{"id":886,"date":"2018-02-12T13:06:44","date_gmt":"2018-02-12T12:06:53","guid":{"rendered":"http:\/\/www.ub.edu\/imarte\/nouwp4812017\/?page_id=886"},"modified":"2018-04-09T11:08:24","modified_gmt":"2018-04-09T10:08:24","slug":"alumnes","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/alumnes\/","title":{"rendered":"Alumnes"},"content":{"rendered":"<div id=\"pl-886\"  class=\"panel-layout\" ><div id=\"pg-886-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-0-0-0\" class=\"so-panel widget widget_imartew_related_pages_menu panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_related_pages_menu so-widget-imartew_related_pages_menu-default-d75171398898-886\"\n\t\t\t\n\t\t><nav class='imarte-page-menu imarte-page-menu--related imarte-page-menu--buttons'><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/programa\/'>Programa<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/conferenciants\/'>Conferenciants<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/alumnes\/'>Alumnes<\/a><a class='imarte-page-menu__item imarte-page-menu__item--btn imarte-btn' href='https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/professors-i-becaris\/'>Professors i becaris<\/a><\/nav><\/div><\/div><div id=\"panel-886-0-0-1\" class=\"so-panel widget widget_imartew_page_title\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_page_title so-widget-imartew_page_title-default-0785d86991c3-886\"\n\t\t\t\n\t\t><h1 class='page-title'>Alumnes<\/h1><\/div><\/div><div id=\"panel-886-0-0-2\" class=\"so-panel widget widget_imartew_single_page_menu\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_single_page_menu so-widget-imartew_single_page_menu-default-d75171398898-886\"\n\t\t\t\n\t\t><ul class='imarte-page-menu imarte-page-menu--single imarte-page-menu--list'><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Aguilera_Veronica'>Aguilera, Veronica<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Lozano_Alcubilla_Mar'>Lozano Alcubilla, Mar<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Avalos_Immaculada'>\u00c0valos, Immaculada<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Bielsa_Jordi'>Bielsa, Jordi<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Broto_Luz'>Broto, Luz<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Carril_MarIa_del_Rosario '>Carril, Mar\u00eda del Rosario<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Castillo_Abel_del'>Castillo, Abel del<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Ceron_Maria'>Cer\u00f3n, Mar\u00eda<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Chen_Weng-Feng'>Chen, Weng-Feng<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#De_Basa_Marta'>De Basa, Marta<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#de_la_Monja_Esteban'>de la Monja, Esteban<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Febrer_Monica'>Febrer, M\u00f2nica<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Guell_serra_Nuria'>G\u00fcell Serra, N\u00faria<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Lainez_Natalia'>Lainez, Natalia<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Lopez_Maria_Loudres'>Lopez, Maria Loudres<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Momu_y_NoEs'>Momu y NoEs<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Marugan_Olga'>Marugan, Olga<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Friera_Raquel'>Friera, Raquel<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Morell_Jordi'>Morell, Jordi<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Kim_Yeun'>Kim, Yeun<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Ramio_Maria'>Rami\u00f3, Maria<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Saladrigues_Mireia'>Saladrigues, Mireia<\/a><\/li><li class='imarte-page-menu__li imarte-page-menu__li--2'><a class='imarte-page-menu__item' href='#Vilasseca_Mariona'>Vilasseca, Mariona<\/a><\/li><\/ul><\/div><\/div><div id=\"panel-886-0-0-3\" class=\"so-panel widget widget_imartew_separator panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div id=\"Aguilera_Veronica\" class=\"panel-widget-style panel-widget-style-for-886-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Aguilera, Veronica<\/h3>\n<\/div>\n<h6>Stylus, azul Pantone 307C<br \/>2007<\/h6>\n<p>La acci\u00f3n se inici\u00f3 con el fotocopiado de una matriz del azul Pantone 307C, azul procedente del logotipo corporativo de la ciudad de Matar\u00f3, en las diferentes fotocopiadoras de la ciudad. Las copias se realizaron dos veces por semana durante los tres meses que dur\u00f3 la exposici\u00f3n, siendo estas expuestas en un tiempo real \"work in progress\".<br \/>Las fotocopias siempre fueron hechas en las mismas siete maquinas. Posteriormente, estas fueron selladas, datadas y firmadas por el autor\/a de la copia.<br \/>Fue un trabajo que pretendi\u00f3 recoger el mayor n\u00famero de muestras de color azul de todas las fotocopiadoras de la ciudad de Matar\u00f3 durante un periodo de tiempo concreto. Me interes\u00f3 la t\u00e9cnica del fotocopiado como herramienta de trabajo para hablar de la utop\u00eda del progreso, utilizando la repetici\u00f3n para hacer visible los errores de las m\u00e1quinas y multiplicarlos.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-1-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Aguilera-Veronica.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Aguilera-Veronica.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Aguilera-Veronica-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-1-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Aguilera-Veronica_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-2-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div id=\"Lozano_Alcubilla_Mar\" class=\"panel-widget-style panel-widget-style-for-886-3-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Lozano Alcubilla, Mar<\/h3>\n<\/div>\n<h6>Recosidos peque\u00f1o<br \/>2007<\/h6>\n<p>Cada d\u00eda llego a caso y escribo escrupulosamente los movimientos que he realizado, apuntado exactamente las calles por las que ha ido y venido. Y s\u00f3lo con abrir el libro por cualquier p\u00e1gina y leer una fecha una serie de calles y lugares, soy capaz de recordar desde la ropa que llevaba, hasta lo que iba imaginando mientras caminaba; e incluso puedo volver a sentir la nostalgia o la euforia o la tristeza o la impaciencia de ese d\u00eda. Tanta es la importancia que adquieren mis recorridos en mi memoria.<br \/>Para afianzar todas las sensaciones, vuelvo a recorrerlos dibujando, ya en la soledad del studio.<br \/>Trazo sobre el plano de la ciudad la linea que mis pasos, mi mirada, mi f\u00edsico y mi ps\u00edquico han seguido como camino.Al independizar los dibujos del mapa surge de repente un nuevo mapa.<br \/>Pero esta vez un mapa mental y personal de una ciudad que s\u00f3lo existi\u00f3 para m\u00ed en un momento y en un lugar concretos.<br \/>y, por \u00faltimo, para asegurarme de que no se van jam\u00e1s, los recoso con sumo cuidado en el papel.<br \/>De ese manera doy el paseo hasta tres veces.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-3-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lozano-Alcubilla-Mar.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-3-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lozano-Alcubilla-Mar_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-4-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"12\" ><div id=\"Avalos_Immaculada\" class=\"panel-widget-style panel-widget-style-for-886-5-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>\u00c0valos, Immaculada<\/h3>\n<\/div>\n<h6>]Heterotop\u00edas[<br \/>2007<\/h6>\n<p>]Heterotop\u00edas[ es un libro de enigmas, cuestiones que parten de x e y, interior y exterior, tu y yo, palabra y cosa. El territorio de una ciudad contempor\u00e1nea y sus ramificaciones virtuales conforma el escenario donde este enigma se proyecta. La b\u00fasqueda del otro, la pregunta sobre la identidad, y la comunicaci\u00f3n en una era hipermediatizada, s\u00f3n los t\u00e9rminos de esta ecuaci\u00f3n.<\/p>\n<p>]heterotop\u00edas[ es el espacio de hibridaci\u00f3n del cat\u00e1logo de las obsesiones... lugar de apertura de espacios alterados, otros, en los que las contradicciones pueden convivir y lo deseado puede ser real.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-5-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"266\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/\u00c0valos-Immaculada-300x266.jpg\" class=\"attachment-medium size-medium\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-5-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"14\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"381\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/\u00c0valos-Immaculada_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/\u00c0valos-Immaculada_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/\u00c0valos-Immaculada_02-236x300.jpg 236w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-6-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"15\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-7-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"16\" ><div id=\"Bielsa_Jordi\" class=\"panel-widget-style panel-widget-style-for-886-7-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Bielsa, Jordi<\/h3>\n<\/div>\n<h6>2007<\/h6>\n<p>Procuro recrear cierta atm\u00f3sfera siniestra utilizando elementos considerados familiares y materiales de connotaciones art\u00edsticas. Me interesa generar im\u00e1genes ambiguas e incomodas, que no acaben de cumplir ni una funci\u00f3n art\u00edstica ni decorativa. Trabajo entorno a pr\u00e1cticas marginales del arte, como por ejemplo la reproducci\u00f3n, con la intenci\u00f3n de evidenciar la opacidad del medio y el artificio de lo que se da por natural. El uso del metalenguaje me sirve para reflexionar sobre una cotidianidad pervertida por la est\u00e9tica y el consumismo cultural.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-7-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"17\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Bielsa-Jordi.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-7-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"18\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Bielsa-Jordi_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-8\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-8-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"19\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-9\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-9-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"20\" ><div id=\"Broto_Luz\" class=\"panel-widget-style panel-widget-style-for-886-9-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Broto, Luz<\/h3>\n<\/div>\n<h6>Right cube_2<br \/>2007<\/h6>\n<p>Right cube_2 fue la intervenci\u00f3n espec\u00edfica realizada para la presentaci\u00f3n del DEA en octubre de 2007, vinculandolo al trabajo iniciado con right cube_1, proyecto que se desarroll\u00f3 durante los meses de septiembre y octubre de 2008 en el taller T8 del espacio Eart.<\/p>\n<p>Hacer aparecer una mancha an\u00f3mala, de car\u00e1cter invasivo, en medio del espacio expositivo.<\/p>\n<p><strong>elemento amorfo:<\/strong>\u00a0mancha l\u00edquida proviene de la obertura del conducto de aire acondicionado.<br \/><strong>cantidad de l\u00edquido:<\/strong>\u00a0sin determinar<br \/>inicio: el sistema se activar\u00e1 a las 10 de la ma\u00f1ana, hora prevista por el jurado para iniciar la ruta marcada por los distintos espacios donde se evaluaran los trabajos presentados. Se estima su llegada al lugar intervendido a las 11.30 de la ma\u00f1ana.<br \/><strong>duraci\u00f3n:\u00a0<\/strong>indeterminada<br \/><strong>peligro de manchado:\u00a0<\/strong>poco provable (factor sujeto al grado de acercamiento del p\u00fablico)<br \/><strong>riesgo de expansi\u00f3n:<\/strong>\u00a0poco probable<br \/><strong>riesgo de accidente:<\/strong>\u00a0poco probable<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-9-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child panel-last-child\" data-index=\"21\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"810\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Broto-Luz.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Broto-Luz.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Broto-Luz-111x300.jpg 111w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-10\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-10-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"22\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-11\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"23\" ><div id=\"Carril_Maria_del_Rosario\" class=\"panel-widget-style panel-widget-style-for-886-11-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Carril, Mar\u00eda del Rosario<\/h3>\n<\/div>\n<h6>MIRADAS BIDIMENSIONADAS, DEL CUERPO AL OJO SIN CUERPO\u00a0<br \/>2007<\/h6>\n<p>El t\u00edtulo \"miradas bidimensionadas, del cuerpo al ojo sin cuerpo\" es el punto de partida de un proyecto de investigaci\u00f3n o tesis doctoral futura, a\u00fan en proceso de desarrollo.<br \/>Se trata de una indagacion en torno a los cambios producidos durante la experiencia est\u00e9tica de una obra como consecuencia primera de unas transformaciones en los modos de representaci\u00f3n de la materia, cuerpo u objeto en la misma. De la presencia a la representaci\u00f3n, del tacto al ojo,del cuerpo al ojo sin cuerpo.<\/p>\n<p>El objetivo es construir una m\u00e1quina, ( tal y como se indica en la ilustraci\u00f3n anexa) que lance cuerpos, objetos, materiales con car\u00e1cter tangible.<br \/>Se registrar\u00e1 el momento de ca\u00edda de los mismos entre el punto intermedio donde se genera un infinito o repetici\u00f3n continuada de estos, un vac\u00edo o gran agujero, derivado de la confrontaci\u00f3n de dos espejos.<br \/>Las c\u00e1maras de v\u00eddeo registrar\u00e1n todo el proceso experimentado en y sobre la m\u00e1quina reproduciendo en el monitor las im\u00e1genes generadas, casi podr\u00edamos considerar metaf\u00f3ricamente como punto''0'' del objeto, una nueva dimensi\u00f3n que recrea una fase de desaparici\u00f3n de este en un agujero sin l\u00edmites.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-11-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-11-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"24\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"265\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Carril-Mar\u00eda-del-Rosario.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-11-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"25\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Carril-Mar\u00eda-del-Rosario_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Carril-Mar\u00eda-del-Rosario_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Carril-Mar\u00eda-del-Rosario_02-272x182.jpg 272w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-12\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-12-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-12-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"26\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-13\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-13-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"27\" ><div id=\"Castillo_Abel_del\" class=\"panel-widget-style panel-widget-style-for-886-13-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Castillo, Abel del<\/h3>\n<\/div>\n<h6>Mi amigo Malone\u00a0<br \/>2007<\/h6>\n<p>Mi amigo Malone. Una comedia hablada y cantada es una audioinstalaci\u00f3n interactiva donde el espectador se desplaza f\u00edsicamente por un espacio guiado por la narraci\u00f3n,<br \/>que por medio del sonido y la iluminaci\u00f3n trazan el hilo argumental, que en momentos determinados se ramifica.<\/p>\n<p>La persona que est\u00e1 dentro de \u00e9ste espacio, ha de posicionarse y tomar decisiones. En momentos determinados ha de escoger entre varias posibilidades narrativas, cuestionarse qu\u00e9 camino de la historia quiere conocer y que se desarrollan en<br \/>paralelo, desplaz\u00e1ndose hacia el lugar donde asisitir\u00e1 a la escena escogida.<\/p>\n<p>En clave de comedia musical, se cuenta de manera fragmentada la relaci\u00f3n y las acciones de una serie de personajes reflexionando sobre el tiempo real y psicol\u00f3gico, sobre los espacios de la memoria y el recuerdo, sobre el ir y venir del pasado al presente y al futuro.<\/p>\n<p>En este espacio el sonido grabado en formato 5.1 y la iluminaci\u00f3n teatral est\u00e1n programadas de manera sincronizada. El espacio, construido por el sonido y su<br \/>percepci\u00f3n tridimensional y la iluminaci\u00f3n, sugiere la presencia de los personajes de forma inmaterial, como luz, convirti\u00e9ndose en un espacio abstracto, de pensamiento.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-13-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"28\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Castillo-Abel-del.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-13-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"29\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Castillo-Abel-del_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-14\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-14-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"30\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-15\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-15-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-15-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"31\" ><div id=\"Ceron_Mari\" class=\"panel-widget-style panel-widget-style-for-886-15-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Cer\u00f3n, Mar\u00eda<\/h3>\n<\/div>\n<h6>Fragmentos Suspensivos\u00a0<br \/>2007<\/h6>\n<p>El cuerpo a lo largo del tiempo se aleja de sus movimientos m\u00e1s instintivos para adoptar personalidades corporales, posturas influenciadas por roles sociales y adquiridas por la experiencia, que es la base sobre la que construimos nuestra identidad, nuestro yo. Un yo que se va apropiando de nuestro cuerpo y que asoma, se deja ver, a trav\u00e9s del mismo.<br \/>Fragmentos suspensivos es un proyecto en el que se realizan una serie de performances que recogen esta acomodaci\u00f3n del yo al cuerpo. Empezando por lo m\u00e1s b\u00e1sico, intuitivo y com\u00fan, como es ponerse en pie y continuando con el andar, as\u00ed la performer va accionando posibilidades, se busca gestual, corporalmente.<br \/>V\u00eddeo, cuerpo, interactividad y sonido conforman un espacio vivo de investigaci\u00f3n y reflexi\u00f3n en torno a la identidad . Al igual que somos permanente construcci\u00f3n, esta obra es un proceso continuo: a partir de cada una de las intervenciones se crea un registro videogr\u00e1fico que servir\u00e1 como material para realizar la siguiente performance, y as\u00ed sucesivamente, suspensivamente\u2026<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-15-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"32\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"241\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Cer\u00f3n-Mar\u00eda.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-15-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"224\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Cer\u00f3n-Mar\u00eda_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-16\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-16-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"34\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-17\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-17-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"35\" ><div id=\"Chen_Weng_Feng\" class=\"panel-widget-style panel-widget-style-for-886-17-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Chen, Weng-Feng<\/h3>\n<\/div>\n<h6>EL PLANTEAMIENTO DE CONSERVACI\u00d3N Y RESTAURACI\u00d3N DEL TEMPLO SHUEI SHIEN\u00a0<br \/>2007<\/h6>\n<p>\u00c9ste es un estudio donde realizo un recorrido por la historia y la tradici\u00f3n, profundizando en el concepto de conservaci\u00f3n-restauraci\u00f3n sobre un templo tao\u00edsmo.<\/p>\n<p>A lo largo del tiempo,han ocurrido muchos casos en mi pais,en donde los patrimonios sufrieron degradaciones y se necesitaron tratamentos de conservaci\u00f3n-restauraci\u00f3n, lo que se hac\u00eda era retirar las obras originales, y volver a reconstruir obras nuevas con motivo de est\u00e1tico y no gastar mucho presupesto sin considerar la posibilidad de conservar el valor hist\u00f3rico de las obras.<\/p>\n<p>El trabajo se enfoca en el estado de conservaci\u00f3n en general y las degradaciones por materiales. Para profundizar en este trabajo, escojo los materiales m\u00e1s significativos (piedras, pintura sobre madera, pintura mural, cer\u00e1mica vidriada), explicando su estado de conservaci\u00f3n. Finalmente, ofrezco un planteamiento de conservaci\u00f3n y restauraci\u00f3n.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-17-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-17-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"36\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Chen-Weng-Feng.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-17-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"37\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Chen-Weng-Feng_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-18\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-18-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"38\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-19\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-19-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"39\" ><div id=\"De_Basa_Marta\" class=\"panel-widget-style panel-widget-style-for-886-19-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>De Basa, Marta<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-19-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-19-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child panel-last-child\" data-index=\"40\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/De-Basa-Marta.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-20\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-20-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-20-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"41\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-21\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-21-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-21-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"42\" ><div id=\"de_la_Monja_Esteban\" class=\"panel-widget-style panel-widget-style-for-886-21-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>de la Monja, Esteban<\/h3>\n<\/div>\n<h6>Innosense\u00a0<br \/>2006<\/h6>\n<p>Trabaj\u00f3 durante m\u00e1s de un a\u00f1o a partir de la materia prima del filme The Loss of Sexual Innocence (Mike Figgis, 1999), analizando los valores crom\u00e1ticos de cada frame de la pel\u00edcula, para despu\u00e9s reorganizar cada uno de ellos conforme a sus familias de color. Generando as\u00ed una narrativa autosuficiente -a partir de software de autor sobre la plataforma MAX\/MSP y objetos de Jitter- con estructuras y ritmos que se expanden y contraen implosionando ritmos y tem\u00e1ticas, construyendo una met\u00e1fora que revela en su totalidad el nivel de perversi\u00f3n que el dominio del aparato comercial imprime sobre el medio cinematogr\u00e1fico tanto al momento de concepci\u00f3n, como de ejecuci\u00f3n de la obra f\u00edlmica.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-21-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-21-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"43\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/de-la-Monja-Esteban.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-21-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"44\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/de-la-Monja-Esteban_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-22\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-22-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-22-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"45\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-23\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-23-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-23-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"46\" ><div id=\"Febrer_Monica\" class=\"panel-widget-style panel-widget-style-for-886-23-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Febrer, M\u00f2nica<\/h3>\n<\/div>\n<p>El estudio de mi obra tiene el prop\u00f3sito de indagar en los<br \/>mecanismos art\u00edsticos que intervienen en la producci\u00f3n de objetos animados, pr\u00f3tesis y algunos tipos de artefactos c\u00f3mo la m\u00e1quina, dentro del contexto art\u00edstico contempor\u00e1neo.<\/p>\n<p>Mediante un an\u00e1lisis hist\u00f3rico previo que posibilite entender el objeto, desde su faceta m\u00e1s sublime hasta llegar a un sentido animista del mismo, el objetivo principal se centra en llegar a establecer un mayor entendimiento conceptual de mi propia producci\u00f3n estudiando al mismo tiempo diversas producciones art\u00edstica de algunos referentes como, Rebeca Horn, Tinguely o Peter Fischli and David Weiss...\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-23-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-23-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"47\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"452\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica-199x300.jpg 199w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-23-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"48\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"452\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Febrer-M\u00f2nica_02-199x300.jpg 199w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-24\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-24-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-24-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"49\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-25\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-25-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-25-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"50\" ><div id=\"Guell_Serra_Nuria\" class=\"panel-widget-style panel-widget-style-for-886-25-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>G\u00fcell Serra, N\u00faria<\/h3>\n<\/div>\n<h6>CaravanaNatura<br \/>2007<\/h6>\n<p>CaravanaNatura ofrec\u00eda la posibilidad de habitar individualmente, durante un periodo concreto de tiempo, una \"caravana-huevo\" instalada en un espacio en la naturaleza virgen; un lugar alejado de cualquier contacto con la vida urbana donde solo se pod\u00eda compartir la experiencia con uno mismo. Ha sido concebido como un espacio de introspecci\u00f3n y pausa, generando, en definitiva un espacio en suspenso dentro de la rutina diaria lo que ha invitado a reconsiderar la propia identidad desde otras v\u00edas de reconocimiento, lejos de la confusi\u00f3n y el consumo determinista que impera en la ciudad.<\/p>\n<p>En definitiva, creaba un espacio de resistencia po\u00e9tica en una sociedad donde el tiempo parece que solo puede ser productivo, donde se ofrecia tiempo disponible para el sujeto, tiempo de uso libre seg\u00fan las necesidades y los deseos de cada usuario.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-25-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-25-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"51\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"199\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/G\u00fcell-serra-N\u00faria.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-25-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"52\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"182\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/G\u00fcell-serra-N\u00faria_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-26\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-26-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-26-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"53\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-27\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-27-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-27-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"54\" ><div id=\"Lainez_Natalia\" class=\"panel-widget-style panel-widget-style-for-886-27-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Lainez, Natalia<\/h3>\n<\/div>\n<h6>Obsesiones _En los ojos de los otros<br \/>2007<\/h6>\n<p>Esc\u00e9ptica y atenta, Natalia respira los aires de la cultura actual con cautela.Entre las obsesiones, la incertidumbre, la raz\u00f3n y los ojos de los otros, se ha construido su nueva obra. El artista, aislado, va al encuentro de sus obsesiones, al choque. Se enfrenta al eco de sus angustias, a la presi\u00f3n del ser creativo. Las alegr\u00edas solo sobrevuelan su ser; su materializaci\u00f3n se vuelve et\u00e9rea. Una y otra vez nuestra memoria nos alinea con los fantasmas del pasado, en paralelo al momento presente, incierto.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-27-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-27-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"55\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lainez-Natalia.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-27-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"56\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lainez-Natalia_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-28\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-28-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-28-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"57\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-29\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-29-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-29-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"58\" ><div id=\"Lopez_Maria_Loudres\" class=\"panel-widget-style panel-widget-style-for-886-29-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Lopez, Maria Loudres<\/h3>\n<\/div>\n<h6>Trayectos II\u00a0<br \/>2007<\/h6>\n<p>El inter\u00e9s por la representaci\u00f3n de las variaciones formales que se producen en un elemento durante una temporalidad concreta y acotada.<br \/>El mismo dibujo que en su individualidad representacional nos habla de una arteria, en el conjunto pierde su significado individual para formar parte de un todo, y del espacio mismo que nos envuelve.<br \/>La seriaci\u00f3n manual de un mismo elemento, que por acumulaci\u00f3n pierde su identidad, pensado a formar parte del todo, generando del sentido de globalida en la pieza.<br \/>El espacio se reconstruye a trav\u00e9s del dibujo, ya no como mero soporte, sino como componente activo generador de significados.<br \/>L a importancia del medio formal: el dibujo y el soporte_fondo, que en este caso es la pared.<br \/>El fondo como reserva, un espacio en blanco de cu\u00e1l la imagen emerge, dispositivo que mantiene unida la estructura, la composici\u00f3n y el trazo en una totalidad. Adquiere identidad unido al trazo, traspasando la funci\u00f3n de soporte.<br \/>El dibujo, por su car\u00e1cter de inmediatez es improvisatorio, \"la linea parte de un punto en movimiento\", nos lleva al infinito, sin cierres, en un proceso que nunca termina. Acent\u00faa el car\u00e1cter temporal y ef\u00edmero del que hablan todas mis piezas, hace referencia al tiempo en todo su ser. La po\u00e9tica de la ef\u00edmero en la construcci\u00f3n y posterior desaparaci\u00f3n de la obra.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-29-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-29-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"59\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"216\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lopez-Maria-Loudres.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-29-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"60\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"201\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lopez-Maria-Loudres_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lopez-Maria-Loudres_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Lopez-Maria-Loudres_02-272x182.jpg 272w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-30\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-30-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-30-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"61\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-31\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-31-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-31-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"62\" ><div id=\"Momu_y_NoEs\" class=\"panel-widget-style panel-widget-style-for-886-31-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Momu y NoEs<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-31-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-31-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child panel-last-child\" data-index=\"63\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"213\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Momu-y-NoEs_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-32\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-32-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-32-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"64\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-33\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-33-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-33-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"65\" ><div id=\"Marugan_Olga\" class=\"panel-widget-style panel-widget-style-for-886-33-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Marugan,Olga<\/h3>\n<\/div>\n<h6>\"Quiero uno\"<br \/>2007<\/h6>\n<p>\u00c9s el t\u00edtol d\u2019un v\u00eddeo de 5 minuts, que sogereix les seq\u00fc\u00e8ncies d\u2019una visi\u00f3 contrastada entre imatges publicit\u00e0ries, escollides entre p\u00e0gines d\u2019anuncis, suposadament ostentoses i desitjades a trav\u00e9s de l\u2019utilitzaci\u00f3 de fusionaments encadenats entre fotografies que he anat capturant a m\u00faltiples desguassos de cotxes.<\/p>\n<p>Quiero uno neix amb la idea de representar-se amb una pantalla constru\u00efda amb planxes de cotxes en mal estat, retallades i soldades. De mides aproximades d\u2019uns tres metres d\u2019amplada per dos metres d\u2019al\u00e7ada. Intencionant amb aquestes mides una visi\u00f3 de valla publicit\u00e0ria. Per tant, el centre hi portar\u00e0 una tela transl\u00facida espec\u00edfica per a una retroprojecci\u00f3. Per a la projecci\u00f3 s\u2019utilitza un v\u00eddeo projector, reproductor de DVD, amplificador i altaveus.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-33-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-33-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"66\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"350\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga-257x300.jpg 257w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-33-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"67\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"359\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/MaruganOlga_02-251x300.jpg 251w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-34\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-34-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-34-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"68\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-35\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-35-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-35-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"69\" ><div id=\"Friera_Raquel\" class=\"panel-widget-style panel-widget-style-for-886-35-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Friera, Raquel<\/h3>\n<\/div>\n<h6>Sobre perder el tiempo<br \/>2007<\/h6>\n<p>En \"Sobre perder el tiempo\" se contrata a un actor para que<br \/>pierda el tiempo\" durante 8 horas (la jornada laboral en<br \/>Espa\u00f1a), representando lo que se interpreta por esa expresi\u00f3n<br \/>en Barcelona, seg\u00edn los resultados obtenidos en una<br \/>investigaci\u00f3n realizada pie de calle previamente con 100<br \/>ciudadanos.<br \/>La obra pretende emitir una llamada de alarma respecto a<br \/>un aspecto de la mentalidad occidental extendido ya por casi<br \/>todo el mundo, de que el tiempo tiene que ser productivo,<br \/>\u00fatil y rentable.<br \/>El formato final de la obra es un video, de 8 horas de duraci\u00f3n,<br \/>que se proyecta en una sala repleta de puffs que invitan al<br \/>espectador a sentarse y mirarlo. El video est\u00e1 editado con<br \/>un reloj que marca el tiempo restante de filmaci\u00f3n, de manera<br \/>que el espectador que quiera verlo completo deber\u00ed emplear<br \/>ese tiempo en ello. Dej\u00e9 ndole as\u00ed la decisi\u00f3n de si esta en<br \/>condiciones de redoblar con su presencia esta situaci\u00f3n de<br \/>perdida de tiempo. \"<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-35-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-35-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"70\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"222\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Friera-Raquel.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-35-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"71\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"162\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Friera-Raquel_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-36\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-36-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-36-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"72\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-37\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-37-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-37-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"73\" ><div id=\"Morell_Jordi\" class=\"panel-widget-style panel-widget-style-for-886-37-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Morell, Jordi<\/h3>\n<\/div>\n<h6>2007<\/h6>\n<p>El proyecto art\u00edstico de Jordi Morell se alimenta de fragmentos de la realidad al mismo tiempo que insin\u00faa historias paralelas mediante el agujero como met\u00e1fora; buscando as\u00ed poner de manifiesto las tensiones que el espacio urbano y la cotidianidad nos sugieren.<\/p>\n<p>El agujero no es visto como objeto sino como espacio donde todo es posible por su situaci\u00f3n entre-tiempos, ocasional y accidental. Siendo campo de batalla y de acci\u00f3n, el agujero tambi\u00e9n es un medio para la fuga.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-37-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-37-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"74\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Morell-Jordi.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-37-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"75\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"220\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Morell-Jordi_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-38\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-38-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-38-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"76\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-39\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-39-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-39-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"77\" ><div id=\"Kim_Yeun\" class=\"panel-widget-style panel-widget-style-for-886-39-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Kim,Yeun<\/h3>\n<\/div>\n<h6>TRABALENGUAS 2007<\/h6>\n<p>Trabalenguas consiste en dos grabaciones, altavoces que por un lado reproduzen el famoso trabalenguas catalan \"setze jutges d'un jutjat mengen fetge d'un penjat...\" y al mismo tiempo y casualmente se escucha un trabalenguas coreano que arm\u00f3nicamente tiene la misma sonoridad.<br \/>Al escuchar ambos al mismo tiempo, comienzas poniendo atenci\u00f3n al que entiendes por l\u00f3gica com\u00fan, contin\u00faas y la posible curiosidad de lo sonoro en una lengua desconocida se escucha dentro de tu cabeza tambi\u00e9n, pasan segundos antes de confundir su identidad y apenas poder distinguir que es cada uno hasta confundir su identidad.<\/p>\n<p>Hace timepo, mis \u00faltimos trabajos giran entorno a reflexiones sobre la inmigraci\u00f3n. Decid\u00ed dedicar mi obra a \u00e9sta situaci\u00f3n, al ser imigrante, al ser extranjero y al ver las cosas como son, expresarlo con la rapidez con la que avanza la globalizaci\u00f3n, como un grito de esperanza para la cont\u00ednua lucha de esfuerzos y un nuevo sentido de convivencia, un tiempo, un espacio una direcci\u00f3n a los mas de cien mil ciudadanos espa\u00f1oles, que son ciudadanos del resto del mundo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-39-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-39-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"78\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"220\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/KimYeun.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><div id=\"panel-886-39-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"79\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"220\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/KimYeun_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-40\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-40-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-40-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"80\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-41\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-41-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-41-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"81\" ><div id=\"Ramio_Maria\" class=\"panel-widget-style panel-widget-style-for-886-41-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Rami\u00f3, Maria<\/h3>\n<\/div>\n<h6>Apropiaci\u00f3 de di\u00e0legs de granotes III.<br \/>Apropiaci\u00f3 de di\u00e0legs d\u2019ocells IV.<br \/>2007<\/h6>\n<p>Estas piezas de apropiaci\u00f3n de audio son la sedimentaci\u00f3n sonora de la experiencia vivida de un espec\u00edfico momento de un viaje a M\u00e9xico y Guatemala.<br \/>Dos grabaciones del natural que hacen referencia a un mundo ruidoso de la natura animal; audiciones de las cuales podemos contrastar con la m\u00fasica electr\u00f3nica contempor\u00e1nea, o incluso con el sonido mec\u00e1nico de la tecnolog\u00eda que utilizamos los humanos. La importancia de la obra se encuentra en la apropiaci\u00f3n de este lenguaje comunicativo concreto, donde la escucha dialoga entre la natura y la cultura, m\u00e1s all\u00e1 de la est\u00e9tica sonora.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-41-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-41-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child panel-last-child\" data-index=\"82\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"361\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria-249x300.jpg 249w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-42\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-42-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-42-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"83\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-43\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-43-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-43-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"84\" ><div id=\"Kim_Yeun\" class=\"panel-widget-style panel-widget-style-for-886-43-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Rami\u00f3, Maria<\/h3>\n<\/div>\n<h6>Apropiaci\u00f3 de di\u00e0legs de granotes III.<br \/>Apropiaci\u00f3 de di\u00e0legs d\u2019ocells IV.<br \/>2007<\/h6>\n<p>Estas piezas de apropiaci\u00f3n de audio son la sedimentaci\u00f3n sonora de la experiencia vivida de un espec\u00edfico momento de un viaje a M\u00e9xico y Guatemala.<br \/>Dos grabaciones del natural que hacen referencia a un mundo ruidoso de la natura animal; audiciones de las cuales podemos contrastar con la m\u00fasica electr\u00f3nica contempor\u00e1nea, o incluso con el sonido mec\u00e1nico de la tecnolog\u00eda que utilizamos los humanos. La importancia de la obra se encuentra en la apropiaci\u00f3n de este lenguaje comunicativo concreto, donde la escucha dialoga entre la natura y la cultura, m\u00e1s all\u00e1 de la est\u00e9tica sonora.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-43-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-43-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"85\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"361\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Rami\u00f3-Maria-249x300.jpg 249w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-43-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"86\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"220\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/KimYeun_02.jpg\" class=\"attachment-full size-full\" alt=\"\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-44\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-44-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-44-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"87\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-45\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-45-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-45-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"88\" ><div id=\"Saladrigues_Mireia\" class=\"panel-widget-style panel-widget-style-for-886-45-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Saladrigues, Mireia<\/h3>\n<\/div>\n<p>Esta propuesta videogr\u00e1fica representa una conversaci\u00f3n entre tres personajes que cuestionan y descomponen la idea que en el extranjero se trabaja mejor que aqu\u00ed.<\/p>\n<p>\u00bf Hace falta ir al extranjero para triunfar?<br \/>\u00bf Qu\u00e9 significa una carrera internacional?<br \/>\u00bf Tiene sentido pensar en barreras geopol\u00edticas?<\/p>\n<p>El gui\u00f3n, que ha estado escrito despu\u00e9s de una treintena de entrevistas, reproduce algunos de los t\u00f3picos de estas charlas.<br \/>Igual que en los \u00faltimos trabajos, Projecte E\/F es un estudio de contexto que ir\u00f3nicamente analiza el entorno art\u00edstico. Su producci\u00f3n ha estado posible con una beca de la Fundaci\u00f3n Guasch Coranty.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-45-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-45-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"89\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-45-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"90\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><div id=\"pg-886-46\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-46-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-46-0-0\" class=\"so-panel widget widget_imartew_separator panel-first-child panel-last-child\" data-index=\"91\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_separator so-widget-imartew_separator-default-af0eaef6dfd4-886\"\n\t\t\t\n\t\t><hr class='imarte-separator'\/><\/div><\/div><\/div><\/div><div id=\"pg-886-47\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-886-47-0\"  class=\"panel-grid-cell\" ><div id=\"panel-886-47-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"92\" ><div id=\"Vilasseca_Mariona\" class=\"panel-widget-style panel-widget-style-for-886-47-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<div class=\"csc-textpicHeader csc-textpicHeader-25\">\n<h3>Vilasseca, Mariona<\/h3>\n<\/div>\n<h6>La linea...gota a gota...<br \/>2007<\/h6>\n<p>Una cortina plana vertical<br \/>de agua caiendo<br \/>desde un mecanismo elevado...<br \/>El agua recogida<br \/>por otro elemento horizontal<br \/>situado en perpendicular en el soporte tierra...<br \/>Tres elementos degotean agua,<br \/>tres ritmos diferentes,<br \/>tres colores diferentes,<br \/>tres densidades diferentes...,<br \/>caen desdibujando<br \/>el recorrido<br \/>que contenia<br \/>el propio recipiente.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-886-47-1\"  class=\"panel-grid-cell\" ><div id=\"panel-886-47-1-0\" class=\"so-panel widget widget_imartew_image panel-first-child\" data-index=\"93\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><div id=\"panel-886-47-1-1\" class=\"so-panel widget widget_imartew_image panel-last-child\" data-index=\"94\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-imartew_image so-widget-imartew_image-default-d75171398898-886\"\n\t\t\t\n\t\t><figure class='imarte-image'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02.jpg 300w, https:\/\/www.ub.edu\/imarte\/nouwp4812017\/wp-content\/uploads\/2018\/02\/Saladrigues-Mireia_02-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Aguilera, Veronica Stylus, azul Pantone 307C2007 La acci\u00f3n se inici\u00f3 con el fotocopiado de una matriz del azul Pantone 307C, azul procedente del logotipo corporativo de la ciudad de Matar\u00f3, en las diferentes fotocopiadoras de la ciudad. Las copias se realizaron dos veces por semana durante los tres meses que dur\u00f3 la exposici\u00f3n, siendo estas &hellip; <a href=\"https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/alumnes\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":180,"menu_order":2,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-886","page","type-page","status-publish","hentry"," cat-0"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Alumnes | Imarte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ub.edu\/imarte\/historic\/doctorats\/doctorats-200507\/alumnes\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alumnes | Imarte\" \/>\n<meta property=\"og:description\" content=\"Aguilera, Veronica Stylus, azul Pantone 307C2007 La acci\u00f3n se inici\u00f3 con el fotocopiado de una matriz del azul Pantone 307C, azul procedente del logotipo corporativo de la ciudad de Matar\u00f3, en las diferentes fotocopiadoras de la ciudad. 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