Lecturer of Music History at the University of Girona. Postdoctoral researcher at the IRCAM-CNRS unit in Paris (1996-1998), where she conducts a research on sound space in contemporary music. She is responsible for the editing and translation of John Cage, Escritos al oído (1999) and author of John Cage’s La escucha oblicua: una invitación a John Cage (2001, French version Approche de John Cage. L’écoute oblique, 2007, awarded in 2008 with the Coup de Coeur in Contemporary Music Publications of the Charles Cross Academy); Robert Wilson (in collaboration with Miguel Morey, 2003); Las TIC: una reflexión filosófica (2009) and En el mar de John Cage (2009). She has participated in several collective works, including Presences of Iannis Xenakis Présences de Iannis Xenakis (2001); Musiques, Arts, Technologies. Pour une approche critique (2004, English version Music, Arts, Technologies. Toward a critical approach and Spanish version Músicas, Artes, Tecnologías. Por una aproximación crítica); La parole sur scène. Voix, texte, signifié (2008); Estética: perspectivas contemporáneas (2008); Encuentros de Pamplona 1972: Fin de fiesta del arte experimental (2009) and Desbordamiento de Val del Omar (2010).
Her articles, which have contemporary art as the central axis, particularly music and sound art, have been published in specialized national and international journals. As a translator she has also been in charge, among others, of the work of Michel Chion El arte de los sonidos fijados o la música concretamente (2001) and Peter Szendy, Grandes éxitos. La filosofía en la jukebox (2009, in collaboration with Miguel Morey). She has organized and coordinated several international conferences, such as La Calle (Madrid, 1998) or Músicas, artes y tecnologías: por una aproximación crítica (Barcelona/Montpellier, 2000); the media art show Bosque Sonoro: Homenaje a John Cage (Barcelona, 2003); Ciclo John Cage; Esto llamado… música minimal… y otros; Música en la noche; La Música de la Arquitectura: Varèse, Xenakis, Dusapin (collaboration with Músicadhoy/La Casa Encendida, Madrid, 2006, 2008, 2009, 2010); Night of the Electroacoustic Music; El sonido en la cueva (Sorderas) i Sonidos del poder. Escuchas del miedo (in collaboration with the Chaos Orchestra, Brussels 2008 and Barcelona 2008 and 2009). She has been deputy curator (music section) of the exhibition Encuentros de Pamplona 1972: Fin de fiesta del arte experimental, presented at Museo Nacional Centro de Arte Reina Sofía from 28 October 2009 to 22 February 2010, and to the Museo de Navarra, la Ciudadela de Pamplona and the CIVICAN from 25 March to 13 June 2010.