{"id":1582,"date":"2022-03-25T11:30:25","date_gmt":"2022-03-25T10:30:25","guid":{"rendered":"https:\/\/www.ub.edu\/larcher\/project\/raco-de-nando\/"},"modified":"2022-03-31T16:36:36","modified_gmt":"2022-03-31T14:36:36","slug":"raco-de-nando","status":"publish","type":"project","link":"https:\/\/www.ub.edu\/larcher\/ca\/project\/raco-de-nando\/","title":{"rendered":"Rac\u00f3 de Nando"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#3f3838&#8243; background_image=&#8221;https:\/\/www.ub.edu\/larcher\/wp-content\/uploads\/textura-cemento.jpg&#8221; background_blend=&#8221;multiply&#8221; custom_padding=&#8221;||24px|||&#8221; global_colors_info=&#8221;{}&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221; da_disable_devices=&#8221;off|off|off&#8221;][et_pb_row _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-100px||||false|false&#8221; custom_padding=&#8221;1px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.ub.edu\/larcher\/wp-content\/uploads\/pagina-rupestre.svg&#8221; title_text=&#8221;rupestre&#8221; align=&#8221;center&#8221; src_tablet=&#8221;&#8221; src_phone=&#8221;&#8221; src_last_edited=&#8221;on|phone&#8221; disabled_on=&#8221;on|on|off&#8221; _builder_version=&#8221;4.9.3&#8243; _module_preset=&#8221;default&#8221; transform_translate=&#8221;60px|0px&#8221; width=&#8221;25%&#8221; custom_margin=&#8221;||21px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|800|||||||&#8221; text_text_color=&#8221;#eaa04f&#8221; text_font_size=&#8221;30px&#8221; text_orientation=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]Art rupestre[\/et_pb_text][et_pb_divider color=&#8221;#eaa04f&#8221; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;7%&#8221; width_tablet=&#8221;100px&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|tablet&#8221; max_width=&#8221;33%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;-12px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#ede2d4&#8243; custom_padding=&#8221;37px||42px|||&#8221; global_colors_info=&#8221;{}&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221; da_disable_devices=&#8221;off|off|off&#8221;][et_pb_row _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;22px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.9.3&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;|800|||||||&#8221; custom_margin=&#8221;||16px|||&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><strong>Rac\u00f3 de Nando<\/strong><\/h1>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#3f3838&#8243; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; width=&#8221;200px&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;-12px|930px|0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.14.9&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Noto Serif||||||||&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;1.1em&#8221; header_3_font=&#8221;|800|||||||&#8221; custom_margin=&#8221;42px||63px|||&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Terme municipal<\/h3>\n<p>Benassal (Alt Maestrat, Castell\u00f3)<\/p>\n<h3>Altres denominacions<\/h3>\n<p>Els Covarxos<\/p>\n<h3>Informaci\u00f3<\/h3>\n<div>\n<p class=\"LO-normal\"><span lang=\"ES-TRAD\">El jaciment est\u00e0 integrat per un total de 7 abrics distribu\u00efts al llarg d&#8217;una cornisa o cinglera en forma d&#8217;U, d&#8217;uns 200 m de recorregut. Aquesta formaci\u00f3 s&#8217;obri al sud en el marge esquerre del riu Montlle\u00f3, al seu pas pel terme municipal de Benassal .<\/span><\/p>\n<\/div>\n<div>\n<p class=\"LO-normal\"><span lang=\"ES-TRAD\">Es tracta d&#8217;un jaciment descobert el 1935 per J. Chocomeli, qui public\u00e0 en 1942 una breu descripci\u00f3 d&#8217;alguns dels motius i escenes conservades, incloent el calc de l&#8217;escena de l&#8217;abric VII que ha sigut l&#8217;escena m\u00e9s reprodu\u00efda i reinterpretada. En 1974 Gonz\u00e1lez-Prats torna a estudiar el conjunt i ofereix un inventari m\u00e9s complet de motius, comptabilitzant un total de 23. La revisi\u00f3 realitzada pel nostre equip en 2019 ha perm\u00e9s ampliar el nombre de motius conservats a unes 60 restes pintades, que inclouen 19 figures humanes, 11 representacions d&#8217;animals (5 senglars, 4 c\u00e9rvols, 1 c\u00e0prid i 1 indeterminat) i 2 arcs, que originalment degueren correspondre a figures humanes avui desaparegudes.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"LO-normal\"><span lang=\"ES-TRAD\">L&#8217;estudi integral d&#8217;aquest jaciment est\u00e0 en proc\u00e9s de publicaci\u00f3.\u00a0<\/span><\/p>\n<\/div>\n<p>&nbsp;[\/et_pb_text][et_pb_divider color=&#8221;#3f3838&#8243; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; width=&#8221;200px&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;-12px|930px|0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|800|||||||&#8221; text_font_size=&#8221;22px&#8221; custom_margin=&#8221;-6px|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Bibliografia<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.9.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;13px&#8221; text_line_height=&#8221;1.1em&#8221; global_colors_info=&#8221;{}&#8221;]Chocomeli, J. (1942). Las pinturas naturalistas de Els Corvajos, Benassal. En I. Ballester (Ed.), <i>La labor del Servicio de Investigaci\u00f3n Prehist\u00f3rica y su Museo en los a\u00f1os 1935 a 1939: memoria elevada a la Diputaci\u00f3n por el Director del S.I.P<\/i>. (pp. 33-34). Valencia: Editorial F. Domenech.<\/p>\n<p>Gonz\u00e1lez, A. (1974). El Complejo Rupestre del \u00abR\u00edu de Montllor\u00bb, <i>Zephyrvs<\/i> XXVI-XXVII, 259-279.<\/p>\n<p>Macarulla; A.; Rom\u00e1n, D.; Domingo, I. (2019) Una nueva mirada al arte Levantino de Rac\u00f3 de Nando (Benassal, Castell\u00f3). En G. Garcia &amp; V. Barciela (Coords.): <i>Sociedades prehist\u00f3ricas y manifestaciones art\u00edsticas. Im\u00e1genes, nuevas propuestas e interpretaciones<\/i>. INAPH. 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