{"id":454,"date":"2021-05-16T18:48:04","date_gmt":"2021-05-16T16:48:04","guid":{"rendered":"https:\/\/www.ub.edu\/masterartsonor_temp\/?post_type=course&p=454"},"modified":"2026-04-10T17:11:21","modified_gmt":"2026-04-10T15:11:21","slug":"architectural-acoustics","status":"publish","type":"course","link":"https:\/\/www.ub.edu\/masterartsonor\/en\/course\/architectural-acoustics\/","title":{"rendered":"Architectural acoustics"},"content":{"rendered":"
\n

Syllabus<\/h2>\n<\/div>\n\n
\n

Shape acoustics<\/strong><\/p>\n\n

    \n
  • Focalization<\/li>\n\n\n\n
  • Diffuser<\/li>\n\n\n\n
  • Central<\/li>\n\n\n\n
  • Perimeter<\/li>\n\n\n\n
  • Alveolar<\/li>\n\n\n\n
  • Global<\/li>\n<\/ul>\n\n

    Acoustics of proportions<\/strong><\/p>\n\n

      \n
    • Dominant or isometric dimensions<\/li>\n\n\n\n
    • The number of gold<\/li>\n\n\n\n
    • Harmonic and inharphonic stationary waves<\/li>\n\n\n\n
    • Eco. Fluctuating echo<\/li>\n<\/ul>\n\n

      Acoustics of finishes and coatings<\/strong><\/p>\n\n

        \n
      • Speculative, mixed and widespread reflection<\/li>\n\n\n\n
      • Absorption. absorption coefficient. Equivalent absorption<\/li>\n\n\n\n
      • Absorbent materials.<\/li>\n\n\n\n
      • Reverb time.<\/li>\n\n\n\n
      • Introduction to sound insulation of air, impacts and vibrations<\/li>\n<\/ul>\n\n

        Reverb calculation practice.<\/strong><\/p>\n\n

          \n
        • Sabine’s method.<\/li>\n\n\n\n
        • Other methods<\/li>\n<\/ul>\n<\/div><\/div>\n
          \n
          \n

          Bibliography<\/h2>\n<\/div>\n\n
          \n

          \u2013 Augoyard, Jean Fran\u00e7ois. \u2018\u00c0 l\u2019\u00e9coute de l\u2019environnement: r\u00e9pertoire des effets sonores\u2019.<\/p>\n\n

          Marseille: \u00c9ditions Parenth\u00e8ses, 1995. ISBN 2-86364-078-X.<\/p>\n\n

          \u2013 Beranek, Leo L. \u2018Concert & opera hall: how they sound\u2019. New York, [NY]: Acoustical Society of<\/p>\n\n

          America: American Institute of Physics, 1996. ISBN 1563965305 (tela).<\/p>\n\n

          \u2013 Daumal Dom\u00e8nech, Francesc. Po\u00e9tica. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n

          ac\u00fastica\u2019. Barcelona: Edicions UPC, 1998, vol. 1.<\/p>\n\n

          \u2013 Daumal Dom\u00e8nech, Francesc. Disseny. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n

          ac\u00fastica\u2019. Barcelona: Edicions UPC, 2000, vol. 2.<\/p>\n\n

          \u2013 Daumal Dom\u00e8nech, Francesc. Rehabilitaci\u00f3. A: Daumal Dom\u00e8nech, Francesc. \u2018Arquitectura<\/p>\n\n

          ac\u00fastica\u2019. Barcelona: Edicions UPC, 2007, vol. 3.<\/p>\n\n

          \u2013 Daumal i Dom\u00e8nech, Francesc. \u2018Arquitectura ac\u00fastica, po\u00e9tica y dise\u00f1o\u2019. Barcelona: Edicions<\/p>\n\n

          UPC, 2002. ISBN 84-8301-638-9.<\/p>\n\n

          \u2013 Schafer, R. Murray. \u2018Le paysage sonore\u2019. [S.l.]: J. Clatt\u00e8s, 1991. ISBN 2-7096-1-073-6.<\/p>\n<\/div><\/div>

          \n

          Complementary Bibliography:<\/h2>\n<\/div>\n\n
          \n

          \u2013 Thorny, Susana. ‘Acoustic ecology and education: bases for the design of a new landscape<\/p>\n\n

          sound.’ Barcelona: Gra\u00f3, 2006. ISBN 9788478274420.<\/p>\n\n

          \u2013 Schafer, R. Murray. ‘Voices of tyranny: temples of silence’. Indian River: Arcane, 1993. ISBN<\/p>\n\n

          1-89512-719-X.<\/p>\n\n

          \u2013 Tati, Jacques. ‘Play time’ . Barcelona: DeAplaneta, 2003.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

          Syllabus Shape acoustics Acoustics of proportions Acoustics of finishes and coatings Reverb calculation practice. Bibliography \u2013 Augoyard, Jean Fran\u00e7ois. \u2018\u00c0 l\u2019\u00e9coute de l\u2019environnement: r\u00e9pertoire des effets sonores\u2019. Marseille: \u00c9ditions Parenth\u00e8ses, 1995. ISBN 2-86364-078-X. \u2013 Beranek, Leo L. \u2018Concert & opera hall: how they sound\u2019. New York, [NY]: Acoustical Society of America: American Institute of Physics, […]<\/p>\n","protected":false},"author":5,"featured_media":274,"template":"","meta":{"_acf_changed":false},"postgrau":[79],"class_list":["post-454","course","type-course","status-publish","has-post-thumbnail","hentry","postgrau-postgraduate-in-sound-design-projection-and-space"],"acf":[],"lang":"en","translations":{"en":454,"es":453,"ca":192},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/course"}],"about":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/types\/course"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/users\/5"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media\/274"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media?parent=454"}],"wp:term":[{"taxonomy":"postgrau","embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/postgrau?post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}