Workshops
An Artsoundcapes workshop is an open space for debate and learning, where team members and/or visitors present the current state of the art about a particular topic related to one of our research lines
16 February, 2021
Online
The connection between altered states of consciousness and repetitive auditory stimulation: A bibliographical review.
By Raquel Aparicio Terrés
3 March, 2020
Online
Tres revisiones críticas de Mehr et al. “Universality and Diversity in Human Song” (Science 22, 2019)
By Raquel Jiménez Pasalodos, Ana María Alarcón Jiménez and José Valenzuela
25 February, 2020
Universitat de Barcelona
Los espíritus cantan y escuchan: mitologías del sonido en las montañas de Altai.
By Raquel Jiménez Pasalodos
18 February, 2021
Universitat de Barcelona
A Soundtrack for Rocky Hill: Ethnohistorical Sources and Music in a Yokuts Rock Art Site.
By Ana María Alarcón Jiménez
5 November, 2019
Universitat de Barcelona
Arqueomusicología: reflexiones en torno al simposio ‘Artes, paisajes y objetos sonoros del pasado’ en Bogotá.
By Ana María Alarcón Jiménez and Margarita Díaz-Andreu
5 November, 2019
Universitat de Barcelona
Sounds of the Daureb and San socio-spatial perception.
By Doerte Weig
30 April, 2019
Universitat de Barcelona
Shamanism and rock art: a critical review.
By Margarita Díaz-Andreu
2 April, 2019
Universitat de Barcelona
California vs. California: Different realities of acoustic landscapes and ethnographies.
By Margarita Díaz-Andreu and Ana María Alarcón Jiménez
26 March, 2019
Universitat de Barcelona
Recent developments on archaeoacoustics in California.
By Ana María Alarcón Jiménez
12 March, 2019
Universitat de Barcelona
“Shamanism” by Piers Vitebsky (2001).
By Laura Coltofean
19 February, 2019
Universitat de Barcelona
“When rivers and mountains sing” by T. Levin and V. Süzükey (eds.) (2011).
By Raquel Jiménez Pasalodos
12 February, 2019
Universitat de Barcelona
Acoustic measurements in archaeological contexts.
By Tommaso Mattioli
22 January, 2019
Universitat de Barcelona
Baka, San and the origins of sounding.
By Doerte Weig
18 December, 2018
Universitat de Barcelona
“Animism and Rainforest in Tundra” by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012).
By Laura Coltofean presenting / Ana María Alarcón – Live Sound: Music, bodies, and mediation on a large music stage
11 December, 2018
Universitat de Barcelona
Ethnomusicology, acoustemology and acoustic ecology. Different approaches to the cultural study of sound.
By Raquel Jiménez Pasalodos
4 December, 2018
Universitat de Barcelona
Ancient sacralization of landscapes: An interdisciplinary approach to Baja California Rock Art.
By Mathieu Picas
6 November, 2018
Universitat de Barcelona
An introduction to the history of ethnomusicology / Reflections on Dance, Ritual and Multisensory Experience.
By Raquel Jiménez Pasalodos – An introduction to the history of ethnomusicology and Doerte Weig – Reflections on Dance, Ritual and Multisensory Experience
30 October, 2018
Universitat de Barcelona
“Hearing rock art landscapes”.
By Margarita Díaz-Andreu presenting “Hearing rock art landscapes” by T. Mattioli and M. Díaz-Andreu (2017) and Tommaso Mattioli presenting “Echoing landscapes” by T. Mattioli et alii (2017)
23 October, 2018
Universitat de Barcelona
“Shamanistic aspects of California Rock Art”.
By Mathieu Picas presenting “Shamanistic aspects of California Rock Art” by K. Hedges (1992) and Laura Coltofean presenting “Animism and Rainforest in Tundra” by M. Brightman, V.E. Grotti and O. Ulturgasheva (eds.) (2012)
16 October, 2018
Universitat de Barcelona
Music archaeology, ICTM, ISGMA and archaeoacoustics / “Archaeoacoustics”.
By Margarita Díaz-Andreu – Music archaeology, ICTM, ISGMA and archaeoacoustics and Tommaso Mattioli presenting “Archaeoacoustics” by C. Scarre & G. Lawson (eds.) (2006)