[vc_row equal_height=”yes” css=”.vc_custom_1678283832354{background-color: #93aa48 !important;}”][vc_column][vc_empty_space height=”55px”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] <\/p>\n
Cartografia de la mat<\/span>erialitat<\/span> – Base de dades<\/span><\/strong><\/span><\/p>\n [\/vc_column_text][\/vc_column][vc_column][vc_column_text] <\/p>\n One of the activities of the project, within the line of research focused on performative practices inside monastic spaces, was re-creating in the present the rituals which took place in the Sant Pere de les Puel\u00b7les monastery of Benedictine nuns in Barcelona, from the time the abbess died until the choice of her successor. <\/strong><\/p>\n The documentary foundation of the research was the information contained in a late manuscript, dated from the seventeenth century, which summarises the main scenes that unfolded at this essential time in a monastic community (death of the prelate and choice of the new one) and the archival documentation (especially account books and notary documentation from the fourteenth century) which sheds light on the people, roles and spaces that were involved in these rituals, their gestures and meanings, as well as the material elements acquired for the occasion (clothing, objects, etc.).<\/p>\n The ACUB \u00c0mbit Cultural de Benedictines, an EPO of our project, developed the script of the \u2018performance\u2019 based on this documentation, and it coordinated the staging, which involved more than 20 extras who were volunteers from the project, professors and students from the University of Barcelona, along with the use of two choirs specialised in Gregorian music (Auditexaudi<\/em> and Schola Gregoriana de Catalunya<\/em>) and the collaboration of the communities of Sant Benet of Montserrat and Sant Pere de les Puel\u00b7les of Barcelona. Furthermore, the Monastery of Pedralbes helped with the props (costumes, objects and furniture) needed. The latter, an EPO of our project, also allowed us to use the privileged spaces of the monastery of Santa Maria de Pedralbes in Barcelona, where the re-creation was filmed.<\/p>\n The end result is a video that strings together the different scenes in this ritual of death and the choice of the new abbess. It is a documentary that stresses the gestures (of obedience to the new abbess, respect for the deceased prelate), the music, the silence and the tolling of the bells that accompany the main players (nuns, beneficiate chaplains, canons, gravediggers, bishop, president of the Tarraconense and Cesaragustana Benedictine Congregation, notary, etc.) in their procession through the spaces (cloister, upper and lower choir, chapterhouses, monastery doorway, etc.). In short, it was a major effort to turn the historical scholarly research, performed and promoted at the university, into a product of historical dissemination framed within the digital humanities.<\/p>\n We are aware of the difficulties of the re-creation\u2014which was conditioned by the conservation of the documentation and the profuseness of its information\u2014as well as the license we needed to take, such as recording a Benedictine ritual in a Clarissan monastery, the material possibilities and the budget. Nonetheless, the result, which is the outcome of a collective effort and the scholarly rigour that guided us at all times, far outstrips the initial expectations, entailed a great deal of learning for the project members both individually and collectively and, most importantly, yielded a rigorous scholarly product with the extraordinary potential to widely share the scholarship on the history of female spirituality.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/www.youtube.com\/watch?v=fdgOtRTxtjk&t=5s&ab_channel=ACUB%C3%80mbitCulturaldeBenedictines”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”8168″ img_size=”medium”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”8166″ img_size=”medium”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”8169″ img_size=”medium”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”8167″ img_size=”medium”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]CREDITS: <\/strong><\/p>\n Production Coordination Script and directing Direction and post-production Documentation Extras Music Off-screen voices Costumes Locations In conjunction with: [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][vc_column width=”1\/6″][vc_single_image image=”6849″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/6″][vc_single_image image=”8194″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/6″][vc_single_image image=”8187″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/6″][vc_single_image image=”8188″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row equal_height=”yes” css=”.vc_custom_1678283832354{background-color: #93aa48 !important;}”][vc_column][vc_empty_space height=”55px”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Cartografia de la materialitat – Base de dades [\/vc_column_text][\/vc_column][vc_column][vc_column_text] …<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template\/page\/fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/pages\/8356"}],"collection":[{"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/comments?post=8356"}],"version-history":[{"count":5,"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/pages\/8356\/revisions"}],"predecessor-version":[{"id":8428,"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/pages\/8356\/revisions\/8428"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/proyectomonastic\/wp-json\/wp\/v2\/media?parent=8356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Monastic Landscapes. Representations and virtualisations of the mediaeval spiritual and material realities in the Western Mediterranean (sixth to nineteenth centuries), 2019-2022 (Ref. PGC2018-095350-B-I00)<\/p>\n
\n<\/strong>N\u00faria Jornet Benito
\nIrene Brugu\u00e9s Massot<\/p>\n
\n<\/strong>Irene Brugu\u00e9s Massot
\nColoma Boada Catas\u00fas
\nACUB \u00c0mbit Cultural de Benedictines<\/p>\n
\n<\/strong>Cus\u00ed-Mares Audiovisual Producer<\/p>\n
\n<\/strong>ACUB \u00c0mbit Cultural de Benedictines<\/p>\n
\n<\/strong>Pilar Benito Mir\u00f3
\nPere Botey Casals
\nEnric Casas Reig
\nAraceli Coll Sanabra
\nMaite Comalat Navarra
\nXavier Costa Badia
\nMarc Ferrer Fern\u00e0ndez
\nLloren\u00e7 Gener Segu\u00ed
\nJaume Gual Serra
\nJoan Guilella Miquel
\nSevero Is\u00fas Montaner
\nN\u00faria Jornet Benito
\nAlice KeeferRiva
\nRosa Lluch Bramon
\nBego\u00f1a Pons Segu\u00ed
\nNil Rider Enrique
\nConcepci\u00f3n Rodr\u00edguez Parada
\nAnna Rubi\u00f3 Rod\u00f3n
\nJordi Sacasas Segura
\nAlbert Salvad\u00f3 Usach
\nJordi Sol\u00e0 Antol\u00edn
\nMaria Soler Sala
\nEul\u00e0lia Sancho Planas
\nMarta Sancho Planas
\nJosep M.Sans Manasanch
\nJordi Saura Nadal
\nManel V\u00e1zquez Mu\u00f1oz
\nAlfons Vil\u00e0 Grau
\nJuli\u00e0 Vilar Herms
\nRamon Vilar Herms
\nJosep Maria Yepes Montardit<\/p>\n
\n<\/strong>Auditexaudi
\nSchola Gregoriana de Catalunya
\nDaniel Vilarr\u00fabias Cuadras<\/p>\n
\n<\/strong>Anna Rubi\u00f3 Rod\u00f3n
\nN\u00faria Jornet Benito<\/p>\n
\n<\/strong>Pilar Benito Mir\u00f3
\nJordi Sacasas Segura<\/p>\n
\n<\/strong>Irene Brugu\u00e9s Massot
\nReial Monestir de Santa Maria de Pedralbes<\/p>\n
\n<\/strong>Sant Pere de les Puel\u00b7les monastery
\nSant Benet monastery of Montserrat
\nRoyal Monastery of Santa Maria de Pedralbes
\nAnna Castellano Tresserra
\nCarme Aixal\u00e0 F\u00e0bregas
\nM\u00f2nica Navarro Ruiz
\nFaculty of Information and Audiovisual Media of the University of Barcelona
\nSanta Maria del Pi parish
\nRoyal and Illustrious Archconfraternity of the Pur\u00edssima Sang de Nostre Senyor Jesucrist
\nCastell\u00f3 d\u2019Emp\u00faries Town Hall
\nMassot Gil family
\nMas Massot family<\/p>\n