{"id":453,"date":"2021-05-16T18:47:11","date_gmt":"2021-05-16T16:47:11","guid":{"rendered":"https:\/\/www.ub.edu\/masterartsonor_temp\/?post_type=course&#038;p=453"},"modified":"2026-04-10T17:01:24","modified_gmt":"2026-04-10T15:01:24","slug":"acustica-arquitectonica-2","status":"publish","type":"course","link":"https:\/\/www.ub.edu\/masterartsonor\/es\/course\/acustica-arquitectonica-2\/","title":{"rendered":"Ac\u00fastica arquitect\u00f3nica"},"content":{"rendered":"<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\"><div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"text-transform:uppercase\">Temario<\/h2>\n<\/div>\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<p><strong>Ac\u00fastica de forma<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Focalizaci\u00f3n<\/li>\n\n\n\n<li>Difusor<\/li>\n\n\n\n<li>Central<\/li>\n\n\n\n<li>Perimetral<\/li>\n\n\n\n<li>Alveolar<\/li>\n\n\n\n<li>Global<\/li>\n<\/ul>\n\n<p><strong>Ac\u00fastica de proporciones<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Dimensiones dominantes o isom\u00e9tricas<\/li>\n\n\n\n<li>El n\u00famero de oro<\/li>\n\n\n\n<li>Olas estacionarias arm\u00f3nicas e in\u00e1rf\u00f3nicas<\/li>\n\n\n\n<li>Eco. Eco fluctuante<\/li>\n<\/ul>\n\n<p><strong>Ac\u00fastica de acabados y revestimientos<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Reflexi\u00f3n especulativa, mixta y difundida<\/li>\n\n\n\n<li>Absorci\u00f3n. coeficiente de absorci\u00f3n. Absorci\u00f3n equivalente<\/li>\n\n\n\n<li>Materiales absorbentes.<\/li>\n\n\n\n<li>Tiempo de reverberaci\u00f3n.<\/li>\n\n\n\n<li>Introducci\u00f3n al aislamiento ac\u00fastico del aire, impactos y vibraciones<\/li>\n<\/ul>\n\n<p><strong>Pr\u00e1ctica de c\u00e1lculo de reverberaci\u00f3n.<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>El m\u00e9todo de Sabine.<\/li>\n\n\n\n<li>Otros m\u00e9todos<\/li>\n<\/ul>\n<\/div><\/div>\n<hr class=\"wp-block-separator has-css-opacity is-style-wide--1\"\/>\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\"><div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"text-transform:uppercase\">Bibliograf\u00eda<\/h2>\n<\/div>\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<p>\u2013 Augoyard, Jean Fran\u00e7ois. \u2018\u00c0 l\u2019\u00e9coute de l\u2019environnement: r\u00e9pertoire des effets sonores\u2019.<\/p>\n\n<p>Marseille: \u00c9ditions Parenth\u00e8ses, 1995. ISBN 2-86364-078-X.<\/p>\n\n<p>\u2013 Beranek, Leo L. \u2018Concert &amp; opera hall: how they sound\u2019. New York, [NY]: Acoustical Society of<\/p>\n\n<p>America: American Institute of Physics, 1996. ISBN 1563965305 (tela).<\/p>\n\n<p>\u2013 Daumal Dom\u00e8nech, Francesc. Po\u00e9tica. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n<p>ac\u00fastica\u2019. Barcelona: Edicions UPC, 1998, vol. 1.<\/p>\n\n<p>\u2013 Daumal Dom\u00e8nech, Francesc. Disseny. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n<p>ac\u00fastica\u2019. Barcelona: Edicions UPC, 2000, vol. 2.<\/p>\n\n<p>\u2013 Daumal Dom\u00e8nech, Francesc. Rehabilitaci\u00f3. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n<p>ac\u00fastica\u2019. Barcelona: Edicions UPC, 2007, vol. 3.<\/p>\n\n<p>\u2013 Daumal i Dom\u00e8nech, Francesc. \u2018Arquitectura ac\u00fastica, po\u00e9tica y dise\u00f1o\u2019. Barcelona: Edicions<\/p>\n\n<p>UPC, 2002. ISBN 84-8301-638-9.<\/p>\n\n<p>\u2013 Schafer, R. Murray. \u2018Le paysage sonore\u2019. [S.l.]: J. Clatt\u00e8s, 1991. ISBN 2-7096-1-073-6.<\/p>\n<\/div><\/div><hr class=\"wp-block-separator has-css-opacity is-style-wide is-style-wide--2\"\/><div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\"><div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\">\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"text-transform:uppercase\">Bibliograf\u00eda complementaria:<\/h2>\n<\/div>\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\">\n<p>\u2013 Espinosa, Susana. \u2018Ecolog\u00eda ac\u00fastica y educaci\u00f3n: bases para el dise\u00f1o de un nuevo paisaje<\/p>\n\n<p>sonoro\u2019. Barcelona: Gra\u00f3, 2006. ISBN 9788478274420.<\/p>\n\n<p>\u2013 Schafer, R. Murray. \u2018Voices of tyranny: temples of silence\u2019. Indian River: Arcana, 1993. ISBN<\/p>\n\n<p>1-89512-719-X.<\/p>\n\n<p>\u2013 Tati, Jacques. \u2018Play time\u2019 [v\u00eddeo]. Barcelona: DeAplaneta, 2003.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Temario Ac\u00fastica de forma Ac\u00fastica de proporciones Ac\u00fastica de acabados y revestimientos Pr\u00e1ctica de c\u00e1lculo de reverberaci\u00f3n. Bibliograf\u00eda \u2013 Augoyard, Jean Fran\u00e7ois. \u2018\u00c0 l\u2019\u00e9coute de l\u2019environnement: r\u00e9pertoire des effets sonores\u2019. Marseille: \u00c9ditions Parenth\u00e8ses, 1995. ISBN 2-86364-078-X. \u2013 Beranek, Leo L. \u2018Concert &amp; opera hall: how they sound\u2019. New York, [NY]: Acoustical Society of America: American [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":274,"template":"","meta":{"_acf_changed":false},"postgrau":[73],"class_list":["post-453","course","type-course","status-publish","has-post-thumbnail","hentry","postgrau-postgrado-en-diseno-sonoro-proyeccion-y-espacio"],"acf":[],"lang":"es","translations":{"es":453,"ca":192,"en":454},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course"}],"about":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/types\/course"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/users\/5"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media\/274"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"postgrau","embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/postgrau?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}