Clave<\/strong>: Revista<\/span><\/p>\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong>Autor\u00eda: <\/strong>Coll, T. &amp; Pons, J.<br \/>\n<strong>T\u00edtulo: <\/strong>Carrer de doble sentit de T\u00f3nia Coll i Joan Pons<br \/>\n<strong>Publicado en:<\/strong> \u00a0El Temps de les Arts ( Altai\u00f3, Vicen\u00e7, Proclames per a l'11 de Setembre de 2020)<br \/>\n<strong>Publicado por:<\/strong> Revista El Temps<br \/>\n<strong>URL:<\/strong> <a href=\"https:\/\/tempsarts.cat\/sense-categoria\/proclames-per-a-l11-de-setembre-de-2020-silvia-bel-david-cano-david-torrents-ester-xargay-mayte-vieta-tonia-coll\">https:\/\/tempsarts.cat\/sense-categoria\/proclames-per-a-l11-de-setembre-de-2020-silvia-bel-david-cano-david-torrents-ester-xargay-mayte-vieta-tonia-coll<\/a><br \/>\n<b>A\u00f1o: <\/b>2020<b> Clave: <\/b>Publicaci\u00f3n digital (dibujo)<\/p>\n<\/div>\n<p><strong>Autor\u00eda: <\/strong>Coll, T.<br \/>\n<strong>T\u00edtulo: <\/strong>An\u00e8cdota primitiva (obra d\u2019art)<br \/>\n<strong>Publicado en:<\/strong> Garc\u00eda, A; Marcos, C (Comisarias)<b>\u00a0<\/b>Teixint identitats<br \/>\n<strong>Publicado por:<\/strong> Centre d'Art Tecla Sala. Ajuntament de\u00a0\u00a0L'Hospitalet, 10.10.2019-26.01.2020<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong> Hospitalet de Llobregat<br \/>\n<strong>P\u00e1gs.<\/strong>:36-39<br \/>\n<strong>ISBN:<\/strong> 978-84-947382-7-2 <b>DL:<\/b>\u00a0B 26981-2019<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave:<\/strong> Cap\u00edtulo de libro (obra en exposici\u00f3n y cat\u00e1logo)<\/p>\n<p><strong>Autor\u00eda: <\/strong>Coll, T.<br \/>\n<strong>T\u00edtulo: <\/strong>L\u00e9xico familiar (obra d\u2019art)<br \/>\n<strong>Publicado en:<\/strong> Lenguajes en cuatro tiempos. Hebras de hielo y tiempo\/ Languages in four Temporalities. Threads of Ice and Time. (Agust\u00ed, E.; Coll, T.; Kaczmarska, M.; Past\u00f3, C.)<br \/>\n<strong>Publicado por:<\/strong> Limanora<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong> Krakow, Poland<br \/>\n<strong>P\u00e1gs.<\/strong>:21-25<br \/>\n<strong>ISBN: <\/strong>978-83-919665-3-2<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave:<\/strong> Cap\u00edtulo de libro (obra en exposici\u00f3n y cat\u00e1logo)<\/p>\n<\/div>\n<p><strong>Autor\u00eda: <\/strong>Cruells, E.; Marchante, D. ; Grenzner, J.; Zafra, M.<br \/>\n<strong>T\u00edtulo:<\/strong> Fils Feministes. Siguiendo el hilo del movimiento feminista en Catalunya<br \/>\n<strong>Publicado en<\/strong>: Revista Idees<br \/>\n<strong>Web:<\/strong> https:\/\/revistaidees.cat\/es\/fils-feministes\/<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong> Barcelona<br \/>\n<strong>ISNN:<\/strong> 2385-765X <strong>N\u00ba.:<\/strong> 47 Feminismo(s)<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><b>Autor\u00eda<\/b><span style=\"font-weight: 400;\">: Freund, Peter (2020). Retracci\u00f3n [4\/5], Montse Carre\u00f1o y Raquel Mu\u00f1oz<\/span><b> <\/b><br \/>\n<b>T\u00edtulo:<\/b><span style=\"font-weight: 400;\"> A*DESK \u2013 Artificial Thinking.<\/span><b> <\/b><br \/>\n<b>Publicado en<\/b><span style=\"font-weight: 400;\">: A*DESK Critical Thinking, Magazine (23\/11\/2020). [<\/span><a href=\"https:\/\/a-desk.org\/magazine\/retraccion-4-5\/\"><span style=\"font-weight: 400;\">https:\/\/a-desk.org\/magazine\/retraccion-4-5\/<\/span><\/a><span style=\"font-weight: 400;\">]. <\/span><br \/>\n<b>A\u00f1o<\/b><span style=\"font-weight: 400;\">: 2020 <\/span><b>Clave:<\/b><span style=\"font-weight: 400;\"> Publicaci\u00f3n online<\/span><\/p>\n<p><strong>Autor\u00eda: <\/strong>Marchante, D. \u201cGenderhacker\u201d<br \/>\n<strong>T\u00edtulo:<\/strong> Gendernaut. Queering the archive<br \/>\n<strong>Publicado en:<\/strong> VV.AA. VII Encuentro Mil formas de mirar y hacer. Arte y Mujeres. Invisibilidades y Nuevas agencias<br \/>\n<strong>Publicado por:<\/strong> Junta de Andaluc\u00eda, Universidad Pablo de Olavide<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong> Sevilla<br \/>\n<strong>pp.<\/strong>:163-173<br \/>\n<strong>ISBN:<\/strong> 978-84-09-23730-2<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave:<\/strong> Libro (Cat\u00e1logo)<\/p>\n<p><strong>Milne, Jo. <\/strong>\u201c Conjugando constelaciones \u201c. \u00c1lvarez, S. <em>De Mujeres, Hombres y Mol\u00e9culas. <\/em> Universitat de Barcelona pp.: 9-14\u00a0 978-84-9168-336-0. A\u00f1o: 2020 Clave: Cap\u00edtulo de libro<\/p>\n<p><b>Autor\u00eda: <\/b><span style=\"font-weight: 400;\">Mo\u00f1ivas, Esther<\/span><br \/>\n<b>T\u00edtulo:<\/b><span style=\"font-weight: 400;\"> La experiencia del museo en tiempos de pandemia <\/span><br \/>\n<b>Publicado en:<\/b><span style=\"font-weight: 400;\"> Loreto Alonso (et. al) (Eds.).<\/span> <span style=\"font-weight: 400;\">Confinad+s. Arte y Tecnosfera #2 <\/span><b>Publicado por: <\/b><span style=\"font-weight: 400;\">Brumaria Editorial <b>Lugar de publicaci\u00f3n: <\/b>Madrid<b> <\/b><\/span><b> pp. <\/b><span style=\"font-weight: 400;\">165-182<\/span><b> ISBN <\/b>978-84-123011-1-3<br \/>\n<b>A\u00f1o:<\/b><span style=\"font-weight: 400;\"> 2020<\/span><b> Clave: <\/b><span style=\"font-weight: 400;\">Cap\u00edtulo de libro<\/span><\/p>\n<p>Autor\u00eda: Mo\u00f1ivas, Esther<strong>.<\/strong><br \/>\n<b>T\u00edtulo:<\/b> \u201cWater, Women and Action Art in Latin America: Materializing Ecofeminist Epistemologies\u201d<br \/>\n<b>Publicado en<\/b>: Blackmore, Lisa y G\u00f3mez, Liliana (Eds.). <em>Liquid Ecologies in Latin American and Caribbean Art<\/em>. <span style=\"font-weight: 400;\"><b>Lugar de publicaci\u00f3n: <\/b><\/span>Nueva York: Routledge, 2020, <strong>pp.<\/strong> 127-143.<br \/>\n<strong>ISBN<\/strong> 978-0-367-19898-5 Indexada en SPI 2018. ICEE \u00edndice general (internacional): 1153; posici\u00f3n 3. ICEE \u00edndice Bellas Artes: 33; posici\u00f3n 3.<br \/>\n<b>A\u00f1o:<\/b><span style=\"font-weight: 400;\"> 2020<\/span><b> Clave: <\/b><span style=\"font-weight: 400;\">Cap\u00edtulo de libro<\/span><\/p>\n<p><strong>Autor\u00eda:<\/strong>\u00a0Morell i Rovira, J.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Pedres 3D: l'error d'Anna Dot i la c\u00f2pia de Merc\u00e8 Casanovas<br \/>\n<strong>Revista:<\/strong>\u00a0:Est\u00fadio<br \/>\n<strong>Volumen:<\/strong>\u00a011\u00a0<strong>N\u00famero:<\/strong>\u00a031\u00a0<strong>P\u00e1ginas, inicial:<\/strong>\u00a097\u00a0<strong>final:<\/strong>\u00a0104\u00a0<strong>A\u00f1o:<\/strong>\u00a02020\u00a0<strong>Lugar de publicaci\u00f3n:<\/strong>\u00a0PORTUGAL<br \/>\n<strong>Clave:<\/strong> Article <strong>Car\u00e1cter:<\/strong> Internacional <strong>Base de datos indexaci\u00f3n:<\/strong>\u00a0QUALIS 2015, ERIH PLUS, CiteFactor, MIAR, SciELO, DOAJ, SHERPA\/RoMEO, CNEN, Latindex, EBSCO host, Academic Onefile, SIS, Gale Cengage Learning,\u00a0\u00a0OAJI, ROAD<br \/>\n<strong>Quartil i \u00e1rea tem\u00e1tica: <\/strong>31 (Latindex), 2\u00ba cuartil<br \/>\n<strong>Observaciones: <\/strong>Avaluaci\u00f3n por Peer review (double blind review). Revista con comit\u00e9 cient\u00edfico internacional.<br \/>\n<strong>ISSN:\u00a0<\/strong>1647-6158\u00a0<strong>e-ISSN:<\/strong>\u00a01647-7316<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Morell i Rovira, J.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Fina Padr\u00f3s. Dibuixant el temps<br \/>\n<strong>Revista:<\/strong>\u00a0BR::AC Barcelona, Research, Art, Creation,<br \/>\n<strong>Volumen:<\/strong>\u00a08\u00a0<strong>N\u00famero:<\/strong>\u00a02\u00a0<strong>P\u00e1ginas, inicial:<\/strong>\u00a0182\u00a0<strong>final:<\/strong>\u00a0187\u00a0<strong>A\u00f1o:<\/strong>\u00a02020\u00a0<strong>Lugar de publicaci\u00f3n:<\/strong> Barcelona<br \/>\n<strong>Clave:<\/strong> Art\u00edculo <strong>Car\u00e1cter:<\/strong>\u00a0Internacional<br \/>\n<strong>Base de datos de indexaci\u00f3n:<\/strong>\u00a0ESCI, Fuente Academica Plus, DOAJ, DIALNET, Carhus Plus, ERIHPlus, LATINDEX, Dulcinea<br \/>\n<strong>Cuartil y \u00e0rea tem\u00e1tica: <\/strong>31 (Latindex)<br \/>\n<strong>Observaciones: <\/strong>Avaluaci\u00f3n por Peer review (double blind review). Revista con comit\u00e9 cient\u00edfico internacional.<br \/>\n<strong>ISSN:\u00a0<\/strong>2014-8992<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Morell, J.; Viladomiu, \u00c0.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Escur\u00e7ant dist\u00e0ncies \/ Shortening distances<br \/>\n<strong>Libro:<\/strong>\u00a0Metanarrativas 1.164,42 km Marburg - Barcelona<br \/>\n<strong>Editorial:<\/strong>\u00a0Philipps-Universit\u00e4t Marburg<br \/>\n<strong>Volumen:<\/strong>\u00a0---\u00a0<strong>N\u00famero:<\/strong>\u00a0---\u00a0<strong>P\u00e1ginas, inicial:<\/strong>\u00a018\u00a0<strong>final:<\/strong>\u00a019\u00a0<strong>A\u00f1o:<\/strong>\u00a02020\u00a0<strong>Lugar de publicaci\u00f3n:<\/strong>\u00a0Marburg\u00a0\u00a0(ALEMANYA)<br \/>\n<strong>ISBN:<\/strong>\u00a0978-3-00-065047-5<br \/>\n<strong>Clave:<\/strong> Libro<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Morell, J.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Mentre..., penso en les aig\u00fces (a partir de la s\u00e8rie Tanins) \/ While..., I think of the waters (from the Tannins series)<br \/>\n<strong>Libro:<\/strong>\u00a0Metanarrativas 1.164,42 km Marburg - Barcelona<br \/>\n<strong>Editorial:<\/strong>\u00a0Philipps-Universit\u00e4t Marburg<br \/>\n<strong>Volumen:<\/strong>\u00a0---\u00a0<strong>N\u00famero:<\/strong>\u00a0---\u00a0<strong>P\u00e1ginas, inicial:<\/strong>\u00a060\u00a0<strong>final:<\/strong>\u00a061\u00a0<strong>A\u00f1o:<\/strong>\u00a02020\u00a0<strong>Lugar de publicaci\u00f3n:<\/strong> Marburg\u00a0\u00a0(ALEMANIA)<br \/>\n<strong>ISBN:<\/strong>\u00a0978-3-00-065047-5<br \/>\n<strong>Clave:<\/strong> Libro<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Morell-Rovira, J.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0The other residents: apropaments a no humans en l\u2019obra de Paula Bruna<br \/>\n<strong>Libro de actas o revista:<\/strong>\u00a0A via das m\u00e1scaras: as artes em Congresso no CSO 2021: Actas do XII Congresso Internacional Criadores Sobre Outras Obras - CSO'2021<br \/>\n<strong>Volumen:<\/strong> --- <strong>N\u00famero:<\/strong> ---<strong>P\u00e1ginas, inicial:<\/strong> 709 <strong>final:<\/strong> 717 <strong>ISBN\/ISSN:<\/strong>\u00a0978-989-99822-7-7<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave (A: article, R: review): <\/strong>A (Publicaci\u00f3n con avaluaci\u00f3n externa en congresos)<\/p>\n<p><strong>Autor\u00eda (p.o. de signatura):<\/strong>\u00a0Parramon, R.<br \/>\n<strong>T\u00edtulo:<\/strong>\u00a0Especies de procesos y especies de espacios<br \/>\n<strong>Revista:<\/strong> 014305 - Revista PH Instituto Andaluz del Patrimonio Hist\u00f3rico<br \/>\n<strong>ISSN:<\/strong>\u00a02340-7565<br \/>\n<strong>DOI:<\/strong>\u00a010.33349\/2020.101<br \/>\n<strong>Volumen: --- N\u00famero:<\/strong> 101 <strong>P\u00e1ginas, inicial:<\/strong> 228 <strong>final:<\/strong>\u00a0239<br \/>\n<strong>A\u00f1o:<\/strong> 2020 \u00a0\u00a0 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p><strong>Autor\u00eda: <\/strong>Urroz A.<br \/>\n<strong>T\u00edtulo:<\/strong> Art Games. Acci\u00f3n L\u00fadica Reflexiva.<br \/>\n<strong>Publicado en<\/strong>: Revista BR:AC Barcelona, Research, Art, Creation, 8(1) 4-19. doi: 10.17583\/brac.2020.3084<br \/>\n<strong>DOI:<\/strong> http:\/\/dx.doi.org\/10.17583\/brac.2020.3084<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong> Barcelona<br \/>\n<strong>ISNN:<\/strong> 2014-8992<br \/>\n<strong>A\u00f1o:<\/strong> 2020\u00a0 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-29\" class=\"so-panel widget widget_imartew_separator\" data-index=\"29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-30\" class=\"so-panel widget widget_sow-editor\" data-index=\"30\" ><div id=\"2019\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-30\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<h2><strong style=\"font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2019<\/span><\/strong><\/h2>\n<\/div>\n<p><strong>Autors\/es:<\/strong> Agust\u00ed, E.; Bonet. P.; Casanovas, M.; Coderch, L; L\u00f3pez, A; Magalhaes, V.; Mo\u00f1ivas, E.; Freund, P.; Past\u00f3, C.; Puig, E.; Regueira, B.; Valera, A.; Vela, A.; Vil\u00e0, A.; Viladomiu, A.<br \/>\n<strong>T\u00edtol:<\/strong>IN&gt;TRA. Nuevas formas y prototipos en los procesos de investigaci\u00f3n art\u00edstica.<br \/>\n<strong>Publicat per:\u00a0<\/strong>Col\u00b7lecci\u00f3 Co-Edicions. El cep i la nansa, Vilanova i la Geltr\u00fa, 2019.<br \/>\n<strong>ISBN:<\/strong> 978-84-17756-13-0. DL: B 23284-2019.<\/p>\n<p><strong>Puig, Eloi., Agust\u00ed, Eug\u00e8nia<\/strong>; Negre, M.; (coord.) <em>IN&gt;TRA. La pr\u00e1ctica art\u00edstica como modelo de experiencia. Artistic practice as a model of experience<\/em>. El Cep i la Nansa, Barcelona, 2019. ISBN: 978-84-17756-76-5 DL: B 23284-2019. A\u00f1o: 2019 Clave: coordinaci\u00f3n de libro<\/p>\n<p><strong>Agust\u00ed, Eug\u00e8nia,<\/strong>\u00a0T\u00f2nia Coll, Ma\u0142gorzata Kaczmarska, Cristina Past\u00f3. \u201cGestos Compartidos\u201d. En<em> Lenguajes en cuatro tiempos. Hebras de hielo y tiempo<\/em>. Editorial: Limanora pp.:16-20 ISBN: 978-83-919665-3-2\u00a0 A\u00f1o: 2019\u00a0 Clave: Cap\u00edtulo de libro<\/p>\n<p><strong>Agust\u00ed, Eug\u00e8nia<\/strong>, Barri\u00e8re, Lali. \u201c3.000 Passos fins al blau gel. 3000 steps to ice blue\u201d En<em> IN&gt;TRA. La Pr\u00e1ctica Art\u00edstica como Modelo de Experiencia: Nuevas Formas y Prototipos en los Procesos de Investigaci\u00f3n <\/em>pp.:14-23\u00a0 Editorial: El Cep i la Nansa ISBN: 978-84-17756-13-0. DL: B 23284-201 A\u00f1o: 2019\u00a0 Clave: Cap\u00edtulo de libro<\/p>\n<p><strong>Autors\/es:<\/strong> Pons, Joan; Szyjkowska, Anna; Agust\u00ed, Eug\u00e8nia; Coll, T\u00f2nia; Kaczmarska, Ma\u0142gorzata y Past\u00f3, Cristina.<br \/>\n<strong>T\u00edtol: <\/strong>\u201cShared Gestures\u201d en Lenguajes en cuatro tiempos. Hebras de hielo y tiempo\/ Languages in Four Temporalities. Threads of Ice and Time: Eug\u00e8nia Agust\u00ed, T\u00f2nia Coll, Ma\u0142gorzata Kaczmarska and Cristina Past\u00f3.<br \/>\n<strong>Publicat per:\u00a0<\/strong>Instituto Cervantes Krak\u00f3w (Polski). Editor: Ma\u0142gorzata<br \/>\nKaczmarska, 2019.<br \/>\n<strong>ISBN:<\/strong> 978-83-919665-3-2.<\/p>\n<p><strong>Autor:\u00a0<\/strong>Bonet, Pilar.<br \/>\n<strong>T\u00edtol:\u00a0<\/strong>Pintura Mural Capella Sant Roc Valls. Valls: Ajuntament de Valls, 2019. pp. 5-71.<br \/>\n<strong>ISBN:<\/strong> 978-84-09-09928-3<\/p>\n<p><strong>Autor:\u00a0<\/strong>Bonet, Pilar.<br \/>\n<strong>T\u00edtol:\u00a0<\/strong>De la poesia esc\u00e8nica de Joan Brossa a les imatges medi\u00famniques de Josefa Tolr\u00e0\".<br \/>\n<strong>Publicat per:\u00a0<\/strong>Art i Follia. Joan Obiols Vi\u00e9. Barcelona: Ajuntament de Barcelona-Fundaci\u00f3 Joan Brossa, 2019,<br \/>\npp.80-91.<br \/>\n<strong>ISBN<\/strong> 978-84-9156-209-2<\/p>\n<p><strong>Autor:\u00a0<\/strong>Padilla Mach\u00f3, \u00d2scar (2019) .<br \/>\n<strong>T\u00edtol: <\/strong>Paradojas y desplazamientos: fricciones en los objetos de Luis Bisbe.<br \/>\n<strong><b>Publicat a:<\/b><\/strong>\u00a0Revista: Est\u00fadio, artistas sobre outras obras - 1647-6158.<br \/>\nBases de indexaci\u00f3n: Academic Onefile, CiteFactor, DOAJ, EBSCO, GALE<\/p>\n<p><strong>Autors\/es:<\/strong> Puig Mestres, Eloi; L\u00f3pez Gabrielidis, Alejandra (2019).<br \/>\n<strong>T\u00edtol: <\/strong>\u201cHemisferios Comparados\u201d,<br \/>\n<strong><b>Publicat a:<\/b><\/strong>\u00a0BRAC\u00a0(Barcelona Research Art Creation)<strong><br \/>\nPublicat per:\u00a0<\/strong>Facultat de Belles Arts, Universitat de Barcelona<strong><br \/>\nLloc de publicaci\u00f3:<\/strong>Barcelona.\u00a0<strong>Vol<\/strong>. 7\u00a0<strong>\u00a0N\u00fam.<\/strong> 3\u00a0<strong>P\u00e0gs:\u00a0<\/strong>1-13<br \/>\n<strong>\u00cdndex d\u2019impacte <em>(SCI\/SSCI\/AHCI)<\/em>: <\/strong>\u00cdndex d\u2019impacte A<br \/>\n<strong>Quartil i \u00e0rea <em>(SCI\/SSCI)<\/em><em>: <\/em><\/strong>CARHUS PLUS:D MIAR 2016: 9,1.\u00a0<strong style=\"font-size: 1rem;\">Any<\/strong><span style=\"color: #808080;\">: <span style=\"color: #333333;\">2017.\u00a0<\/span><\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article<\/span><br \/>\n<strong>ISSN:<\/strong> 2014-8992, DL: B.34282-2012.<\/p>\n<p><strong>Autors\/es:<\/strong> Bueno D., Casassas D., Coderch L., Escoffet E., Espluga E., Fontdevila O., Garc\u00e9s M., Garc\u00eda M., Garrigasait R., Guardiola I., Llad\u00f3 A., La Parra P., Masdeu I., Mas\u00f3 J., Moret K., Oll\u00e9 M., Ruido M., Sallar\u00e8s M., Szpunberg V., Vasallo B..<br \/>\n<strong>T\u00edtol:<\/strong> Humanidades en acci\u00f3n. T\u00edtulo Cap\u00edtulo: Sentido.<br \/>\n<strong>Publicat per:\u00a0<\/strong>Editorial Rayo Verde. 2019.<br \/>\n<strong>ISBN:<\/strong> 978-84-16689-77-4<\/p>\n<p><strong>Barri\u00e8re, Eul\u00e0lia<\/strong>.<br \/>\n<strong>T\u00edtulo:<\/strong> Exploring Randomness in Digital Art<br \/>\n<strong> Publicado en:<\/strong> <em>Bridges 2019: Mathematics, Music, Art, Architecture, Education, Culture, <\/em>2019, pp<em>.<\/em> 569-574.<br \/>\n<strong>Enlace:<\/strong> <a href=\"http:\/\/archive.bridgesmathart.org\/2019\/bridges2019-569.html\">http:\/\/archive.bridgesmathart.org\/2019\/bridges2019-569.html<\/a><br \/>\n<strong>A\u00f1o:<\/strong> 2019 <strong>Clave:<\/strong> Art\u00edculo<\/p>\n<p>Barri\u00e8re, Eul\u00e0lia. Revista: SCM \/ Not\u00edcies, 45 T\u00edtulo: Art i aleatorietat pp. 81-90.<br \/>\nhttps:\/\/scm.iec.cat\/wp-content\/uploads\/2019\/09\/Not%C3%ADcies-45_WEB.pdf A\u00f1o:2019 Clave: Art\u00edculo<\/p>\n<p>Padilla, \u00d3scar. Revista: Est\u00fadio n\u00ba 27. T\u00edtulo: Expandirse y replegarse: estructuras contingentes en la obra de Pep Montoya. ISSN 1647-6158. A\u00f1o: 2019 Clave: Art\u00edculo<\/p>\n<p><strong>Art\u00edculo. <\/strong>Padilla, \u00d2scar. T\u00edtulo: \u201cParadojas y desplazamientos: fricciones en los objetos de Luis Bisbe\u201d, Est\u00fadio, n\u00fam 28 (7), disponible en l\u00ednea en <a href=\"https:\/\/estudio.belasartes.ulisboa.pt\/E_v10_iss28.pdf\">&lt;https:\/\/estudio.belasartes.ulisboa.pt\/E_v10_iss28.pdf&gt; . 2019<\/a>. A\u00f1o: 2019.<\/p>\n<p><strong>Padilla, \u00d2scar. <\/strong>\u201d Saltar al vac\u00edo: cuerpo y gravedad\u201d. El Cep i la Nansa (Ed), IN&gt;TRA. <em>\u00a0La Pr\u00e1ctica Art\u00edstica como Modelo de Experiencia: Nuevas Formas y Prototipos en los Procesos de Investigaci\u00f3n, 73 - 89<\/em>. A\u00f1o: 2019. Clave: cap\u00edtulo de libro.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-31\" class=\"so-panel widget widget_imartew_separator\" data-index=\"31\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-32\" class=\"so-panel widget widget_sow-editor\" data-index=\"32\" ><div id=\"2018\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-32\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><strong><span style=\"color: #ff00ff;\">2018<br \/><\/span><\/strong><\/h3>\n<p><strong>Autors\/es:\u00a0<\/strong>Armour T., Asef, M., Beloufa N., Bestu\u00e9 D., <strong>Coderch L.<\/strong>, Garrido-lecca, X., Cule M., Fern\u00e1ndez Pan, S., Guiteras A., Little R., Lim\u00f3n M., Massiah J., Mill\u00e1n A.M., Miliani J., Morandeira J., Mu\u00f1oz-Alonso L., Pag\u00e8s C., Pica A., Ram\u00edrez N., Santos A., Sopelana B., Soto M., Turato N.\u00a0<br \/><strong>T\u00edtol:<\/strong> This is Jackalope. T\u00edtulo Cap\u00edtulo: She stands before the door, a room of her own. <br \/><strong>Publicat per:\u00a0<\/strong>Editorial: This is Jackalope. 2018. <br \/><strong>ISBN:<\/strong> 978-84-09-05783-2<\/p>\n<p><strong>Autor:\u00a0<\/strong>L\u00f3pez Gabrielidis, Alejandra (2018). <br \/><strong>T\u00edtol:<\/strong> \u201cTransparencia y Sospecha\u201d en Revista Arquine, No 85,<br \/>Oto\u00f1o 2018, Vidrio. Glass, pp. 108-113. <br \/><strong>Web:\u00a0<\/strong>https:\/\/www.arquine.com\/revista\/revista-arquine-no-85-vidrio<\/p>\n<p><strong>Autor:\u00a0<\/strong>Bonet, Pilar (2018)<br \/><strong>T\u00edtol:<\/strong> Fina Miralles, paraules de tardor.<br \/><strong><b>Publicat a:\u00a0<\/b><\/strong>Revista Quadern de les idees, les arts i les lletres. Sabadell: Fundaci\u00f3 Ars.<br \/><strong>Web:<\/strong> https:\/\/www.quaderndelesidees.press\/fina-miralles-paraules-de-la-tardor\/<\/p>\n<p><strong>Autors\/es:<\/strong> Puig, E.; Magalhaes, V.(2018) <br \/><strong>T\u00edtol:<\/strong> Errare Est... Aproximaciones Indisciplinares en las Pr\u00e1cticas Art\u00edsticas Contempor\u00e1neas. <br \/><strong><b>Publicat a:<\/b><\/strong>\u00a0BRAC\u00a0(Barcelona Research Art Creation)<strong><br \/>Publicat per:\u00a0<\/strong>Facultat de Belles Arts, Universitat de Barcelona<strong><br \/>Lloc de publicaci\u00f3:<\/strong>Barcelona.\u00a0<strong>Vol<\/strong>. 6\u00a0<strong>\u00a0N\u00fam.<\/strong> 3\u00a0<br \/><strong>\u00cdndex d\u2019impacte <em>(SCI\/SSCI\/AHCI)<\/em>: <\/strong>\u00cdndex d\u2019impacte A<br \/><strong>Quartil i \u00e0rea <em>(SCI\/SSCI)<\/em><em>: <\/em><\/strong>CARHUS PLUS:D MIAR 2016: 9,1.\u00a0<strong style=\"font-size: 1rem;\">Any<\/strong><span style=\"color: #808080;\">: <span style=\"color: #333333;\">2017.\u00a0<\/span><\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article<\/span><br \/><strong>\u00cdndex d\u2019impacte <em>(SCI\/SSCI\/AHCI)<\/em>: <\/strong>\u00cdndex d\u2019impacte A<br \/><strong>ISSN:<\/strong> 2014-8992, DL: B.34282-2012.<\/p>\n<p><strong>Autora: <\/strong>L\u00f3pez Gabrielidis, A.\u00a0 <br \/><strong>T\u00edtol:<\/strong>\u00a0Sssssssilex\u00a0<br \/><strong>Publicat per: <\/strong>La Capella. Ajuntament de Barcelona i The Flames<br \/><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/><\/span><strong style=\"font-size: 1rem;\">P\u00e0gs.<\/strong><span style=\"font-size: 1rem;\">\u00a05-43\u00a0\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>ISBN: <\/strong>978-84-9156-133-0\u00a0<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2018\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Llibre<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-33\" class=\"so-panel widget widget_imartew_separator\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-34\" class=\"so-panel widget widget_sow-editor\" data-index=\"34\" ><div id=\"2017\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-34\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3><strong><span style=\"color: #ff00ff;\">2017\u00a0<br \/><\/span><\/strong><\/h3>\n<p><strong>Autor:<\/strong>\u00a0Ruiz-Gim\u00e9nez Coderch, L\u00faa (2017). <br \/><strong>T\u00edtol: <\/strong>El pasaje oscuro. Im\u00e1genes t\u00e9cnicas e im\u00e1genes tradicionales en Vil\u00e9m Flusser. <br \/><strong style=\"font-size: 1rem;\"><b>Publicat a:<\/b><\/strong><span style=\"font-size: 1rem;\">\u00a0<\/span>Revista Inmaterial. Dise\u00f1o, arte y sociedad. N\u00fam. 4. Bau, Centro Universitario de Dise\u00f1o. <strong>web:\u00a0<\/strong>https:\/\/www.inmaterialdesign.com\/index.php\/mag\/article\/view\/39<\/p>\n<p><strong style=\"font-size: 1rem;\">Autors\/es:<\/strong><span style=\"font-size: 1rem;\"> Viladomiu, \u00c0.; Negre, M.<br \/><\/span><strong style=\"font-size: 1rem;\">T\u00edtol: <\/strong><span style=\"font-size: 1rem;\">Hibridador\/a<br \/><\/span><strong style=\"font-size: 1rem;\"><b>Publicat a:<\/b><\/strong><span style=\"font-size: 1rem;\">\u00a0BRAC<br \/><\/span><strong style=\"font-size: 1rem;\">Publicat per:<\/strong><span style=\"font-size: 1rem;\">Facultat de Belles Arts, Universitat de Barcelona<br \/><\/span><strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\">Barcelona.\u00a0<\/span><strong style=\"font-size: 1rem;\">Vol<\/strong><span style=\"font-size: 1rem;\">. 5\u00a0<\/span><strong style=\"font-size: 1rem;\">\u00a0N\u00fam.<\/strong><span style=\"font-size: 1rem;\"> 1\u00a0<\/span><strong style=\"font-size: 1rem;\">P\u00e0gs:\u00a0<\/strong><span style=\"font-size: 1rem;\">14-16<br \/><\/span><strong style=\"font-size: 1rem;\">\u00cdndex d\u2019impacte <em>(SCI\/SSCI\/AHCI)<\/em>: <\/strong><span style=\"font-size: 1rem;\">\u00cdndex d\u2019impacte A<br \/><\/span><strong style=\"font-size: 1rem;\">Quartil i \u00e0rea <em>(SCI\/SSCI)<\/em><em>: <\/em><\/strong><span style=\"font-size: 1rem;\">CARHUS PLUS:D MIAR 2016: 9,1.\u00a0<\/span><strong style=\"font-size: 1rem;\">Any<\/strong><span style=\"color: #808080;\">: <span style=\"color: #333333;\">2017.\u00a0<\/span><\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article<\/span><\/p>\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong>Autor:<\/strong>\u00a0Padilla, \u00d2.<br \/><strong>T\u00edtol: <\/strong>Algo puede suceder: Loss of Symmetry, una a proximaci\u00f3n a la obra de Nicol\u00e1s Lamas<br \/><strong>Publicat a: <\/strong>Croma10<strong><br \/>Vol:<\/strong>\u00a05<strong>\u00a0P\u00e0gs:<\/strong>\u00a060-67, 14-16 <strong>ISSN:<\/strong> 2182-8547<br \/><strong>Revista internacional indexada a:<\/strong> Academic Onefile, CiteFactor, DOAJ, EBSCO, GALE, Latindex, MIAR, <br \/>Open Academic Journals, Index, ROAD, SIS, SHERPA\/RoMEO.\u00a0<strong>Any<\/strong><span style=\"color: #808080;\">: <span style=\"color: #333333;\">2017\u00a0<\/span><\/span><strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autora: <\/strong>L\u00f3pez Gabrielidis, A.\u00a0 <br \/><strong>T\u00edtol:<\/strong>\u00a0Las fronteras del cuerpo y el objeto digital en la subjetividad contempor\u00e1nea<br \/><strong>Publicat al llibre:<\/strong> Logos e Historia. Las fronteras del presente filos\u00f3fico\u00a0<br \/><strong>Publicat per:\u00a0<\/strong>Facultad de Filosof\u00eda y Letras, Universidad Nacional de Cuyo<br \/><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong> Argentina<br \/><\/span><strong style=\"font-size: 1rem;\">Vol:<\/strong><span style=\"font-size: 1rem;\">\u00a06,\u00a0<\/span><strong style=\"font-size: 1rem;\">P\u00e0gs.<\/strong><span style=\"font-size: 1rem;\">\u00a079-102\u00a0\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>ISBN: <\/strong>978-950-774-313-9\u00a0<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2017\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Cap\u00edtol llibre<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-35\" class=\"so-panel widget widget_imartew_separator\" data-index=\"35\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-36\" class=\"so-panel widget widget_sow-editor\" data-index=\"36\" ><div id=\"2016\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-36\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2016<\/span><\/strong><\/h3>\n<\/div>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong>\u00a0Baigorri, L.<br \/><\/span><span style=\"font-size: 1rem;\"><strong>T\u00edtol:\u00a0<\/strong>CTRL + [SELF]: Intimacy, Extimacy &amp;amp; Control in the Age of the Overexposure of Self<br \/><\/span><strong>Publicat a:<\/strong>\u00a0Studio XX, Festival Htmlles 2016<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Montreal, Canad\u00e1\u00a0<br \/><strong>web:<\/strong>\u00a0https:\/\/htmlles.net\/2016\/wp-content\/uploads\/2016\/11\/Curatorial-text_Baigorri_EN.pdf\u00a0<strong>Any:<\/strong>\u00a02016\u00a0<strong>Clau:\u00a0<\/strong>text curatorial<\/p>\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong>Autors\/es: <\/strong>Valera, A.; F\u00e0bregas, A; Juanpere, S.; Lozano, J.; Casanovas, M.; Past\u00f3, C.; Viladomiu, A.; Bielsa, J.; Martinez, E.<br \/><strong>T\u00edtol:<\/strong> Materia Impresa. De la virtualidad digital a la materialidad tridimensional en la investigaci\u00f3n art\u00edstica.<br \/><span style=\"font-size: 1rem;\"><strong>Puiblicat a<\/strong>: COMANEGRA <br \/><strong>P\u00e0gs:<\/strong> 1-205\u00a0\u00a0<strong>ISBN<\/strong> 978-84-16605-63-7 B 26055-2016\u00a0<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2016\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Cat\u00e0leg (Llibre)<\/span><\/p>\n<p><strong>Autor:<\/strong> Puig, E.<br \/><strong>T\u00edtol: <\/strong>Colecci\u00f3n Alineamientos: Aproximaciones a la biocomputaci\u00f3n desde el Arte<br \/><strong>Publicat a:<\/strong> Ausart Journal for Research in Art <br \/><strong>Publicat per<\/strong>: Universidad del Pa\u00eds Vasco <br \/><strong>Lloc de publicaci\u00f3:<\/strong> Pa\u00eds Vasco<br \/><strong style=\"font-size: 1rem;\">Vol:\u00a0<\/strong><span style=\"font-size: 1rem;\">4 <\/span><strong style=\"font-size: 1rem;\">N\u00ba:<\/strong><span style=\"font-size: 1rem;\"> 1, <\/span><strong style=\"font-size: 1rem;\">P\u00e0gs:<\/strong><span style=\"font-size: 1rem;\"> 187-196\u00a0<\/span><strong style=\"font-size: 1rem;\">ISSN<\/strong><span style=\"font-size: 1rem;\"> 2340-8510, <\/span><strong style=\"font-size: 1rem;\">e-ISSN<\/strong><span style=\"font-size: 1rem;\"> 2340-9134 UPV\/EHU\u00a0<\/span><strong>Any:<\/strong>\u00a02016\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autor:<\/strong> Puig, E.<br \/><strong>T\u00edtol: <\/strong>Sobrevolando sobre los detritos de Gif<br \/><strong>Publicat a:<\/strong> A*DESK, Instituto Independiente de Cr\u00edtica y Arte Contempor\u00e1neo<br \/><strong>Publicat per<\/strong>: A*DESK, Instituto Independiente de Cr\u00edtica y Arte Contempor\u00e1neo<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Barcelona, Espanya<br \/><span style=\"font-size: 1rem;\"><b>web:\u00a0<\/b><a href=\"https:\/\/a-desk.org\/magazine\/sobrevolando-sobre-los-detritos-de\/\">http:\/\/www.a-desk.org\/highlights\/Sobrevolando-sobre-los- detritosde.html<\/a><br \/><\/span><strong>Any:\u00a0<\/strong>2016\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autores:<\/strong> Past\u00f3, C. i Agust\u00ed, E.<br \/><span style=\"font-size: 1rem;\"><strong>T\u00edtol:<\/strong> Un artista hace visible a un cient\u00edfico: Your colour memory i La pell de la pell<br \/><strong>Publicat al llibre:<\/strong> 2nd Art, Science, City International Conference ASC2015<br \/><strong>Publicat per:<\/strong>\u00a0Universitat Polit\u00e8cnica de Val\u00e8ncia<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong> Val\u00e8ncia, Espanya<br \/><strong>P\u00e0gs:\u00a0<\/strong>72-80\u00a0<\/span><strong>DOI<\/strong>:<a href=\"http:\/\/dx.doi.org\/10.4995\/ASC\/ASC15.2015.1985\">http:\/\/dx.doi.org\/10.4995\/ASC\/ASC15.2015.1985<\/a><br \/><strong>Any:<\/strong> 2016\u00a0\u00a0<span style=\"font-size: 1rem;\"><strong>Clau:<\/strong> Cap\u00edtol Llibre (Cat\u00e0leg)<\/span><\/p>\n<p><strong>Autor:<\/strong> Ameller, C.<br \/><strong>T\u00edtol: <\/strong>Comunnication and social transformation movements. Video-NOu \/SVC experience<br \/><strong>Publicat a:<\/strong> L'internationale<br \/><strong>Publicat per<\/strong>:Editorial Board: Nick Aikens, Tanya Barson, Ba\u015fak \u00c7aka, Diana Franssen, Nav Haq, Pablo Mart\u00ednez, <br \/>November Paynter, Nata\u0161a Petre\u0161in-Bachelez, Carlos Prieto del Campo, Steven ten Thije, Adela \u017deleznik<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Gante, B\u00e8lgica<br \/><span style=\"font-size: 1rem;\"><strong>web:<\/strong>\u00a0http:\/\/www.internationaleonline.org\/<br \/><\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\">\u00a02016\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Article<\/span><\/p>\n<p style=\"margin: 0cm; margin-bottom: .0001pt;\"><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Blanch, T.<br \/><\/span><strong>T\u00edtol:<\/strong> La mirada t\u00e0ctil o el paisatge dels cossos<br \/><strong>Publicat al llibre:<\/strong> OMBRES. Di\u00e0legs amb la Col\u00b7lecci\u00f3.Tura Sanz Sanglas y Huang Yan<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:<\/strong>\u00a0Museu Palau Solterra. (Fd. Vila Casas)<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Torroella de Montgr\u00ed, Girona, espanya<br \/><strong>DL:<\/strong> B-28844-2015 <strong>web:<\/strong>\u00a0http:\/\/www.fundaciovilacasas.com\/ca\/exposicio\/dialegs-ambla-colleccio-ombres<\/span><\/p>\n<p style=\"margin: 0cm; margin-bottom: .0001pt;\"><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2016\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/p>\n<p><\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Blanch, T.<br \/><\/span><strong>T\u00edtol:<\/strong> Un \u201cjo\u201d \u00ednfim en totes direccions<br \/><strong>Publicat al llibre:<\/strong> JORDI TOLOSA.\u201dI\u201d<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:<\/strong> Fundaci\u00f3 Marguerida de Montferrato<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Balaguer, Lleida; Espanya<br \/><strong>P\u00e0gs:<\/strong> 10-22\u00a0<strong>ISBN:<\/strong> 978-84-617-4463-3. <strong>DL:<\/strong> L 1183 <br \/><\/span><span style=\"font-size: 1rem;\"><strong>web:<\/strong>\u00a0<a href=\"http:\/\/fundaciomargueridademontferrato.cat\/catalegs\/I_Jordi_Tolosa.pdf\">http:\/\/fundaciomargueridademontferrato.cat\/catalegs\/I_Jordi_Tolosa.pdf<\/a><br \/><\/span><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2016\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<br \/><\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Coderch, L.<br \/><\/span><strong>T\u00edtol:<\/strong> Par\u00e0bola<br \/><strong>Publicat al llibre:<\/strong> Catedrals a la Capella (Ciclo 2011-2013)<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:<\/strong> Museu de Valls y Generalitat de Catalunya<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Valls, Barcelona, Espanya\u00a0<strong>DL:<\/strong> T 292-2016<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2016\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Coderch, L.<br \/><\/span><strong>T\u00edtol:<\/strong>\u00a0Screen Walls (Dealing with the Wind and not with Gravity)<br \/><strong>Publicat al llibre:<\/strong> Performing the Museum (The Reader)<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:<\/strong> Museum of Contemporary Art Vojvodina Novi Sad<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Servia<br \/><strong>ISBN:<\/strong> 978-86- 6333-033- 7\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2016\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Coderch, L.<br \/><\/span><strong>T\u00edtol:<\/strong>\u00a0Screen Walls (Dealing with the Wind and not with Gravity)<br \/><strong>Publicat al llibre:<\/strong> Performing the Museum (The Reader)<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:<\/strong> Museum of Contemporary Art Vojvodina Novi Sad<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Servia<br \/><strong>ISBN:<\/strong> 978-86- 6333-033- 7\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2016\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-37\" class=\"so-panel widget widget_imartew_separator\" data-index=\"37\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-38\" class=\"so-panel widget widget_sow-editor\" data-index=\"38\" ><div id=\"2015\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-38\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong style=\"color: #0085ab; font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2015<\/span><\/strong><\/p>\n<\/div>\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong>Autors\/es: <\/strong>Blanch, T.; Viladomiu, A.; Almarcegui, L.; Montero, R.; Creus, M.; Serra, M; Valent\u00edn, V.; Hugonnier, M.; Canudas, J.; Kopf, A.; Dah\u00f3, M.; Valderrey, E.; Ricketts, M.; Mar\u00edn, E.; Aren\u00f3s, X.; Feliu, M.; Ruiz Montesinos, A.; Morey, J.; Negre, M.; Cantalozella, J.; Dauder, P.; Rivas, X.; Evangelista, I.; Trillo, J.M.; Pa\u00fc, V.; Choules, L.; Thomaidi, P.\u00a0\u00a0 \u00a0<br \/><strong>T\u00edtol:<\/strong> Topograf\u00edas Invisibles. Estrategias cr\u00edticas entre arte y geograf\u00eda \u00a0<br \/><strong>Publicat per:<\/strong> <span style=\"font-size: 1rem;\"> Edicions Universitat de Barcelona<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<\/span><br \/><strong>P\u00e0gs:<\/strong> 1-341<strong> web:\u00a0<\/strong>http:\/\/www.publicacions.ub.edu\/ficha.aspx?cod=08387<span style=\"font-size: 1rem;\"><br \/><\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2015\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0(Cat\u00e0leg) Llibre\u00a0<\/span><\/p>\n<p><strong>Autora: <\/strong>L\u00f3pez Gabrielidis, A.\u00a0 <br \/><strong>T\u00edtol:<\/strong>\u00a0R\u00e9gimen de visibilidad y vigilancia en la era de la Identidad Digital<br \/><strong>Publicat a:<\/strong> Teknokultura<br \/><strong>Publicat per:<\/strong> Universidad Complutense de Madrid <br \/><strong>Lloc de publicaci\u00f3:<\/strong> Madrid, Espanya<br \/><strong>Volum:<\/strong> 12\u00a0<strong> N\u00famero<\/strong>: 3<strong>\u00a0P\u00e0gs:<\/strong> 473-499\u00a0<strong>web:<\/strong> http:\/\/revistas.ucm.es\/index.php\/TEKN\/article\/view\/50385\u00a0<br \/><strong>\u00cdndex d\u2019impacte<em> (SCI\/SSCI\/AHCI)<\/em>:<\/strong>\u00a0 Sistemas de evaluaci\u00f3n: CIRC; DICE; ERIH PLUS; LATINDEX; MIAR; RESH<br \/><strong>Any:<\/strong> 2015 <strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autora:<\/strong>\u00a0AA.VV,\u00a0 Regueira Pons, B.<br \/><strong>T\u00edtol:\u00a0<\/strong>CHB3759209001, nos vamos a Croat\u00e1n (projecte col\u00b7lectiu)<br \/><strong>Publicat al llibre: <\/strong>La Gran Il\u00b7lusi\u00f3\u00a0<br \/><strong>Publicat per:<\/strong>\u00a0Sala d\u2019Art Jove, Generalitat de Catalunya<br \/><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<\/span><br \/><strong>P\u00e0gs:<\/strong> 110 - 113 <strong>ISBN:<\/strong> 978-84-393-9434-1 <strong>DL:<\/strong> B 13076-2016<br \/><strong>Any:<\/strong>\u00a02015\u00a0<strong>Clau:\u00a0<\/strong>Cap\u00edtol llibre (Cat\u00e0leg)<\/p>\n<div><strong>Autora:<\/strong>\u00a0Regueira Pons, B (dintre del col\u00b7lectiu Nenazas)<br \/><strong>T\u00edtol: <\/strong>Nenazas picantes<br \/><strong>Publicat a:\u00a0<\/strong>En Altres Paraules<br \/><strong>Publicat per:<\/strong>\u00a0Ca'n Felipa, Generalitat de Catalunya<br \/><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<\/span><br \/><strong>Any:<\/strong>\u00a02015\u00a0<strong>Clau: <\/strong>Article<\/div>\n<div>\u00a0<\/div>\n<p><strong>Autora:<\/strong> Coderch, L.<strong><br \/>T\u00edtol:\u00a0<\/strong>La muntanya m\u00e1gica \/ La monta\u00f1a m\u00e1gica \/ The Magic Mountain<em><br \/><\/em><strong style=\"font-size: 1rem;\">Publicat al llibre<\/strong><strong style=\"font-size: 1rem;\">:<\/strong><span style=\"font-size: 1rem;\">\u00a0Arqueologia preventiva<br \/><strong>Publicat per:<\/strong>\u00a0Fundaci\u00f3 Joan Mir\u00f3<br \/><\/span><strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\">\u00a0Barcelona, Espanya<br \/><\/span><strong style=\"font-size: 1rem;\">P\u00e0gs:<\/strong><span style=\"font-size: 1rem;\">76-96\u00a0<strong>ISBN: <\/strong>978-84-1641-101-6<strong> Dep\u00f2sit Legal: <\/strong>B.10171-2015\u00a0 \u00a0<br \/><\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2015\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:\u00a0<\/strong><span style=\"font-size: 1rem;\">Cap\u00edtol de cat\u00e0leg (llibre)\u00a0<\/span><\/p>\n<p><strong>Autora:<\/strong> Baigorri, L.<br \/><strong>T\u00edtol: <\/strong>Videoarde. V\u00eddeo cr\u00edtico en Latinoam\u00e9rica y Caribe <br \/><strong>Publicat a:<\/strong>\u00a0Revista Arteam\u00e9rica <br \/><strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3: <\/strong>Colombia<br \/><strong>N\u00fam:<\/strong> 35\u00a0\u00a0<strong>ISSN<\/strong> 2218-0842\u00a0<strong>web:<\/strong> http:\/\/arteamerica.cu\/35\/dossier\/laura.htm<br \/><strong>Any:<\/strong>\u00a02015\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autora:<\/strong>\u00a0Elgoibar,A<br \/><strong>T\u00edtol: <\/strong>One Motorbike, One arm, Two Cameras<br \/><strong>Publicat a:<\/strong> Journal of Artistic Research, JAR <br \/><strong>N\u00fam<\/strong>.7\u00a0<strong>ISSN<\/strong> 2235-0225\u00a0<strong>web:\u00a0<\/strong>https:\/\/www.researchcatalogue.net\/view\/57290\/133339\u00a0<br \/><strong>Any:<\/strong>\u00a02015\u00a0<strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/p>\n<p><strong>Autor:<\/strong> Puig, E.<br \/><strong><span style=\"font-size: 1rem;\">T\u00edtol<\/span>:\u00a0<\/strong><span style=\"font-size: 1rem;\">LE, CUADERNO DE LECTURA COMPARADA. Utilizaci\u00f3n del texto gen\u00e9tico y del gramatical a\u00a0<\/span><span style=\"font-size: 1rem;\">trav\u00e9s del Alineamiento de secuencias<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat al llibre:<\/strong> 2nd Conference International: Art, Science, City<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong> Universidad Polit\u00e9cnica de Valencia\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Val\u00e8ncia, Espanya<br \/><\/span><span style=\"font-size: 1rem;\"><strong>P\u00e0gs:<\/strong> 244-249 <strong>DOI:\u00a0<\/strong><\/span><a style=\"font-size: 1rem; background-color: #ffffff;\" href=\"http:\/\/dx.doi.org\/10.4995\/ASC\/ASC15.2015.1985\">http:\/\/dx.doi.org\/10.4995\/ASC\/ASC15.2015.1985<\/a><br \/><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2015\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>Clau:<\/strong> Cap\u00edtol llibre (Cat\u00e0leg)<\/span><\/p>\n<\/div>\n<p><strong>Autor:<\/strong> Puig, E.<br \/><strong>T\u00edtol:\u00a0<\/strong>Complejidad como metodolog\u00eda. Del libro de artista a las nuevas formas de arte m\u00faltiple<br \/><strong>Publicat a: <\/strong>MetaM\u00e9todo. Arte e investigaci\u00f3n. Metodolog\u00edas Compartidas<em style=\"font-size: 1rem;\"><br \/><\/em><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong> Universidad de Vigo\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Vigo, Espanya<br \/><strong>ISBN:<\/strong> 978-84 - 8158 -644 - 2<br \/><strong>Any:<\/strong> 2015\u00a0<strong>Clau:<\/strong> Article<\/span><\/p>\n<p><strong>Autora:<\/strong> Blanch, T.<br \/><strong>T\u00edtol:<\/strong> Resist\u00e8ncia i accionisme de proximitat \/ Resistance and actionism in proximity <br \/><strong>Publicat a:<\/strong> Mecanismes del Ser<br \/><strong>Publicat per:<\/strong> ENRIC MAUR\u00cd, Museu de Granollers<br \/><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<\/span><br \/><strong>ISBN:<\/strong> 978-84-87790-77-5 DL: B 13492-2015 <strong>web:<\/strong>\u00a0<a href=\"http:\/\/www.granollers.cat\/agenda\/ajuntament\/mecanismes-del-ser-enric-maur%C3%AD\">http:\/\/www.granollers.cat\/agenda\/ajuntament\/mecanismes-del-ser-enric-maur%C3%AD<\/a><br \/><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2015\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>Clau:<\/strong> Article<\/span><\/p>\n<p><strong>Autora:<\/strong> Blanch, T.<br \/><strong>T\u00edtol:<\/strong> Agust\u00ed Roqu\u00e9, Inside-Inside<br \/><span style=\"font-size: 1rem;\"><strong>Publicat a:<\/strong> Editora Eclipsing the Space \/ Eclipsar el espacio, Pavell\u00f3 d \u0301Andorra<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong> 56th. Venice Art Biennale 2015. Govern dAndorra<br \/><strong>Lloc de publicaci\u00f3<\/strong>: Andorra<br \/><strong>ISBN:<\/strong> 978-84-606-9354-3<br \/><strong>Any:<\/strong> 2015\u00a0<strong>Clau:<\/strong> Article<\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autora:<\/strong> Blanch, T.<br \/><\/span><strong>T\u00edtol:<\/strong> A radical painting of Energy and Traces<br \/><strong>Publicat a:<\/strong> FERNANDO PRATS. Naturalism<span style=\"font-size: 1rem;\">\u00a0<br \/><strong>Publicat per:<\/strong> Matthew Liu Fine Arts<br \/><strong>Lloc de publicaci\u00f3:<\/strong> Shanghai, China<br \/><strong>P\u00e0gs: <\/strong>37-40 texto original\/37-44 trad. al Chino<br \/><strong>Any:<\/strong> 2015\u00a0<strong>Clau:<\/strong> Article<\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autor:<\/strong> Iglesias, R.<br \/><\/span><strong>T\u00edtol:<\/strong> Robofilia, mangas y tecnoarte japon\u00e9s<br \/><strong>Publicat a:<\/strong>\u00a0ArtMedia<span style=\"font-size: 1rem;\"><br \/><strong>Publicat per:\u00a0<\/strong>Universidad Maim\u00f3nides, Buenos Aires<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Buenos Aires, Argentina<br \/><strong>P\u00e0gs: <\/strong>94-102 <strong>ISBN:\u00a0<\/strong>978-987-1699-22-3<strong>\u00a0<\/strong><br \/><strong>Any:<\/strong> 2015\u00a0<strong>Clau:<\/strong> Article<\/span><\/p>\n<p><span style=\"font-size: 1rem;\"><strong>Autor:<\/strong> Iglesias, R.<br \/><\/span><strong>T\u00edtol:<\/strong> Arte, ciudad y sistema de vigilancia<br \/><strong>Publicat a:\u00a0<\/strong><span style=\"font-size: 1rem;\">Artes Pl\u00e1sticas y Ciudad III.\u00a0<\/span><span style=\"font-size: 1rem;\">Encuentros Internacionales Arte y Ciudad.<br \/><\/span><strong style=\"font-size: 1rem;\">Publicat per:\u00a0<\/strong><span style=\"font-size: 1rem;\">Universidad Complutense de Madrid<br \/><\/span><strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\">\u00a0Madrid, Espanya<br \/><\/span><strong style=\"font-size: 1rem;\">P\u00e0gs: <\/strong>187-192\u00a0<strong style=\"font-size: 1rem;\">ISBN: <\/strong>978-64-606-9564-6<strong style=\"font-size: 1rem;\"><br \/><\/strong><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2015\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Article<\/span><\/p>\n<p><strong>Autora:<\/strong> Vil\u00e0, A.<br \/><strong>T\u00edtol:<\/strong> Las estampas de Joaquin Chancho<span style=\"font-size: 1rem;\"><br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat a:<\/strong> Propileu\u00a0<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong>\u00a0Museo de Montserrat<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong> Barcelona, Espanya<br \/><\/span><span style=\"font-size: 1rem;\"><strong>N\u00fam:<\/strong> 15\u00a0P\u00e0gs. 2-5<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2015\u00a0<strong>Clau:<\/strong> Article<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-39\" class=\"so-panel widget widget_imartew_separator\" data-index=\"39\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-40\" class=\"so-panel widget widget_sow-editor\" data-index=\"40\" ><div id=\"2014\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-40\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<p><strong style=\"color: #0085ab; font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2014<\/span><\/strong><\/p>\n<div id=\"c2829\" class=\"csc-default\">\n<p><strong>Autora:<\/strong>\u00a0Baigorri, L.<br \/>\n<strong>T\u00edtol:<\/strong> Curadur\u00eda e Internet: optimizaci\u00f3n y cuestionamiento de criterios y estructuras.<br \/>\n<strong>Publicat a:<\/strong>\u00a0Arte y museos del siglo XXI. Entre los nuevos \u00e1mbitos y las inserciones tecnol\u00f3gicas.<br \/>\nM\u00aa Luisa Bellido Gant (ed.) Colecci\u00f3n Acci\u00f3n y Cultura, Editorial UOC,<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Barcelona.<br \/>\n<strong>N\u00fam:<\/strong>\u00a08 <strong>ISBN:<\/strong> 978-84-9029-766-7<br \/>\n<strong>Any:<\/strong>\u00a02014\u00a0<strong>Clau:<\/strong> cap\u00edtol de llibre<\/p>\n<p><strong>Autors\/es:\u00a0<\/strong>Vela, A.; Casacuberta, D.; Agust\u00ed, E.; Vil\u00e0, A.; Bielsa, J.; Broto, L.; Casanovas, M\u00aa M.;<br \/>\nde L\u00f3pez, J.; Puig. E., Molet, A.; Past\u00f3, C.; Steidinger, A.; Baigorri, L; Ameller, C.; Blanch, T.<br \/>\n<strong>T\u00edtol:<\/strong> <a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2020\/05\/MetametodoLLIBREFINAL.pdf\">MetaM\u00e9todo. Metodolog\u00edas compartidas en procesos art\u00edsticos \/ MetaMethod. Shared methodologies in artistic processes (versi\u00f3n pdf)<\/a><br \/>\n<strong style=\"font-size: 1rem;\"><b style=\"font-size: 1rem;\">Publicat per:\u00a0<\/b><\/strong><span style=\"font-size: 1rem;\">COMANEGRA<br \/>\n<\/span><b style=\"font-size: 1rem;\"><span style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:\u00a0<\/strong><\/span><\/b><span style=\"font-size: 1rem;\">Barcelona, Espanya<\/span><b style=\"font-size: 1rem;\"><br \/>\n<strong style=\"font-size: 1rem;\">P\u00e0gs:\u00a0<\/strong><\/b><span style=\"font-size: 1rem;\">1-208\u00a0<\/span><b style=\"font-size: 1rem;\">ISBN:\u00a0<\/b><span style=\"font-size: 1rem;\">978-84-16033-27-0\u00a0\u00a0 B 17876-2014<br \/>\n<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2014\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Llibre (Cat\u00e0leg)<\/span><\/p>\n<p><strong>Autora:<\/strong> Vela, A.<strong><br \/>\nT\u00edtol:<\/strong> DOMPOAC<br \/>\n<strong style=\"font-size: 1rem;\">Publicat al llibre:<\/strong> MetaM\u00e9todo. Metodolog\u00edas compartidas en procesos art\u00edsticos \/ MetaMethod. Shared methodologies in artistic processes<span style=\"font-size: 1rem;\"><br \/>\n<strong>Publicat per:<\/strong> COMANEGRA<br \/>\n<b style=\"font-size: 1rem;\"><strong>Lloc de publicaci\u00f3:<\/strong><\/b>Barcelona, Espanya<br \/>\n<\/span><strong style=\"font-size: 1rem;\">P\u00e0gs:<\/strong><span style=\"font-size: 1rem;\">\u00a062-69\u00a0<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2014\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:\u00a0<\/strong><span style=\"font-size: 1rem;\">Cap\u00edtol llibre (Cat\u00e0leg)<\/span><\/p>\n<p><strong>Autors\/es:\u00a0<\/strong>Ana Isabel Fern\u00e1ndez Moreno,<strong> Laura Baigorri Ballar\u00edn<\/strong>, Mercedes I\u00e1\u00f1ez Ortega, M\u00aaLuisa Bellido Gant,<br \/>\nSoledad G\u00f3mez V\u00edlchez, Ximena Hidalgo V\u00e1squez<strong><br \/>\nT\u00edtol:<\/strong>\u00a0Curadur\u00eda e Internet: optimizaci\u00f3n y cuestionamiento de criterios y estructuras<br \/>\n<strong>Publicat al llibre:<\/strong> Arte y museos del siglo XXI. Entre los nuevos \u00e1mbitos y las inserciones tecnol\u00f3gicas<br \/>\n<strong><b style=\"font-size: 1rem;\">Publicat per:\u00a0<\/b><\/strong><span style=\"font-size: 1rem;\">UOC <\/span><strong><br \/>\n<\/strong><strong style=\"font-size: 1rem;\">P\u00e0gs:<\/strong><span style=\"font-size: 1rem;\">32-45\u00a0<\/span><strong>Any:<\/strong><span style=\"font-size: 1rem;\"> 2014\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:\u00a0<\/strong><span style=\"font-size: 1rem;\">Cap\u00edtol llibre<\/span><\/p>\n<p><strong>Autor:\u00a0<\/strong>Cantalozella, J.<br \/>\n<strong>T\u00edtol:<\/strong> La temporalidad y sus espacios. La fotograf\u00eda como lugar de acontecimiento<br \/>\n<strong>Publicat a:<\/strong>\u00a0GAMA. Estudos Art\u00edsticos<br \/>\n<strong>Publicat per:<\/strong>\u00a0Universidad Complutense de Madrid<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Madrid, Espa\u00f1a<br \/>\n<strong>N\u00fam.<\/strong>3,<strong> P\u00e0gs: <\/strong>190-201<strong>\u00a0 web:<\/strong> http:\/\/revistas.ucm.es\/index.php\/TEKN\/article\/view\/50385<br \/>\n<strong>\u00cdndex d\u2019impacte (SCI\/SSCI\/AHCI):<\/strong> \u00cdndex d\u2019impacte A\u00a0<strong>Quartil i \u00e0rea (SCI\/SSCI):<\/strong> QUALIS 2015: B1<br \/>\n<strong style=\"font-size: 1rem;\">Any<\/strong><span style=\"font-size: 1rem;\">: 2014\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Article<\/span><\/p>\n<p><strong>Autora<\/strong><strong>:<\/strong> Agust\u00ed, E.<br \/>\n<strong>T\u00edtol:<\/strong> La p\u00e1gina ideal de Sol LeWitt<br \/>\n<b>Publicat a:\u00a0<\/b>BRAC<br \/>\n<strong>Publicat per: <\/strong>Facultat de Belles Arts, Universitat de Barcelona<strong><br \/>\nLloc de publicaci\u00f3:<\/strong>Barcelona, Espanya<strong><br \/>\nVol.<\/strong> 2,\u00a0<strong>N\u00fam:<\/strong>\u00a02, <strong>P\u00e0gs<\/strong>:\u00a0221-247<br \/>\n<strong>Doi<\/strong>: 10.4471\/brac.2014.10<br \/>\n<strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2014\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Article<\/span><\/p>\n<p><strong>Autora:<\/strong>\u00a0Negre, M.<br \/>\n<strong>T\u00edtol: <\/strong>La mediaci\u00f3n tecnol\u00f3gica en el retrato<br \/>\n<b>Publicat a:\u00a0<\/b>Revista: Arte, individuo y Sociedad<strong><br \/>\nN\u00fam:<\/strong>\u00a026, <strong>P\u00e0gs:\u00a0<\/strong>121-138<br \/>\n<strong>\u00c0rea: <\/strong>Arts &amp; Humanities, sub\u00e0rea Visual Arts &amp; Performing Arts: 0.111. Q2.<br \/>\n<strong>\u00cdndex d\u2019impacte<em> (SCI\/SSCI\/AHCI)<\/em>: <\/strong>\u00cdndex d\u2019impacte A<br \/>\n<strong>Doi<\/strong>: 10.5209\/rev_ARIS.2014.v26.n2.42949<br \/>\n<strong>Any:<\/strong>\u00a02014\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autora:<\/strong> Baigorri, L.<br \/>\n<strong>T\u00edtol:<\/strong> Sentido y responsabilidad: Una perspectiva bio\u00e9tica sobre la creaci\u00f3n, mutaci\u00f3n e hibridaci\u00f3n experimental en el campo interdisciplinar de la tecnociencia y el arte<br \/>\n<strong>Publicat a:<\/strong> Revista BRAC: Barcelona, Research, Art, Creation, 2(2), Hipatia Press, Universidad de Barcelona<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong> Barcelona, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong> 137-168. <strong>Doi:\u00a0<\/strong>10.4471\/brac.2014.07 <strong>web:<\/strong> http:\/\/www.hipatiapress.info\/hpjournals\/index.php\/brac\/article\/view\/780\/892<br \/>\n<strong>Any:<\/strong> 2013\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autor:<\/strong> Puig, E.<br \/>\n<strong>T\u00edtol:<\/strong> Composiciones cinematogr\u00e1ficas en la fotograf\u00eda de Biel Capllonch<br \/>\n<strong>Publicat a:<\/strong> Croma 3. V Congreso Internacional Criadores Sobre outras Obras. CSO\u201914.<br \/>\n<strong>Publicat per:<\/strong> Universidade de Lisboa<br \/>\n<strong>ISSN<\/strong> 2182-8547 <strong>web:<\/strong> http:\/\/issuu.com\/fbaul\/docs\/croma3<br \/>\n<strong>Any:<\/strong> 2014\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-41\" class=\"so-panel widget widget_imartew_separator\" data-index=\"41\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-42\" class=\"so-panel widget widget_sow-editor\" data-index=\"42\" ><div id=\"2013\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-42\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<h3><span style=\"color: #ff00ff;\"><strong>2013<\/strong><\/span><\/h3>\n<p><strong>Autora:\u00a0<\/strong>Baigorri, L.<strong><br \/>T\u00edtol:\u00a0 <\/strong>Game art y esp\u00edritu Fluxus: una conexi\u00f3n subversiva y desmitificadora del arte.<strong><br \/>Publicat a:\u00a0<\/strong>Puntos\u00a0de\u00a0encuentro\u00a0en\u00a0la\u00a0Iconosfera.\u00a0Interacciones\u00a0en\u00a0el audiovisual.\u00a0Antoni Mercader y Rafael Su\u00e1rez (eds.) Colecci\u00f3n Comunicaci\u00f3n Activa, Universidad\u00a0de Barcelona.<strong><br \/>Lloc de publicaci\u00f3:\u00a0<\/strong>Barcelona<strong><br \/>N\u00fam:\u00a0<\/strong>11 <strong>ISBN: <\/strong>978-84-475-3698-6<strong><br \/>Any:\u00a0<\/strong>2013\u00a0<strong>Clau: <\/strong>cap\u00edtol de llibre<\/p>\n<p><strong>Autores\/rs:<\/strong> Past\u00f3, C.; Agust\u00ed E.; Puig \u00a0E.<br \/><span style=\"font-size: 1rem;\"><strong>T\u00edtol:<\/strong>\u00a0A new way to think art and science. The experience Science of the City<br \/><strong>Publicat a:<\/strong> Fine Art practice, research and education across Europe<br \/><\/span><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong> CO-EDITION:EDITORIAL UNIVERSIDAD DE GRANADA (SPAIN) DOWNHILL PUBLISHING LTD NEW YORK (USA)<br \/><\/span>P\u00e0gs: 409 - 416 <strong>\u00a0ISBN EUG:<\/strong> 978-84-338-5574-9 \u00a0<strong>ISBN DOWNHILL PUBLISHING:<\/strong> 97<br \/><strong style=\"font-size: 1rem;\">ISBN:<\/strong><span style=\"font-size: 1rem;\"> 978-84-940789-0-0\/ 978-84-338-5574-9 \u00a0<\/span><strong style=\"font-size: 1rem;\">DL:<\/strong><span style=\"font-size: 1rem;\"> GR.1579-2013<br \/><\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2013\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\"> Article<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-43\" class=\"so-panel widget widget_imartew_separator\" data-index=\"43\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-44\" class=\"so-panel widget widget_sow-editor\" data-index=\"44\" ><div id=\"2012\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-44\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<h3><span style=\"color: #ff00ff;\"><strong>2012\u00a0<\/strong><\/span><\/h3>\n<p><strong>Autors\/es:<\/strong>\u00a0Vela, A., Vil\u00e0, A., Agust\u00ed, E., Casanovas, M., Pastor, C., Steidinger, A.\u00a0<br \/><strong>T\u00edtol:\u00a0<\/strong>The science of the city. Exposici\u00f3n colectiva internacional. <br \/><strong>Publicat per:<\/strong> La Mandarina de Newton y Co-creating Cultures. Colaboran: FECYT, Obra Social La Caixa, The Tech Museum, Paris Montaigne<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/><strong>P\u00e0gs,<\/strong>\u00a0150 <span style=\"color: #333333;\"><strong>ISBN:<\/strong> 978-84-695-3325-3 <strong>DL:<\/strong> GI.752-2012\u00a0<\/span><br \/><strong>Any:<\/strong><span style=\"color: #333333;\"> 2012\u00a0\u00a0<\/span><strong>Clau:\u00a0<\/strong>Cat\u00e0leg (llibre)<\/p>\n<p><strong>Autors\/es:<\/strong>\u00a0Vela, A., Vil\u00e0, A., Agust\u00ed, E., y otros\u00a0<br \/><strong>T\u00edtol:<\/strong>\u00a0Sidera\u00a0<br \/><strong>T\u00edtol:\u00a0<\/strong>Exposici\u00f3n monogr\u00e1fica de Ant\u00f2nia Vil\u00e1\u00a0<br \/><strong>Publicat a:<\/strong> Eina Barra de Ferro<br \/><strong>Publicat per:<\/strong> Publicaciones de la Escuela de Dise\u00f1o EINA centro adscrito a la Universidad Aut\u00f3noma de Barcelona.\u00a0 <br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, ESPA\u00d1A<br \/><strong>N\u00famero<\/strong>: 24\u00a0<strong>P\u00e0gines:<\/strong> 48<strong>\u00a0ISBN: <\/strong>978-84-695-1128-2\u00a0<br \/><strong>Any<span style=\"color: #333333;\">:<\/span><\/strong><span style=\"color: #333333;\"> 2012\u00a0<\/span><strong>Clau:\u00a0<\/strong>Cat\u00e0leg (llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Blanch, T.<br \/><strong>T\u00edtol:<\/strong>\u00a0Art Situacions<br \/><strong>Publicat a:\u00a0<\/strong>Art Situacions. Arts Santa M\u00f3nica<br \/><strong>Publicat per:\u00a0<\/strong>Generalitat de Catalunya\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, ESPA\u00d1A\u00a0<br \/><strong>Any:<\/strong> 2012\u00a0<strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-45\" class=\"so-panel widget widget_imartew_separator\" data-index=\"45\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-46\" class=\"so-panel widget widget_sow-editor\" data-index=\"46\" ><div id=\"2011\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-46\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2011<\/span><\/strong><\/h3>\n<p><strong>Autors\/es:<\/strong>\u00a0Vela, A., Vil\u00e0, A.,Puig, E., Casacuberta, D., Baigorri, L., Broto, L.<br \/>\n<strong>T\u00edtol:<\/strong> <a href=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2020\/05\/Impresion-expandida_tripaFin2.pdf\">Impresi\u00f3n expandida\/Expanded print (versi\u00f3n pdf)<\/a><br \/>\nEnsayo sobre las conferencias y debates llevadas a cabo en el Simposio Internacional: Impresi\u00f3n Expandida\/Expanded Print, con art\u00edculos de seis investigadores del proyecto<br \/>\n<strong>Publicat per:<\/strong> Eloi Puig, Alicia Vela, Antonia Vil\u00e0. Colaboran UB, MICIN, Fondos FEDER<br \/>\n<strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\">\u00a0Barcelona, Espanya<br \/>\n<\/span><strong style=\"font-size: 1rem;\">P\u00e0gs,<\/strong><span style=\"font-size: 1rem;\">\u00a0207\u00a0<\/span><strong style=\"font-size: 1rem;\">ISBN:<\/strong><span style=\"font-size: 1rem;\"> 978-84-614-8786-8 <\/span><strong style=\"font-size: 1rem;\">DL:<\/strong><span style=\"font-size: 1rem;\"> B 1402902011<br \/>\n<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2011\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau: <\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autors\/es:<\/strong>\u00a0Vela, A., Vil\u00e0, A.,Agust\u00ed, E., y otros<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Libros de artista\/Ediciones especiales\/ Revistas Objetuales\/ Proyectos Editoriales<br \/>\n<strong>Publicat por:<\/strong>\u00a0Centro de Arte La Panera<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0L\u00e9rida, Espanya<br \/>\n<strong>Vol:<\/strong>\u00a0IMPASSE <strong>N\u00fam:<\/strong> 10\u00a0\u00a0<strong>P\u00e0gs,<\/strong>\u00a07-359\u00a0<strong>\u00a0ISBN:<\/strong> 978-84-96855434 <strong>DL:<\/strong> B-18489-2011<br \/>\n<strong>Any:<\/strong> 2011\u00a0<strong style=\"font-size: 1rem;\">Clau: <\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autors\/es:<\/strong>\u00a0Steidinger, A., Comeron, O., Malev\u00e9, N.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Academy Commons: A net-tool for Connecting Spaces of Research and Knowledge Production<br \/>\n<strong>Publicat a:\u00a0<\/strong>Curating the European University Exposition and Public Debate<br \/>\n<strong>Publicat por: <\/strong>Maarten Simons, Mathias Decuypere, Joris Vlieghe, Jan Masschelein<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0 Lovaina, B\u00e8lgica<br \/>\n<strong>ISBN:<\/strong> 9789058678744<br \/>\n<strong>Any: <\/strong>2011\u00a0<strong>Clau:\u00a0<\/strong>Llibre<\/p>\n<p><strong>Autora:<\/strong>\u00a0Blanch, T.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Fernando Prats. Acciones f\u00edsicas para otra geopol\u00edtica del mundo<br \/>\n<strong>Publicat a:<\/strong> Cuadernos de Arte<br \/>\n<strong>Publicat per:<\/strong> Universidad Cat\u00f3lica de Santiago de Chile<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Santiago de Chile, Xile<br \/>\n<strong>N\u00fam:<\/strong> 16\u00a0\u00a0<strong>Any:<\/strong> 2011\u00a0<strong>Clave: <\/strong>Article<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Preservar y documentar; la posibilidad de supervivencia del arte audiovisual<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>100 artistas del audiovisual experimental de Ecuador (1929-2011)<br \/>\n<strong>Publicat per:<\/strong> Mar\u00eda Bel\u00e9n Moncayo. AANME (Asociaci\u00f3n Archivo Nuevos medios)<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Quito, Equador<br \/>\n<strong>Any:<\/strong> 2011\u00a0<strong>Clau: <\/strong>Cap\u00edtol llibre (Cat\u00e0leg)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0La escena del v\u00eddeo en la Barcelona de los 90: la creaci\u00f3n de un p\u00fablico<br \/>\n<strong>Publicat a:\u00a0<\/strong>VideoStorias, comisariada por Blanca de la Torre e Inma Prieto<br \/>\n<strong>Publicat per:<\/strong> Artium, Centro-Museo Vasco de Arte Contempor\u00e1neo<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Vitoria-Gasteiz<br \/>\n<b>Any:<\/b> 2011\u00a0<strong>Clau:<\/strong> Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Videojuegos \u2013 I will not make any more boring art. Subvirtiendo elitismo y banalidad<br \/>\n<strong>Publicat a:\u00a0<\/strong>Cibertronic, Revistas de Artes Medi\u00e1ticas.<br \/>\n<strong>Publicat per:<\/strong> Universidad Nacional Tres de Febrero<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Buenos Aires, Argentina<br \/>\n<strong>Vol:<\/strong>\u00a0Tecnolog\u00edas Expandidas <strong>N\u00fam:<\/strong> 6<br \/>\n<b>Any:<\/b> 2011\u00a0<strong>Clau:\u00a0<\/strong>Article<\/p>\n<p><strong>Autors:<\/strong>\u00a0Casacuberta, D., Jorge, A.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Tecnolog\u00eda y unidad de cognici\u00f3n: de c\u00f3mo affordances y andamiajes convierten el laboratorio en parte de nuestra mente extendida<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>Historia, pr\u00e1cticas y estilos en la filosof\u00eda de la ciencia. Hacia una epistemolog\u00eda plural<br \/>\n<strong>Publicat per:<\/strong> Porr\u00faa\/Universidad Aut\u00f3noma Metropolitana<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0M\u00e9xico DF, M\u00e9xico<br \/>\n<strong>P\u00e0gs,<\/strong>\u00a0193-216 <strong>Any:<\/strong> 2011\u00a0<strong>Clau:\u00a0<\/strong>Cap\u00edtol llibre<\/p>\n<p><strong>Autors:<\/strong>\u00a0Casacuberta, D., Vallverd\u00fa, J.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0The Game of Emotions (GOE): An Evolutionary Approach to AI Decisions<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>The Computational Turn: Past, Presents, Futures? Proceedings IA CAP2011. MV-Verlag<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Munster, Alemanya\u00a0<strong><br \/>\nP\u00e0gs:<\/strong>\u00a0158-162\u00a0<strong>Any:<\/strong> 2011\u00a0<strong>Clave: <\/strong>Cap\u00edtol llibre<\/p>\n<p><strong>Autor:<\/strong>\u00a0Puig, E.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Anjopa Seitpa Vatsal<br \/>\n<b>Publicat per:\u00a0<\/b>Arts Santa Monica<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/>\n<strong>ISBN: <\/strong>978-84-393-8590-5<strong><br \/>\n<\/strong><strong>Any: <\/strong>2011\u00a0<strong>Clau:<\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Broto, L.<br \/>\n<strong>T\u00edtulo: <\/strong>Right Cube_04. Dar paso a lo desconocido<br \/>\n<strong>Publicat per:\u00a0<\/strong>BCN Producci\u00f3\u201910. Ed. La Capella Exposici\u00f3ns, Institut de Cultura del Ajuntament de Barcelona<br \/>\n<strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\"> Barcelona, Espanya<br \/>\n<\/span><span style=\"font-size: 1rem;\"><strong>ISBN:<\/strong> 978-84-9850-259-6\u00a0<\/span><b style=\"font-size: 1rem;\">web:\u00a0<\/b><a href=\"http:\/\/www.luzbroto.net\/castellano\/09-right-cube-04--dar-paso-a-lo-desconocido.html\"><span style=\"font-size: 1rem;\">http:\/\/www.luzbroto.net\/castellano\/09-right-cube-04--dar-paso-a-lo-desconocido.html<\/span><\/a><span style=\"font-size: 1rem;\"><br \/>\n<\/span><strong style=\"font-size: 1rem;\"><b style=\"font-size: 1rem;\">Any:<\/b><\/strong> <span style=\"font-size: 1rem;\">2011\u00a0<\/span><strong style=\"font-size: 1rem;\">Clave:\u00a0<\/strong><span style=\"font-size: 1rem;\">Cat\u00e0leg\u00a0(llibre)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-47\" class=\"so-panel widget widget_imartew_separator\" data-index=\"47\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-48\" class=\"so-panel widget widget_sow-editor\" data-index=\"48\" ><div id=\"2010\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-48\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2010<\/span><\/strong><\/h3>\n<p><strong>Autors\/es:<\/strong>\u00a0Vela, A., Vil\u00e0, A.,Puig, E.<br \/>\n<strong>T\u00edtol: <\/strong>Katia Ac\u00edn. Obra gr\u00e1fica<br \/>\n<strong>Publicat per:<\/strong> Gobierno de Arag\u00f3n y Diputaci\u00f3n Provincial de Huesca<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong> Huesca, Espanya<br \/>\n<strong>ISBN:<\/strong>978-84-92749-07-2\u00a0<strong><br \/>\nAny:<\/strong> 2010\u00a0<strong>Clau: <\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<\/div>\n<div id=\"c2826\" class=\"csc-default\">\n<p><strong>Autora:<\/strong>\u00a0Steidinger, A.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0No Time To Loose.\u00a0Milena Placentine<br \/>\n<strong>Publicat per:\u00a0<\/strong>Monika Vykoukal. Peacock Visual Arts<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0Aberdeen, REINO UNIDO<br \/>\nISBN:<\/strong>ISBN-10: 095555246X<strong>, ISBN<\/strong>-13: 978-0955552465<br \/>\n<strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2010\u00a0<\/span><strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Casanovas, M.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Impressions de realitat.\u00a0Exposici\u00f3n individual, Gler\u00eda Espai G d\u2019Art\u00a0de Terrassa, Barcelona.<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong>\u00a0Terrassa, Espanya<br \/>\n<strong>ISBN:<\/strong> 978-84-614-1076-7\u00a0<strong>Dep\u00f2sit legal:<\/strong> B-14.321\/2010<br \/>\n<strong>Any:<\/strong> 2010\u00a0 <strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Agust\u00ed, E.<br \/>\n<strong>T\u00edtol:\u00a0<\/strong>Hojas para gr\u00e1ficos. Diagramas especiales. Serie Gemas especiales<br \/>\n<strong>Publicat a:\u00a0<\/strong>Colecci\u00f3n del Museo de la Universidad de Alicante<br \/>\n<strong>Publicat per:<\/strong> Universidad de Alicante<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Alicante, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong>\u00a037-39\u00a0 <strong>ISBN:<\/strong> 978-84-95990-67-9 <strong>DL:<\/strong> A-236-2010<br \/>\n<strong>Any: <\/strong>2010\u00a0<strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0(llibre)<\/p>\n<p><strong>Autors:<\/strong>\u00a0Casacuberta, D. y otros<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Embodying Cognition: A Morphological Perspective<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>Thinking Machines and the Philosophy of Computer Science: Concepts and principles<br \/>\n<strong>Publicat per:<\/strong> IGI Global<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Hersey, EEUU<br \/>\n<strong>P\u00e0gs:<\/strong>\u00a0344-366<strong>\u00a0Any:<\/strong> 2010\u00a0<strong>Clau:\u00a0<\/strong>Llibre<\/p>\n<p><strong>Autores:<\/strong>\u00a0Vela, A., Vil\u00e0, A.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Katia Ac\u00edn, Obra gr\u00e1fica<br \/>\n<strong>Publicat a: <\/strong>Razonado de exposici\u00f3n antol\u00f3gica:\u00a0Katia Ac\u00edn, Obra gr\u00e1fica<br \/>\n<strong>Publicat per:<\/strong> Gobierno de Arag\u00f3n y Diputaci\u00f3n Provincial de Huesca<br \/>\n<strong>Lugar de publicaci\u00f3n:<\/strong>\u00a0Huesca, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong>\u00a0167\u00a0<strong>ISBN:<\/strong> 978-84-92749-07-2<br \/>\n<span style=\"font-size: 1rem;\"><strong>Any:<\/strong> 2010\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:\u00a0<\/strong><span style=\"font-size: 1rem;\">Cat\u00e0leg (llibre)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-49\" class=\"so-panel widget widget_imartew_separator\" data-index=\"49\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-50\" class=\"so-panel widget widget_sow-editor\" data-index=\"50\" ><div id=\"2009\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-50\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2826\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2009<\/span><\/strong><\/h3>\n<\/div>\n<div id=\"c2823\" class=\"csc-default\">\n<p><strong>Autora:<\/strong>\u00a0Past\u00f3, C.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0La paret dibuixada<br \/>\n<strong>Publicat a:\u00a0<\/strong>Joaquim Chancho, dibuixos de paret<br \/>\n<strong>Publicat per:<\/strong> Museu de Pintura de Sant pol de Mar<br \/>\n<strong>N\u00fam:<\/strong> 24,\u00a0<strong>P\u00e0gs:<\/strong>\u00a07-18 <strong>Dep\u00f3sito legal:<\/strong> B-41.678-2009<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/>\n<strong>Any:\u00a0<\/strong>2009\u00a0<strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0<span style=\"font-size: 1rem;\">(llibre)<\/span><\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, D.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Synthetic emotions and Social Robots<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>Synthetic Emotions and Social Robots<br \/>\n<strong>Publicat per<\/strong>: ED. IGI Global<br \/>\n<b>Lloc de publicaci\u00f3:\u00a0<\/b>Hersey, EEUU<br \/>\n<strong>Any:<\/strong> 2009\u00a0<strong>Clau<\/strong><strong>:\u00a0<\/strong>Llibre<\/p>\n<p><strong>Autor:<\/strong>\u00a0Puig, E.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0L\u2019atzar en els mitjans digitals. Una aproximaci\u00f3 al computer art<br \/>\n<strong>Publicat al llibre:\u00a0<\/strong>L\u2019atzar en els mitjans digitals. Una aproximaci\u00f3 al computer art. Colecci\u00f3n Textos Docentes<br \/>\n<strong style=\"font-size: 1rem;\">Publicat per:<\/strong><span style=\"font-size: 1rem;\"> Publicaciones y Ediciones de la Universidad de Barcelona<br \/>\n<\/span><strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3:<\/strong><span style=\"font-size: 1rem;\">\u00a0Barcelona, Espanya<br \/>\n<\/span><strong style=\"font-size: 1rem;\">P\u00e0gs,<\/strong><span style=\"font-size: 1rem;\">\u00a01-159\u00a0<\/span><span style=\"font-size: 1rem;\"><strong>ISBN:<\/strong> 978-84-475-3309-1 <strong>Dep\u00f2sit legal:<\/strong> B-4168-2009<br \/>\n<\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2009\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:\u00a0<\/strong><span style=\"font-size: 1rem;\">Llibre<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-51\" class=\"so-panel widget widget_imartew_separator\" data-index=\"51\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-52\" class=\"so-panel widget widget_sow-editor\" data-index=\"52\" ><div id=\"2008\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-52\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2823\" class=\"csc-default\">\n<p><strong style=\"color: #0085ab; font-family: inherit; font-size: 1.27rem;\"><span style=\"color: #ff00ff;\">2008<\/span><\/strong><\/p>\n<\/div>\n<div id=\"c2817\" class=\"csc-default\">\n<p><strong>Autora:<\/strong>\u00a0Broto, L.<br \/><strong>T\u00edtulo:<\/strong>\u00a0Procesos y acontecimientos<br \/><strong>Publicat al llibre:\u00a0<\/strong>Sala d\u2019Art jove 2008<br \/><strong>Publicat per:<\/strong> Sala d\u2019Art Jove, Generalitat de Catalunya<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/><strong>ISBN:<\/strong> 978-84-6142-736-5\u00a0<br \/><strong>Any:<\/strong> 2008\u00a0\u00a0<strong>Clau: <\/strong>Cap\u00edtol de cat\u00e0leg\u00a0<span style=\"font-size: 1rem;\">(llibre)<\/span><\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:<\/strong>\u00a0V\u00eddeo en latinoam\u00e9rica. Una historia cr\u00edtica\u00a0<br \/><strong>Publicat al llibre:\u00a0<\/strong>Pr\u00e1cticas art\u00edsticas, est\u00e9ticas y pol\u00edticas<br \/><strong>Publicat per:<\/strong> Ediciones BRUMARIA\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Madrid, ESPA\u00d1A<br \/><strong>N\u00fam:<\/strong> 10\u00a0<strong>P\u00e0gs,<\/strong>\u00a02-251\u00a0<strong>ISBN:<\/strong> 978-84-8347-072-5 <strong>Dep\u00f2sit legal:<\/strong> S.830-2008\u00a0<br \/><strong>Any: <\/strong>2008 <strong>Clau:<\/strong> Cat\u00e0leg (Llibre)<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:<\/strong>\u00a0I will not make any more boring art. Subvirtiendo elitismo y banalidad<br \/><strong>Publicat al llibre:\u00a0<\/strong>Homo Ludens Ludens<br \/><span style=\"font-size: 1rem;\"><strong>Publicat per:<\/strong> Ediciones LABoral Centro de Arte y Creaci\u00f3n Industrial\u00a0<br \/><\/span><strong style=\"font-size: 1rem;\">Lugar de publicaci\u00f3n:\u00a0<\/strong><span style=\"font-size: 1rem;\">Gij\u00f3n, ESPA\u00d1A<br \/><\/span><strong style=\"font-size: 1rem;\">P\u00e0gs:<\/strong><span style=\"font-size: 1rem;\">\u00a021-25\u00a0<\/span><strong style=\"font-size: 1rem;\">ISBN:<\/strong><span style=\"font-size: 1rem;\"> 978-84-612-4141-S<strong> Dep\u00f2sit legal:<\/strong> As-3806\/08\u00a0<br \/><\/span><strong style=\"font-size: 1rem;\">Any:<\/strong><span style=\"font-size: 1rem;\"> 2008\u00a0<strong>Clau:<\/strong><\/span>\u00a0<span style=\"font-size: 1rem;\">Cat\u00e0leg (Llibre)<\/span><\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:<\/strong>\u00a0Vidaman: Esencia y apariencia\u00a0<br \/><strong>Publicat a:\u00a0<\/strong>VIDEOMAN. Fernando Llanos<br \/><strong>Publicat per:<\/strong> Museo de Arte Contempor\u00e1neo de Morelia\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0M\u00e8xic<br \/><strong>Any:\u00a0<\/strong>2008\u00a0\u00a0<strong>Clau:\u00a0<\/strong>Cat\u00e0leg\u00a0<span style=\"font-size: 1rem;\">(Llibre)<\/span><\/p>\n<p><strong>Autor\/es:<\/strong>\u00a0AAVV. Palomer, P.<br \/><strong>T\u00edtol:<\/strong>\u00a0Joan Brossa la realidad y sus met\u00e1foras. Poemas objeto, instalaciones, carteles y audiovisuales<br \/><strong>Publicat a:<\/strong>\u00a0 S\u00edntesis biogr\u00e0fica<br \/><strong style=\"font-size: 1rem;\">Publicat per:<\/strong><span style=\"font-size: 1rem;\"> Concejalia de Cultura. Ayuntamiento S. Cristobal de La Laguna<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0La Laguna, Illes Can\u00e0ries, Espanya<br \/><\/span><strong style=\"font-size: 1rem;\">ISBN:<\/strong><span style=\"font-size: 1rem;\">\u00a097884-88919-922<br \/><\/span><strong style=\"font-size: 1rem;\">Any:\u00a0<\/strong><span style=\"font-size: 1rem;\">2008\u00a0<strong>Clau:<\/strong>\u00a0Cat\u00e0leg (Llibre)<\/span><\/p>\n<p><strong>Autora:<\/strong>\u00a0Vela, A.<br \/><strong>T\u00edtol:<\/strong>\u00a0Todas del mismo jard\u00edn\u00a0<br \/><strong>Publicat a:\u00a0<\/strong>DUODA.\u00a0Estudios de la diferencia sexual\u00a0<br \/><strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Barcelona, Espanya\u00a0<strong><br \/>P\u00e0gs:<\/strong>\u00a0181-186\u00a0<strong>ISSN:<\/strong> 11332-6751 <strong>Dep\u00f2sit legal:<\/strong> B-41379\u00a0<br \/><strong>Any: <\/strong>2008\u00a0 <strong>Clau:\u00a0<\/strong>Revista\u00a0<\/p>\n<p><strong>Autora:<\/strong>\u00a0Vela, A.<br \/><strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Todas del mismo jard\u00edn<br \/><strong>Publicat a:<\/strong>\u00a0DUODA. Estudios de la diferencia sexual<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona, Espanya<br \/><strong>N\u00fam<\/strong>: 35. <strong>P\u00e0gs:<\/strong> 182 - 186\u00a0<strong>ISSN:<\/strong>\u00a01132-6751. <strong>DL:<\/strong> B-41379\/1992<br \/><strong>Any:<\/strong> 2008\u00a0<strong>Clau:<\/strong>\u00a0Proyecto de artista. Ilustraciones<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-53\" class=\"so-panel widget widget_imartew_separator\" data-index=\"53\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-54\" class=\"so-panel widget widget_sow-editor\" data-index=\"54\" ><div id=\"2007\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-54\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2823\" class=\"csc-default\">\n<div id=\"c2814\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2007<br \/>\n<\/span><\/strong><\/h3>\n<\/div>\n<div id=\"c2811\" class=\"csc-default\">\n<p><strong>Autora:\u00a0<\/strong>Baigorri, L.<strong><br \/>\nT\u00edtol: <\/strong>V\u00eddeo y Net.art. Arte y comunicaci\u00f3n en la era de la mitificaci\u00f3n tecnol\u00f3gica<strong><br \/>\nPublicat a:\u00a0<\/strong>EXIT Express. Revista de informaci\u00f3n y debate sobre arte actual, Noviembre<strong><br \/>\nLloc de publicaci\u00f3:\u00a0<\/strong>Madrid<strong><br \/>\nN\u00fam:\u00a0<\/strong>31 <strong>ISBN: <\/strong>1577-2721<strong><br \/>\nAny:\u00a0<\/strong>2007\u00a0<strong>Clau:\u00a0<\/strong>article<\/p>\n<p><strong>Autora: <\/strong>Negre, M.<strong><br \/>\nT\u00edtol:<\/strong>\u00a0L\u2019\u00edndex sota sospita<br \/>\n<strong>Publicat a:<\/strong>\u00a0Aurora. Papeles del \u201cSeminario Mar\u00eda Zambrano<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong> Barcelona, Espanya<br \/>\n<strong>N\u00fam:<\/strong> 8\u00a0<strong>ISSN:<\/strong>\u00a01575-5045<br \/>\n<strong>Any:<\/strong>\u00a02007 <strong>Clau:<\/strong>\u00a0il\u00b7lustracions dels textos de la revista<\/p>\n<p><strong>Autora:<\/strong>\u00a0Agust\u00ed, E.<br \/>\n<strong>T\u00edtol:\u00a0<\/strong>Hojas para gr\u00e1ficos. Proyecto Lineal. Espacios digitales<br \/>\n<strong>Publicat a:\u00a0<\/strong>Hojas para gr\u00e1ficos. Proyecto Lineal. Espacios digitales<br \/>\n<strong>Publicat per:<\/strong>\u00a0Universidad de Alicante, Espanya<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Alicante, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong>\u00a048-51 <strong>ISBN:<\/strong> 978-84-95990-38-9 <strong>Dep\u00f2sit legal:<\/strong> A-460-2007<br \/>\n<strong>Any:<\/strong> 2007\u00a0\u00a0<strong>Clau:\u00a0<\/strong>Cat\u00e0leg (Llibre)<\/p>\n<\/div>\n<div id=\"c160\" class=\"csc-default\">\n<p><strong>Autores:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Educaci\u00f3n (Instituci\u00f3n local)<br \/>\n<strong>Publicat a:\u00a0<\/strong>008331 - Zehar. Arte y pensamiento contemporaneo Forum \u2019La escuela abierta\u2019<br \/>\n<strong>Publicat per:<\/strong> Proyecto Documenta 12 magazines<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong>\u00a0San Sebasti\u00e1n, Espanya<br \/>\n<strong>N\u00fam:<\/strong> 60\/61\u00a0<strong>P\u00e0gs:<\/strong>\u00a070 - 71 <strong>ISSN:<\/strong> 1133-844 X <strong>Dep\u00f2sit legal:<\/strong> SS.1.104\/89?<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0Artistas Latinos making Global Art. Revisi\u00f3n<br \/>\n<strong>Publicat a:\u00a0<\/strong>207369 - e-fagia<br \/>\n<strong>Publicat per:<\/strong> Canad\u00e1 Publicaci\u00f3n online<br \/>\n<strong>Lloc de publicaci\u00f3:\u00a0<\/strong>Toronto, Canad\u00e0<br \/>\n<strong>N\u00fam:<\/strong> 1\u00a0\u00a0<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, D.<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Cognici\u00f3n distribuida y educaci\u00f3n para la ciudadan\u00eda<br \/>\n<strong>Publicat a:<\/strong> Transversales<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:<\/strong>\u00a0Madrid, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong> 40 - 43<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autor:\u00a0<\/strong>Casacuberta, D.<br \/>\n<strong>T\u00edtol<\/strong><strong>:\u00a0<\/strong>Menos Imperio y m\u00e1s Wittgenstein<br \/>\n<strong>Publicat a:\u00a0<\/strong>Azafea: revista de filosof\u00eda<br \/>\n<strong>Publicat per:<\/strong>\u00a0Ediciones Universidad de Salamanca<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:<\/strong>\u00a0Salamanca, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong> 169 - 190<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, D.<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Comprender los nuevos medios desde las ciencias cognitivas: una perspectiva filos\u00f3fica.<br \/>\n<strong>Publicat al llibre:<\/strong>\u00a0Interacci\u00f3n, redes sociales y ciencias cognitivas.<br \/>\n<strong>Publicat per:<\/strong>\u00a0Editorial Comares, Carlos Lozares (Ed)<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:<\/strong>\u00a0Granada, Espanya<br \/>\n<strong>P\u00e0gs:<\/strong> 169 - 190<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong>\u00a0Cap\u00edtol llibre<\/p>\n<p><strong>Autor:\u00a0<\/strong>Casacuberta, D.<br \/>\n<strong>T\u00edtol:<\/strong>\u00a0El Low-tech hisp\u00e0.<br \/>\n<strong>Publicat a:<\/strong>\u00a0Papers d\u2019Art. Espais.<br \/>\n<strong>N\u00fam:\u00a0<\/strong>21<strong>\u00a0P\u00e0gs:\u00a0<\/strong>79 - 83 <strong>ISSN:<\/strong> 1131-9267\u00a0<strong>Classificaci\u00f3 ERIH:<\/strong>\u00a0C<br \/>\n<strong>Lloc de publicaci\u00f3:<\/strong> Girona, Espanya<br \/>\n<strong>Any de publicaci\u00f3:<\/strong>\u00a02007\u00a0<strong>Clau:<\/strong> Article<\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, D.<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0E-Participaci\u00f3n. De la remediaci\u00f3n a la simulaci\u00f3n<br \/>\n<strong>Publicat a:<\/strong>\u00a0Transversales<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:<\/strong>\u00a0Girona,\u00a0Espanya<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong>Clau:<\/strong>\u00a0Article<\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, D.<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Umyst (mente)<br \/>\n<strong>Publicat a:<\/strong> La mente humana (traducci\u00f3 del polac)<br \/>\n<strong>Publicat per:<\/strong>\u00a0El mundo del libro<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:<\/strong>\u00a0Varsovia, Pol\u00f2nia<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article<\/span><\/p>\n<p><strong>Autor:<\/strong>\u00a0Casacuberta, David<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Aprendizaje remixed: Educar en valores y ciudadan\u00eda a partir de sistemas digitales descentralizados<br \/>\n<strong>Publicat a:<\/strong>\u00a0Transversales<br \/>\n<strong style=\"font-size: 1rem;\">Lloc de publicaci\u00f3<\/strong><strong style=\"font-size: 1rem;\">:<\/strong><span style=\"font-size: 1rem;\">\u00a0Madrid,\u00a0Espanya<br \/>\n<\/span><strong style=\"font-size: 1rem;\">Vol:<\/strong><span style=\"font-size: 1rem;\"> 6. <strong>P\u00e0gs:<\/strong> 43 - 48\u00a0<strong>Any:<\/strong> 2007\u00a0<\/span><strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article\u00a0<\/span><\/p>\n<p><strong>Autor\/a:<\/strong>\u00a0Casacuberta, D. i Mestres, A.<br \/>\n<strong>T\u00edtol<\/strong><strong>:<\/strong>\u00a0Redes Culturales: Una introducci\u00f3n<br \/>\n<strong>Publicat a:<\/strong>\u00a0Bolet\u00edn del Portal Iberoamericano de Gesti\u00f3n Cultural<br \/>\n<strong>Lloc de publicaci\u00f3<\/strong><strong>:\u00a0<\/strong>Barcelona,\u00a0Espanya<br \/>\n<strong>Any:<\/strong> 2007\u00a0<strong style=\"font-size: 1rem;\">Clau:<\/strong><span style=\"font-size: 1rem;\">\u00a0Article<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-55\" class=\"so-panel widget widget_imartew_separator\" data-index=\"55\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-56\" class=\"so-panel widget widget_sow-editor\" data-index=\"56\" ><div id=\"2006\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-56\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2823\" class=\"csc-default\">\n<div id=\"c2814\" class=\"csc-default\">\u00a0<\/div>\n<div id=\"c160\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2006<\/span><\/strong><\/h3>\n<p><strong>Autor\/a:\u00a0<\/strong>Baigorri, L. y Cilleruelo, L.<strong><br \/>T\u00edtol: <\/strong>NET.ART. Pr\u00e1cticas est\u00e9ticas y pol\u00edticas en la Red.<strong><br \/>Publicat a:\u00a0<\/strong>Brumaria y Universitat de Barcelona<strong><br \/>Lloc de publicaci\u00f3:\u00a0<\/strong>Madrid<strong><br \/>N\u00fam:\u00a0<\/strong>6 <strong>EAN: <\/strong>9788447530465<strong><br \/>Any:\u00a0<\/strong>2006\u00a0<strong>Clau: <\/strong>Llibre<\/p>\n<p><strong>Autora:\u00a0<\/strong>Baigorri Ballar\u00edn, Laura<br \/><strong>T\u00edtol:<\/strong>\u00a0D\u00e9tournez les jeux vid\u00e9o!<br \/><strong>Publicat a:<\/strong>\u00a0206312 - Sklunk.\u00a0<br \/><strong>N\u00fam:<\/strong> 01\u00a0<strong>web:<\/strong> www.sklunk.net\u00a0<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Par\u00eds (FRANCIA)<br \/><strong>Any:<\/strong> 2006\u00a0<strong>Clau:<\/strong>\u00a0Art\u00edcle<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:<\/strong>\u00a0Game as Critic as Art 3.0.<br \/><strong>Publicat a:<\/strong>\u00a0203655 - A minima. Propuestas visuales y conceptuales contempor\u00e1neas Monogr\u00e1fico computer games<br \/><strong>N\u00fam:<\/strong> 16 <strong>P\u00e0gs:<\/strong> 6 - 17\u00a0<strong>ISSN:<\/strong>\u00a01697-7777<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Barcelona,\u00a0Espanya<br \/><strong>Any:<\/strong> 2006\u00a0<strong>Clau:<\/strong>\u00a0Art\u00edcle<\/p>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:\u00a0<\/strong>Game Art. Nuevos entornos creativos para el arte y el juego<br \/><strong>Publicat a:\u00a0<\/strong>204407 - Temps d\u2019Art Monogr\u00e1fico Reload. Interferencias entre el arte y los videojuegos<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Val\u00e8ncia,\u00a0Espanya<br \/><strong>N\u00fam:<\/strong> 28<strong> P\u00e0gs:<\/strong> 20 - 23\u00a0<strong>ISSN:<\/strong>\u00a01699-0242\u00a0<br \/><strong>Any:<\/strong> 2006\u00a0<strong>Clau:<\/strong>\u00a0Art\u00edcle<\/p>\n<p><strong>Autor:<\/strong>\u00a0Puig Mestres, E.<br \/><strong>T\u00edtol:<\/strong>\u00a0L\u2019autoreferencialitat en lart. El metallenguatge en el mitj\u00e0 digital.<br \/><strong>Publicat a:<\/strong>\u00a0ARTNODES <br \/><strong>Lloc de publicaci\u00f3:<\/strong> Barcelona,\u00a0Espanya<br \/><strong>N\u00fam:<\/strong> 6<strong> ISSN<\/strong> 1695-5951\u00a0<strong>Classificaci\u00f3 ERIH:<\/strong>\u00a0B\u00a0<strong>web:<\/strong>\u00a0<a href=\"http:\/\/www.uoc.edu\/artnodes\/6\/dt\/cat\/puig.pdf\" target=\"_blank\" rel=\"noopener\">www.uoc.edu\/artnodes\/6\/dt\/cat\/puig.pdf<\/a><strong><br \/>Any:<\/strong>\u00a02006\u00a0<span style=\"font-size: 1rem;\"><strong>Clau:<\/strong> Article<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-57\" class=\"so-panel widget widget_imartew_separator\" data-index=\"57\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><div id=\"panel-5266-0-0-58\" class=\"so-panel widget widget_sow-editor\" data-index=\"58\" ><div id=\"2005\" class=\"panel-widget-style panel-widget-style-for-5266-0-0-58\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2829\" class=\"csc-default\">\n<div id=\"c2823\" class=\"csc-default\">\n<div id=\"c2814\" class=\"csc-default\">\n<h3><strong><span style=\"color: #ff00ff;\">2005<\/span><\/strong><\/h3>\n<p><strong>Autora:<\/strong>\u00a0Baigorri Ballar\u00edn, L.<br \/><strong>T\u00edtol:<\/strong>\u00a0Game as Critic as Art 2.0<br \/><strong>Revista:\u00a0<\/strong>205139 - Joystick Publicaci\u00f3n en Internet<br \/><strong>Any:<\/strong> 2005\u00a0\u00a0<strong>Lloc de publicaci\u00f3: <\/strong>Espanya\u00a0<strong>Clau:\u00a0<\/strong>Art\u00edcle<\/p>\n<p><strong>Autora:<\/strong>\u00a0Vela, A.<br \/><strong>T\u00edtol:<\/strong>\u00a0Mujeres<br \/><strong>Publicat a:\u00a0<\/strong>Edita Rolde, Revista de Cultura Aragonesa<br \/><strong>Lloc de publicaci\u00f3:<\/strong>\u00a0Zaragoza,\u00a0Espanya<br \/><strong>ISSN:<\/strong>\u00a01133-6676. <strong>DL:<\/strong> Z-63-1979\u00a0\u00a0<strong>Any: <\/strong>2005\u00a0\u00a0<strong>Clau:<\/strong>\u00a0Projecte d'artista. Il\u00b7lustracions<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"panel-5266-0-0-59\" class=\"so-panel widget widget_imartew_separator panel-last-child\" data-index=\"59\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-5266\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>T\u00edtulo: Irradiaciones, dobles rendijas y celdas cristalinasdobles Editores: Museu de la Universitat d\u2019Alacant. MUA Autorias: E. Agust\u00ed, A. Alcoz, M. Angl\u00e8s, L. Baigorri, J. Burd, J. Cantalozella, T. Coll, M. Carre\u00f1o I R. Mu\u00f1oz, A. Del R\u00edo, M. Feliu I J. Milne, E. Fraj I M.A. Ramos, Idensitat (R. Parramon, G. Maza I A. L\u00f3pez), &hellip; <a href=\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":126,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-5266","page","type-page","status-publish","hentry"," cat-0"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Publicaciones | Imarte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publicaciones | Imarte\" \/>\n<meta property=\"og:description\" content=\"T\u00edtulo: Irradiaciones, dobles rendijas y celdas cristalinasdobles Editores: Museu de la Universitat d\u2019Alacant. MUA Autorias: E. Agust\u00ed, A. Alcoz, M. Angl\u00e8s, L. Baigorri, J. Burd, J. Cantalozella, T. Coll, M. Carre\u00f1o I R. Mu\u00f1oz, A. Del R\u00edo, M. Feliu I J. Milne, E. Fraj I M.A. Ramos, Idensitat (R. Parramon, G. Maza I A. L\u00f3pez), &hellip; Continued\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\" \/>\n<meta property=\"og:site_name\" content=\"Imarte\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-15T11:34:15+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"45 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\",\"url\":\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\",\"name\":\"Publicaciones | Imarte\",\"isPartOf\":{\"@id\":\"https:\/\/www.ub.edu\/imarte\/es\/#website\"},\"datePublished\":\"2018-02-13T10:01:13+00:00\",\"dateModified\":\"2025-12-15T11:34:15+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.ub.edu\/imarte\/es\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Investigaciones\",\"item\":\"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Publicaciones\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.ub.edu\/imarte\/es\/#website\",\"url\":\"https:\/\/www.ub.edu\/imarte\/es\/\",\"name\":\"Imarte\",\"description\":\"Grupo de investigaci\u00f3n, arte, ciencia i tecnolog\u00eda.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.ub.edu\/imarte\/es\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Publicaciones | Imarte","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/","og_locale":"es_ES","og_type":"article","og_title":"Publicaciones | Imarte","og_description":"T\u00edtulo: Irradiaciones, dobles rendijas y celdas cristalinasdobles Editores: Museu de la Universitat d\u2019Alacant. MUA Autorias: E. Agust\u00ed, A. Alcoz, M. Angl\u00e8s, L. Baigorri, J. Burd, J. Cantalozella, T. Coll, M. Carre\u00f1o I R. Mu\u00f1oz, A. Del R\u00edo, M. Feliu I J. Milne, E. Fraj I M.A. Ramos, Idensitat (R. Parramon, G. Maza I A. L\u00f3pez), &hellip; Continued","og_url":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/","og_site_name":"Imarte","article_modified_time":"2025-12-15T11:34:15+00:00","twitter_card":"summary_large_image","twitter_misc":{"Tiempo de lectura":"45 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/","url":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/","name":"Publicaciones | Imarte","isPartOf":{"@id":"https:\/\/www.ub.edu\/imarte\/es\/#website"},"datePublished":"2018-02-13T10:01:13+00:00","dateModified":"2025-12-15T11:34:15+00:00","breadcrumb":{"@id":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/publicacions\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.ub.edu\/imarte\/es\/"},{"@type":"ListItem","position":2,"name":"Investigaciones","item":"https:\/\/www.ub.edu\/imarte\/es\/investigacions\/"},{"@type":"ListItem","position":3,"name":"Publicaciones"}]},{"@type":"WebSite","@id":"https:\/\/www.ub.edu\/imarte\/es\/#website","url":"https:\/\/www.ub.edu\/imarte\/es\/","name":"Imarte","description":"Grupo de investigaci\u00f3n, arte, ciencia i tecnolog\u00eda.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.ub.edu\/imarte\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"}]}},"_links":{"self":[{"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/pages\/5266"}],"collection":[{"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/comments?post=5266"}],"version-history":[{"count":22,"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/pages\/5266\/revisions"}],"predecessor-version":[{"id":16176,"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/pages\/5266\/revisions\/16176"}],"up":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/pages\/126"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/imarte\/es\/wp-json\/wp\/v2\/media?parent=5266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}