{"id":195,"date":"2020-10-11T20:26:06","date_gmt":"2020-10-11T18:26:06","guid":{"rendered":"https:\/\/www.ub.edu\/masterartsonor_temp\/?post_type=course&p=195"},"modified":"2026-04-09T18:46:18","modified_gmt":"2026-04-09T16:46:18","slug":"implicacions-socials-i-politiques-de-lart-sonor","status":"publish","type":"course","link":"https:\/\/www.ub.edu\/masterartsonor\/course\/implicacions-socials-i-politiques-de-lart-sonor\/","title":{"rendered":"Implicacions socials i pol\u00edtiques de l’art sonor"},"content":{"rendered":"
\n

Temari<\/h2>\n<\/div>\n\n
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  1. Implicacions socials i pol\u00edtiques en la definici\u00f3 de l’art sonor<\/li><\/ol>\n\n

    1. \u00c8tica i pol\u00edtica de l’art sonor.<\/p>\n\n

         1.1 Art, ideologia i economia o la reinvenci\u00f3 de l\u2019experi\u00e8ncia.<\/p>\n\n

    2. Derivacions pol\u00edtiques i socials.<\/p>\n\n

         2.1 Lectura de Bruits de Jacques Attali i escolta de Merbow.<\/p>\n\n

         2.2 L’art Radiof\u00f2nic : art i pol\u00edtica. De les avantguardes russes als textos per la r\u00e0dio de Walter Benjamin i Theodor W. Adorno.<\/p>\n\n

         2.3 L’escolta del nostre entorn i ecologia ac\u00fastica. R. Murray Schafer<\/p>\n<\/div><\/div>\n

    \n
    \n

    Bibliografia<\/h2>\n<\/div>\n\n
    \n

    BENJAMIN, W., \u201cLa obra de arte en la \u00e9poca de su reproductibilidad t\u00e9cnica\u201d. Obras, Libro I, Vol. 2<\/em>. Madrid: Adaba Editores, 2008.<\/p>\n\n

    BOULEZ, P., Penser la musique aujourd\u2019hui<\/em>. Par\u00eds: Gallimard, 2005.<\/p>\n\n

    BUYDENS, M., Sahara. L\u2019esth\u00e9tique de Gilles Deleuze<\/em>. Par\u00eds: Librairie Philosophique J. Vrin, 2005.<\/p>\n\n

    CAGE, J., Silence. Lectures and Writings by John Cage<\/em>. Middletown: Wesleyan University Press, 1973.<\/p>\n\n

    CHARLES, D., Le temps de la voix<\/em>. Par\u00eds: Editions Universitaires J.-P. Delarge, 1978.<\/p>\n\n

    DELEUZE, G., Diff\u00e9rence et r\u00e9p\u00e9tition<\/em>. Par\u00eds: Presses Universitaires de France, 1968.<\/p>\n\n

    \u2014 i F. GUATTARI, Mil mesetas. Capitalismo y esquizofrenia<\/em>. Val\u00e8ncia: Pre-Textos, 2008.<\/p>\n\n

    FELDMAN, M., Give My Regards to Eighth Street<\/em>. Collected Writings of Morton Feldman<\/em>. Cambridge: Exact Change, 2000.<\/p>\n\n

    FOUCAULT, M., Las palabras y las cosas. Una arqueolog\u00eda de las ciencias humanas<\/em>. Madrid: Siglo Veintiuno, 1991.<\/p>\n\n

    McLUHAN, M., La Gal\u00e0xia Gutenberg<\/em>. Barcelona: Edicions 62, 1973.<\/p>\n\n

    PARDO, C., Las TIC: una reflexi\u00f3n filos\u00f3fica<\/em>. Capellades: Laertes, 2008.<\/p>\n\n

    \u2014, La escucha oblicua: una invitaci\u00f3n a John Cage<\/em>. Editorial de la Universidad Polit\u00e9cnica de Valencia, 2001.<\/p>\n\n

    PRITCHETT, J., The Music of John Cage<\/em>. Nova York: Cambridge University Press, 1999.<\/p>\n\n

    SZENDY, P., Grandes \u00e9xitos. La filosof\u00eda en el jukebox<\/em>. Vilaboa: Ellago Ediciones, 2009.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

    Temari Implicacions socials i pol\u00edtiques en la definici\u00f3 de l’art sonor 1. \u00c8tica i pol\u00edtica de l’art sonor.      1.1 Art, ideologia i economia o la reinvenci\u00f3 de l\u2019experi\u00e8ncia. 2. Derivacions pol\u00edtiques i socials.      2.1 Lectura de Bruits de Jacques Attali i escolta de Merbow.      2.2 L’art Radiof\u00f2nic : art […]<\/p>\n","protected":false},"author":2,"featured_media":273,"template":"","meta":{"_acf_changed":false},"postgrau":[18],"class_list":["post-195","course","type-course","status-publish","has-post-thumbnail","hentry","postgrau-postgrau-disseny-sonor"],"acf":[],"lang":"ca","translations":{"ca":195,"es":447,"en":448},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course"}],"about":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/types\/course"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/users\/2"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media\/273"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media?parent=195"}],"wp:term":[{"taxonomy":"postgrau","embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/postgrau?post=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}