{"id":2070,"date":"2026-05-12T09:58:27","date_gmt":"2026-05-12T07:58:27","guid":{"rendered":"https:\/\/www.ub.edu\/masterartsonor\/?page_id=2070"},"modified":"2026-05-12T10:05:41","modified_gmt":"2026-05-12T08:05:41","slug":"teachers","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/masterartsonor\/en\/teachers\/","title":{"rendered":"Teachers"},"content":{"rendered":"\n<main class=\"wp-block-group alignfull has-main-background-background-color has-background has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-query alignwide is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-89 teacher type-teacher status-publish has-post-thumbnail hentry rol-direccio rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/josep-cerda-i-ferre\/\" target=\"_self\" >Josep Cerd\u00e0 i Ferr\u00e9<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">\u00c9s doctor en Belles arts, catedr\u00e0tic d&#8217;escultura de la Facultat de Belles arts de la Universitat de Barcelona, actualment director del M\u00e0ster en Art Sonor de la UB i coordinador de Doctorat de la Facultat de Belles arts UB. Ha estat Deg\u00e0 de la Facultat de Belles arts UB, Director del departament d&#8217;escultura i Director&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/josep-cerda-i-ferre\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Josep Cerd\u00e0 i Ferr\u00e9<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-386 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/josep-cerda-i-ferre-2\/\" target=\"_self\" >Josep Cerd\u00e0 i Ferr\u00e9<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Es doctor en Bellas Artes, catedr\u00e1tico de escultura de la Facultad de Bellas Artes de la Universidad de Barcelona, actualmente director del Master en Arte Sonoro de la UB y coordinador de Doctorado de la Facultad de Bellas Artes UB. Ha sido Decano de la Facultad de Bellas Artes UB, Director del departamento de escultura&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/josep-cerda-i-ferre-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Josep Cerd\u00e0 i Ferr\u00e9<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-387 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/josep-cerda-i-ferre-3\/\" target=\"_self\" >Josep Cerd\u00e0 i Ferr\u00e9<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Josep Cerd\u00e0 is Doctor in Fine Arts, professor of sculpture at the Faculty of Fine Arts of the University of Barcelona, and is currently director of the Master in Sound Art at the UB and coordinator of the Doctorate of the Faculty of Fine Arts UB. He has been Dean of the UB Faculty of&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/josep-cerda-i-ferre-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Josep Cerd\u00e0 i Ferr\u00e9<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-180 teacher type-teacher status-publish has-post-thumbnail hentry rol-coordinacio rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/jose-manuel-berenguer-3\/\" target=\"_self\" >Jos\u00e9 Manuel Berenguer<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Director de l&#8217;Orquestra del Caos i del Festival M\u00fasica 13, fundador de Nau C\u00f4clea, membre de l&#8217;Academie Internationale de Musique Electroacoustique de Bourges i President d&#8217;Honor de la International Conference of Electroacoustic Music del Consell Internacional de la M\u00fasica de la UNESCO, ha estat objecte de premis i distincions atorgats per institucions com ara Internationale&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/jose-manuel-berenguer-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Jos\u00e9 Manuel Berenguer<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-388 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/jose-manuel-berenguer\/\" target=\"_self\" >Jos\u00e9 Manuel Berenguer<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Director de la Orquesta del Caos y del Festival M\u00fasica 13, Fundador de Nau C\u00f4clea, Miembro de la l\u2019Academie Internationale de Musique Electroacoustique de Bourges y Presidente Honorario de la International Conference of Electroacoustic Music del Consejo Internacional de M\u00fasica de la UNESCO, ha sido objeto de premios y distinciones otorgados por instituciones como Internationale&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/jose-manuel-berenguer\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Jos\u00e9 Manuel Berenguer<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-390 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/jose-manuel-berenguer-2\/\" target=\"_self\" >Jos\u00e9 Manuel Berenguer<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Director of the Chaos Orchestra and festival M\u00fasica 13, Founder of Nau C\u00f2clea, Member of the Academie Internationale de Musique Electroacoustique and Honorary President of the International Conference of Electroacoustic Music of the International Council of Music of UNESCO, he has been awarded by institutions such as Internationale Ferienkurse de Darmstadt, Gaudeamus Foundation, Prix de&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/jose-manuel-berenguer-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Jos\u00e9 Manuel Berenguer<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-423 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/eduard-escoffet-2\/\" target=\"_self\" >Eduard Escoffet<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Poet, researcher and cultural agitator. He has dedicated himself to the practice of sound poetry and performance, without abandoning other facets of today&#8217;s poetic and sound creation. He has presented his work at centres and festivals such as the Centre Pompidou, the Palais de Tokyo and the Cartier Foundation in Paris, the Berlin poesie festival,&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/eduard-escoffet-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Eduard Escoffet<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-424 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/anna-bofill-levi-4\/\" target=\"_self\" >Anna Bofill Levi<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Compositora y arquitecta, desde el inicio de sus estudios se ha interesado por el arte y la ciencia, y en particular la arquitectura org\u00e1nica, las teor\u00edas matem\u00e1ticas de los movimientos isom\u00e9tricos, el \u00e1lgebra booleana y la probabilidad, as\u00ed como la electroac\u00fastica y la computaci\u00f3n musical, y es investigadora de espacios y ciudades m\u00e1s habitables. Ha&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/anna-bofill-levi-4\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Anna Bofill Levi<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-425 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/carmen-pardo-3\/\" target=\"_self\" >Carmen Pardo<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Profesora de Historia de la M\u00fasica de la Universidad de Girona. Investigadora postdoctoral en la unidad IRCAM-CNRS en Par\u00eds (1996-1998), donde lleva a cabo investigaciones sobre el espacio sonoro en la m\u00fasica contempor\u00e1nea. Es responsable de la edici\u00f3n y traducci\u00f3n de John Cage, Escritos al o\u00eddo (1999) y autora de La escucha oblicua: una invitaci\u00f3n&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/carmen-pardo-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carmen Pardo<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-426 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/carmen-pardo\/\" target=\"_self\" >Carmen Pardo<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Lecturer of Music History at the University of Girona. Postdoctoral researcher at the IRCAM-CNRS unit in Paris (1996-1998), where she conducts a research on sound space in contemporary music. She is responsible for the editing and translation of John Cage, Escritos al o\u00eddo\u00a0(1999) and author of John Cage&#8217;s La escucha oblicua: una invitaci\u00f3n a John&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/carmen-pardo\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carmen Pardo<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1057 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/mikerl-r-nieto\/\" target=\"_self\" >Mikel R. Nieto<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Artist, occasional curator, and independent researcher. His work is mainly focused on the study of the various sociocultural and political aspectsthat arise from the act of listening. Listening as a source for the sonic creation of specific situationsand as a source for critical thinking and open listening. He has collaborated for years with Audiolab at&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/mikerl-r-nieto\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Mikel R. Nieto<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-422 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/eduard-escoffet-4\/\" target=\"_self\" >Eduard Escoffet<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Poeta, investigador y agitador cultural. Se ha dedicado a la pr\u00e1ctica de la poes\u00eda sonora y performance, sin abandonar otras facetas de la creaci\u00f3n po\u00e9tica y sonora actual. Ha presentado sus propuestas en centros y festivales como el Centre Pompidou, el Palais de Tokyo y la Fundaci\u00f3n Cartier de Par\u00eds, el Berlin poesie festival, bowery&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/eduard-escoffet-4\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Eduard Escoffet<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-420 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/medin-peiron-2\/\" target=\"_self\" >Med\u00edn Peir\u00f3n<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Med\u00edn Peir\u00f3n is a classic trained musician, student of the pianist Jean Pierre Dupuy and graduated in Sonology from the Escola Superior de M\u00fasica de Catalunya (Esmuc). As an electroacoustic composer, he trained in France with masters such as Denis Dufour and Jonathan Prager, beginning with the last one also in the art of acoustic&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/medin-peiron-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Med\u00edn Peir\u00f3n<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-419 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/medin-peiron-4\/\" target=\"_self\" >Med\u00edn Peir\u00f3n<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Med\u00edn Peir\u00f3n es m\u00fasico de formaci\u00f3n cl\u00e1sica, alumno del pianista Jean Pierre Dupuy y licenciado en Sonolog\u00eda por la Escola Superior de M\u00fasica de Catalunya (Esmuc). Como compositor electroac\u00fastico, se form\u00f3 en Francia junto a maestros como Denis Dufour y Jonathan Prager, comenzando con este \u00faltimo tambi\u00e9n en el arte de la interpretaci\u00f3n ac\u00fastica. Sus&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/medin-peiron-4\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Med\u00edn Peir\u00f3n<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-403 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/roc-jimenez-de-cisneros-3\/\" target=\"_self\" >Roc Jim\u00e9nez de Cisneros<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Roc Jim\u00e9nez de Cisneros (Barcelona, 1975) is an artist. He is part of the computer music group &nbsp;EVOL along with Scottish artist Stephen Sharp. His work explores the deformation processes applied to post-acid house culture. EVOL&#8217;s works have been published by record labels such as Ediciones Mego, Diagonal, Entr&#8217;acte, Presto!? or Alku, which has co-directed&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/roc-jimenez-de-cisneros-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Roc Jim\u00e9nez de Cisneros<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-427 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/carlos-gomez-4\/\" target=\"_self\" >Carlos G\u00f3mez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Compositor y artista de sonido colombiano, ingeniero de sonido y realizador documental. Profesor de arte sonoro y sonido para sistemas interactivos en diversas instituciones de Barcelona. Actualmente es profesor del M\u00e1ster en Arte Sonoro de la Universidad de Barcelona. Entre 1998 y 2014 fue codirector de la Orquesta del Caos y su plataforma de investigaci\u00f3n&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/carlos-gomez-4\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carlos G\u00f3mez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-428 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/carlos-gomez-2\/\" target=\"_self\" >Carlos G\u00f3mez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Colombian composer and sound artist, sound engineer and documentary producer. Professor of sound art and sound for interactive systems in several institutions in Barcelona. He is currently professor of the Master&#8217;s Degree in Sound Art at the University of Barcelona. Between 1998 and 2014 he was co-director of the Chaos Orchestra and its Sonoscop research&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/carlos-gomez-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carlos G\u00f3mez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-713 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/miguel-alonso\/\" target=\"_self\" >Miguel Alonso<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Curriculum BioM\u00fasic, docent, traductor i\/o activista passiu-reflexiu gallec-catal\u00e0 de matriu andalusa. Doctor en Antropologia cultural, M\u00e0ster en Antropologia urbana, Llicenciat en Antropologia social i graduat en Filologia Anglesa. Les meves l\u00ednies de recerca estan relacionades amb l&#8217;etnografia, la socioac\u00fastica i les cultures de l&#8217;escolta, la mem\u00f2ria hist\u00f2rica, la identitat sonora i els processos d&#8217;aculturaci\u00f3 lligats&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/miguel-alonso\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Miguel Alonso<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1055 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/mikel-r-nieto\/\" target=\"_self\" >Mikel R. Nieto<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Artista, comissari ocasional i investigador independent. El seu treball se centra principalment en l&#8217;estudi dels diferents aspectes socioculturals i pol\u00edtics que sorgeixen de l&#8217;acte d&#8217;escoltar. L&#8217;escolta com a font per a la creaci\u00f3 sonora de situacions espec\u00edfiques i com a font per a un pensament cr\u00edtic i una escolta oberta. Ha col\u00b7laborat durant anys amb&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/mikel-r-nieto\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Mikel R. Nieto<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1056 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/mikel-r-nieto-2\/\" target=\"_self\" >Mikel R. Nieto<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Artista, curador eventual e investigador independiente. Su trabajo se centra principalmente en el estudio de los diferentes aspectos socioculturales y pol\u00edticos que surgen del acto de escucha. La escucha como fuente para la creaci\u00f3 n sonora de situaciones espec\u00edficas y como fuente para un pensamiento cr\u00edtico y una escucha abierta. Ha colaborado durante a\u00f1 os&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/mikel-r-nieto-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Mikel R. Nieto<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1353 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/nuria-andorra\/\" target=\"_self\" >N\u00faria Andorr\u00e0<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">N\u00faria Andorr\u00e0, de formaci\u00f3 cl\u00e0ssica i contempor\u00e0nia per\u00f2 sempre bevent d\u2019altres fonts d\u2019inspiraci\u00f3. N\u00faria proposa un univers on les imatges, el so i el cos s\u2019uneixen per transmetre en igualtat les mateixes emocions i crear des de la interdisciplinarietat. Premi \u201cAl\u00edcia\u201d de l\u2019Acad\u00e8mia de la M\u00fasica Catalana pel seu espectacle interdisciplinari \u201cConstel\u00b7lacions\u201d 2021 Premi especial&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/nuria-andorra\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: N\u00faria Andorr\u00e0<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1527 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/ivonne-villamil-3\/\" target=\"_self\" >Ivonne Villamil<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\"> <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/ivonne-villamil-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ivonne Villamil<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1526 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ivonne-villamil-2\/\" target=\"_self\" >Ivonne Villamil<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\"> <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ivonne-villamil-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ivonne Villamil<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1525 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ivonne-villamil\/\" target=\"_self\" >Ivonne Villamil<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\"> <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ivonne-villamil\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ivonne Villamil<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1524 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/ginebra-raventos-de-volart-3\/\" target=\"_self\" >Ginebra Ravent\u00f3s de Volart<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\"> <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/ginebra-raventos-de-volart-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ginebra Ravent\u00f3s de Volart<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1523 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ginebra-raventos-de-volart-2\/\" target=\"_self\" >Ginebra Ravent\u00f3s de Volart<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\"> <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ginebra-raventos-de-volart-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ginebra Ravent\u00f3s de Volart<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1522 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ginebra-raventos-de-volart\/\" target=\"_self\" >Ginebra Ravent\u00f3s de Volart<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Poeta i artista sonora que investiga l&#8217;expansi\u00f3 del camp d\u2019acci\u00f3 de la poesia. En les seves peces desplega el seu univers po\u00e8tic, en qu\u00e8 veu, acci\u00f3, so, imatge, espai i text s\u2019entremesclen en un tot indispensable. Indaga en les possibilitats sonores i perform\u00e0tiques de la poesia a trav\u00e9s d&#8217;accions, recitals, publicacions i instal\u00b7lacions que en&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ginebra-raventos-de-volart\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ginebra Ravent\u00f3s de Volart<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1355 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/nuria-andorra-3\/\" target=\"_self\" >N\u00faria Andorr\u00e0<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">N\u00faria Andorr\u00e0, with a classical and contemporary background but always drawing from other sources of inspiration. N\u00faria proposes a universe where images, sound and the body come together to transmit the same emotions equally and create from an interdisciplinary perspective. \u201cAl\u00edcia\u201d Award from the Academy of Catalan Music for her interdisciplinary show \u201cConstellations\u201d 2021 Zirk\u00f2lika&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/nuria-andorra-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: N\u00faria Andorr\u00e0<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1354 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/nuria-andorra-2\/\" target=\"_self\" >N\u00faria Andorr\u00e0<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">N\u00faria Andorr\u00e0, de formaci\u00f3n cl\u00e1sica y contempor\u00e1nea pero siempre bebiendo otras fuentes de inspiraci\u00f3n. N\u00faria propone un universo donde las im\u00e1genes, el sonido y el cuerpo se unen para transmitir en igualdad las mismas emociones y crear desde la interdisciplinariedad. Premio \u00abAlicia\u00bb de la Academia de la M\u00fasica Catalana por su espect\u00e1culo interdisciplinario \u00abConstelaciones\u00bb 2021&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/nuria-andorra-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: N\u00faria Andorr\u00e0<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-402 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/roc-jimenez-de-cisneros-2\/\" target=\"_self\" >Roc Jim\u00e9nez de Cisneros<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Roc Jim\u00e9nez de Cisneros (Barcelona, 1975) es artista. Forma parte del grupo de m\u00fasica por ordenador EVOL junto con el artista escoc\u00e9s Stephen Sharp. Su trabajo explora los procesos de deformaci\u00f3n aplicados a la cultura post-acid house. Las obras de EVOL han sido publicadas por sellos discogr\u00e1ficos como Ediciones Mego, Diagonal, Entr&#8217;acte, Presto!? o Alku,&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/roc-jimenez-de-cisneros-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Roc Jim\u00e9nez de Cisneros<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1352 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/sonia-sanchez-3\/\" target=\"_self\" >S\u00f2nia S\u00e0nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Dancer rooted in flamenco, free improvisation, and Japanese\u00a0body weather\u00a0dance. She gravitates towards improvised sound laboratories through the body. The foundations of her work lie in the flamenco essence of sound in space, the body that resonates in movement and danced space. She began her research between the attitude of flamenco rhythm and the organic speed&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/sonia-sanchez-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: S\u00f2nia S\u00e0nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1351 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/sonia-sanchez-2\/\" target=\"_self\" >S\u00f2nia S\u00e0nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Bailarina desde el flamenco, la improvisaci\u00f3n libre y la danza japonesa\u00a0body weather. Se inclina por los laboratorios de sonido improvisado a trav\u00e9s del cuerpo. Los fundamentos de sus trabajos est\u00e1n en la ra\u00edz flamenca del sonido en el espacio, el cuerpo que suena en el movimiento y en el espacio bailado. Comenz\u00f3 sus investigaciones entre&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/sonia-sanchez-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: S\u00f2nia S\u00e0nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1349 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/sonia-sanchez\/\" target=\"_self\" >S\u00f2nia S\u00e0nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Balladora des del flamenc, la improvisaci\u00f3 lliure i la dansa japonesa body weather. S&#8217;inclina pels laboratoris de so improvisat a trav\u00e9s del cos. Els fonaments dels seus treballs estan a l&#8217;arrel flamenca del so en l&#8217;espai, el cos que sona al moviment i a l&#8217;espai ballat. Va comen\u00e7ar les seves investigacions entre l&#8217;actitud del ritme&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/sonia-sanchez\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: S\u00f2nia S\u00e0nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1285 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/luz-maria-sanchez-3\/\" target=\"_self\" >Luz Mar\u00eda S\u00e1nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Luz Mar\u00eda S\u00e1nchez is a transdisciplinary artist, writer and scholar. She holds a PhD in Art from the Universidad Aut\u00f3noma de Barcelona. She received two Honorary Mentions from the Prix Ars Electronica for her art project Vis.[un]necessary force in 2020 and 2021. She was the winner of the Climate Change Artist Commission (2015) of the&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/luz-maria-sanchez-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Luz Mar\u00eda S\u00e1nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1284 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/luz-maria-sanchez-2\/\" target=\"_self\" >Luz Mar\u00eda S\u00e1nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Luz Mar\u00eda S\u00e1nchez es artista transdisciplinar, escritora y acad\u00e9mica. Es doctora en Arte por la Universidad Aut\u00f3noma de Barcelona. Recibi\u00f3 dos menciones de honor del Prix Ars Electronica por sus obras Vis.Fuerza [in]necesaria en 2020 y 2021. Fue ganadora de la Climate Change Artist Commission (2015) del Land Heritage Institute en San Antonio, y fue&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/luz-maria-sanchez-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Luz Mar\u00eda S\u00e1nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1281 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/luz-maria-sanchez\/\" target=\"_self\" >Luz Mar\u00eda S\u00e1nchez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Luz Mar\u00eda S\u00e1nchez \u00e9s artista transdisciplinar, escriptora i acad\u00e8mica. \u00c9s doctora en Art per la Universitat Aut\u00f2noma de Barcelona. Va rebre dos esments d&#8217;honor del Prix Ars Electronica per les seves obres Vis.Fuerza [in]necesaria en 2020 i 2021. Va ser guanyadora de la Climate Change Artist Commission (2015) del Land Heritage Institute en Sant Antoni,&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/luz-maria-sanchez\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Luz Mar\u00eda S\u00e1nchez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1166 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/miguel-alonso-3\/\" target=\"_self\" >Miguel Alonso<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">\u2022 Bio Musician, teacher, translator, and\/or passive-reflective Galician-Catalan activist of Andalusian origin. PhD in Cultural Anthropology, Master in Urban Anthropology, Bachelor in Social Anthropology, and a graduate in English Philology. My research lines are related to ethnography, socioacoustics, and the cultures of listening, historical memory, sound identity, and the acculturation processes linked to mass culture.&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/en\/teacher\/miguel-alonso-3\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Miguel Alonso<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-1165 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/miguel-alonso-2\/\" target=\"_self\" >Miguel Alonso<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">&#8211; Bio M\u00fasico, docente, traductor y\/o activista pasivo-reflexivo galaico-catal\u00e1n de matriz andaluza. Doctor en Antropolog\u00eda cultural, M\u00e1ster en Antropolog\u00eda urbana, Licenciado en Antropolog\u00eda social y graduado en Filolog\u00eda Inglesa. Mis l\u00edneas de investigaci\u00f3n tienen relaci\u00f3n con la etnograf\u00eda, la socioac\u00fastica y las culturas de la escucha, la memoria hist\u00f3rica, la identidad sonora y los procesos&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/miguel-alonso-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Miguel Alonso<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-400 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ray-gallon-2\/\" target=\"_self\" >Ray Gallon<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Ray Gallon ha trabajado en el mundo de la comunicaci\u00f3n durante m\u00e1s de 40 a\u00f1os. Ha trabajado como periodista y productor de radio, y ha sido galardonado con diversos premios y reconocimiento profesional. Ha trabajado en estaciones como el CBC de Canad\u00e1, NPR (Estados Unidos), France Culture, Radio Netherlands International, Deutsche Welle y WDR (Colonia,&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/ray-gallon-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ray Gallon<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-91 teacher type-teacher status-publish hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/anna-bofill-levi\/\" target=\"_self\" >Anna Bofill Levi<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Compositora i arquitecte, des de l\u2019inici dels seus estudis s\u2019interessa per l\u2019art i la ci\u00e8ncia, i en particular per la arquitectura org\u00e0nica, les teories matem\u00e0tiques dels moviments isom\u00e8trics, de l\u2019\u00e0lgebra booleana i de la probabilitat, i tamb\u00e9 per l\u2019electroac\u00fastica i la inform\u00e0tica musical, i \u00e9s investigadora d\u2019espais i ciutats m\u00e9s habitables. Ha estudiat amb Jordi&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/anna-bofill-levi\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Anna Bofill Levi<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-92 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/carlos-gomez\/\" target=\"_self\" >Carlos G\u00f3mez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Compositor i artista sonor Colombi\u00e0, enginyer de so i realitzador documental. Professor d&#8217;art sonor i so per a sistemes interactius en diverses institucions a Barcelona. Actualment \u00e9s professor al m\u00e0ster d&#8217;art sonor de la Universitat de Barcelona. Entre els anys 1998 i 2014 va ser co director de l&#8217;Orquestra de Caos i la seva plataforma&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/carlos-gomez\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carlos G\u00f3mez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-96 teacher type-teacher status-publish has-post-thumbnail hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/marti-ruiz\/\" target=\"_self\" >Mart\u00ed Ruiz<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Artista sonor. Llicenciat i M\u00e0ster en Belles Arts, especialitzat en escultura i dibuix. Doctor i Investigador del BR::AC, Coordinador del Taller d\u2019Escultura Sonora Baschet UB.\u00a0Membre del Laboratori d\u2019Art Sonor des de 2008, treballant en la l\u00ednia de la interacci\u00f3 entre art i entorn, de la participaci\u00f3 inclusiva en escultura sonora. Dedicat a diverses disciplines musicals,&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/marti-ruiz\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Mart\u00ed Ruiz<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-170 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ray-gallon\/\" target=\"_self\" >Ray Gallon<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Ray Gallon ha estat treballant en el m\u00f3n de la comunicaci\u00f3 durant m\u00e9s de 40 anys. Ha exercit de periodista i productor de r\u00e0dio, i ha estat guardonat amb premis i reconeixement professional. Ha treballat en emissores com ara la CBC del Canad\u00e0, la NPR (Estats Units), France Culture, Radio Netherlands International, Deutsche Welle, i&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/ray-gallon\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Ray Gallon<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-171 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/roc-jimenez-de-cisneros\/\" target=\"_self\" >Roc Jim\u00e9nez de Cisneros<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Roc Jim\u00e9nez de Cisneros (Barcelona, 1975) \u00e9s artista. Forma part del grup de m\u00fasica per ordinador EVOL juntament amb l&#8217;artista escoc\u00e8s Stephen Sharp. El seu treball explora els processos de deformaci\u00f3 aplicats a la cultura post-acid house. Les obres d\u2019EVOL han estat publicades per segells discogr\u00e0fics com Editions Mego, Diagonal, Entr&#8217;acte, Presto!? o Alku, que&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/roc-jimenez-de-cisneros\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Roc Jim\u00e9nez de Cisneros<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-173 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/carme-pardo\/\" target=\"_self\" >Carmen Pardo<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Professora d\u2019Hist\u00f2ria de la M\u00fasica a la Universitat de Girona. Investigadora postdoctoral a la unitat IRCAM-CNRS de Par\u00eds (1996-1998), on duu a terme una investigaci\u00f3 sobre l\u2019espai sonor a la m\u00fasica contempor\u00e0nia. \u00c9s responsable de l\u2019edici\u00f3 i traducci\u00f3 de John Cage,&nbsp;Escritos al o\u00eddo&nbsp;(1999) i autora de&nbsp;La escucha oblicua: una invitaci\u00f3n a John Cage&nbsp;(2001, versi\u00f3 francesa&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/carme-pardo\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Carmen Pardo<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-175 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/pedro-alcalde\/\" target=\"_self\" >Pedro Alcalde<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Pedro Alcalde \u00e9s compositor, director d&#8217;orquestra, pianista i music\u00f2leg. Les seves obres inclouen composicions de m\u00fasica ac\u00fastica, electroac\u00fastica i electr\u00f2nica, per a dansa, teatre, cinema, instal\u00b7lacions sonores i mix-media per a orquestra i electr\u00f2nica, estrenades en importants sales de concerts i teatres d&#8217;\u00f2pera arreu del m\u00f3n, com l&#8217;\u00d2pera Estatal de Berl\u00edn, el Teatro Real de&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/pedro-alcalde\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Pedro Alcalde<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-176 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/lina-bautista\/\" target=\"_self\" >Lina Bautista<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Va estudiar composici\u00f3 musical a Bogot\u00e0, Col\u00f2mbia. Des del 2009 viu i treballa a Barcelona, on va acabar els seus estudis de composici\u00f3 musical i noves tecnologies, Disseny de Sistemes Musicals Interactius i Art Sonor. Ha realitzat concerts ciutats al voltant del m\u00f3n i ha participat en incomptables festivals com artista i educadora. Actualment treballa&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/lina-bautista\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Lina Bautista<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-184 teacher type-teacher status-publish has-post-thumbnail hentry rol-professorat-habitual\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/medin-peiron\/\" target=\"_self\" >Med\u00edn Peir\u00f3n<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Med\u00edn Peir\u00f3n \u00e9s m\u00fasic de formaci\u00f3 cl\u00e0ssica, alumne del pianista Jean Pierre Dupuy, i titulat en sonologia per l&#8217;Escola Superior de M\u00fasica de Catalunya (Esmuc). Com compositor electroac\u00fastic, es forma a Fran\u00e7a al costat de mestres com Denis Dufour i Jonathan Prager, iniciant-se amb aquest \u00faltim tamb\u00e9 en l&#8217;art de la interpretaci\u00f3 acusm\u00e0tica. Les seves&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/medin-peiron\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Med\u00edn Peir\u00f3n<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-185 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/anna-ramos\/\" target=\"_self\" >Anna Ramos<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Responsable del projecte radiof\u00f2nic online R\u00e0dio Web MACBA i co-responsable&nbsp;del segell ALKU, plataforma pluridisciplin\u00e0ria que opera des del 1997. Sota aquest paraigua desenvolupa projectes, instal\u00b7lacions i cicles entorn de la m\u00fasica per ordinador, l\u2019\u00e0udio generatiu, la s\u00edntesi i altres \u00e0rees relacionades. Ha comissariat juntament&nbsp;amb Roc Jim\u00e9nez de Cisneros cicles de confer\u00e8ncies, concerts i instal\u00b7lacions per&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/teacher\/anna-ramos\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Anna Ramos<\/span><\/a><\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-363 teacher type-teacher status-publish hentry\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-b75c6b02 wp-block-columns-is-layout-flex\" style=\"border-top-style:none;border-top-width:0px;border-bottom-color:var(--wp--preset--color--border);border-bottom-width:1px;padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><h2 style=\"font-style:normal;font-weight:600;\" class=\"wp-block-post-title has-medium-font-size\"><a href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/agusti-fernandez-2\/\" target=\"_self\" >Agust\u00ed Fern\u00e1ndez<\/a><\/h2><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:80%\"><div class=\"wp-block-post-excerpt has-medium-font-size\"><p class=\"wp-block-post-excerpt__excerpt\">Agust\u00ed Fern\u00e1ndez (Palma de Mallorca, 1954), con una carrera perfectamente consolidada y una merecida reputaci\u00f3n internacional, es uno de los m\u00fasicos catalanes con mayor proyecci\u00f3n internacional y referente mundial en el mundo de la m\u00fasica improvisada. Fern\u00e1ndez ha trabajado con grandes m\u00fasicos de improvisaci\u00f3n libre como Peter Kowald, Derek Bailey, Laurence D &#8220;Butch&#8221; Morris, Evan&hellip; <\/p><\/div>\n\n<a class=\"wp-block-read-more\" href=\"https:\/\/www.ub.edu\/masterartsonor\/es\/teacher\/agusti-fernandez-2\/\" target=\"_self\">+ info<span class=\"screen-reader-text\">: Agust\u00ed Fern\u00e1ndez<\/span><\/a><\/div>\n<\/div>\n\n<\/li><\/ul>\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><nav class=\"wp-block-query-pagination is-content-justification-space-between is-layout-flex wp-container-core-query-pagination-is-layout-b2891da8 wp-block-query-pagination-is-layout-flex\" aria-label=\"Paginaci\u00f3\">\n\n\n<div class=\"wp-block-query-pagination-numbers\"><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"?query-26-page=2\">2<\/a><\/div>\n\n<a href=\"\/masterartsonor\/wp-json\/wp\/v2\/pages\/2070?query-26-page=2\" class=\"wp-block-query-pagination-next\">Entrades anteriors<span class='wp-block-query-pagination-next-arrow is-arrow-arrow' aria-hidden='true'>\u2192<\/span><\/a>\n<\/nav><\/div>\n\n\n\n\n\n<div style=\"height:var(--wp--preset--spacing--70)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/main>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":69,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2070","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"mb":[],"lang":"en","translations":{"en":2070,"ca":2066,"es":2068},"pll_sync_post":[],"mfb_rest_fields":["title","lang","translations","pll_sync_post"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/pages\/2070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/comments?post=2070"}],"version-history":[{"count":2,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/pages\/2070\/revisions"}],"predecessor-version":[{"id":2075,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/pages\/2070\/revisions\/2075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media\/69"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/masterartsonor\/wp-json\/wp\/v2\/media?parent=2070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}