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2021<\/p>\n
[\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.17.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||12px||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
MOYA, F<\/b>., TRONCOSO, A., ARMSTRONG, F., VENEGAS, C., 2021. Pinturas rupestres, arqueometr\u00eda e historias en el Centro Norte de Chile (29\u00b0-30\u00b0 Lat. S). Anuario TAREA<\/i> 8, 14\u201346.<\/p>\n
MOYA-CA\u00d1OLES, F<\/b>., TRONCOSO, A., ARMSTRONG, F., VENEGAS, C., C\u00c1RCAMO, J., ARTIGAS, D., 2021. Rock paintings, soot, and the practice of marking places. A case study in North-Central Chile. Journal of Archaeological Science: Reports<\/i> 36, 102853.<\/p>\n
MOYA-CA\u00d1OLES, F<\/b>., 2021. Archaeological analyses of pigmenting materials, a case study on Initial Late Holocene hunter-gatherers from North-Central Chile. Journal of Archaeological Science: Reports<\/i> 36, 102801.<\/p>\n
BRINCK, A., D\u00c1VILA, C., FUENZALIDA, N., MOYA, F<\/b>., 2021. Experiencias de mujeres en la arqueolog\u00eda y la Universidad de Chile (1960-1980): aprendizajes y desaf\u00edos actuales. Revista Chilena de Antropolog\u00eda<\/i> 43, 1\u201318.<\/p>\n
CABELLO, G., VALENZUELA, D., MOYA, F<\/b>., 2021. Rock Art in Chile (2015-2019). In: Bahn, P., Franklin, N., Strecker, M. (Eds.), Rock Art Studies: News of the World VI<\/i>. Archaeopress, Oxford, pp. 340\u2013354.<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
ROM\u00c1N, D.<\/strong>; GARC\u00cdA-ARG\u00dcELLES, P.; FULLOLA, J. M. 2021. La aparici\u00f3n de los elementos geom\u00e9tricos: El abrigo de El Filador (Tarragona), y su contextualizaci\u00f3n en el Mediterr\u00e1neo ib\u00e9rico y el valle del Ebro. En M. Bea, R. Domingo, C. Mazo, L. Montes, J. M. Rodan\u00e9s (eds.): De la Mano de la Prehistoria. Homenaje a Pilar Utrilla Miranda. Monograf\u00edas Arqueol\u00f3gicas 57. Universidad de Zaragoza, 341-360. ISBN: 978-84-1340-327-4<\/p>\n Bea M,\u00a0Domingo I<\/strong>, Angas J 2021 ‘Las pinturas levantinas del abrigo de Barranco G\u00f3mez (Castellote, Teruel)’.\u00a0Peir\u00b4on, Revista de estudios del maestrazgo turolense, 30: 42-45. Domingo, I.<\/strong> 2021 New insights into the analysis of Levantine rock art scenes informed by observations on western Arnhem Land rock art. In Davidson, I., & Nowell, A. (Eds.). Making scenes: global perspectives on scenes in rock art. New York, Oxford: Berghahn Books.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.berghahnbooks.com\/title\/DavidsonMaking\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Domingo I.<\/strong> 2021 Shifting ontologies and the use of ethnographic data in prehistoric rock art research. In Oscar Moro and Martin Porr (eds) Ontologies of Rock Art. Images, Relational Approaches and Indigenous knowledge. Routledge, Taylor and Francis.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.taylorfrancis.com\/chapters\/edit\/10.4324\/9780429321863-12\/shifting-ontologies-use-ethnographic-data-prehistoric-rock-art-research-in%C3%A9s-domingo-sanz\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Domingo, I.<\/strong>\u00a02021\u00a0El arte como elemento humano.\u00a0In Peret\u00f3, J. & Bertranpetit, J. (eds.)\u00a0Iluminando la evoluci\u00f3n humana. Ciento cincuenta a\u00f1os despu\u00e9s de Darwin.Val\u00e8ncia, Universitat de Val\u00e8ncia.<\/p>\n \u2028Domingo I. <\/strong>2021,\u00a0‘L’art com a element hum\u00e0’.\u00a0Treballs de la Societat Catalana de Biologia,\u00a0vol. 71,\u00a0pp. 80-87.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/publicacions.iec.cat\/PopulaFitxa.do?moduleName=r&subModuleName=&idColleccio=124″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Domingo I\u00a0& Chieli A<\/strong> 2021 ‘Characterizing the pigments and paints of prehistoric artists’\u00a0Archaeological and Anthropological Sciences\u00a013:196<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/link.springer.com\/article\/10.1007\/s12520-021-01397-y\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Domingo I.,\u00a0Barreda-Uso, G.<\/strong>\u00a0\u00a02021(online)\u00a0Knowledge-building in open-air rock art conservation: sharing the history\u00a0and experiences with Levantine rock art.Studies in Conservation. [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/00393630.2021.1996092?journalCode=ysic20″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Bea M, Domingo I.<\/strong> 2021. Weaponry in Levantine Rock Art: a general view from the Maestrazgo region (Spain). In Ana M. S. Bettencourt, Manuel Santos-Estevez, Hugo Aluai Sampaio (eds.) Weapons and Tools in Rock Art: A world perspective. Oxbow Books. <\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.oxbowbooks.com\/oxbow\/weapons-and-tools-in-rock-art.html\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Bea M,\u00a0Domingo I<\/strong>, Ang\u00e1s J 2021 ‘El abrigo de Barranco G\u00f3mez (Castellote, Teruel), un nuevo conjunto con arte levantino en el n\u00facleo rupestre del Guadalope’.\u00a0Trabajos de Prehistoria,\u00a078 (1): 164-178.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/tp.revistas.csic.es\/index.php\/tp\/article\/view\/854″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Roman D &\u00a0Domingo I<\/strong>\u00a02021, ‘Aportaciones al conocimiento del Mesol\u00edtico Antiguo en la\u00a0vertiente mediterr\u00e1nea de la pen\u00ednsula ib\u00e9rica: la Balma del\u00a0Barranc de La Fontanella (Vilafranca, Castell\u00f3).\u00a0Trabajos de Prehistoria,\u00a078 (2):\u00a0344-355.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/tp.revistas.csic.es\/index.php\/tp\/article\/view\/867″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n Roman\u00a0D\u00a0&\u00a0Domingo\u00a0I<\/strong>\u00a02021, ‘Les societats ca\u00e7adores i recol\u00b7lectores i l’art rupestre a Castell\u00f3 100 anys despr\u00e9s de l’article de Bosch Gimpera. En Oliver A (coord.) El problemes arqueol\u00f2gics de Castell\u00f3: 100 anys despr\u00e9s de Pere Bosch Gimpera. Castell\u00f3, Diputaci\u00f3 de Castell\u00f3, 15-25. ISBN: 978-84-17465-31-5<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.researchgate.net\/publication\/358146116_ROMAN_D_DOMINGO_I_2021_Les_societats_cacadores_i_recollectores_i_l’art_rupestre_a_Castello_100_anys_despres_de_l’article_de_Bosch_Gimpera_En_A_Oliver_coord_Els_problemes_arqueologics_de_la_provincia_d\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n <\/strong>Smith\u00a0C, May\u00a0S, & Domingo\u00a0I<\/strong>\u00a02021,\u00a0Rock Art and Ethnography Part 1: Special collection of selected papers presented at the 2018 IFRAO Congress in Valcamonica, Italy.\u00a0Rock Art Research,\u00a038\u00a0(1).\u2028<\/p>\n Smith\u00a0C, May\u00a0S, & Domingo\u00a0I<\/strong>\u00a02021,\u00a0Rock Art and Ethnography Part 2: Special collection of selected papers presented at the 2018 IFRAO Congress in Valcamonica, Italy.\u00a0\u00a0Rock Art Research\u00a0(Special Edition),. 38(2)\u2028<\/p>\n Lloveras LL, Rom\u00e1n D, Domingo<\/strong> I & Nadal J 2021 L’explotaci\u00f3 dels mam\u00edfers a la balma del barranc de la Fontanella (Vilafranca, Els Ports, Castell\u00f3). Primeres dades de l’estudi arqueozool\u00f2gic.\u00a0In\u00a0Recull d\u2019estudis de fauna de jaciments valencians. V Jornades d\u2019arqueozoologia.\u00a0Museu de Prehist\u00f2ria de Val\u00e8ncia (2021): 197-220. ISBN: 978-84-7795-895-6<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.researchgate.net\/publication\/354867844_L%27EXPLOTACIO_DELS_MAMIFERS_A_LA_BALMA_DEL_BARRANC_DE_LA_FONTANELLA_VILAFRANCA_ELS_PORTS_CASTELLO_PRIMERES_DADES_DE_L%27ESTUDI_ARQUEOZOOLOGIC\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n May, S.K. I. Domingo Sanz<\/strong>, J. Goldhahn, D. Wright and G. Maralngurra. Broadening our understanding beyond the \u2018Buffaroo\u2019. Rock Art Research Debates, v. 38\/2, In Press (accepted June 2021).<\/p>\n ROM\u00c1N, D.<\/strong>; DOMINGO, I.; NADAL, J. 2021. The Mesolithic In Fontanella Rock Shelter (Vilafranca, Eastern Mediterranean Iberia) And The Last Hunters-Gatherers In Northern Valencian Country. In FORAGING Assemblages. Vol. 1 \/ edited by Du\u0161an Bori\u0107, Dragana Antonovi\u0107, and Bojana Mihailovi\u0107. – Belgrade : Serbian Archaeological Society ; New York : The Italian Academy for Advanced Studies in America, Columbia University, 2021 (Belgrade : Publikum), 74-81. ISBN 978-86-80094-14-4 (SAS) ISBN 978-86-80094-16-8 (niz)<\/p>\n ROM\u00c1N, D.<\/strong>; GARCIA-ARG\u00dcELLES, P.; NADAL, J.; FULLOLA, J.M. 2021. The Late Microblade Complexes And The Emergence Of Geometric Microliths In Northeastern Iberia. In FORAGING Assemblages. Vol. 1 \/ edited by Du\u0161an Bori\u0107, Dragana Antonovi\u0107, and Bojana Mihailovi\u0107. – Belgrade : Serbian Archaeological Society ; New York : The Italian Academy for Advanced Studies in America, Columbia University, 2021 (Belgrade : Publikum), 457-463. ISBN 978-86-80094-14-4 (SAS) ISBN 978-86-80094-16-8 (niz)<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#424242″ custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.;<\/strong> BOLUFER, J.; DOMINGO, I.;<\/strong> REAL, C.; SANCH\u00cdS, A.; CARRI\u00d3N-MARCO, Y. 2021. Assessing Site Potential, Sequence and Looting Damage of the Palaeolithic Deposits at la Cova del Moro (El Poble Nou de Benitatxell, Alicante, Spain). Pyrenae 52<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.pyrenae.com\/home\/index.php?option=com_k2&view=item&id=368:assessing-site-potential-sequence-and-looting-damage-of-the-palaeolithic-deposits-at-la-cova-del-moro-el-poble-nou-de-benitatxell-alicante-mediterranean-iberia&Itemid=319&lang=ca\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb5px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I <\/strong>& GALLINARO M 2021, Impacts of scientific approaches on rock art research: Global perspectives, Quaternary International, 572.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.sciencedirect.com\/journal\/quaternary-international\/vol\/572\/suppl\/C\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb5px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I <\/strong>& GALLINARO M 2021, ‘Impacts of scientific approaches on rock art research: Global perspectives. Editorial’, Quaternary International, <\/em>572: 1-4.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.sciencedirect.com\/science\/article\/pii\/S1040618221000203″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb5px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I<\/strong>; VENDRELL M, CHIELI A 2021. ‘A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art’. Quaternary International, <\/em>572: 24-40.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.sciencedirect.com\/science\/article\/pii\/S1040618220305644″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb5px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n OCHOA, B, GARC\u00cdA-DIEZ M, DOMINGO I <\/strong>& MARTINS A 2021, ‘Dating Iberian prehistoric rock art: methods, sampling, data, limits and interpretations’ Quaternary International, <\/em>572, 88 – 105.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.sciencedirect.com\/science\/article\/pii\/S1040618220305140?dgcid=rss_sd_all\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb<\/p>\n 2020<\/p>\n \u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbMontserrat|800|||||||\u00bb text_text_color=\u00bb#e8585d\u00bb text_font_size=\u00bb50px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb0px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n 2020<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.17.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||13px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n CAMPBELL, R., MOYA, F<\/b>., GUTI\u00c9RREZ, R., 2020. Quien busca, encuentra. Arte rupestre en el sur de Chile: Evaluaci\u00f3n, perspectivas y preguntas. Bolet\u00edn del Museo Chileno de Arte Precolombino<\/i> 25, 247\u2013269.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROM\u00c1N, D.<\/strong>; FULLOLA-ISERN, J. 2020. Revisitant la Cova Negra (La Pobla Tornesa, La Plana Alta). Un jaciment oblidat a la plana de Castell\u00f3. Quaderns de Prehist\u00f2ria i Arqueologia de Castell\u00f3 38, 5-19.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/repositori.uji.es\/xmlui\/handle\/10234\/194717″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO, I.; ROM\u00c1N, D.<\/strong>; MACARULLA; A. 2020. El abrigo de La Serradassa (Vistabella, Castell\u00f3) y su contribuci\u00f3n a la definici\u00f3n del arte Esquem\u00e1tico en Castell\u00f3. Zephyrus 86<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.14201\/zephyrus2020864366″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.;<\/strong> GARCIA ARG\u00dcELLES, P.; FULLOLA; J.M.(eds) 2020. Las facies microlaminares del final del Paleol\u00edtico en el Mediterr\u00e1neo Ib\u00e9rico y Valle del Ebro. Monografies del SERP 17. Societat Catalana d\u2019Arqueologia, SERP, Universitat de Barcelona.<\/p>\n DOMINGO, I. ROMAN, D. <\/strong>2020. El arte del final del Paleol\u00edtico en el Mediterr\u00e1neo Ib\u00e9rico. En D. Roman, P. Garcia-Arg\u00fcelles; J. M. Fullola (coords), Las facies microlaminares del final del Paleol\u00edtico en el Mediterr\u00e1neo Ib\u00e9rico y Valle del Ebro. Monografies del SERP 17.<\/p>\n GARCIA ARG\u00dcELLES, P.; NADAL, J.; ROMAN, D.<\/strong> 2020. Las facies microlaminares del final del Paleol\u00edtico en el sur de Catalunya. En D. Roman et al., Las facies microlaminares del final del Paleol\u00edtico en el Mediterr\u00e1neo Ib\u00e9rico y Valle del Ebro. Monografies del SERP. Universitat de Barcelona.<\/p>\n ROMAN, D<\/strong>.; DOMINGO, I. 2020. Las facies microlaminares del final del Paleol\u00edtico en el norte del Pa\u00eds Valenciano. En D. Roman, P. Garcia-Arg\u00fcelles; J. M. Fullola (coords), Las facies microlaminares del final del Paleol\u00edtico en el Mediterr\u00e1neo Ib\u00e9rico y Valle del Ebro. Monografies del SERP 17.<\/p>\n ALVAREZ, E.; CUETO, M.; ROMAN, D.<\/strong> 2020 New data for the Early Holocene in North-East Iberia: The faunal record at Cova del Sol\u00e0 del Pep (L\u2019Hospitalet de l\u2019Infant, Tarragona). In: Valente, M.J., Costa, C. & Detry, C. (eds.): New Trends in Iberian Zooarchaeology<\/em>. Oxford: Archaeopress Publishing.<\/p>\n DOMINGO, I.<\/strong>; SMITH, C.; JACKSON, G.; ROMAN, D. <\/strong>2020. Hidden sites, hidden images, hidden meanings: does the location and visibility of motifs and sites correlate to restricted or open access? Journal of Archaeological Method and Theory.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1007\/s10816-020-09465-8″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb<\/p>\n ROMAN, D.<\/strong>; FAT CHEUNG,C.; LANGLAIS, M. (eds.) 2020. Cultures Of The Pleistocene-Holocene Transition In Western Europe. Quaternary International.<\/p>\n \u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.<\/strong>; FAT CHEUNG,C.; LANGLAIS, M. (eds.) 2020. Cultures Of The Pleistocene-Holocene Transition In Western Europe. Quaternary International.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quaint.2020.06.039″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO, I<\/strong>.; ROMAN, D.<\/strong> 2020. Beyond the Palaeolithic: figurative final Palaeolithic art in Mediterranean Iberia. <\/strong>Quaternary International.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quaint.2020.10.034″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.; DOMINGO, I.<\/strong> 2020. Exploring the end of the upper Magdalenian in Northern Valencian region (Mediterranean Iberia). Quaternary International.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quaint.2019.09.049″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOOLEY K.A., CHIELI A.<\/strong>, ROMANI A., LEGRAND S., MILIANI C., JANSSENS K., AND DELANEY J. K., \u201cMolecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh\u2019s Painting The Olive Orchard\u201d<\/em>, Angewandte Chemie, 2020, 10.1002\/ange.201915490.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1002\/ange.201915490″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.;<\/strong> MART\u00cdNEZ ANDREU, M., AGUILELLA, G.; FULLOLA, J. M.; NADAL, J. (2020 in press) Shellfish collectors on the seashore: the exploitation of the marine environment between the end of the Palaeolithic and the Mesolithic in the Mediterranean Iberia. Journal of Island and Coastal Archaeology.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1080\/15564894.2020.1755395″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROM\u00c1N, D.<\/strong>; DOMINGO, I<\/strong>.; NADAL, J. 2020. The Mesolithic In Fontanella Rock Shelter (Vilafranca, Eastern Mediterranean Iberia) And The Last Hunters-Gatherers In Northern Valencian Country. Ninth International Conference on the Mesolithic in Europe<\/em>. Serbian Archaeological Society<\/p>\n ROM\u00c1N, D.<\/strong>; GARCIA-ARG\u00dcELLES, P.; NADAL, J.; FULLOLA, J.M (2020, in press) The Late Microblade Complexes And The Emergence Of Geometric Microliths In Northeastern Iberia. Ninth International Conference on the Mesolithic in Europe<\/em>. Serbian Archaeological Society<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY, S., HUNTLEY, J., MARSHALL, M., MILLER, E., JOHNSTON, I.G., GOLDHAHN, J., HAYWARD, J.A., JALANDONI, A., LEE, J., O’LOUGHLIN, G., MAY, K., DOMINGO, I.<\/strong>, TA\u00c7ON, P. 2020. New insights into the rock art of Anbangbang Gallery, Kakadu National Park. Journal of Field<\/em> Archaeology, <\/em>45 (2): 120-134.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/00934690.2019.1698883″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I <\/strong>& PALOMO T (eds) 2020 Art Primer. Artistes de la Prehist\u00f2ria. <\/em>Barcelona, Museu d’Arqueologia de Catalunya.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/artprimer.mac.cat\/wp-content\/uploads\/2020\/10\/MAC_CATALEG_ARTPRIMER.pdf%20″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I <\/strong>2020. ‘Art Primer. Artistes de la Prehist\u00f2ria’. In Domingo I & Palomo T (eds) Art Primer. Artistes de la Prehist\u00f2ria. <\/em>Barcelona, Museu d’Arqueologia de Catalunya, pp. 10-31.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/artprimer.mac.cat\/wp-content\/uploads\/2020\/10\/MAC_CATALEG_ARTPRIMER.pdf%20″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY SK, WRIGHT D, DOMINGO I<\/strong>, GOLDHAHN J, MARALNGURRA G. 2020 ‘The buffaroo: A ‘first-sight’ depiction of introduced buffalo in the rock art of Western Arnhem Land, Australia’. Rock Art Research<\/em>, 37 (2): 204-216.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.researchgate.net\/publication\/346620905_The_Buffaroo_A_’first-sight’_depiction_of_introduced_buffalo_in_the_rock_art_of_western_Arnhem_Land_Australia\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n TA\u00c7ON P, MAY SK, LAMILAMI R, MCKEAGUE F, JOHNSTON I, JALANDONI A, WESLEY D, DOMINGO I<\/strong>, BRADY LM, WRIGHT D & GOLDHAHN J 2020 ‘Maliwawa Figures \u2013 a previously undescribed Arnhem Land rock art style’, Australian Archaeology, <\/em>86 (3): 208\u2013225.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/03122417.2020.1818361?journalCode=raaa20″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbMontserrat|800|||||||\u00bb text_text_color=\u00bb#e8585d\u00bb text_font_size=\u00bb50px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb0px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n 2019<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.17.0″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb||13px||false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n TRONCOSO, A., PASCUAL, D., MOYA, F<\/b>., 2019. Making rock art under the Spanish empire: a comparison of hunter gatherer and agrarian contact rock art in North-central Chile. Australian Archaeology<\/i> 84, 263\u2013280.<\/p>\n MOYA, F<\/b>., SIERRALTA, S., GUTI\u00c9RREZ, R., 2019. Nuevo registro de arte rupestre en pasos cordilleranos: Pared\u00f3n Luisa (Cocham\u00f3, Regi\u00f3n de Los Lagos, Chile). Magallania<\/i> 47, 175\u2013182.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO, I., <\/strong>GARC\u00cdA-ARG\u00dcELLES, P., NADAL, J., FULLOLA, J. M\u00aa, LERMA, J.L., CABRELLES, M. 2019 Humanizing European Palaeolithic Art: New Visual Evidence of Human\/Bird Interactions at L’Hort de la Boquera Site (Margalef de Montsant, Tarragona, Spain). L\u2019Anthropologie<\/em><\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.anthro.2019.01.001″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MACARULLA; A<\/strong>.; ROM\u00c1N, D.<\/strong>; DOMINGO, I<\/strong>. 2019. Una nueva mirada al arte Levantino de Rac\u00f3 de Nando (Benassal, Castell\u00f3). En G. Garcia & V. Barciela (Coords.): Sociedades prehist\u00f3ricas y manifestaciones art\u00edsticas. Im\u00e1genes, nuevas propuestas e interpretaciones. INAPH. Universitat d\u2019Alacant ISBN: <\/strong>978-84-1302-054-9<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/hdl.handle.net\/10045\/99047″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MART\u00cdNEZ-VAREA, C.; FERRER-GALLEGO, P.; RAIG\u00d3N, M.D.; BADAL-GARC\u00cdA, E.; FERRANDO-PARDO, I.; LAGUNA, E.; REAL, C.; ROMAN, D.;<\/strong> VILLAVERDE, V. (2019) Corema album<\/em> archaeobotanical remains in western Mediterranean basin. Assessing fruit consumption during Upper Palaeolithic in Cova de les Cendres (Alicante, Spain). Quaternary Sciences Reviews 2017.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quascirev.2019.01.004″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MART\u00cdNEZ VAREA. C.; BADAL, E.; REAL, C.; ROMAN, D.; <\/strong>VILLAVERDE, V. (2019) Plants for daily life during Solutrean in Cova de les Cendres (Alicante, Spain).<\/strong><\/span> In Schmidt, I et al .: Human adaptations to the Last Glacial Maximum: the Solutrean and its neighbours. Cambridge Scholars Publishing.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.cambridgescholars.com\/product\/978-1-5275-3848-1″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb<\/p>\n MARTINEZ, A.; BEL, M. A.; ROMAN, D.; <\/strong>VILLAVERDE, V. (2019) Techno-typological and taphonomic study in the Solutrean of Cova de les Cendres (Alicante, Spain). <\/strong>Schmidt, I et al.: Human adaptations to the Last Glacial Maximum: the Solutrean and its neighbours. Cambridge Scholars Publishing.<\/p>\n \u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MARTINEZ, A.; BEL, M. A.; ROMAN, D.; <\/strong>VILLAVERDE, V. (2019) Techno-typological and taphonomic study in the Solutrean of Cova de les Cendres (Alicante, Spain). <\/strong>Schmidt, I et al.: Human adaptations to the Last Glacial Maximum: the Solutrean and its neighbours. Cambridge Scholars Publishing.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.cambridgescholars.com\/product\/978-1-5275-3848-1″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb<\/p>\n MONICO L., HENDRIKS E., GELDOF M., MILIANI C., JANSSENS K., BRUNETTO G. B., COTTE M., VANMEERT F., CHIELI A.<\/strong>, VAN DER SNICKT G., ROMANI A. AND JO\u00c3O MELO M., \u201cChemical Alteration and Colour Changes in the Amsterdam Sunflowers \u2013 A focus on Geranium Lakes and Chrome Yellows\u201d <\/em>Chapter 5 in \u201cVan Gogh\u2019s Sunflowers illuminated: Art meets Science\u201d<\/em>, pp. 125 \u2013 157, Editorial board: Ella Hendriks (University of Amsterdam), Marije Vellekoop (Van Gogh Museum), Marika Spring (National Gallery London), Maarten van Bommel (University of Amsterdam), Muriel Geldof (Cultural Heritage Agency, RCE), Editor: Amsterdam University Press, June 2019.<\/p>\n ZABILDEA, M. A.; BARREDA, G.<\/strong>; GASQUE, S.; SERRANO, C. 2019. Estudios colorim\u00e9tricos como m\u00e9todo de conservaic\u00f3n preventive en abrigos de con pintura rupestre. In G. Garcia & V. Barciela (Corrds.) Sociedades prehist\u00f3ricas y manifestaciones art\u00edsticas. Im\u00e1genes, nuevas propuestas e interpretaciones<\/em>. Ed. Universitat d\u2019Alacant.<\/p>\n \u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MONICO L., HENDRIKS E., GELDOF M., MILIANI C., JANSSENS K., BRUNETTO G. B., COTTE M., VANMEERT F., CHIELI A.<\/strong>, VAN DER SNICKT G., ROMANI A. AND JO\u00c3O MELO M., \u201cChemical Alteration and Colour Changes in the Amsterdam Sunflowers \u2013 A focus on Geranium Lakes and Chrome Yellows\u201d <\/em>Chapter 5 in \u201cVan Gogh\u2019s Sunflowers illuminated: Art meets Science\u201d<\/em>, pp. 125 \u2013 157, Editorial board: Ella Hendriks (University of Amsterdam), Marije Vellekoop (Van Gogh Museum), Marika Spring (National Gallery London), Maarten van Bommel (University of Amsterdam), Muriel Geldof (Cultural Heritage Agency, RCE), Editor: Amsterdam University Press, June 2019.<\/p>\n ZABILDEA, M. A.; BARREDA, G.<\/strong>; GASQUE, S.; SERRANO, C. 2019. Estudios colorim\u00e9tricos como m\u00e9todo de conservaic\u00f3n preventive en abrigos de con pintura rupestre. In G. Garcia & V. Barciela (Corrds.) Sociedades prehist\u00f3ricas y manifestaciones art\u00edsticas. Im\u00e1genes, nuevas propuestas e interpretaciones<\/em>. Ed. Universitat d\u2019Alacant.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/hdl.handle.net\/10045\/99047″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.<\/strong>; DOMINGO, I<\/strong>. (2019) Exploring the end of the upper Magdalenian in Northern Valencian region (Mediterranean Iberia). Quaternary International.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quaint.2019.09.049″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n VILLAVERDE, V.; REAL, C.; ROMAN, D.<\/strong>; ALBERT, R. M.; BADAL, E; BEL, M.A.; BERGAD\u00c0, M.; OLIVEIRA, P.; EIXEA, A.; ESTEBAN, I.; MART\u00cdNEZ, A.; C. MART\u00cdNEZ VAREA.; P\u00c9REZ RIPOLL, M., (2019), The Early Upper Palaeolithic of Cova de les Cendres (Moraira, Alicante, Spain). Quaternary International<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.quaint.2017.11.051″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n VILLAVERDE, V.; ROMAN, D.<\/strong>; BEL, M. A.; MARTINEZ, A. (2019) The Solutrean of Cova de les Cendres (Teulada-Moraira, Alicante). In Schmidt, I.; Cascalheira, J.: Human adaptations to the Last Glacial Maximum: the Solutrean and its neighbors. International Conference on The Solutrean<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.cambridgescholars.com\/product\/978-1-5275-3848-1″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb\u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I <\/strong>2019, ‘Arte rupestre y tecnolog\u00edas digitales: una revisi\u00f3n actualizada’. In Garc\u00eda G. and Barciela, V. (coords.) Sociedades prehist\u00f3ricas y manifestacions art\u00edsticas. Im\u00e1genes, nuevas propuestas e interpretaciones. <\/em>Colecci\u00f3n Petracos, 2. Publicaciones INAPH: 201-208.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n BRADY L, HAMPTON J & DOMINGO I <\/strong>2019, ‘Recording rock art: Strategies, Challenges, and embracing the Digital Revolution. In David B & McNiven I (eds) The Oxford Handbook of the Archaeology and Anthropology of Rock Art. <\/em>Oxford University Press, pp. 763-786.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.researchgate.net\/publication\/323756003_Recording_Rock_Art_Strategies_Challenges_and_Embracing_the_Digital_Revolution\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROVIRA C. DOMINGO I<\/strong> & PALOMO T 2019 ‘Art primer. Artistes de la prehist\u00f2ria. Un projecte d\u2019exposici\u00f3 i divulgaci\u00f3 integral del Museu d\u2019Arqueologia de Catalunya’. In Vi\u00f1as, R. (coord) I Jornades Internacionals d\u2019Art Rupestre de l\u2019Arc Mediterrani de la Pen\u00ednsula Ib\u00e8rica XX\u00e8 Aniversari de la Declaraci\u00f3 de Patrimoni Mundial, Museu Comarcal de la Conca de Barber\u00e0, Museu d’Arqueologia de Catalunya i Ajuntament de Montblanc, pp. 471-479.<\/p>\n SMITH C, BURKE H, RALPH J, POLLARD K, GORMAN A, WILSON C, HEMMING S, RIGNEY D, WESLEY D, MORRISON M, MCNAUGHTON D, DOMINGO I, <\/strong>MOFFAT I, ROBERTS A, KOOLMATRIE J, WILLIKA J, PAMKAL B & JACKSON G. 2019. ‘Pursuing Social Justice Through Collaborative Archaeologies in Aboriginal Australia’, Archaeologies, <\/em>15: 536-569.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/link.springer.com\/article\/10.1007\/s11759-019-09382-7″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n BRADY, L., HAMPTON, J., DOMINGO, I. <\/strong>2019 <\/span>Recording rock art: Strategies, Challenges, and embracing the Digital Revolution. In David B & McNiven I (eds) The Oxford Handbook of the Archaeology and Anthropology of Rock Art. <\/em>Oxford University Press, pp. 763-786.<\/p>\n DOI: 10.1093\/oxfordhb\/9780190607357.013.37<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbMontserrat|800|||||||\u00bb text_text_color=\u00bb#e8585d\u00bb text_font_size=\u00bb50px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb0px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n 2018<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I<\/strong>, MAY SK AND SMITH C. 2018 ‘Etnoarqueolog\u00eda y arte rupestre en el siglo XXI: de la analog\u00eda directa a la redefinici\u00f3n del m\u00e9todo arqueol\u00f3gico. In Garate D. (Coord.), Redescubriendo el arte parietal paleol\u00edtico. \u00daltimas novedades sobre los m\u00e9todos y las t\u00e9cnicas de investigaci\u00f3n. Kobie (anejos), 16 (2017), pp. 163-180.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.bizkaia.eus\/fitxategiak\/04\/ondarea\/Kobie\/PDF\/6\/Kobie_Anejo_16_web-12.pdf?hash=b212a7c92b1cb3a14c0f97d03ab259d4″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n JALANDONI, A., DOMINGO, I., <\/strong>TA\u00c7ON, P. 2018 Testing the value of low-cost Structure-from Motion (SfM) photogrammetry for metric and visual analysis of rock art. Journal of Archaeological Science Reports,<\/em> 17, 605-616.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.jasrep.2017.12.020″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY S.K., MARSHALL M, DOMINGO I <\/strong>AND SMITH C. 2018 Reflections on the Pedagogy of Archaeological Field Schools within Indigenous Community Archaeology Programmes in Australia’ Public Archaeology, <\/em>2018, 1\u2013<\/strong> 19.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1080\/14655187.2018.1483123″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY SK, JOHNSTON IG, TACON PSC, DOMINGO I <\/strong>AND GOLDHAHN J 2018 Early Australian Anthropomorphs: Jabiluka’s Dynamic Figure Rock Paintings, Cambridge Archaeological Journal<\/em>, 28, 1, 67 – 83.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1017\/S095977431700052X\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb 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button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n PE\u00d1ALVER, S., DOMINGO, I. <\/strong>2018 (published online). Reflexiones sobre las estrategias de gesti\u00f3n y difusi\u00f3n del arte rupestre del arco mediterr\u00e1neo de la pen\u00ednsula Ib\u00e9rica’ (Remarks on management and dissemination strategies of the rock art of the Mediterranean Basin on the Iberian Peninsula in Catalonia), in Proceedings of the 3r International Conference on Best Practices in<\/em> World Heritage: Integral Actions Menorca<\/em>, Spain, 2-5 May 2018.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/eprints.ucm.es\/id\/eprint\/55524\/2\/BPPM18-final.pdf\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n REAL, C.; BEL, M.A.; MART\u00cdNEZ, A.; C. MART\u00cdNEZ VAREA.; OLIVEIRA, P.; P\u00c9REZ RIPOLL, M.; ROMAN, D.<\/strong>; VILLAVERDE, V., 2018, La Cova de les Cendres (Teulada-Moraira, Alicante): nuevos datos sobre las ocupaciones humanas gravetienses en la regi\u00f3n central del Mediterr\u00e1neo Ib\u00e9rico. En 6\u00e8 Congr\u00e9s d\u2019Estudis de la Marina Alta. Institut d\u2019Estudis Comarcal de la Marina Alta, 21-34.<\/p>\n RODRIGUEZ, I.M., DOMINGO, I. <\/strong>2018 (published online) Los problemas de conservaci\u00f3n del arte rupestre Levantino: un estado de la cuesti\u00f3n’ (Levantine rock art conservation problems: state of the art), in Proceedings of the<\/em> 3rd International Conference on Best Practices in World Heritage: Integral Actions<\/em> Menorca, <\/em>Spain, 2-5 May 2018<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/eprints.ucm.es\/id\/eprint\/55524\/2\/BPPM18-final.pdf\u00bb button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbMontserrat|800|||||||\u00bb text_text_color=\u00bb#e8585d\u00bb text_font_size=\u00bb50px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb0px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n 2017<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n BARREDA, G.; ZALBIDEA, M. A<\/strong>. 2017. Estudi de conservaci\u00f3 del Abric de Pinos (Benissa-Alacant). Patologies i causes de deterioraci\u00f3. Pyrenae 49-1<\/p>\n DOI: 10.1344\/Pyrenae2018.vol49num1.6<\/p>\n DOMINGO, I. <\/strong>2017 In\u00e9s Domingo Sanz’s tips for digitally drawing rock art. In Burke, H., Morrison, M. and Smith, C. The Archaeologist’s field handbook (Second Edition). <\/em>Australia. Allen and Unwin, 157-150.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/www.routledge.com\/The-Archaeologists-Field-Handbook-The-essential-guide-for-beginners-and\/Burke-Morrison-Smith\/p\/book\/9781743318065″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO I, <\/strong>SMITH C. AND MAY S.K. 2017 Etnoarqueologia y arte rupestre: potencial, perspectivas y \u00e9tica. Complutum<\/em>, 28 (2): 285-305.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.5209\/CMPL.58431″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb\u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY, S.K., TA\u00c7ON, P.S.C., WRIGHT, D., MARSHALL, M., GOLDHAHN, J. AND I. DOMINGO. <\/strong>2017 The rock art of Madjedbebe (Malakunanja II). In B. David, P.S.C. Ta\u00e7on, J.J. Delannoy and J.M. Geneste (eds), The Archaeology of Rock Art in Western Arnhem<\/em> Land. Australia. <\/em>Terra Australis Series 47. Australian National University, Canberra: 87-107.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/doi.org\/10.22459\/TA47.11.2017″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n MAY, S.K., SHINE, D., WRIGHT, D., DENHAM, T., TA\u00c7ON, P., MARSHALL, M., DOMINGO, I., <\/strong>PRIDEAUX, F., STEPHENS, S. 2017 The rock art of Ingaanjalwurr, Western Arnhem Land, Australia. In B. David, P.S.C. Ta\u00e7on, J.J. Delannoy and J.M. Geneste (eds), The Archaeology of Rock Art in<\/em> Western Arnhem Land. Australia<\/em>. Terra Australis Series 47. Australian National University, Canberra: 53-68.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/doi.org\/10.22459\/TA47.11.2017″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN, D.<\/strong>; DOMINGO, I. <\/strong>2017 El final del Paleol\u00edtico superior en Castell\u00f3n: un territorio clave para la comprensi\u00f3n del final del Pleistoceno en el Mediterr\u00e1neo ib\u00e9rico.\/ The end of the Upper Palaeolithic in Castell\u00f3n: a key territory to understand the end of the Pleistocene in Mediterranean Iberia’, Pyrenae, <\/em>vol. 48 (1), pp 47-70.<\/p>\n [\/et_pb_text][et_pb_button button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROM\u00c1N, D.<\/strong>, 2017, La ind\u00fastria l\u00edtica tallada de l\u2019Edat del Bronze del Mort\u00f2rum. En G. Aguilella, El Tossal del Mort\u00f2rum. Un assentament del Bronze i del ferro antic a la Ribera de Cabanes (Castell\u00f3)<\/em>. Monografies de Prehist\u00f2ria i Arqueologia Castellonenques 12. Diputaci\u00f3n de Castell\u00f3n, 107-112.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/repositori.uji.es\/xmlui\/handle\/10234\/167693″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbMontserrat|800|||||||\u00bb text_text_color=\u00bb#e8585d\u00bb text_font_size=\u00bb50px\u00bb custom_margin=\u00bb0px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb0px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n 2016<\/p>\n [\/et_pb_text][et_pb_divider _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb11%\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-20px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-20px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n CHIELI A., <\/strong>SANYOVA J., DOHERTY B., BRUNETTI B.G., AND MILIANI C., \u201cChromatographic and spectroscopic identification and recognition of ammoniacal cochineal dyes and pigments\u201d, <\/em>Spectrochim. Acta A Mol. Biomol. Spectrosc. 2016, 162 pp. 86-92,<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.saa.2016.03.007%20″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO, I., <\/strong>BEA, M. 2016 From Science to Heritage: new challenges for World Heritage rock art sites in Mediterranean Spain in the 21st century. In Brady L & Ta\u00e7on P (eds.), Relating to rock art in the contemporary world: navigating symbolism, meaning and significance, University Press of Colorado<\/em>, 213-244.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttp:\/\/www.jstor.org\/stable\/j.ctt1h9cvhf.15″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n DOMINGO, I.<\/strong>, MAY, S.K., SMITH, C. 2016 Communicating through rock art: an ethnoarchaeological perspective. In Buchsenschutz O, Jeunesse C, Mordant C & Vialou D (dir.) Signes et communication dans les civilisations de la parole, Edition electronique du CTHS <\/em>(Actes des congres des soci\u00e9t\u00e9s historiques et scientifiques), Paris, pp 9-26.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/books.openedition.org\/cths\/1706″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n ROMAN D<\/strong>, NADAL J, DOMINGO I<\/strong>, GARC\u00cdA-ARG\u00dcELLES P, LLOVERAS LL AND FULLOLA JM 2016 La fin du Pal\u00e9olithique dans la Catalogne M\u00e9ridionale Ib\u00e9rique revisit\u00e9e: nouvelles reponses pour anciennes questions’, L’Anthropologie, <\/em>120: 610-628.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.1016\/j.anthro.2016.10.001″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text content_tablet=\u00bb\u00bb content_phone=\u00bb\u00bb content_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n SMITH C, DOMINGO I <\/strong>AND JACKSON G 2016 Beswick Creek Cave six decades later: change and continuity in the rock art of Doria Gudaluk’, Antiquity, <\/em>90 (354): 1613-1628.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/doi.org\/10.15184\/aqy.2016.206″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n VILLAVERDE, V.; AURA, E.; BORAO, M.; ROM\u00c1N, D.<\/strong>, 2016, Upper Palaeolithic Bone and Antler Projectiles in the Spanish Mediterranean Region: an approach from the Magdalenian period. In M.C. Langley (ed.), Osseous Projectile Weaponry<\/em>, Vertebrate Paleobiology and Paleoanthropology. Springer Science, 109-130.<\/p>\n [\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/link.springer.com\/chapter\/10.1007\/978-94-024-0899-7_8″ button_text=\u00bbACCEDE AL DOCUMENTO\u00bb button_alignment=\u00bbleft\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_size=\u00bb14px\u00bb button_text_color=\u00bb#3f3738″ button_bg_color=\u00bb#FFFFFF\u00bb button_border_width=\u00bb1px\u00bb button_border_radius=\u00bb0px\u00bb button_letter_spacing=\u00bb0px\u00bb custom_margin=\u00bb-10px|||100px|false|false\u00bb custom_margin_tablet=\u00bb\u00bb custom_margin_phone=\u00bb-10px|||30px|false|false\u00bb custom_margin_last_edited=\u00bbon|phone\u00bb custom_padding=\u00bb1%|2%|1%|2%|false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb button_bg_color__hover_enabled=\u00bbon|hover\u00bb button_bg_color__hover=\u00bb#FFFFFF\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Los resultados de nuestras investigaciones los damos a conocer en publicaciones cient\u00edficas nacionales e internacionales. Consulta aqu\u00ed el listado desde el a\u00f1o 2016.<\/p>\n","protected":false},"author":2,"featured_media":487,"parent":584,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"yoast_head":"\n
<\/strong><\/p>\n
DOI:\u00a010.1080\/00393630.2021.1996092\u00a0(Accepted)<\/p>\n