{"id":2623,"date":"2022-07-12T09:54:56","date_gmt":"2022-07-12T07:54:56","guid":{"rendered":"https:\/\/www.ub.edu\/larcher\/publications\/directed-projects\/"},"modified":"2022-07-12T09:54:58","modified_gmt":"2022-07-12T07:54:58","slug":"directed-projects","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/larcher\/en\/publications\/directed-projects\/","title":{"rendered":"Directed projects"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(63,56,56,0.24)” background_image=”https:\/\/larcher.ixole.es\/wp-content\/uploads\/publicaciones.jpg” background_blend=”multiply” custom_padding=”||18px|||” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”-100px||||false|false” custom_margin_tablet=”” custom_margin_phone=”-50px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||11px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/larcher.ixole.es\/wp-content\/uploads\/\/pagina-proyectos.svg” alt=”Directed projects” title_text=”Directed projects” disabled_on=”on|on|off” _builder_version=”4.17.4″ _module_preset=”default” width=”10%” module_alignment=”center” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_font=”Montserrat|800|||||||” text_text_color=”#eaa04f” text_font_size=”32px” header_font=”|800|||||||” header_text_color=”#eaa04f” header_font_size=”32px” header_line_height=”1.1em” custom_margin=”||16px|||” text_font_size_tablet=”” text_font_size_phone=”” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Directed projects<\/h1>\n

[\/et_pb_text][et_pb_divider color=”#eaa04f” divider_weight=”2px” _builder_version=”4.16″ _module_preset=”default” width=”7%” width_tablet=”100px” width_phone=”50px” width_last_edited=”on|tablet” module_alignment=”center” custom_margin=”-12px||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”||10%||false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]01[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

LArcHer, Breaking barriers between Science and Heritage approaches to Levantine Rock Art through Archaeology, Heritage Science and IT.<\/p>\n

Funding<\/strong><\/h3>\n

ERC Consolidator Grant. European Research Council.<\/p>\n

Duration<\/strong><\/h3>\n

From 2019 to 2023.<\/p>\n

PI (Universitat de Barcelona) and general coordination<\/strong><\/h3>\n

In\u00e9s Domingo Sanz.<\/p>\n

PI (Universitat Jaume I)<\/strong><\/h3>\n

Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%|10%|30%|false|true” custom_padding=”15%||15%||true|true” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|phone” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]02[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Redefiniendo el Arte Levantino desde la interdisciplinaridad: Arqueolog\u00eda, Ciencias del Patrimonio y tecnologias digitales al servicio del conocimiento y la conservaci\u00f3n de un patrimonio mundial (HAR2016-80693-P)<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Ciencia y Tecnolog\u00eda<\/p>\n

Duration<\/strong><\/h3>\n

From 2016 to 2020<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]03[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Rastreando Nuestros Or\u00edgenes: G\u00e9nesis, Evoluci\u00f3n y Transformaci\u00f3n del Modo de Vida Cazador-Recolector en Tierras Castellonenses.<\/p>\n

Funding<\/strong><\/h3>\n

Generalitat Valenciana. Programa de Excelencia \u201cGenT\u201d (CIDEGENT).<\/p>\n

Duration<\/strong><\/h3>\n

From 2019 to 2023.<\/p>\n

PI<\/strong><\/h3>\n

Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]04[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Cueva del Arco (Ca\u00f1\u00f3n de Almadenes, Cieza).<\/p>\n

Funding<\/h3>\n

Consejer\u00eda de Turismo y Cultura. Regi\u00f3n de Murcia.<\/p>\n

Duration<\/strong><\/h3>\n

From 2019 to 2020.<\/p>\n

PI<\/strong><\/h3>\n

Ignacio Mart\u00edn-Lerma & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]05[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Puesta en valor del abrigo de Tortosilla (Ayora, Valencia).<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Cultura.<\/p>\n

Duration<\/strong><\/h3>\n

From 2017 to 2018.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz, Didac Roman Monroig & Rafael Rubio.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|phone” _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]06[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Intervenci\u00f3n de conservaci\u00f3n preventiva de urgencia en el abrigo de la Volta Espessa (Vilafranca, Castell\u00f3).<\/p>\n

Funding<\/strong><\/h3>\n

Fundaci\u00f3n Blasco de Alag\u00f3n.<\/p>\n

Duration<\/strong><\/h3>\n

From 2017 to 2017.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”||10%||false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]07[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Protecci\u00f3n y se\u00f1alizaci\u00f3n del arte rupestre prehist\u00f3rico del abrigo de La Ferranda: instalaci\u00f3n de un cerramiento preventivo.<\/p>\n

Funding<\/h3>\n

Generalitat Valenciana.<\/p>\n

Subvenciones para actuaciones de conservaci\u00f3n y protecci\u00f3n de los bienes inmuebles del patrimonio cultural de la Comunitat Valenciana.<\/p>\n

Duration<\/strong><\/h3>\n

From 2017 to 2017.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]08[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

History Places: Wellington Range rock art in a global context.<\/p>\n

Funding<\/strong><\/h3>\n

Discovery Grant funded by Australian Research Council.<\/p>\n

Duration<\/strong><\/h3>\n

From 2016 to 2018.<\/p>\n

PI<\/strong><\/h3>\n

Paul Ta\u00e7on, Sally May, Liam Brady, Duncan Whright, Joakim Goldhahn, In\u00e9s Domingo.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”||10%||false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]09[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Conservaci\u00f3n preventiva y limpieza del abrigo de la Covatina del Tossalet del Mas de la Rambla o Barranc de les Carabasses (Vilafranca, Castell\u00f3). Patrimonio Mundial por la UNESCO desde 1998.<\/p>\n

Funding<\/strong><\/h3>\n

Diputaci\u00f3 de Castell\u00f3.<\/p>\n

Ayudas para la conservaci\u00f3n de los bienes de la provincia declarados Patrimonio Mundial.<\/p>\n

Duration<\/strong><\/h3>\n

From 2016 to 2016.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”||10%||false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]10[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Fase III. Estudio y Difusi\u00f3n. Abrigo de la Covatina del Tossalet del Mas de la Rambla o Barranc de les Carabasses (Vilafranca, Castell\u00f3n).<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Educaci\u00f3n, Cultura y Deporte.<\/p>\n

Duration<\/strong><\/h3>\n

From 2015 to 2016.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]11[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Fase II. Conservaci\u00f3n preventiva y puesta en valor del abrigo de la Covatina del Mas de la Rambla o Barranc de les Carabasses (Vilafranca, Castell\u00f3n).<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Educaci\u00f3n, Cultura y Deporte.<\/p>\n

Duration<\/strong><\/h3>\n

From 2014 to 2015.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]12[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

\u00bfArte Rupestre de contacto? Aportaciones de un enfoque etnoarqueol\u00f3gico al debate sobre la autoria del Arte Rupestre postpaleol\u00edtico del Arco Mediterr\u00e1neo Peninsular (HAR2011-25440).<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Ciencia e Innovaci\u00f3n.<\/p>\n

Duration<\/strong><\/h3>\n

From 2013 to 2015.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]13[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Fase I. Estudio, documentaci\u00f3n integral y elaboraci\u00f3n de un plan de gesti\u00f3n del abrigo de la Covatina del Tossalet del Mas de la Rambla o abrigo del Barranc de les Carabasses (Vilafranca, Castell\u00f3).<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Educaci\u00f3n, Cultura y Deporte.<\/p>\n

Duration<\/strong><\/h3>\n

From 2013 to 2014.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz & Didac Roman Monroig.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]14[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Prospecci\u00f3 arqueol\u00f2gica de la Rambla de les Truites (Portell): Fase 1.<\/p>\n

Funding<\/strong><\/h3>\n

Ajuntament de Portell de Morella.<\/p>\n

Duration<\/strong><\/h3>\n

From 01\/10\/2013 to 31\/10\/2013.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]15[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Redacci\u00f3n de un plan director para la puesta en valor y difusi\u00f3n de los yacimientos con arte rupestre del t\u00e9rmino de Ayora.<\/p>\n

Funding<\/strong><\/h3>\n

Ministerio de Cultura.<\/p>\n

Duration<\/strong><\/h3>\n

From 2011 to 2012.<\/p>\n

PI<\/b><\/h3>\n

In\u00e9s Domingo Sanz, Didac Roman, Rafael Rubio & Bruno Rives.<\/span><\/h3>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]16[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Indigenous rock art and socio-cultural practices in Arnhem Land (NT, Australia).<\/p>\n

Funding<\/strong><\/h3>\n

University Research Budget: Project Grants Application 2008. Flinders University (Adelaide, Australia).<\/p>\n

Duration<\/strong><\/h3>\n

From 2008 to 2008.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” module_alignment=”center” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#e8585d” text_font_size=”40px” text_line_height=”1em” text_orientation=”center” custom_margin=”|30%||30%|false|true” custom_margin_tablet=”” custom_margin_phone=”|30%|10%|30%|false|true” custom_margin_last_edited=”on|phone” custom_padding=”15%||15%||true|true” border_width_all=”1px” border_color_all=”#e8585d” global_colors_info=”{}”]17[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Noto Serif||||||||” text_font_size=”18px” text_line_height=”1.1em” header_text_color=”#000000″ header_font_size=”18px” header_line_height=”0.8em” width=”100%” global_colors_info=”{}”]<\/p>\n

Project name<\/strong><\/h3>\n

Digital technologies and rock art recording in Aboriginal sites: Drupni and Doria sites in Barunga (Arnhem Land, NT, Australia).<\/p>\n

Funding<\/strong><\/h3>\n

Flinders University Research Grant Scheme (Adelaide, Asutralia).<\/p>\n

Duration<\/strong><\/h3>\n

From 2007 to 2007.<\/p>\n

PI<\/strong><\/h3>\n

In\u00e9s Domingo Sanz.[\/et_pb_text][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”18px|630px|-25px|0px|false|false” custom_padding=”0px|0px|0px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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