{"id":247,"date":"2023-05-25T20:05:28","date_gmt":"2023-05-25T18:05:28","guid":{"rendered":"https:\/\/www.ub.edu\/zero\/?page_id=247"},"modified":"2023-05-25T22:07:20","modified_gmt":"2023-05-25T20:07:20","slug":"se-comio-el-arenal","status":"publish","type":"page","link":"https:\/\/www.ub.edu\/zero\/se-comio-el-arenal\/","title":{"rendered":"Albert Font &#8211; Reuniones xurreras en el cementerio &#8211; 2023"},"content":{"rendered":"<h1>&#8216;Reuniones xurreras en el cementerio&#8217;<\/h1>\n<h2>Sobre el proc\u00e9s i la producci\u00f3 constant com a forma d&#8217;expressi\u00f3.<\/h2>\n<p>El proc\u00e9s constant com a imaginari vital, nasquent d&#8217;una necessitat visceral. La quotidianitat com a qu\u00ebstionament paradoxal del temps. Ni present, ni passat ni futur. Sense objectiu de trobar quelcom, la recerca \u00e9s la pr\u00f2pia finalitat.<\/p>\n<p>&nbsp;<\/p>\n<p>Materials recurrents:<\/p>\n<p>Pintura acr\u00edlica, oli, tinta, rotulador permanent, guix, pintura pl\u00e0stica, sorra, greix, runa, pols, paper, cola.<\/p>\n<p>Dins les pintures i els dibuixos que he anat realitzant els \u00faltims 4 mesos he fet una selecci\u00f3 i els he escanejat. En principi tenia l&#8217;idea de poder endre\u00e7ar-los per tal que seguissin un fil narratiu diferent al de la pr\u00f2pia cronologia de la llibreta. D&#8217;aquesta manera tamb\u00e9 podia combinar peces fetes en format petit i en format gran com si compartissin una mateixa mida.<\/p>\n<h3><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-454 alignleft\" src=\"https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/S021000213_2304142127000_00001-1024x723.jpg\" alt=\"\" width=\"663\" height=\"468\" srcset=\"https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/S021000213_2304142127000_00001-1024x723.jpg 1024w, https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/S021000213_2304142127000_00001-300x212.jpg 300w, https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/S021000213_2304142127000_00001.jpg 4960w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Simult\u00e0neament he fet petites composicions tridimensionals.<\/p>\n<h3><\/h3>\n<h3>Conclusions<\/h3>\n<p>Dins l&#8217;est\u00e8tica de l&#8217;obra trobo que un dels aspectes m\u00e9s imporatnts \u00e9s la composici\u00f3 i l&#8217;aire. L&#8217;experimentaci\u00f3 amb el format m&#8217;ha arribat a interessar m\u00e9s que les pr\u00f2pies t\u00e8cniques o l&#8217;est\u00e8tica de les obres.<\/p>\n<ul>\n<li>Resoluci\u00f3<\/li>\n<li>Zoom Out\/In<\/li>\n<li>Tonalitats (i el canvi d&#8217;aquestes)<\/li>\n<li>Video<\/li>\n<li>\u00das del m\u00f2bil per du a terme el projecte<\/li>\n<li>Edici\u00f3 digital de la pl\u00e0stica f\u00edsica<\/li>\n<li>Filtratge de la pl\u00e0stica al p\u00edxel al f\u00edsic<\/li>\n<\/ul>\n<p>Treball en format llibre, llibreta dinA3, DinA4, DinA5.<\/p>\n<p>&nbsp;<\/p>\n<p>Links:<\/p>\n<p>.<\/p>\n<h3>Recull de dibuixos i pintures que comparteixen un ritual i est\u00e8tica amb tinta:<\/h3>\n<p><a href=\"https:\/\/fontescultura.wordpress.com\/sugar-xes\/\">https:\/\/fontescultura.wordpress.com\/sugar-xes\/<\/a><\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>.<\/p>\n<h3>Composicions tridimensionals de petit format<\/h3>\n<p><a href=\"https:\/\/fontescultura.wordpress.com\/maxucao\/\">https:\/\/fontescultura.wordpress.com\/maxucao\/<\/a><\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>&nbsp;<\/p>\n<h3>Sense clasificar<\/h3>\n<p><a href=\"https:\/\/fontescultura.wordpress.com\/catedral-de-fetges\/\">https:\/\/fontescultura.wordpress.com\/catedral-de-fetges\/<\/a><\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>.<\/p>\n<h3>Fotografies alterades<\/h3>\n<p><a href=\"https:\/\/fontescultura.wordpress.com\/tricepos\/\">https:\/\/fontescultura.wordpress.com\/tricepos\/<\/a><\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>.<\/p>\n<p>Despr\u00e9s de la generaci\u00f3 i classificaci\u00f3 d&#8217;aquestes imatges he concluit en una exposici\u00f3 de 22 pintures origin\u00e0riament A3 canviant al format de segell. Localitzades a la pared de manera horitzontal, amb la mateixa separaci\u00f3 unes d&#8217;altres.<\/p>\n<h3>Pintures llibreta A3<\/h3>\n<p><a href=\"https:\/\/fontescultura.wordpress.com\/cumulto-a-pleno-sol\/\">https:\/\/fontescultura.wordpress.com\/cumulto-a-pleno-sol\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-253\" src=\"https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/IMG_0761-1.heic\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-254\" src=\"https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/IMG_0766-1.heic\" alt=\"\" width=\"1\" height=\"1\" \/> <img decoding=\"async\" class=\"alignnone size-full wp-image-255\" src=\"https:\/\/www.ub.edu\/zero\/wp-content\/uploads\/2023\/05\/IMG_0767-1.heic\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Reuniones xurreras en el cementerio&#8217; Sobre el proc\u00e9s i la producci\u00f3 constant com a forma d&#8217;expressi\u00f3. El proc\u00e9s constant com a imaginari vital, nasquent d&#8217;una necessitat visceral. La quotidianitat com a qu\u00ebstionament paradoxal del temps. Ni present, ni passat ni futur. Sense objectiu de trobar quelcom, la recerca \u00e9s la pr\u00f2pia finalitat. &nbsp; Materials recurrents: <a href=\"https:\/\/www.ub.edu\/zero\/se-comio-el-arenal\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Albert Font &#8211; Reuniones xurreras en el cementerio &#8211; 2023<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-247","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/pages\/247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/comments?post=247"}],"version-history":[{"count":24,"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/pages\/247\/revisions"}],"predecessor-version":[{"id":465,"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/pages\/247\/revisions\/465"}],"wp:attachment":[{"href":"https:\/\/www.ub.edu\/zero\/wp-json\/wp\/v2\/media?parent=247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}